View allAll Photos Tagged FTZ
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Alexander Dennis Trident / Alexander Dennis Enviro 400
Stagecoach Midlands
New to Greater Manchester South 10/2006 as 19082
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
First West of England WA56 FTZ
5 "Mint" branded Alexander Dennis Dart SLF / ADL Pointer
Nailsea
Service X8
16th June 2018
This morning, I took my second technical walk with the Nikon Z8. In an effort to get more familiar with its functions, I decided to switch things up and mounted my trusted Nikon 80-200mm f/2.8 FX AF-S ED lens using the FTZ II Mount Adapter. Despite its hefty weight, this lens has always delivered sharp results and beautiful bokeh—even under the shadowy canopies of trees. I hope the photos speak for themselves and you’ll agree after having a look.
As I stepped out from the Charnwood Water car park, swans and a variety of ducks approached me, expecting breakfast. Some of the swans even reminded me—by gently touching—that they were waiting to be fed. I spotted a pair of Mandarin ducks, known as a perching duck species, but decided to leave them undisturbed, knowing how shy they tend to be. I made a mental note to return to them on my way back.
The woodlands surrounding Charnwood Water were in full spring bloom—cherry and plum trees had turned the area into a painter’s palette. I noticed dew drops gently collecting on their petals in the crisp morning air. I captured some of my first images of the day here among the Cherry Blossoms, hoping to share a sense of their quiet beauty.
While the squirrels were surprisingly elusive, I spotted one mischievously peeking at me from high up in an ancient oak tree. It kept its distance, still unfamiliar with my lens, but I managed to get a fairly close shot at 200mm. As always, nature photography is a lesson in patience. Those who wait are often rewarded.
Blue tits were flitting about in small groups, clearly busy with nesting preparations. One male—at least I believe it was a male—paused briefly along the walking trail, singing its heart out. Surely calling for a mate.
After photographing the squirrel, I turned my attention to a Wood Pigeon that allowed me to get unusually close. I took the opportunity to capture a soft portrait of it, with a background of warm greens and yellows rendered into pleasing bokeh.
On my way back to the car, I saw the Mandarin duck pair being fed by some generous passers-by. Bathed in morning light, their vibrant colors were on full display. I finally took several shots of them and continued testing the Z8’s AF Subject Detection for the second time. It's definitely a major upgrade over the D850, and I know it will take practice to master. But I’m optimistic—it’s a journey I look forward to.
Mandarin Duck in the UK - Distribution & Population
Introduction to the UK: Mandarin Ducks are native to East Asia, including regions like southeastern Siberia, Korea, eastern China, and Japan. They were introduced to the UK in the 20th century, primarily for ornamental purposes in wildfowl collections. Escapees from these collections began breeding in the wild around the 1930s, leading to the establishment of a feral population.
Current Population: As of recent estimates, the UK hosts a population of approximately 7,000 Mandarin Ducks. This population has been increasing over time and is considered valuable, especially since the species' numbers have declined in its native range.
Geographical Distribution: Mandarin Ducks are primarily found in the southern regions of England, particularly in areas with park lakes and other wetlands surrounded by overhanging trees. They are also present in parts of North England, Wales, and Scotland.
Habitat Preferences
Breeding Sites: Mandarin Ducks prefer breeding in densely wooded areas near shallow lakes, marshes, or ponds. They are known for nesting in tree cavities, making them one of the UK's few "perching duck" species.
Winter Habitats: During the winter months, they can be found in marshes, flooded fields, and open rivers. While they prefer freshwater environments, they may also inhabit coastal lagoons and estuaries.
I've captured some unforgettable moments with my camera, and I hope you feel the same joy viewing these images as I did while shooting them.
Thank you so much for visiting my gallery, whether you leave a comment, add it to your favorites, or simply take a moment to look around. Your support means a lot to me, and I wish you good luck and beautiful light in all your endeavors.
© All rights belong to R.Ertuğ. Please refrain from using these images without my express written permission. If you are interested in purchasing or using them, feel free to contact me via Flickr mail.
Tech notes:
Lens: Handheld or on monopod, always with VR on.
Aperture: Mostly f/6.3 to f/8.
All images have been converted from RAW to JPEG.
I've started using a Nikon Cross-Body Strap or a monopod for longer walks.
Here are the monopod details:
Gitzo GM2542 Series 2 4S Carbon Monopod
Really Right Stuff MH-01 Monopod Head with Standard Lever
Your comments and criticism are always appreciated.
Thanks for stopping by and taking the time to explore! 😊
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Camera Test: Nikon Z5
FTZ Adapter
Lens Test: Nikkor-S 35mm 1:2.8 non-Ai
In the vernacular of the CSXT railway, a "Cab" is a control point, derived from the use of the word "Cabin" on the old C&O for the control and signal towers that used to line the right of way before modernization made them, and the people who worked them, obsolete. This particular cab resembles the old towers as it's on a platform to raise it above the historical high water level for the area.
Horizon fix.
YX62 FTZ is an Alexander-Dennis E40H Trident Enviro400 H37/24D bus, new to London United as ADH49 in February 2013.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Z7 + FTZ + Nikkor-O.C 35mm f/2 ai'd & CPU'd, ISO 110, f/8 at 1/320s. 2 horizontal shots-pano. Built in 100 BCE by the Romans. Supposedly the extreme left arch is the only original one not destroyed in WWII by retreating German troops.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z5
FTZ Adapter
NIKKOR-S 35mm 1:2.8 non-Ai
I tried to lighten up the shadow in the rock cut, but it got a little out of hand boundary wise. Just an example of unnecessary editing.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Z7 + FTZ + Nikkor-NC 35mm f/1.4F ai'd; ISO 800, f/5.6 at 1/100s; ~53% cropped (24/45MP). Marble of 2nd century CE, Ostia Antica Museum; B & W version.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
National Express West Midlands E169 | LG73 FTZ | BYD D8UR-DD | Alexander Dennis Enviro 400 EV | 101 Birmingham - Leveretts
National Express West Midlands 870 | SN15 LCU | Alexander Dennis E20D | Alexander Dennis Enviro200 B37F | 126 Birmingham - Dudley.
Camera Test: Nikon Z5
FTZ Adapter
Lens Test: Nikkor-S 35mm 1:2.8 non-Ai
This series of photos illustrates one problem I have no matter what camera I'm using, and that is getting my horizons level. There is a level you can use on the rear screen of the Z5, but it does not display in the viewfinder unless I just don't know how to turn it on.
So in photo 1, everything is tilting to the left. Then in photo 2 I get it straight by using the back screen, but because of reflections and the bright sun angle it's hard to see exactly what one is capturing, so there is too much foreground. In photo 3 i fix that with a 16x9 crop.
Horizon fix.
Nikon + FTZ ll adapter; front lens was 281mm from closest part of orchid. Handheld flash at ½ power with diffuser, interval of 1 second between shots. I masked the background and dropped the exposure to get a black background. Z8, Nikon 105mm
Z7 + FTZ + Nikkor 400mm f/5.6K ED (non-IF) ai´d, hand held; ISO 1600, f/8 at 1/320s; ~18% cropped (8/45MP). 4 seconds sequence.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Bei furchtbarem Gegenlicht und mit Kompaktknipse ausgestattet, gab ich mir Ende Juli 2003 diesen Versuch eines Fotos der TEE-farbenen 120, alias 752 001.
der Gothaer Waggon Fabrik aus dem Jahre 1913 auf dem Übungsgelände der FTZ Peine. Ab und zu wird er durch die Feuerwehr zu Aussbildungszwecken genutzt, z,B. Abdichtung von Leckagen.
Das Übungsgelände existiert in dieser Form nicht mehr, es musste einem Verwaltungsbau des Landkreises Peine weichen.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.
Nikon Z6 - FTZ - Tamron 15-30 f2.8 G1 version
Apologies for the quality but first time using the Z6 in anger, trying manual with auto-iso, very dark and generally always moving.