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Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Diane White draws inspiration from the literary genre Magical Realism to incorporate subtle but fantastical elements into her still life compositions. See more of her work- thematthewsgallery.com/Artist-Detail.cfm?ArtistsID=84
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Hear/here I found a place where I can breathe...Sharpie Art Pen, Bic Marking pen, and marker in my art journal. Art journaling is such a great way for me to express myself and experiment artistically. When I get in my "art zone" I lose track of time and just enjoy being in that creative moment.
#artbyshantadevi #art #artjournal #artjournaling #artjournaleveryday #artjournalpage #colorful #doodles #faces #thirdeye #pen #marker #moleskine #sketchbook #blackgirlmagic #blackgirlswhoartjournal #blackgirlswhodoodle #blackartist #femaleartist #artistsoninstagram #artistsofinstagram #artisfreedom #breathe #whereicanbreathe #place #ifoundaplace @moleskine_arts @moleskine_world @bicmarking @bic_incorpration @sharpie
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
Today,Japan,just arrived,it is now 1:00 a.m.,took my hair down to wash it,I uploaded pics,now it's time for bed.
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
The For the Record exhibition showcases modern and contemporary artwork by female artists. See it in the Waterhall at Birmingham Museum and Art Gallery from 27th January - 29th June 2014.
#52sisterhood
Week 13
Fear is part of human condition. Fear either comes from trauma, from passdown tales or even through inexplicable ways. It’s funny how it’s that very same fear that can either protect us from harm, switching on the survival mood in our brain, or can make us fall into a complete state of panic, anxiety and overwhelming exhaustion that can be both physical and mental.
As many humans i have an array of fears i can count on my list that can make me either flee or pee - had to crack a joke - and if some are as usual as the fear of spiders or heights, others are not something i can understand such as the fear of statues with detailed human features or clowns.
I relayed on the last fear to tell the theme that we had for this week, the theme of fear.
I can’t pinpoint the moment where I realised i was scared of clowns. Not sure if it was when i was stalked during a party as a kid by a clown, or due to watching IT at a very young age. Anyway it was it just freaks me out in a way that i find both irrational and sad.
No-one truly wishes to be scared of this or that, to fear something that they could easily face on a daily basis. If some fears are meant to be confronted and overcome, others may never come to see the day where that same phobia ends.
So, please keep clowns away from me!
_______
We're six friends, photographers, creating an annual project through 52 weeks. If you want to join us in this adventure please use the hashtag #52sisterhoodproject and create a self-portrait around this week's theme. We can't wait to see everything!
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
The For the Record exhibition showcases modern and contemporary artwork by female artists. See it in the Waterhall at Birmingham Museum and Art Gallery from 27th January - 29th June 2014.
property of the Nedbalka Gallery, Bratislava
from the exhibition at the Slovak National Gallery in Bratislava, May 2014 focusing on forms of impressionist painting in Slovakia
property of the Slovak National Gallery, regional galleries and private owners
for educational purpose only
please do not use without permission
dôležitá informácia v Profile
A little art enthusiast watches Alice Webb's every brushstroke at last weekend's Canyon Road Paint Out. See more photos from the event here: thematthewsgallery.com/Artist-Detail.cfm?ArtistsID=195
ift.tt/1OyvIgO FI DI YARDIE GAL DEM #DanielleDI – Champion Gal (Alkaline Flip) GO CHECK IT OUT ON MY YOUTUBE CHANNEL @ONEVOICE G TELL ME WAT YOU THINK #femaleartist #jamaicantalent #championgal #madaroad #akamentertainment #worldstarraggae #kickout #faarrout #fixtings #2000fixtings #kushmusic #jamrock #linkuptv #sbtv #spifftv #amtheukplug
Buy yourself a nice pair of glasses and call it a day. They have really cute glasses now, folks are a wearing them and they don't even need glasses.
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
This one's been brewing for a while, and we're so excited to finally announce it. Read about our NEW LANDSCAPES, NEW VISTAS show, featuring fierce women artists in New Mexico history: thematthewsgallery.com/Exhibit_Detail.cfm?ShowsID=73
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Priscilla Maria Veronica White OBE (27 May 1943 – 1 August 2015), known by her stage name Cilla Black, was an English singer, actress, entertainer and media personality.
Championed by The Beatles, she began her career as a singer in 1963, and her singles "Anyone Who Had a Heart" (1964) and "You're My World" (1964) both reached number one. Black had eleven Top Ten hits on the British charts between 1964 and 1971.
In May 2010 new research published by BBC Radio 2 showed that her version of "Anyone Who Had a Heart" was the UK's biggest selling single by a female artist in the 1960s.
"You're My World" was also a modest hit in the US, peaking at No. 26 on the Billboard Hot 100.
-----SOURCE: WIKIPEDIA.ORG
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Helen Chadwick
The For the Record exhibition showcases modern and contemporary artwork by female artists. See it in the Waterhall at Birmingham Museum and Art Gallery from 27th January - 29th June 2014.
ginger lemon tea, taste so good too me, I love to sit in the evening time when I am about ready for bed (3:00am) usually... well I can't help it... I cross so many time zones... I don't know what time it is or what day it is... I am constantly looking at my watch, you know the two headed one... double face:) so I can kind of keep on track... anyway back to the tea... I use to be a diehard coffee drinker... but they do coffee in Japan... so bad I don't understand it... it just doesn't taste right to me... :) I started drinking different kinds of tea... now I really enjoy tea.
The For the Record exhibition showcases modern and contemporary artwork by female artists. See it in the Waterhall at Birmingham Museum and Art Gallery from 27th January - 29th June 2014.
Kelly Rae Cunningham
Seattle Artist
kellyraecunningham.com/home.html
This is part of an ongoing Polaroid series of female artists in the Seattle area.
©msmithlewis 2011
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Website: www.msmithlewis.com