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A little change of pace ... a double exposure collaboration with "Eat Sleep Shoot" ... www.flickr.com/photos/crunchychloe/
I've added these to my "ShitCam" series as I shot my portion of these double exposures with my Vivitar Ultra Wide & Slim ... and if you don't like that ... tough Shit!
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Bruce and I teamed up for a Tale of Two Cities double exposure experiment.
He shot a roll of film in Baltimore using his Lubitel, then sent it to me. I rewound it back onto the spool and shot it again in St George in my Lubitel. We both exposed it one stop down so the shots wouldn't be overexposed.
I also shot a roll of color film first and then sent it on to him for a second set of exposures.
We compared notes on each frame by also taking cell phone pics and emailing those to each other, so we'd have a rough idea of what we were working with.
This is the St George LDS temple near dusk, shot over a building in Baltimore.
Aaand another round of photos from my first film swap with Yutaka/Prestonbot.
This one is very subtle, I like how the bokeh spots blend in with the leaves.
Minolta SRT201 | Nikon FE2 | Superia 400
Thanks Jacqueline.
You can visit her site for her version.
© copyrighted
Series: "Norwich, UK x Oʻahu, USA"
Cameras: Cardboard Pinhole Cameras
Film: Fujifilm Superia 200
Locations: Norwich, UK and O‘ahu, Hawai‘i, USA
This is one in a series of images taken collaboratively with fellow pinholer, The Old Penhold. We both each exposed a roll of film, rewound it, and then mailed it to the other. The film was re-exposed, developed, and the multiple-exposed images assimilated.
Preconceived ideas of the other's photographic style and usual subject matter are often considered in these types of "collaborations", but the final outcome of the images is mostly left to serendipity and chance.
For more images from this collaboration, please look at The Old Penhold's Flickr set [Click Here], and on my photostream [Click Here].
"La experiencia no tiene valor ético alguno, es simplemente el nombre que damos a nuestros errores."
Yo sé ya muchas muchas cosas sobre intercambiar carretes... Del primero de 120 mm con Clea, que no es tan fácil como aparenta el volver a cargar un carrete de medio formato. Del 35 mm con ella, que puedes sobreexponer demasiado la película (dos veces) y en el laboratorio hacer maravillas para recuperarla. Esta imagen es prueba de ello. No obstante, nada puede quitarme la ilusión de ver cómo algunas fotografías, sin ser planeadas, hechas a semanas y kilómetros de distancia, coinciden en algunos detalles.
Canon AE-1 + Zenit 122
Filmswap with Steve from Asda's photo lab. I loaded my Holga 135BC with expired Fuji Sensia 100, gave it to Steve to shoot & when he gave it back I rewound it & shot it again. Then I gave it to him & he cross processed it. But then you knew that...
from USA to Argentina
check out this awesome page: www.flickr.com/photos/el_ojo_blindado/
contact me if you'd like to swap!
I really like doing film swaps as anyone who has looked at my stream will know. Sometimes they produce brilliant results, sometimes one shot overexposes the other and sometimes they are just interesting.
This is a shot from a recent film swap i did with my brother. My shot overexposed his on this frame.
1st Run: Marios - Diana Mini - Netherlands
2nd Run: 25ThC - Super sampler - Brighton
Fuji Sensia 400
Cross Processed
Film swap with a Lomography friend from USA. www.lomography.com/homes/cmart
I used my Zenit B with Kodak 200
double exposure filmswap with Sina Farhat
He shot it first with his Canon F1n and then I flipped it around for redscaleing in my Agfa Optima 1035 I got from Bo N
It was later "scanned" with a jimmy rig involving a compact camera, cardboard, plastic bag, a cd case and window.
Super Ultra Extra Wide Film Swap with Dan James
www.flickr.com/photos/danjamesphotography/
I used my little Superheadz Black Slim Devil with 22mm lens, while Dan used his Pentax Espio 24EW with its 24mm lens.
We each shot a roll then rewound, posted to each other, then shot through again.
These are my favourites from the roll I received Dan
The film is AgfaPhoto Vista Plus 200.
Film swap with Olen Daelhousen.
Shot on Kodak Ektar 100 film. He used his Nikon FE and I used my Konica Autoreflex TC.
Filmswap with www.flickr.com/photos/25thc/
Holga 135BC both times. Expired Fuji Velvia 100, cross processed.
Film Swap with wolf_brendan
Shot on Canon AE1-P and Canon A-1
Agfa Vista Plus 200
Home Develop and Scan
Filmswap with www.flickr.com/photos/moddhayward/
Olympus XA2 both times. Expired Fuji Astia 100. First run by me in Shoreham, second run by Mike in Brighton. This is from the Asda scan - Mike is clever and has re-scanned them, check his stream to see the difference:0)
Check out Mikes new blog here:
Filmswap with 25ThC
Expired Fuji Astia 100F, cross processed. Shot using an Olympus XA2 both times. Chichester vs Venice.
Philippines + Canberra, Australia
Holga K200 w/Splash + Holga 135BC
Kodak Ektachrome EPP 100 [fresh] xpro
Title by Bill Nelson. Yorkshire Sculpture Park (Sophie Ryder) and Hangzhou.
Doubles project with Anna; she went to Hangzhou and used a modified Vivitar IC100. I went to Yorkshire and used a Roniflex X3000.
Series: "Norwich, UK x Oʻahu, USA"
Cameras: Cardboard Pinhole Cameras
Film: Fujifilm Superia 200
Locations: Norwich, UK and O‘ahu, Hawai‘i, USA
This is one in a series of images taken collaboratively with fellow pinholer, The Old Penhold. We both each exposed a roll of film, rewound it, and then mailed it to the other. The film was re-exposed, developed, and the multiple-exposed images assimilated.
Preconceived ideas of the other's photographic style and usual subject matter are often considered in these types of "collaborations", but the final outcome of the images is mostly left to serendipity and chance.
For more images from this collaboration, please look at The Old Penhold's Flickr set [Click Here], and on my photostream [Click Here].