View allAll Photos Tagged F32
Toyo 45a with Horseman 6x12 back and Rodenstock 150mm lens, 1/2 sec @ f32, Fuji Acros in Ultrafin @ 1+20 for 3 min 30 sec @ 20c
Fallen Tree and Echo, Hyons Wood, Walker Titan SF with Rodenstock 150mm Lens, 1 Sec @ f32, Hp5+ in Ultrafin
Cut and Broken Trees (Hyons Wood). Toyo 45a with Nikkor 90, 1 sec @ f32, Ilford FP4+ in Ultrafin @ 1+10 for 8 min @ 20C
Venus 15mm F4 1:1 wide angle macro lens. Taken with a 70D on tripod. Natural light. Good sharpness even at F32! I will post link to other FULL RES shots at F11, F16, and F22 in comments.
F22 shot: farm4.staticflickr.com/3835/19438027586_3a2701a971_o.jpg
F16 shot: farm1.staticflickr.com/544/19464182965_98d63026e7_o.jpg
F11 shot:
Taken whilst wild camping in Snowdonia National Park, Wales, UK.
Chamonix 045N-2, Nikon 300mm f9@F32, 5s, Fuji Velvia 50, no filters. Epson V700 scan, lightroom and capture nx2 processing.
Chamonix 5x7 with Ilford FP4 rated at ASA80 and developed in PMK Pyro. Fujinon 300mm f/8.5C-f32@3 seconds.
Gear: Canon 5D Mk II | Canon 70-200 f/4 L
Settings: ISO 400 | f32 | 1/50 | 145mm
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[The Best Camera: iPhone Photos]
**Check out the South East Queensland Meetup group here**
Brisbane. Qld. Australia.
Covered in early morning Fog.
Check out a quick video I made up. A little shaky as it was a little windy, and well, I'm a little new to shooting video on the 5D :)
Processing
Matt's Preset of Clarity, LC and Curves. And Vibrance. Some soft light, slight grad to the sky.
IG: @vladyurkov
Ilford Delta 100 4x5
Chamonix 45f2
90mm f32 1/2s
A common scene captured in uncommon conditions.
I photographed this waterfall after a winter storm several years ago on digital and have been patiently waiting to recreate the shot ever since I got into large format photography. The fresh layer of snow blankets all the distracting elements from the scene resulting in a simplified and balanced composition that I find very pleasing. This unique slot gorge waterfall is truly a spectacle. Having to precariously balance my tripod and camera on a wide metal bridge railing while setting up, focusing, and shooting was a bit anxiety inducing, however I was very happy with the resulting sheet of film.
I took a Macro workshop class at Longwood this weekend and the instructor asked us to take the same photo at least twice changing our aperture from wide open to closed. I shot this at F32 and just loved all the details it captured.
Pyrrhosoma nymphula
Single exposure @f32 with Micro-nikkor 105/f4 + Raynox MSN-202
I was chasing this one around trying to shoot it without disturbing it too much. I finally gave up, caught it, held it by the wings with a leaf underneath its body and shot it against the blue sky. Not a very elegant approach and definitely not my preferred kind of field photography – but in this case I figured it was better than nothing. (It didn't appear to get harmed by my handling but it certainly didn't like it)
Lighting: One Nikon SB-400 on hydrostatic arm from above. Plastic yoghurt bottle around the end of the lens as diffuser. Same principle as described here: "Modular Macro Diffuser" but with a slightly simpler implemenation (see below for an image showing the actual setup used)
HMS SALISBURY F32
Class……………………………Salisbury class Frigate(Type 61 Aircraft direction frigate)
Builder………………………..Devonport Dockyard.
Yard number……………….
Laid down..………………….23 Jan 1952
Launched….…………………25 Jun 1953
Completed.………………….27 Feb 1957
Propulsion.…………………..2 shafts driven by 8-off ASR1 (Admiralty Standard Range 1) Diesel units (4 per shaft)
Speed..…………………………25 knots
Range…………………………..7500 nm at 16 knots
Fate…………………………….1985: Sunk as a target.
On the same hull as the Type 41, the Type 61 design sacrificed the after 114mm twin gun in favour of a much more comprehensive air warning radar outfit. The ships were thus a much more valuable addition to the fleet than the Leopard class, for with adequate radar coverage carrier aircraft provided much better defence against air attack than guns. This was recognized quite early, and the Leopard class was stopped at four units whereas the Salisbury class was to have been expanded to eight units. Furthermore, the survivors had received a more comprehensive modernization.
An undated Public Domain photograph
Near Lasalle, Colorado - September 2013
Portra 160 4x5, 90mm Caltar Lens
1/4 second at f32, 2 stop soft GND filter
Natural gas equipment stands in flood waters of the South Platte River after reaching record flood levels. The river is actually quite a ways away, behind the trees in the distance.
Early on in the flood, many areas smelled of petroleum as I'm sure some oil and gas has spilled into the water. As the days have gone on, the smell of raw sewage has become far more noticeable.
Linhof Technikardan S45
Nikkor-M 9/300
4mm front fall
5° front left swing
2° front forward tilt
21° downward tilt of camera rail
330mm bellows draw (+0.3 EV compensation)
f32
1 second
Ilford FP4+ (EI 80)
Gitzo GT3532LS
Arca-Swiss Z1
Self developed in Pyrocat-HD 1:1:100 at 22 °C for 14 mins (minimal agitation) using a modified Paterson Orbital
Digitised using 16-shot pixel-shift capture
Toned
(best viewed fullscreen in the lightbox)