View allAll Photos Tagged F32

Toyo 45a with Horseman 6x12 back and Rodenstock 150mm lens, 1/2 sec @ f32, Fuji Acros in Ultrafin @ 1+20 for 3 min 30 sec @ 20c

Nikon Nikkor 135mm f/2.8 Ai (f32) K

 

Fallen Tree and Echo, Hyons Wood, Walker Titan SF with Rodenstock 150mm Lens, 1 Sec @ f32, Hp5+ in Ultrafin

Cut and Broken Trees (Hyons Wood). Toyo 45a with Nikkor 90, 1 sec @ f32, Ilford FP4+ in Ultrafin @ 1+10 for 8 min @ 20C

Mamiya RB67 50mm lens ND Grad 0.6, 81B, Polariser 2s@f32 Velvia50

Bulldog 4x5 with Nikkor 90mm f8, f32 for 1/4 sec, fomapan 100 in rodinal @ 1-200 for 30 min

Nikkor AI 105mm f2.5 (rare early f32 7 bladed version -not AI converted)

Nikon Nikkor 135mm f/2.8 Ai (f32) K

 

Venus 15mm F4 1:1 wide angle macro lens. Taken with a 70D on tripod. Natural light. Good sharpness even at F32! I will post link to other FULL RES shots at F11, F16, and F22 in comments.

 

F22 shot: farm4.staticflickr.com/3835/19438027586_3a2701a971_o.jpg

 

F16 shot: farm1.staticflickr.com/544/19464182965_98d63026e7_o.jpg

 

F11 shot:

farm1.staticflickr.com/560/19468563351_17128011c3_o.jpg

 

Slightly larger than actual size. (seen on medium) Seen on EXPLORE April 4th.

Alpha 7III / FD 100-300mm / f32 / iso100 / 80s

f32 @ 3 second expsoure

this was taken at about 7.30pm as it was getting dark

thks for the comments

A big thanks to my friend Jonathan Vera Sella for the Vossen rims.

Taken whilst wild camping in Snowdonia National Park, Wales, UK.

 

Chamonix 045N-2, Nikon 300mm f9@F32, 5s, Fuji Velvia 50, no filters. Epson V700 scan, lightroom and capture nx2 processing.

7 Image Stack shot at F32 on Canon 100mm Macro

Toyo 45a with Rodenstock 150mm, f32 for 4 sec, HP5+ in Ultrafin @1+20 for 13 minutes @ 20C

Chamonix 5x7 with Ilford FP4 rated at ASA80 and developed in PMK Pyro. Fujinon 300mm f/8.5C-f32@3 seconds.

www.kirtecarterfineartphotography.com

Nikon Nikkor 135mm f/2.8 Ai (f32) K

 

Preston, Bus Station, 17/05/1993.

Gear: Canon 5D Mk II | Canon 70-200 f/4 L

 

Settings: ISO 400 | f32 | 1/50 | 145mm

 

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**Check out the South East Queensland Meetup group here**

 

Brisbane. Qld. Australia.

 

Covered in early morning Fog.

 

Check out a quick video I made up. A little shaky as it was a little windy, and well, I'm a little new to shooting video on the 5D :)

 

Processing

 

Matt's Preset of Clarity, LC and Curves. And Vibrance. Some soft light, slight grad to the sky.

indian corn

f32, ISO 3200

Hexanon AR 135mm F3.2 EE

Hexanon AR 135mm F3.2 EE

6x17, Fuji Acros, f32 @ 1/15, 210mm

Walt Disney Concert Hall, Los Angeles

100 iso, 1/125, f32 close, 2 x YN560IV Speedlite. f2.8 135mm PENTACON 15B bei f32

IG: @vladyurkov

 

Ilford Delta 100 4x5

Chamonix 45f2

90mm f32 1/2s

 

A common scene captured in uncommon conditions.

 

I photographed this waterfall after a winter storm several years ago on digital and have been patiently waiting to recreate the shot ever since I got into large format photography. The fresh layer of snow blankets all the distracting elements from the scene resulting in a simplified and balanced composition that I find very pleasing. This unique slot gorge waterfall is truly a spectacle. Having to precariously balance my tripod and camera on a wide metal bridge railing while setting up, focusing, and shooting was a bit anxiety inducing, however I was very happy with the resulting sheet of film.

I took a Macro workshop class at Longwood this weekend and the instructor asked us to take the same photo at least twice changing our aperture from wide open to closed. I shot this at F32 and just loved all the details it captured.

Fuji GSW 690

F32 1 Second

Fuji Velvia 100

 

"Scanned" on a copy stand with -

Nikon D600

Tamron 90mm Macro

From a recently acquired collection. Photographer not known

Pyrrhosoma nymphula

 

Single exposure @f32 with Micro-nikkor 105/f4 + Raynox MSN-202

 

I was chasing this one around trying to shoot it without disturbing it too much. I finally gave up, caught it, held it by the wings with a leaf underneath its body and shot it against the blue sky. Not a very elegant approach and definitely not my preferred kind of field photography – but in this case I figured it was better than nothing. (It didn't appear to get harmed by my handling but it certainly didn't like it)

 

Lighting: One Nikon SB-400 on hydrostatic arm from above. Plastic yoghurt bottle around the end of the lens as diffuser. Same principle as described here: "Modular Macro Diffuser" but with a slightly simpler implemenation (see below for an image showing the actual setup used)

HMS SALISBURY F32

Class……………………………Salisbury class Frigate(Type 61 Aircraft direction frigate)

Builder………………………..Devonport Dockyard.

Yard number……………….

Laid down..………………….23 Jan 1952

Launched….…………………25 Jun 1953

Completed.………………….27 Feb 1957

Propulsion.…………………..2 shafts driven by 8-off ASR1 (Admiralty Standard Range 1) Diesel units (4 per shaft)

Speed..…………………………25 knots

Range…………………………..7500 nm at 16 knots

Fate…………………………….1985: Sunk as a target.

 

On the same hull as the Type 41, the Type 61 design sacrificed the after 114mm twin gun in favour of a much more comprehensive air warning radar outfit. The ships were thus a much more valuable addition to the fleet than the Leopard class, for with adequate radar coverage carrier aircraft provided much better defence against air attack than guns. This was recognized quite early, and the Leopard class was stopped at four units whereas the Salisbury class was to have been expanded to eight units. Furthermore, the survivors had received a more comprehensive modernization.

 

An undated Public Domain photograph

 

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© Lee Fly

Nikkor 45mm f2.8 GN lens on a Nikon F + Tri-X film. © John Lehmann. All Rights Reserved

A big thanks to my friend Theo for the tyres texture.

Near Lasalle, Colorado - September 2013

Portra 160 4x5, 90mm Caltar Lens

1/4 second at f32, 2 stop soft GND filter

 

Natural gas equipment stands in flood waters of the South Platte River after reaching record flood levels. The river is actually quite a ways away, behind the trees in the distance.

 

Early on in the flood, many areas smelled of petroleum as I'm sure some oil and gas has spilled into the water. As the days have gone on, the smell of raw sewage has become far more noticeable.

Linhof Technikardan S45

Nikkor-M 9/300

4mm front fall

5° front left swing

2° front forward tilt

21° downward tilt of camera rail

330mm bellows draw (+0.3 EV compensation)

f32

1 second

Ilford FP4+ (EI 80)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital

Digitised using 16-shot pixel-shift capture

Toned

 

(best viewed fullscreen in the lightbox)

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