View allAll Photos Tagged FINE
This type of Parker pens is one of the finest (if not the finest) I've ever used. It never let me down in exams, project, or otherwise.
Created for Photoshop Contest Week Week 945 Fungi
www.flickr.com/groups/photoshopcontest/discuss/7215772191...
Thanks to Amba for this source:
→ Post 314 // Credits
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Moncada Paris Dalton Eyewear @Anthen July
Volkstone Caian Hairbase @TMD July
FinerThreads Ander complet outfit @Mainstore
Versov HUNTOV DERBY @Mainstore
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Who needs sunny weather when you can get such a sky instead.
Looking over Uxavatn to Skjaldbreiður. Geographically already in the Highlands although still accessible with a 2WD.
This is the seed stage of that horrendous Borage plant that's in my front garden. Be careful when handling these, not sure if I mentioned this before but I am allergic to the fluid in the spines, causing dermatitis and apparently it's relatively common, however that said it's a very photogenic plant when you explore it fully and a treasure for macro such as this.
I trust everyone has a great weekend and so as always, thank you! :)
1937 Talbot Lago T150C SS. In brief, the car was the brainchild of Anthony Lago, who collaborated with highly respected coachbuilder Joseph Figoni. The foundation was Lago's ultimate sporting chassis, T150-C-SS, that debuted at the 1936 Paris salon. According to portions of the auction catalog, it:
...was powered by a new 4-liter 140 hp engine equipped with three carburetors and a light-alloy hemi cylinder head. The low-slung, short-wheelbase chassis, virtually identical to the company’s competition cars, featured independent transverse leaf-spring front suspension, an underslung rear axle, Rudge knock-off wire wheels, a single-shot lubrication system, and a massive 120-liter fuel tank. Intended for custom coachwork, the T150-C-SS was sold as a bare chassis; with a list price of 78,000 francs, it competed directly with the likes of the Alfa Romeo 8C 2900 and Bugatti Type 57S...According to various sources, Figoni et Falaschi built between 10 and 12 Teardrop Coupes on Talbot-Lago’s ultimate T150-C-SS chassis. These Coupe bodies were built in two distinct variations. The first featured a notchback design and was named Coupé Jeancart, after the customer who first commissioned the body style. The second version, featuring a fastback design, was unveiled at the 1937 New York International Auto Show and fittingly named Modéle New York.
A bright sunny autumn day in Teton National Park. I hit the weather bonanza this day.
Thanks for your visit. Always appreciated.
Have a wonderful Wednesday!
Sunset at Marloes beach in Pembs, my favourite beach in the county. No clouds, but a nice clean beach with no footprints!
One Fine Day - The Chiffons
One fine day, you'll look at me
And you will know our love was meant be
One fine day, you're gonna want me for your girl
The arms I long for will open wide
And you'll be proud to have me right by your side
One fine day, you're gonna want me for your girl
Though I know you're the kind of boy
Who only wants to run around
I'll be waiting and someday darling
You'll come to me
When you want to settle down, oh
One fine day, we'll meet once more
Then you'll want the love, you threw away before
One fine day, you're gonna want me for your girl
Taken at Deep River
In der Makrofotografie wird ein Objekt so vor der Kamera positioniert, dass es auf der Aufnahme sehr groß und detailliert wiedergegeben wird. Im engeren Sinne spricht man von Makrofotografie, wenn das Bild des Objekts auf dem Kamerasensor genauso groß erscheint wie das Objekt selbst; der Abbildungsmaßstab ist dann exakt 1, auch als 1:1 dargestellt. Dies ist auch der bei Makroobjektiven häufig vorzufindende maximale Abbildungsmaßstab. Fotografie mit größeren Abbildungsmaßstäben, bei denen das Objekt auf dem Film (bzw. bei Digitalkameras den Sensoren) sehr viel größer abgebildet wird, bezeichnet man als Mikrofotografie. In der Norm DIN 19040 zählt alles im Maßstabbereich zwischen 1:10 und 10:1 als Nah- bzw. Makroaufnahme.
Macro photography (or photomacrography[ or macrography,[ and sometimes macrophotography is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though macrophotography also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size.
When I feel good it never lasts
That's why you can find me living in the past if you need me
Everybody says this shit will pass
I say it won't, they don't believe me
Just tell me to deep breathe
Falling apart
Don't know what to do, what to do
Looking for someone to save me, I don't know who
I don't know who
Rosen gehören zu den beliebtesten Blumen.
Besonders Frauen mögen sie. Also, lauf los und besorge ein paar für deine Liebste :-)
Why don't you go to the flower shop and get some roses for your darling?
This New Holland Honeyeater was one of many visitors to this soft green bush (I don't know what its official name is), and they were enjoying the fact that our garden "rainwave" sprinkler was soaking the leaves, and the honeyeaters would slowly roll down through the bush to get wet and cool off on what was a very hot day. This one had just arrived and was still dry and pristine looking.
Happy Gorgeous Green Thursday!
In der Makrofotografie wird ein Objekt so vor der Kamera positioniert, dass es auf der Aufnahme sehr groß und detailliert wiedergegeben wird. Im engeren Sinne spricht man von Makrofotografie, wenn das Bild des Objekts auf dem Kamerasensor genauso groß erscheint wie das Objekt selbst; der Abbildungsmaßstab ist dann exakt 1, auch als 1:1 dargestellt. Dies ist auch der bei Makroobjektiven häufig vorzufindende maximale Abbildungsmaßstab. Fotografie mit größeren Abbildungsmaßstäben, bei denen das Objekt auf dem Film (bzw. bei Digitalkameras den Sensoren) sehr viel größer abgebildet wird, bezeichnet man als Mikrofotografie. In der Norm DIN 19040 zählt alles im Maßstabbereich zwischen 1:10 und 10:1 als Nah- bzw. Makroaufnahme.
Macro photography (or photomacrography[ or macrography,[ and sometimes macrophotography is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though macrophotography also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size.
West Pier, Brighton, East Sussex, England
And now for something completely different! Slight interlude in the Scottish photos for something taken at the weekend.
The forecast was nothing special but the tides seemed right for shooting something at Shoreham mid morning. I decided I'd get up early and head over to Brighton to shoot the West Pier again.....who knows how much longer it will survive? This time I wanted to capture some posts (old pier supports?) that I'd seen.
Sure enough the sky was pretty grey and nothing much going on with the sea so I thought I'd try a 'Gary Gough Fine Art' type image. I'll leave it to you all to decide if I succeeded!
Had some challenges sorting out the lens distortion effect as I had to get quite close to the posts to make sure I excluded any beach. Another Tog there said he would clone out the beach if necessary but I wanted to avoid that. It's not 100% perfect but I think the distortion is removed as far as my capabilities/the software allow.
If you want to learn about the history of West Pier then pleasse see a shot I took last year of a Supermoon over the pierhttps://www.flickr.com/photos/184798091@N07/51409111073/in/album-72157719746898331/
© All rights reserved Steve Pellatt. Please do not use this image on websites, blogs or any other media without my explicit written permission.
This shot was taken when I was out strolling around in the nearby nature reserve of "Norra Järvafältet". I was looking for a single tree located in a grassy field so I could take a "frosty, foggy" shot later this year. I didn´t found exactly what I was looking for but I found this tree and decided I should try to find some good compositions. The tree's branches form a bit of a "mushroom hat" and are fairly symmetric. I will go back in the autumn and see how the scene changes and what colors that bring. This image is processed to be on the warm side, with saturated colors and "golden" glow to it.
This shot was taken with my Nikon D7200 and Sigma 24-105mm f4.0 art lens.
To buy this pricture as a print or limited edition framed image head over to My Gallerie at Printler.com printler.com/sv/fotograf/3902-andreas-larzon.