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Laureen Griffin printing in the WSW silkscreen studio, winter 2009. Laureen used fiber reactive dye to print on cotton yardage. More information about Laureen and her work can be found at laureengriffin.com
Read more about Laureen's process on her textile blog
Yesterday in my art journal. ❤️
Website: www.shantadevi.com
Instagram: www.instagram.com/shantadevi
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Use of these images in any form without permission is illegal. If you wish to use or license any images please contact mel@mudkissphotography.co.uk
All work copyright Melanie Smith/ Mudkiss Photography All Rights Reserved
Lainey Wilson performing at GEHA Field at Arrowhead Stadium in Kansas City, Missouri on June 10, 2023.
Nasrin Sotoudeh
Painted rug,the symbol of color and nature that had lost in this modern and industrial life.
An installation all over the world.
The PETG material casts spectacular textures on the walls of the museum that combine with the delicate lighting effect. Here an area inside structure #1 is shown in a close-up.
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
A painter working at Georgetown Harbor.
If you want to use this image online or in a publication, please contact me at images@johnbald.net. I'll get right back to you.
If you're interested in buying a print of this image, please email me at images@johnbald.net or visit www.johnbald.net/gallery
best viewed large:
psalms 18:2-3
The Lord is my rock, and my fortress, and my deliverer; my God, my strength in whom I will trust; my buckler, and the horn of my salvation, and my high tower, I will call upon the Lord, who is worthy to be praised; so shall I be saved from mine enemies.
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Retirement - photographer Helen Duvall: "This mannequin was sold at a farmer's auction in Devon as a job lot with a trailer and general junk. Her name, Julie, was written on her forehead. Tucked under my arm, with a camera in my hand, I took her into the woods near my home feeling rather concerned at what the neighbours might think if they were to see me. As I walked through the woodland, I came across this old council window frame buried underneath the ivy. I lifted it up, opened the window and it seemed a perfect marriage for Julie - the transition, as I imagined it, from a flashy high fashion window to the end of her modelling career."
When a modelling career is over for a mannequin what comes next? They are sculptured and designed for both function and beauty, yet the anonymity of whoever created these gracious paragons of beauty remains a mystery. Overtly flirtatious, provocative and yet distant with a fixed gaze that never engages the viewer. One small mark, scratch or chip can render redundancy, at which point the body is often dismantled for storage or disposal and limbs are lost along the way. The vulnerability of these delicate works of art is exposed as a perfect form is dismantled and discarded.
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Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Front and back covers of my new #artjournal, painted today and done with #gesso #sharpie and #acrylic #paint. So fun to do! #moleskine #art #sketchbook #cover #decoration #blackartists #femaleartists #womenartists #artbyshantadevi #creativity #yearofcreativehabits @fuckyeahmoleskines @moleskine_arts #moleskineart #moleskinecover @moleskine_world
Chinese Ink on Clairefontaine paper 250g 14,8cm by 21cm sketch with Fabercastell artistpitt metallic markers.
Holotype: a sculpture installation by Amy Caron
World Premiere: 2012
Dimensions available: variable
Dimensions shown: 4,000 sq/ft foot print x 20 ft. tall (multiple structures)
View shown: lighting effect on wall adjacent to Structure #2; main floor view
Available for touring in 2013 more info: www.amycaron.com
Photograph by Erik Daenitz
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com
Christine Hansen from The Leonardo and ace assistant Zak Baca smiling through a long hot melting day at Plastic Fabricating
Azita Houshiar is a prolific Iranian-American writer, culinary artist and award winning graphic designer--Her popular blog "Fig & Quince" features her unique stories and designs centered around Persian food and the people and culture of Iran (and Brooklyn!). Visit "Fig & Quince" here: figandquince.com