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Various Artists
Wednesday 6 - Friday 8 November, Check listing for times
Various Locations
Various Locations
Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.
Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens
Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.
Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.
Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps
Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.
Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.
Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance
Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.
The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.
Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.
About the Artists
Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.
Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.
Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.
Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.
Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.
Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.
Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.
Photography Kathryn Rattray
Tall, tan, and fit swimsuit bikini model goddess! Testing some new video channels for the epic Hero's Journey Mythology bikini swimsuit model photoshoots, where you can view videos shot at the same time as stills:
Follow me! Let me know which ones your like best! :)
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour. Just like Helen of Troy, she's worth fighting a ten year war for! :)
Got a brand new Prime Lens--the Carl Zeiss Sony Alpha e-mount FE 55mm F/1.8 ZA Carl Zeiss Sonnar T* Lens! Let me know how you like it! :)
Sony A7 R Test Photos of Bikini Swimsuit Model Goddess! Pretty, pretty, pretty woman! Shot with the awesomely sharp, sharp Carl Zeiss Sony Sonnar Sony FE 55 mm F/1.8 ZA Carl Zeiss Sonnar T* Lens and finished in Lightroom 5.3 ! Was using the B W 49mm Kaesemann Circular Polarizer MRC Filter on bright, sunny day. Check out the low glare off the rocks and water and the bright blue sky! Super sharp images and crystal-clear pictures!
Beautiful swimsuit bikini model goddess on a beautiful January Malibu morning! Shot it yesterday. :) Love, love, love the new Sony A7 R 55mm F/1.8 lens combo!
Was a fun test shoot. Many, many more to come!
All the best on your Epic Hero's Journey from Johnny Ranger McCoy!
Modeling the black & gold Celtic Cross and "Gold 45 Revolver" Gold'N'Virtue swimsuits, shirts, & lingerie with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
All The Best on your EPIC hero's journey from Johnny Ranger McCoy! :)
Falling in love with the full frame 36 megapixel e mount Sony A7R!
The books behind the pretty goddess on the Malibu beach hut and surfboard are The Decline and Fall of the Roman Empire by Edward Gibbon, Homer's Iliad, Homer's Odyssey, Shakespeare, and Herman Melville's Moby Dick! My favorite books! Will have some video of the pretty model reading them beside a campfire soon.
They're all collectors editions! My books cost as much as my surfboards!
And for those who always ask, I shoot in RAW! Always! :)
Follow me on facebook: www.facebook.com/45surfHerosJourneyMythology
Twitter: twitter.com/45surf
For the Daily Dog Challenge -- 2/1 "Two"
For Our Daily Challenge -- 2/1 "Together"
For 365: The 2014 Edition -- 32/365
I confess, this wasn't my original plan for today's assignments, but after I took it, I really fell in love with it, so here it is. Bunny is usually not much of a canine kisser, and I have a feeling she might end up raising her rates. She does like being together, though, and she accepted a lot of kisses at the nursing home today.
You can read more about Bunny at TalesAndTails.com.
picture taken during one of my assignments for Productions Playground on Dec 30th.
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For book review on thefoxling.blogspot.com
Book - Sew Iconic: How to Make 10 Classic Hollywood Dresses by Liz Gregory
Please mark your calendars for our Spring Bread and Cheese Creek which will be are largest cleanup to date! These photos show the current sad condition of this historic stream. We plan to clean up Bread and Cheese Creek form the Berkshire section to North Point Road on Saturday, April 5, 2014 at 8:00 AM - 2:00 PM, All the assistance from volunteers and sponsor is greatly appreciated! We know this is a huge section of stream to tackle but I know we can do it!
This cleanup will be in conjunction with the Alliance for the Chesapeake Bay’s Project Clean Stream and it will be our fifth year working with them! This cleanup will also be in conjunction with American Rivers. We will supply trash bags, gloves, water, snacks and lunch. A limited supply of waders and tools will also be available for sign out during the cleanup.
Remember, there plenty of ways for volunteers to participate. We will need every type of person of every ability level to contribute and assist with the Clean Up. Though it is true we will need people to dig out shopping carts and haul trash to the dumpsters, we can use people to run water, food, tools, and trash bags (both empty and full) to individuals in the creek. People to sort recyclables from the debris removed. People will be needed to work the grills as well as many other less strenuous activities. We are also authorized to sign-off on Community Service and Service Learning Hours for students. The more people we have, the easier the work will be for everyone. Please feel free to pass this information on to other who might be interesting in helping as well. As my grandfather always said, "Many hands makes the work light". We run our cleanups as a family event with all age groups welcome by developing plenty of ways for volunteers to participate.
Our cleanups are part of an ongoing effort clean the entire stream by the 2014 bicentennial celebration of War of 1812 Bicentennial Celebration. (Bread and Cheese Creek has been noted as one of the highlighted location on the Star-Spangled Banner National Historic Trail) The creek played a rather significant part in the Battle of North Point which took place on September 12, 1814. Both the American and British Troops camped along its banks. It is rumored that the young heroes Daniel Wells (19) and Henry McComas (18) used the stream channel to sneak up on British General Robert Ross killing him with their muskets before being killed in return fire. This important part of our history should not be left the eyesore it currently is and those who died defending our country honored in this way.
You can learn more about us through our website at www.BreadandCheeseCreek.org, become our friend on FaceBook, Google+, Instagram, Pinterest or follow us on Twitter and/or join the Clean Break and Cheese Creek Group. You can also see photos of our past cleanups on Flickr and our videos on YouTube. You can also subscribe to out Electronic Newsletter.
If you have any comments or questions please contact us. Thank you again for your interest!
The kit and its assembly:
Another entry for the “Flying Boat, Seaplane and Amphibian” Group Build at whatifmodelers.com in late 2017, and the result of a spontaneous inspiration from a drawing of a Luft’46/fantasy creation of a Me 262 fuselage with a planning bottom, a parasol(!) wing and a single jet engine exhausting right above the cockpit, and no (visible) stabilizing floats at all. Rather spurious.
Well, nevertheless, the Me 262 jet fighter has a very shark-like profile and shape, and it has already been converted into flying boats or even submarines by modelers, and I decided to create my personal interpretation of the theme. I remembered a lone He 115 float in my stash (maybe 35 years old or even more!), and when I held to a Me 262 fuselage the parts had almost the same length and width. So, creating a flying boat jet fighter seemed like a realistic task.
Things started straightforward with an 1:72 Smer Me 262 fighter, which is actually the vintage Heller two-seater night fighter with a new fuselage and canopy. My kit of choice would have been the Matchbox kit, but the Heller kit is also O.K., due to its simplicity and simple construction.
Creating something amphibian from a Me 262 is not a trivial task, though. With its low wings and underslung engine nacelles there’s a lot to be changed until you get a plausible floatplane. Another challenge is to integrate some form of stabilizer/outrigger floats, what also influences the wings’ position. Placing the engines where they are safe from spray ingestion is also a serious matter – you have to get the high and the intakes as far forward as possible.
Doing some legwork I found some similar builds, and they all did not convince me. And, after all, I wanted to create my own “design”; in order to incorporate some realism I eventually settled on Dornier’s typical WWII designs like the Do 18 and Do 24. These elegant aircraft had a common, elegant trait: low stub wings as stabilizer floats, paired with high wings (in the case of the Do 18 held by a massive central pylon) which carried the engine out of the water’s reach. This appeared like a feasible layout for my conversion, even though it would mean a total re-construction of the kit, or rather assembling it in a way that almost no part was glued into the intended place!
Work started with the cockpit, which had to be moved forward in order to make room for the wings behind the canopy, placed high on a pylon above the fuselage. For this stunt, the cockpit opening and the place in front of it (where the original front fuselage tank would be) were cut out and switched. The cockpit tub was moved forward and trimmed in order to fit into the new place. The nose section was filled with lead, because the stub wings/floats would allow a retractable landing gear to be added, too, making the aircraft a true amphibian!
The He 115 float was cut down in order to fit under the OOB Me 262 fuselage, and a front wheel well was integrated for a tricycle landing gear. Once the fuselage was closed, the planning bottom was added and the flanks sculpted with putty – lots of it.
In the meantime the Me 262 wing received a thorough re-arrangement, too. Not only were the engine nacelles moved to the upper wing surface (cutting the respective wing and intake sections of the nacelles off/out and turning them around 180°), the original connecting ventral wing part with the landing gear wells were turned upside down, too, the landing gear covers closed (with the respective OOB parts) and the inner wing sections modified into a gull wing, raising the engines even further. VERY complex task, and blending/re-shaping everything took a lot of PSR, too.
Under the central wing section I added a pylon left over from a Smer Curtiss SC Seahawk kit, because a massive Do 18-esque construction was out of question for a fast jet aircraft. The gaps were filled with putty, too.
In order to keep the stabilizers free from water spray they were moved upwards on the fin, too. The original attachment points were sanded away and hidden under putty, and the OOB stabilizers placed almost at the top at the fin.
Finding suitable stub wings/floats became a challenge: they have to be relatively thick (yielding buoyancy and also offering room for the retractable landing gear), but also short with not-so-rounded tips. It took a while until I found suitable donor parts in the form of the tips of an 1:32 AH-64 Apache (!) stabilizer! They were simply cut off, and openings for the main landing gear cut into their lower sides.
Once glued to the lower flanks and the stabilizers in place it was time to place the wing. In the meantime the moved cockpit had been blended to the fuselage, and initial tests indicated that the pylon would have to be placed right behind the canopy – actually on top of the end of the clear part. As a consequence the canopy was cut into pieces and its rear section integrated into the fuselage (more PSR).
However, the relatively thin and slender central pylon from the Curtiss SC indicated that some more struts would be necessary in order to ensure stability – very retro, and not really suited for a jet-powered aircraft. And the more I looked at the layout, the more I became convinced that the wings and engines were in a plausible position, but placed too high.
What started next were several sessions in which I shortened the pylon step by step, until I was satisfied with the overall proportions. This went so far that almost everything of the pylon had gone, and the wings almost rested directly on the Me 262’s spine!
However, this new layout offered the benefit of rendering the extra struts obsolete, since I decided to fill the small gap between wing and fuselage into a single, massive fairing. This would also mean more internal space, and consequently the original idea of a jet-powered combat aircraft was modified into a fast multi-purpose amphibian vehicle for special tasks, capable of transporting personnel behind enemy lines with a quick move.
More PSR, though, and after some finishing touches like a scratched landing gear (front leg/wheel from an Italeri Bae Hawk, main struts from a Mistercraft PZL Iskra trainer, wheels from an Academy OV-10 Bronco and with improvised covers), several antennae and mooring lugs made from wire, the aircraft was ready for painting. On the downside, though, almost any surface detail had been lost due to the massive, overall body sculpting – but the application of the light zigzag pattern helped to recreate some “illusionary” details like flaps or panel lines. ;-)
Gamla Kristianstadsbilder. Fria för publicering, ange foto Kristianstads kommun.
Mer info om våra bilder hittar du här: www.flickr.com/people/kristianstadskommun
For all of you nostalgic diners out there, here is a time machine to take you back to the good old days! Back to the neon lights, flashy architecture, and rock 'n' roll of the fabulous 50's!
Designed to pay homage to the most American of icons: the Hamburger, French Fries, Coca-Cola, Malts and Ice Cream Sodas
Please Pray for Davids family. Dave is my Cousin, My aunt's youngest Son. He was Murdered Thursday night, 11/11/10 at 10:36 PM by Poachers while on duty just south of Gettysburg. He was a Christian and a very happy, friendly young man. David graduated from Grace Academy in 1997. He attended Appalachian Bible College in Bradley, W.Va., from 1997 to 1999. He earned a bachelor’s degree in wildlife and fisheries science from Penn State University in 2004. He was a graduate of the 27th class of the Ross Leffler School of Conservation. I can not remember seeing David without a smile on his face. Ever. He was very loved and respected by not only family, but the community that he served as well.
Sosing aka Xiǎo Jing 孝經 Guerin Chinese Model from Beijing 北京 China Posing in Yellow Top and Shorts for an On Location Portrait Photoshoot at Alexander Stirling Calder 1924 Swann Memorial Fountain Logan Circle Philadelphia July 1992
(for further information please click on the link at the end of page!)
Palais Daun-Kinsky
If the Freyung once has been one of the most prestigious residential addresses in town, so for it was next to the Palais Harrach especially the Grand Palais Kinsky responsible. In its place in the middle ages were two parcels, each with a small building. The front part of the Freyung was since the 16th Century always in aristocratic in hands (Bernhard Menesis Freiherr von Schwarzeneck, Countess Furstenberg, Counts Lamberg). 1686 acquired Karl Ferdinand Count Waldstein the house of Count Lamberg. His son bought also the adjacent house in Rose Street (Rosengasse) and united both plots to one parcel. He had three granddaughters, who sold the site in 1709 to Wirich Philipp Laurenz Graf Daun. This came from an old Rhenish nobility. His ancestors were mostly working for the Elector of Trier as officers. In the battle of the Habsburgs against the Turks, Spanish and Frenchmen, he acquired great military merit. He brought it to the General Feldzeugmeister (quartermaster) and Viceroy of Naples. In 1713 he had the house at the Freyung demolished and by Johann Lukas von Hildebrandt built in its place until 1716 a palace, him serving as Vienna's city residence. Down may have been Antonio Beduzzi requested the creation of reconstruction plans, but was eventually Hildebrandt entrusted with the work. In 1719, the palace was largely completed. Daun lived there but rarely because he stayed a lot in Italy and in Austria preferred his country castles Ladendorf, Kirchstetten and Pellendorf. In 1746 acquired Johann Joseph Count von Khevenhüller the Palais from Leopold Joseph von Daun, the son of the owner, who happened to be in financial difficulty. The Reichsgraf (count of empire) was appointed in 1763 by the Empress Maria Theresa for his services to the Lord Steward and Lord Chamberlain, and raised to the hereditary imperial princes (princes of the Holy Roman Empire).
Door knocker
He sold the palace in 1764 to the Imperial Councilor President Ferdinand Bonaventura Harrach Count II. This worked as a diplomat, especially in Holland and Italy. At times of Maria Theresa, the building was inhabited by her Swiss Guards until they 1784 moved to their new quarters in Hofstallgebäude (court stable building). Ferdinand Bonaventura's daughter Rosa brought the palace in 1790 into her marriage to Josef Graf Kinsky. Whose family belonged to the Bohemian nobility. Its members appear at the beginning of the 13th Century documented. Wilhelm Freiherr von Kinsky was a colonel and friend of Wallenstein. He was murdered with this 1634 in Eger. His confiscated estates were divided among the assassins. Only two masteries (Chlumez and Bohemian Kamnitz ) remained through the timely change of front of his nephew, Johann Octavian with the family. The Kinsky but succeeded soon to rise again. They occupied again high positions in the administration and the military. 1798 the had modernized their Viennese palace by the architect Ernst Koch inside. Thus, the original Baroque interior was lost. As in 1809 the Frenchmen had occupied Vienna, a french Marshal and General were billeted in the palace. Prince Ferdinand Kinsky was a great patron of Beethoven, which he paid an annual salary of 4,000 florins for life along with two other nobles. In 1856, the Palace was refurbished in the interior by the architect Friedrich Stache. In the 19th Century lived the Princes Kinsky mostly on their Bohemian goods or in Prague. The building was therefore temporarily rented to some posh tenants. So lived here temporarily Field Marshal Radetzky and Archduke Albrecht. 1904 redecorated the French interior designer Armand Decour the piano nobile.
Staircase - second floor
With the end of World War II began a tough time for the Kinsky family. Almost all goods and industrial holdings, with the exception of the hunting lodge Rosenhof at Freistadt lay in Bohemia. By 1929, 50 % of the extensive Bohemian possessions were expropriated. There were still about 12,000 acres, a sugar factory and breweries. 1919 had to be a part of Vienna's Palais force-let. During World War II it was requisitioned by the German army. For fear of air raids the in the palace remaining objects of art were transferred to some Bohemian castles. The Palais Kinsky was not destroyed, its art treasures but remained in Bohemia. After the Second World War, the remaining Czech possessions were lost by nationalization for the family. In the Viennese palace were temporarily housed the embassies of China and Argentina. In 1986 it was sold by Franz Ulrich Prince Kinsky. After several short-term owners, the palace was acquired by the Karl Wlaschek private foundation in 1997. It was generously restored from 1998 to 2000 and adapted for offices and shops. The Grand Ballroom is often used because of its excellent acoustics as a concert hall. Since 1992, acclaimed art auctions are held at the Palais.
The Palais Kinsky is probably next to the Belvedere the most prominent secular work of the great Baroque architect and one of the best preserved baroque palaces in Vienna. Despite multiple changes of ownership and of numerous rearrangements inside the main components such as Baroque facade, vestibule, staircase, hall and gallery remained largely unchanged. The building extends between Freyung and Rosengasse. The property is only 30 meters wide, but three times longer. It was therefore not an easy task to build on it a representative palace with a grand staircase. Hildebrandt but has brilliantly overcome by putting up four floors at 24 m height, and yet preserving the proportions. He grouped the construction with two long side wings and a cross section around two consecutive large courtyards. The pomp and living rooms of the palace are mounted around the first courtyard, while the second contained carriage houses and stables. Here have yet been preserved the marble wall panels with the animal waterings made of cast iron and enamel from the late 19th century. Hildebrandt integrated various parts of the previous building into the new building. The seven-axle face side at the Freyung is divided several times. Stability is procured by the rusticated ground floor with its inserted diamond blocks. On it sit the two residential floors. They are embraced by Corinthian Riesenpilaster (giant pilasters). The mezzanine floor above it features in comparison with the underlying main floor tiny windows.
Hercules
The large windows on the main floor are particularly detailed designed. While the outer pairs of windows possess pagoda-like over roofings, those of the three windows of the central projection are round-arched. The trophies and weapons depicted in the lintel fields refer to the military profession of the owner. Vertically is the extensive looking facade accented by the slightly protruding, tri-part central risalite, the pilasters are decorated much richer than that of the side projections. In the Fantasiekapitelle (fantasy capital) of the pilasters are diamond lattices incorporated, an important component of the coat of arms of the Counts Down. The with figures and trophies decorated attica is over the central part formed as balustrade. The sculptures are believed to originate from Joseph Kracker, representing the gods Minerva, Juno, Hercules, Neptune, Diana and Constantia. Very elegant looks the plastically protruding portal. Its composition goes back to Johann Lukas von Hildebrandt. It is considered one of the most beautiful Baroque portals of Vienna. The draft was submitted in 1713 and carried out until 1715. The richly decorated wooden gate dates from the period around 1856, when it was renewed. It is outside flanked by two, obliquely placed Doric columns that match the rusticated ground floor. Sloped to the inside carry two, on pillar stumps standing atlases (also from Kracker) the entablature with the overlying structured segment gable. On it sit the stone figures of Prudence and Justice. The middle window in between is much richer decorated than the rest of the window openings on the first floor. Instead of the usual trapezoidal over roofings here it is crowned by a cartouche held by two putti. The originally thereon located coat of arms of the owner was replaced after the change of ownership by that of the Kinsky family with three boar's teeth. Above the shield hangs an chain with the Order of the Golden Fleece. Both the gusset of the archway as well as the overlying triglyph frieze are decorated with trophies.
Banquet Hall
If someone passes the portal, so one gets into one, by strong pillars divided three-aisled gatehouse. The massive spatial impression is something mitigated by the large sculptures in the niches. They were created by Joseph Kracker. Among the somewhat restrained stucco decorations you can see the coat of arms of the owner, with its characteristic diamond motif. At this gate hall adjoins the widely embedded and more than twice as high vestibule with its domed ceiling. This transverse oval space is divided by pilasters and Doric columns. The rich stucco decoration of the ceiling provided with lunettes could come from Alberto Camesina or from his workshop. The here used motifs are again relating to the career of the client as a commander. For instance, in the lunette caps are reliefs of Roman soldiers. On the left side of the vestibule leads an anteroom to the grand staircase. It is dominated by a vault carrying Hercules, a work by Lorenzo Mattielli. As the monogram of Charles VI proves, with it the Emperor was meant to be worshiped. In two oval niches stand above the two double doors of the Treppenvorhauses (stairway hall way) busts of Caesar and Emperor Titus Flavius Vespasian. The elongated stairway occupies almost the entire length of the left wing of the first courtyard. In the stairwell are eleven statues of Roman deities in stucco niches. The relatively narrow, crossed grand stairway is considered one of the most beautiful of Vienna. It overall design might go back to Antonio Beduzzi. On the second floor stand on the from winded perforated volute forms constructed stone balustrade four groups of playing or scrapping putti. They serve in part as a lantern holders, partly just as a decoration. The statue cycle in the staircase is a work of Lorenzo Mattielli, but the cherubs are believed to stem from Joseph Kracker. This type of decoration already points to the coming Rococo. A fresco by Carlo Innocenzo Carlone adorns the ceiling. The simulated architecture painted Antonio Beduzzi. The large wall mirror of the staircase were added after 1907 .
Staircase/ceiling fresco
The somewhat playful balustrade leads to the reception rooms on the second floor. The large oval ballroom above the entrance hall is oriented towards the courtyard. Its allegorical ceiling painting stems from Carlo Innocenzo Carlone. The other frescoes are of him and Marcantonio Chiarini. The walls are covered with marble. The room was several times, most recently in 1904 changed structurally. In front of the banquet hall is the former dining room. It is now called Yellow Salon. In 1879/80 was installed in it a choir stalls from the Pressburg Cathedral by Georg Raphael Donner ( 1736) and partly completed. The also acquired confessionals were converted into boxes that are in the antechamber of the second floor today. In the chapel, designed by Hildebrandt, was until 1741 as altarpiece Francesco Solimena's "Holy Family with the Infant John the Baptist". 1778 the sacred space, however, was already desecrated. The altarpiece is already since the 18th Century in Wiener Neustadt Neuklosterkirche (church in Lower Austria). In the cross-section between the first and the second courtyard lay the paneled gallery whose spatial effect in 1856 by an attached conservatory was changed something. Its vaulted ceiling is decorated with frescoes by Carlo Innocenzo Carlone. Marcantonio Chiarini created 1716/18 the quadrature paintings. At it followed a larger hall in which Francesco Solimena's oil painting "Phaeton and Apollo" was located. It can be admired today in the National Gallery in Prague. The hall was later used as a library. Part of the state rooms 1714 was equipped with ceiling paintings by Peter Strudel. In the course of a radical redesign of the building's interior Ernest Koch has cut off all stucco ceilings of the staterooms 1798-1800 and also redesigned the walls. Since 1879 Carl Gangolf Kayser tried to restore the original spatial impression by the of Rudolf von Weyr created new Neo-Baroque stucco ceilings. Only in a few areas (vestibule, staircase, ballroom), the original substance remained. In the palace there are numerous Mamorkamine (marble fireplaces) and stoves from the 18th and 19th Century. The star parquet floors and many original door fittings date from the third quarter of the 19th Century. The facades of the first courtyard are structured by Tuscan pilasters. The arcades on the ground floor have already been closed in 1753. The with a mascaron decorated wall fountain is a work of Rudolf von Weyr. The second courtyard is kept simple. Remarkable at it rear end is the cenotaph for the current owner Karl Wlaschek.
Location/Address: 1010 Vienna, Freyung 4
Activities: The courtyards are freely accessible, the staircase usually also. A look at the state rooms is only possible if these are not just rented.
For my coming Jabba's palace I've built some technical device. I've made an instruction to see how I used some SNOT-techniques.
For Record Store Day we ventured to deepest Bexhill-On-Sea to the excellent Music's Not Dead shop. The photo is the Unicorndad Vrs Robotdad EP on my Dual 505 - cheers Toby of Gensing Farm for the record.
From the May 2016 trip to Thailand and Cambodia:
Preah Khan is a fairly unique site for being one of the lesser-known places in the Angkor complex. It was constructed by Jayavarman VII in the late 12th century (1191 A.D.), with alterations by Jayavarman VIII.
As I mentioned about Ta Prohm being dedicated to Jayavarman’s mother (in that the main deity was sculpted in her likeness), Preah Khan is dedicated to his father Dharanindravarman. The bodhisattva Lokesvara was sculpted in his likeness.
Preah Khan is also a fortunate site in that its main stele was found in situ, so the history of Preah Khan is well-known. It was a city that housed over 1,000 Buddhist teachers (and, as a result, a Buddhist university). It was built on a “lake of blood” as, apparently, this is the site where the Khmers recaptured Angkor from the Chams (a group from Vietnam, may have been Muslim) and the Cham king died here.
In short, this was a university city – and, like all of these sites, it’s pretty much in the jungle now, but in its prime, was a flourishing city with houses, streets and the like – a religious site, and a site with important history for the Khmers. On top of that, its architecturally unique from other Angkor sites in that it’s a round-columned, two-storied building and there are entrance causeways with boundary stones and nagas.
Preah Khan is located on the route out of the north gate of Angkor Thom on the grand circuit, and visiting here will probably take you at least an hour (but not more than two).
Well, this is it. Save for a return flight to Bangkok on Tuesday, May 17 (a formality, really, just to pick up the return flight to China on the 18th…and no shoots on the 17th in Bangkok), Siem Reap/Angkor Wat is the last stop – and the one I was most looking forward to.
The flight over was pretty uneventful, though amusing. At Phnom Penh International Airport, we checked in at the gate, then went outside and hopped on a bus to take us to the plane…which was literally less than 100 meters away. That amused me to no end. A quick, comfortable 45 minute flight on the prop jet later – over completely black terrain; it seems the countryside is either sparsely populated, or electricity is a premium, but we may as well have been flying over a moonless ocean – brought us to Siem Reap (which, I’m glad to say, had lights). Siem Reap is the small town (and it’s basically a tourist/party kind of town where it’s great to go out at night after spending a full day in the sweltering hot sun. It’s about 10 kilometers south of Angkor Wat.
In overview, Angkor Wat is the ancient capital of the Khmer kingdom. What remains today are temples…temples…and temples. Hindu temples. Buddhist temples. They were also a people who were animists, so some temples are reminiscent of that system, too.
The detail of the temples is also fascinating. There are more asparas here than you can shake a stick at. Of the roughly 20,000 asparas, only one is shown smiling (baring teeth, that is). It fascinates – and impresses – me that people have done such extensive research and restoration that they know this. Those are the details, though.
A macro view of the Siem Reap area is just as impressive in that these temples are a study of a civilization close to one thousand years old (yet another jaw-dropping aspect of Angkor: the longevity) and their durability. The earliest temples are over a thousand years old, and the most recent are from the 14th century. (If the guide book I bought is correct, they were all built between 790-1307.) What survives today is all original (though there have been reinforcements with stone – many foreign countries support renovations of specific temples; I recall China and India among them). It’s quite obvious to tell what’s old and what’s new in most cases. However, the restorations are all good and necessary. One last note regarding the longevity of these temples is this: If these stone temples are what remained…how impressive must the society have been who created them? (That’s to say…think of the temples, houses, and all that didn’t survive as they were built of wood; these are simply the temples built by the royals or the aristocracy.)
A tour of modern-day Angkor Wat can be done in one or two fairly vigorous days. However, if you’re looking for any classic shots, you’ll want to spend longer here. (Common sense: the more time here, the more chances for good shots.) For this trip – it may be the only time I come here, though you never know – we arrived on a Saturday night and checked into our hotel (My Home Tropical Garden Villa; $20/night)
Siem Reap feels, at first, like a small dusty outpost of a town. The center of town is about four square blocks of small dive restaurants (and a bar street) and slightly pricier restaurants. There is also a night market street, an art street…all in all, it’s quite nice and has a bit of a party feel to it in addition to the endless souvenir stands you would expect. Though we didn’t go out on Saturday night (since we didn’t get checked in until around 9:30 p.m.), we did get a chance to go on Sunday.
Sunday morning was an awfully early start. Before having left Phnom Penh, I jumped on Facebook and, by chance, found and hired a local tuktuk driver, Mao Khvan, for $25/day. He agreed to pick us up at 4:50 a.m. to catch the sunrise at Angkor Wat.
Now, a quick note on tuktuks: almost every single hotel/hostel/guesthouse probably has tuktuks available for hire. Also, when we were picked up at the airport, the taxi driver offered to drive us for the time we were there. In short…it’s a competitive market, and finding a driver for the day will be no problem. $25 may even be slightly pricy (you could probably find a driver for $15-20), however, I was so impressed with Mao’s service that, if I were to return, I’d gladly hire him again. He wasn’t rude or pushy, provides all the ice water you could possibly want to drink, and though he’s not an “official” guide, he’s very, very knowledgeable and made both days pleasant. I even had him take us to the airport the morning we left, and he brought his wife and daughter to meet us. He’s just a genuinely good and decent guy. (For anyone who goes to Angkor Wat, here’s Mao’s contact info if you want to arrange his services ahead of time: www.facebook.com/maotuktuksiemreap/?fref=ts )
Back to the actual touring itself, Angkor is geared towards tourism and they do it well. You can buy an admission ticket for either one, three, or seven days. ($20, $40, or…$60?). It’s also nice because they don’t have to be used in consecutive days (for the three and seven day passes, obviously). The three days can be used in a given week. The seven day pass, within a month.
Conventionally, two days is enough to see the “main” sites (albeit quickly) in about 8 hours each day. There’s a small loop (which we did the first morning) in which we caught the sunrise (not a great one, but…there was one, and it wasn’t terrible, by any stretch) at Angkor Wat, followed by a quick tour of the grounds – but not the temple itself. Afterwards (we were at Angkor Wat from 5:30 until 7:00 or 8:00, I’d say), we hopped back in the tuktuk and headed over to Ta Prohm, about 15-20 minutes away. Ta Prohm is famous for those who are fans of the Lara Croft Tomb Raider movies. (The first, I think. I’m not, so I don’t recall it vividly.) After those two spots – probably two of the three most famous – we went to the Khmer Country Kitchen for a rather nice, relaxing, and cheap breakfast where we spent an hour with the other two members of our group. Around 10:00, we went to our third stop: Ta Keo Temple. In 40 degree heat (roughly 104F), I was feeling a bit too exhausted to climb the somewhat steep stairs to the top of this temple, but I did enjoy the lower area just as well. From Ta Keo, we made a quick stop at two temples (they form a pair): Thommanon and Chau Say Tevoda for about 20 minutes. Between these three, I’d say we spent about an hour. Our last stop of the morning, around high noon, was the Bayon complex of Angkor Thom. Passing through Bayon’s east gate, we stopped for a few quick pictures before going to the main compound of Bayon, which I would say is the the last of the three most-recognizable places here. We spent a good hour, or a little longer, shooting here after which point we were completely spent. Mao would have gladly taken us back to Angkor for sunset, but we actually decided to call it a day around 1:00. 9 hours in high heat was more than enough.
Back at the hotel, we rested, and I enjoyed myself immensely in the swimming pool. In the early evening, we walked about 600 meters to the “happening” part of town where we wandered the various streets and had a rather nice Khmer dinner. After eating and walking off a rather good dinner, we called it a night and headed back to our room. (For what it’s worth, the afternoon sky clouded over quite a bit and I heard we didn’t miss much as far as sunsets go. Mao also told us the following morning that the sunrise was a wash, as was Tuesday morning’s. Perhaps he was just trying to make us feel good.)
Monday morning we gladly skipped the sunrise and had a late start around…10:00. After a good old-fashioned breakfast of a ham & cheese omelet, Mao came by and we spent the second full day on the large loop. The first stop of the day was at Ba Phuon, a lesser temple just north of Bayon in Angkhor Thom. This was accompanied by quick stops at the adjacent Elephant Terrace and Leper King Terrace. After about an hour in the Ba Phuon area, we rode off to the northeast and stopped at Preah Khan, which was a rather interesting ruins. Another hour or so gone, we continued along the northeastern loop, bypassing Neak Pean (which, following English pronunciation rules, could theoretically be pronounced “neck pain,” which amused me for some reason…). The next stop was a rather small temple named Ta Som on the eastern end of the outer loop. Just down the road from Ta Som, we stopped at the East Mebon temple. When it was constructed, this was an island, only accessible by boat. That, however, was centuries ago. Now, it’s just a very dry, dusty area – with the temple still standing – and it’s hard to imagine it was once surrounded by water. At any rate, it was a quick stop at East Mebon, followed by another nice meal at the Khmer Country Kitchen before we continued with the tour. The next stop on the list was due east of the restaurant (southeast corner of the outer loop, which is really slightly northeast of Angkor Wat). Pre Rup (or Bre Rup) was a fairly photogenic temple. By this point, the heat – also around 40 degrees, just like Sunday – was starting to take a toll, though we still managed to stay out and see all we could. The last “new” temple for us was Banteay Kdei, a citadel that is at the corner of where the inner and outer loop meet on the eastern side of Angkor Wat. Directly across the street from Bnateay Kdei is what should be a nice lake called Sra Srang. A long, rectangular lake, which is also across the street from the Khmer Country Kitchen, it’s now nothing but a dustbowl. Though it’s rainy season now, there’s been so little rain that the lake has completely dried up. (But, please don’t tell any “right”-thinking politicians in my country that global warming is a problem. It certainly isn’t, despite what your eyes see.) After some rather sad contemplation at Sra Srang, we went back to Angkor Wat around 4:00 and were there until 6:30 or so for sundown. However, a boomer of a thunderstorm (light rain, but heavy on thunder & lightning) came through and there wasn’t much to see. However, we did finally get to tour the interior of Angkor Wat, and found that a pretty fitting way to end the initial Siem Reap shoot. From there, we went back to the hotel where we passed out from exhaustion.
The only thing left to do was wake up on Tuesday for a quick 45 minute flight at noon to Bangkok. We concluded the trip as we started it: eating well at a Thai restaurant. Other than that, we just had a quiet night in Bangkok (no shooting at all) and a very early (3:30 a.m.) wake up call for our return flights out of Thailand. I’m definitely looking forward to seeing Thailand again soon.
In memory of
Maggie
The beloved wife of
Charles Selby HOWELL
Who died at Opawa
2nd October 1906
Aged 64 years
Jesus who gave himself for thee
Oh! Hear his words so blest.
“All ye that labour come to me
And I will give you rest.”
Also their elder daughter
Maude Catherine
Beloved wife of
George William DAVIS
Died 24th August 1954
In Memory of
Charles Thomas
The beloved son of
Charles Selby
& Maggie HOWELL
Born at Opawa
12th October 1871,
Died 22nd September 1889.
Blessed are the dead
Which die in the Lord.
Charles Selby HOWELL
Born 23rd June 1836
Died 29th April 1921
He tried to do his duty
[also buried in this plot but not on headstone is Deborah Eden HOWELL. Charles & Maggie’s daughter in law, aged 28, wife of their son William Boyne HOWELL].[5]
*********************************************************
Maggie
Block K Plot 1A
Address: St Martins, Opawa, Christchurch
Funeral service by: Minister P J COCKS
*********************************************************
Maude Catherine
Does not appear on Christchurch City Council cemetery database which may indicate she was cremated.
*********************************************************
Charles Thomas
Block K Plot 1
Address: Opawa
Occupation: Saddler
Death notice
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=C...
Funeral service by: Minister G J CHOLMONDELEY.
*********************************************************
Charles Selby HOWELL
Block K Plot 1A
1841 English Census:
Residence: Bath Place
Aged 4
Father & Mother: as below but aged 50 & 40
Siblings:
Amielia [sic], aged 20; Born: Gloucestershire
Elizabeth, aged 15; Born: Gloucestershire
Fanny, aged 12; Born: Gloucestershire
Frank, aged 8; Born: Gloucestershire
Catherine, aged 20 months; Born: Gloucestershire
1857 English Census:
Residence: 32 Bath Place, Stroud, Gloucestershire
Aged 14, scholar
Birthplace listed as Stroud, Gloucestershire
Father: John Selby HOWELL, aged 64, Schoolmaster; Born: Stroud, Gloucestershire
Mother: Catherine aged 54 b c 1797; Born: Stroud, Gloucestershire
Siblings:
Fanny Matilda, aged 20, unmarried, dressmaker; Born: Stroud, Gloucestershire
Frank, aged 17, unmarried, Boot Closer [worked in shoe trade stitching together shoes]; Born: Stroud, Gloucestershire
Catherine, aged 11, unmarried; Born: Stroud, Gloucestershire
Funeral service by: Minister H WILLIAMS
His probate Is available, noted as gentleman.
archway.archives.govt.nz/ViewFullItem.do?code=20180338
“A well-known racing enthusiast went West a few days ago in Charles Selby HOWELL, one of the most popular of southern sports. He was the first chairman of the New Zealand Trotting Association and the convenor of the first Trotting Conference held in Noo Zee. Was 85 when he died”.[3]
Noted in 1897 as a shareholder with 1772 shares in the Dee Creek Gold Sluicing Company, Three Channel Flat, Inangahua. Occupation: saddler.[1]
Noted in 1898 as carrying on the business of “Saddlers and Harness Makers etc” at number 162 Cashel Street, Christchurch after it was previously dissolved between John Selby HOWELL and Claude HOWELL.[2]
******************************************************
Information from Historic BDM indexes, Dept of Internal Affairs [with registration numbers included]:
Charles married Maggie nee HALL c1867 [registration 1867/7690]
Children of Charles and Maggie:
1868/24836 John Selby; 1896/1588 married Beatrice Louise ANDREWS
1869/10425 Claude; 1955/23304 death c 1955
1871/31031 Charles Thomas
1876/11457 Alfred
1878/5157 Catherine Maude [note transposed names in comparison to headstone details]; 1918/1054 married George William DAVIS
1879/8808 Ada [there is an Ada HOWELL who was involved in the arts world in Christchurch. This may be her].
1883/12198 William Boyne; [13 July] 1960/20452 death 18 Feb 1960. Married Eileen Deborah who died 1912 in her 28th year [noted also as Deborah Eden HOWELL elsewhere].[4] William played cricket for Canterbury
www.espncricinfo.com/newzealand/content/player/37451.html
REFERENCES:
[1]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[2]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[3]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&cl=s...
[4]
paperspast.natlib.govt.nz/cgi-bin/paperspast?a=d&d=CH...
[5]
librarydata.christchurch.org.nz/Cemeteries/interment.asp?...
This one is for my Flickr friend Kathleen who has become a very dear and special friend. I know you love green Kathleen so I hope you like this little buttercup which I pulled out from the crowd for you to give it a stage of its own and to show how special it is ;)
Reached #9 in Explore on July 13 - highest yet!
For over 250 years the spa baths known as White Wells have looked down upon Ilkley. They were Britain's first Hydropathic Spa for a cold mineral water treatment which was valued by Victorian medicine. In 1859, Charles Darwin 'took the waters' in these buildings while his world-changing book On the Origin of Species was being published. The spa is still in use today, and takes the form of an indoor plunge pool fed directly with fresh water that springs from the moor. It gets *really* cold in there, and the locals have an annual ritual on every new year's day when the spa is opened up to let brave and foolhardy folk test their mettle in the ice-cold pool.
The weather was wonderfully clear on my way up the valley but had turned into a blizzard as I descended again. Visibility was only about twenty feet ahead and I was pleased to see the faint light of White Wells appear before me out of the grey squalls of snow. A kind samaritan inside the building opened the door and invited me in for a couple of minutes so I could ensure the camera was dry and safely packed for the remainder of the walk!
This one's dedicated to my wonderful wife on Valentine's Day. I'd still be stuck in a miserable job in a crappy location if it wasn't for her insistence that I break out of the box and pursue my dreams. I'm forever grateful that I found her!
A collection of humorous poetry for children.
Title: More beasts (for worse children)
Identifier(s): P BEL (FOLIO)
Creator: Belloc, Hilaire, 1870-1953
Date created: 1897
Contributor(s): B. T. B. (Basil Temple Blackwood), 1870-1917
Publisher: London ; New York : Published by Edward Arnold, [1897]
Extent (dimensions & scale): 48 p.
Description: Verses by H.B. [i.e. Hilaire Belloc] ; pictures by B.T.B. [i.e. Lord Ian B.G.T. Blackwood]. Undated. Date from BLC.
Collection: Osborne Collection of Early Children’s Books
Rights access: Public domain
Download the whole book in PDF format from our Digital Archive
This recently renovated modern apartment consists of one double bedroom, one bathroom, living / dining room area, open plan kitchen as well as two terraces, one with stunning views out over the swimming pool and port of Puerto Santiago.
The apartment is a short 10 minutes walk from the center of town in Los Gigantes.
This fabulous frontline apartment has gorgeous sea views along with a heated swimming pool and an abundance of palm-tress to give you that truly Island feel. Puerto Santiago has a small black sand beach 5 minutes walk away.
REF : TPS1745
www.tenerifepropertysales.com/r/TPS1745/
For more information contact Nicky:
Paul Ruane – Los Gigantes Properties
Calle Flor De Pascua, 43,
38683, Los Gigantes
Tenerife
+34 922 86 13 13
info@tenerifepropertysales.com
#Sansofe #LosGigantes #Tenerife
I'd like to introduce everyone to Claire, a commission for Emily Jepsen. Claire is an adorable little girl, who I imagine could probably turn into a golden cat or fox. She's kept her secrets to herself though! But her eyes are luminous and striking just like a cat. She's a little mischievous and certainly is not above using her cuteness to get what she wants!
We were given free range on how Claire could look, so I decided to go with a completely new style. This was Emily's first custom doll, so I wanted Claire to be quite special. I really wanted her to be adorable, but in a distinctive and unique way.
This new faceup style gives Claire a beautiful pair of droopy doe eyes. However, her dark eye makeup doesn't weigh her down; they instead make her molten gaze stand out. The rest of her faceup is quite light, with golden eyebrows, light blush and full pink lips. Her eyelids are a stunning mix of pearlescent purple and pink.
We hope you like her!
Model: Claire
Custom by Kiki & Chrysanthemum. Eyechips by Kiki.
Photo Credit: Ann Batdorf, Smithsonian’s National Zoo
In this photo: Batang
For the first time in 25 years, staff at the Smithsonian’s National Zoo are making preparations for the highly anticipated birth of an endangered Bornean orangutan. With a breeding recommendation from the Association of Zoos and Aquariums’ Species Survival Plan (SSP), the 19-year-old parents to be, female Batang and male Kyle, bred in January. On Feb. 2, a common human pregnancy test confirmed that Batang had successfully conceived. Earlier today, the Zoo announced Batang’s pregnancy through a broadcast via Facebook Live of her ultrasound; it will continue to provide weekly updates on Batang through Facebook, Twitter and Instagram using the hashtag #OrangutanStory.
Zoo veterinarians have conducted bi-weekly ultrasounds since Feb. 2 and are encouraged that the ultrasounds have shown fetal growth and development, heightening hopes that Batang will give birth for the first time. They are cautiously optimistic that she will deliver a healthy baby around mid-September. However, just like any animal pregnancy, there is a possibility that miscarriage, stillbirth or a complication could occur.
“All of our perseverance and planning paid off when we confirmed Batang’s pregnancy,” said Dr. Meredith Bastian, curator of primates and member of the Orangutan SSP Steering Committee. “Watching her fetus develop over the past few months has been incredibly exciting, and we’re making every effort to ensure our efforts come to fruition.”
For the past three years, keepers have been acclimating Batang to the experiences of motherhood and training her to care for an infant. Building upon behaviors Batang has learned through routine training sessions, keepers presented her with a plush, bean-shaped pillow and an orangutan stuffed animal to simulate a baby. Keepers trained her to hold the “fake” baby upright, carry it around the enclosure and return the pillow baby to keepers through a specially designed “baby box” when asked. Should animal care staff need to evaluate a real orangutan baby’s health, this training would help staff retrieve the infant in a way that is safe and not stressful for the animals. Batang has also been trained to use a breast pump for milk collection in the event she is unable to successfully nurse.
“Training increases the likelihood that orangutan mothers will care for their infants,” said Becky Malinsky, assistant curator of primates. “This training is especially important for a first time mother, like Batang. It is our goal for the infant to be raised by her mother, learning how to be an orangutan from Batang and the other orangutans at the zoo.”
In the event that Batang is unable or unwilling to care for her infant, keepers are training females Bonnie and Iris to act as surrogate mothers. They receive similar training to Batang, but with a slight twist: keepers ask them to bring the pillow baby and present it to the keepers for bottle feedings. Batang is also trained to present the infant for bottle feedings if she is unable to nurse. As a last resort, keepers will prepare a nursery in the event it is necessary for them to hand-raise the baby with the goal of returning the infant to its mother or surrogate as soon as possible.
Native to Indonesia, orangutans live in the tropical rainforests of Borneo and Sumatra. For the past seven decades, humans have cleared land that was originally orangutan territory in order to meet the growing demand for palm oil products, fast-growing pulp wood and food crops leaving orangutans in competition with one another for space, food and mates. Scientists estimate that in the past 75 years, the number of wild orangutans has decreased by 80 percent. The International Union for Conservation of Nature lists the Bornean orangutan as endangered and the Sumatran orangutan as critically endangered.
Visitors can see the Zoo’s six orangutans daily at the Great Ape House and the Think Tank. At the Great Ape House, visitors can meet a great ape keeper to learn about the fascinating world of apes at 11:30 a.m. daily. At Think Tank, staff and interpretive volunteers perform daily demonstrations and lead discussions on research in cognitive science, highlighting current and ongoing Zoo studies at 1:30 p.m. Visitors can also see the orangutans traveling on the O-Line on warm-weather days in the late morning and early afternoon.
# # #
ORQUIDEORAMA_ Equipment for the exhibition of orchids (Medellin, Colombia) Planb + JPRCR arquitectos
www.b-e-t-a.net/~channelb/projects/055orquideorama/index....
CHANNELBETA - Information Channel on Contemporary Architecture
Photo by Sergio GOMEZ, Camilo OROZCO, Felipe MESA, Izaskun CHINCHILLA, Carlos Mario RODRIGUEZ
Built for charitable public purpose rather than to glorify personal status, the Old Royal Naval College has been a place much enjoyed and admired since it was established by Royal Charter in 1694 for the relief and support of seamen and their dependents.
Sir Christopher Wren planned the site and during the first half of the eighteenth century various illustrious architects, such as Hawksmoor, Vanbrugh and James ‘Athenian’ Stuart completed the design. As the nineteenth century wore on, with peace established, numbers of Pensioners declined and the Hospital finally closed in 1869. Soon after this the Royal Naval College moved in heralding a new beginning for the site as a naval training centre for officers from around the world. In 1998 the Royal Navy departed for its new base at Shrivenham and responsibility for the College passed to the newly established Greenwich Foundation.
There is a rich history to the site even before Wren’s Hospital. In Tudor times Greenwich Palace, reputedly Henry VIII’s favourite palace and the birthplace of Elizabeth I, lay on the site.
In 1873 the Royal Naval College (RNC) – later known as the ‘Navy’s university’ – moved in, heralding a new era of scientific training. The RNC combined the functions and resources of the former Naval College at Portsmouth and the School of Naval Architecture and Marine engineering, which moved from South Kensington. This new approach did not meet with universal approval and it was some time before the College’s contribution was recognised. In 1919 the Naval Staff College was also opened on the site.
During the Second World War the College’s major task was the training of ‘hostilities-only’ officers. Altogether nearly 27,000 of them, including 8,000 members of the WRNS, passed through Greenwich. But the war had a more tangible impact too: the Admiral’s House was badly damaged by a direct hit from a German bomb in 1943, and another hit the front of the King Charles building.
The Navy’s Department of Nuclear Science and Technology opened in 1959, and JASON, the department’s research and training reactor was commissioned in the King William building in 1962. From 1983 the relocated Joint Services Defence College also occupied much of the King Charles building.
The Royal Navy finally left the College in 1998, and formally handed over management to the new custodians, the Greenwich Foundation.
Victorian Alpine Huts survey, for Parks Victoria 1994-5.
In 1865, E George Treasure married Emily Langford and by the early 1870s had moved to Victoria to work at a Seymour vineyard. George Treasure junior had been born to the family at Wangaratta, in 1873, and the next two children at Wandiligong, in 1875 and 1877, as a mark of their gradual progress towards the Dargo area. Treasure worked on reef mining at Wandiligong, doing underground work as he had done in New South Wales. He moved to another mine, the Alpine, for a healthier working environment, in 1877 { Stapleton: 28-}. In 1878, E George Treasure (then described as a Harrietville miner), selected land at Kings Spur on the Dargo High Plains{ Stephenson: 107-}. The family (3 boys, one girl) made an arduous journey on horseback via Mt Freezeout and the Lankey's Plain, to a bark roof two-room log hut built on the High Plains near Kings Spur on the eastern edge of Gow's Plains, by George and his mining associate, Harry Stitt in late 1877. The hut had a verandah at the entry, a slab chimney `stoned up' to 7-8 feet high, two modified armchairs and bush furniture made on the spot. This served as the residence for a small dairy farm which provided for the miners who crossed to the Grant and Crooked River goldfields{ Stephenson}. The house became a licensed hotel and a store was added. Three miles south there was also Gow's hotel, the `half-way house'. Cessation of mining around 1900 meant the store was wound down. George and Emily purchased a 700 acre property at Lindenow (Grassvale) while their son Harry remained at King's Spur. George senior died at Lindenow of cancer in 1901, aged 58 { Stapleton: 116}. Emily then arranged the gradual transfer of the High Plains holdings to her sons who managed the properties and stock in the interim. Emily died in 1939, aged 90. Harry L Treasure (George's son) selected the 200 acre property Castleburn (45 miles distant on the Stratford side of Dargo, later enlarged to 3000 acres), c1904, to serve summer grazing. This was after his marriage in 1903 to local girl, Clare Gamel. About the same time he and his father-in-law built a new shingle and paling house at Mayford, east of the King's Spur property, as a winter base. From 1907 Harry's brothers sold him their shares and eventually departed north. Gamel built Harry another house, Rockalpine, in 1910 - located further to the south on the Dargo Road. The family spent the winter at the house in c1912 after the house at Mayford was burnt, leaving only some old huts. Harry, Clare and family developed their High Plains holdings in the inter-war period, including a near 100,000 acre grazing lease, George's 600 acre selection, a fenced freehold at Riley's Creek to spell the cattle on their way to the mountains in summer, and `a sheltered saddle near Mt Ewan…another substantial hut and set of bush yards capable of holding large mobs' { Stapleton: 159}. The 1939 fires meant losses for the family as for many others in the region but they saved the homestead complex, losing 700 stock, fences, and several huts and yards. The family worked hard to replace them, splitting some 4000 snow gum posts in the following season along with woolly but rails for yards and gates but wire and snow gum droppers replaced the old logs in the fences. Harry and his three sons (Don, Jack & Jim) rebuilt the Mt Ewan hut and yards as a `magnificent new log hut' { Stapleton: 214}. The paling hut beside the 1939 log hut was reputedly built for Freda Treasure (Harry & Claire's daughter) as her bedroom in about 1945- presumably allowing the men to sleep in the 1939 log hut { Kosciuszko Huts Association website 2004}. However a picture of Freda at Mt Ewan (in her 20s-30s?) has her seated on her bunk, next to her saddle, knitting in the log hut. Educated at MLC in the 1930s, Freda married Wally Ryder, from another pioneering cattle family, in 1957. She shifted to Tawonga as a result but maintained a keen interest in the High Plains along with her brothers{ Stapleton: 219}. Harry gave her a paddock at Castleburn, known as Bryce's and she became known by local scribes as `Maid of the Mountains' or `Cowgirl of the Alps'}. Harry gave her a 28,000 bush grazing block to work after 1939, known as Jones' where she used an existing hut and yards. She lived there through winter with her cattle, visited occasionally by her mother. Freda died in 1988, one year after Wally { Stapleton: 267-}. Harry Treasure served as an Avon Shire councillor 1918-1949, often riding to the council meetings at Stratford. Harry made many submissions to government inquiries concerning the causes of the 1939 fires and alpine grazing. He died at Rockalpine in 1961{ Stephenson}. As a postscript, Sydney (Jack) Treasure (son of Harry) sought a selection on the High Plains in the 1940s but met with government opposition{ HO15895}. Some 20 years later the Treasures tried again stating that they had added many improvements to their grazing block (4A) and desired some freehold security. Their father and grandfather had held it for some 80 years{ HO15895}. The improvements on the adjoining freehold which served the grazing lease then included four residences (Harry's sons), sheds, fences, stockyards (CAs 2,2A,4,5){ HO15895 }. The department granted a seven year lease instead, noting the good management of the property.
For 14 days, Paramahamsa Vishwananda led 70 of His Shree Peetha Nilaya residents on a pilgrimage through South India. The group travelled to nine cities to explore the roots of our Sri Sampradaya and some of the history of Lord Rama on His trek to rescue His beloved Sita. The group enjoyed more than 30 temples, many of which are Divya Desams: the 108 Vishnu temples that are mentioned in the poetic works of the Tamil Alvars (saints).
As always, traveling with the Master includes delights and surprises along the way. This time, the group was blessed to encounter three saints and enjoy the hospitality of several other gurus and acharyas. A highlight of the trip was a ritual bath in Adhi Setu (the ocean near Rameswara) and the blessing of being bathed by the sacred waters of 22 sacred tirthams (ponds) to absolve all sins. The group also enjoyed a swim in the sea where Lord Rama’s monkey army built the floating bridge to Lanka.
paramahamsavishwananda.com
bhaktimarga.org
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats