View allAll Photos Tagged F32

Walker Titan SF with Rodenstock 150mm Lens and Wista 6x9 Back. 4 sec @ f32, Acros 100 in FX39

Darkroom contact print on Ilford iv multi glossy, no filter, dodge and burn and selenium.

24x30 view camera, 250 Fuji Lens f32, k2 yellow

Ilford delta 400, d76.

  

Well my lockdown may end in 21 day. If all goes right.

OLYMPUS DIGITAL CAMERA

Please Click "L" for seeing the details....

 

Also please see the other scenery at :

 

www.flickr.com/photos/herryphoto/14673106196/in/album-721...

 

Almost 10 years ago since my last visit to magnificent Merapi Mountain in Yogyakarta, Indonesia. This is taken from the closest view point at Bukit Klangon. Merapi is one of the world's most active volcanoes, last erupted on March 13th 2023, spewing out smoke and ash that blanketed villages near the crater. Thanks to Ady who accompanied me since 3 AM for reaching this site 😊

 

Thank you for visiting my stream. Kindly leave your comments.

 

Chamonix 4x10 Camera

Schneider Kreuznach Symmar-S 300mm F5.6 at F32

Fujifilm Velvia RVP 50

 

Self Developed with Fujihunt CR6 + Jobo CPP3

Scanned with Linotype-Hell Chromagraph S3900 Drum Scanner

Hyons Wood. Walker Titan Sf with Nikkor 210 mm Lens and Wista 6x9 back, 2 sec @ f32, Pan F+ in Ultrafin

Fallen Tree, Hyons Wood, Walker Titan SF with Rodenstock 150mm Lens, 1 Sec @ f32, Hp5+ in Ultrafin

One of may last Venice pics presented here. Common nice scene in different interpretation. Seldom time using f32.

 

All rights reserved - Copyright © Martin Zurek

 

All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.

Impressive how the waves hits an iceberg witch is double as big as a car. Pertty loud to do ;-)

Location: Grisons,

Area: Switzerland,

Date: January 2018,

Argentum Excursor I. h. 11x14

Fujinon C 450mm f/12.5 Lens,

Ilford HP5 Plus, ASA 250, f32

Xtol stock, 6.5Min.

 

Contact print on Adox Lupex silver chloride paper,

developed with Moersch ECO 4812

Linhof Technikardan S45

Schneider-Kreuznach Apo-Symmar L 5.6/150

Heliopan Slim High Transmission SH-PMC CPL

Lee 81A

No movements

f32

1 second

Fuji Provia 100F

Gitzo GT3532LS

Arca-Swiss Z1

Lab development

Digitised using 16-shot pixel-shift capture

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(Best viewed fullscreen in the lightbox)

Mamiya C330

Sekor 80mm

f32 / 3min

orange filter

Fomapan 100@64 ASA

Caffenol RS 14min

Hexanon AR 135mm F3.2 EE, f/3.2

Moth macro on tree bark

 

Nikon Z fc, Nikkor Z MC 50mm, Nikon R1C1

 

f32, 1/125, ISO100

Mount Harvard reflects in an unnamed alpine tarn during a vibrant sunset. Collegiate Peaks Wilderness, September 2021

 

Ektar 100 4x5, 200mm lens

2 seconds at f32, 2 stop soft GND filter

Homeless in 2nd Street Tunnel - Los Angeles

4x5 Tungsten T64 Film | 90mm | f32 | 6 sec.

 

(The lighting in the tunnel was mercury vapor lamps, so the green cast comes from shooting them with tungsten balanced film) As of 2019 the lighting was changed to daylight balanced LEDs. It doesn't photograph nearly as interesting.

Flutura-Reisen F32 | ME-FR 2032 | Wuppertal, Bf. Oberbarmen | 08.09.2020, 13:03 Uhr

Sunday 17-Mar-2024, 16:18:15.

 

389 Žižkova, Tesárkův mlýn, Nový Knín, Sudovice, Nový Knín, okres Příbram, Central Bohemia, 262 03, Czechia, CZE, altitude 327.06 m.

 

FUJIFILM X100V, 23 mm, F/3.2, 1/300 s, ISO 160.

 

www.deadmount.com

  

 

#AbFav_GLASS_

#AbFav_PHOTOSTORY

 

Glass is one of the most difficult substances to photograph; my challenge is to use the reflections in a positive manner so that they add to the image.

I love the 'magic' and sparkle that Christmas brings to a home in the darkest period of the year in the Northern Hemisphere, some glass, lights or candles and there it is...twinkle twinkle...

I always greatly enjoy the refractions too. CHIAROSCURO

 

NO FILTERS WERE USED for 'STAR-EFFECT'!!! Just a very small aperture: here: f32...

  

I wish you all a sweet day and thank you for your visit, always welcome, Magda, (*_*)

  

For more: www.indigo2photography.com

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

 

bowl, vase, floor light, art, light, magic, design, glass, lighting, studio, black-background, floor-lamp, colour, horizontal, NikonD200, "”Magda indigo"

Mamiya C330

Sekor 80mm

f32 90sec

orange filter

Fomapan 100@64

Caffenol RS 13min

Nikon 55mm f2.8 lens aperture closed down to f32. Shot handheld with a ringlight LED. Got some funky chromatic effects from the ringlight on the back lens- the colours are what it looked like. I was happy with the texture on the leaves. Backlit the aperture with my phone screen on white.

Saguaro Lake Arizona - RB67 - 4 minutes @ f32 - ND10 filter - ISO 25 CHS art film. All my published books, available world wide, can be viewed here:

www.amazon.com/stores/Paul-Moore/author/B0075LNIO2?ref=ap...

Hyons Wood, Walker Titan SF with Rodenstock Sironar N 150mm, 10 seconds @ f32, Bergger Print Film (ISO 3) in HC110 @ 1+63 for 10min 30sec @ 20C, Scanned on Epson V700

Candidstrasse Munich.

3min exposure at f32. The lightmeter measured the scene a 1 min and my reciprocity calculator said the exposure should be 4min. I didn't trust it and only made a 3 min exposure so it came out too dark.

 

Camera: Mamiya Universal.

 

Film back: Polaroid type 100.

 

Lens: Mamiya Sekor P 75mm f/5.6

 

Film: Fujifilm FP-100c Positive print.

 

Scanner: Epson Perfection V700

Hyons Wood, Walker Titan SF with Rodenstock Sironar N 150mm, 30 seconds @ f32, Bergger Print Film (ISO 3) in HC110 @ 1+63 for 10min 30sec @ 20C, Scanned on Epson V700

Handheld f32 - lucky shot ;)

Stanley Burn Woods, Walker Titan SF 4x5 with Nikkor 210mm lens, 1 sec @ f32, HP5+ in Ultrafin

 

The arctic starflower (Trientalis europaea), also known as the chickweed-wintergreen is a quite small flower and unlike the German name "Siebenstern" (meaning seven star) it can have either seven or like here, six petals.

 

This one had some nice-looking waterdrops on it after an earlier rain, but since this is a very old shot (from 2015) I was still using an undiffused ring flash which created unnecessarily harsh light.

Chinese Wisteria, Wisteria sinensis.

 

Have a wonderful Friday and weekend!

 

Thanks for visiting. I am very grateful for the very kind comments and faves.

 

f/3.2 1/200 ISO 250 Pentax 100mm DFA f/2.8 Pentax K-1

 

Near Yarncliffe Lodge, Hope Valley, Derbyshire.

 

Linhof Technikardan S45

Rodenstock Grandagon-N 4.5/90

E82/112 center filter

2mm front fall

2° rear backward tilt

f32

1/2 second

Kodak Portra 400

Gitzo GT3532LS

Arca-Swiss Z1

Lab developed

Digitised with DSLR using 9-shot stitch

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(Best viewed fullscreen in the lightbox)

Toyo 45a with Nikkor 90mm, 1 sec @ f32, Ilford Delta 100 in Ultrafin @ 1+20 for 10 min @ 20C

In my quest for panoramic perfection I've been interested in Schneider lenses, after many emails I finally got hold of a demo Schneider PC-TS Super-Angulon 50mm F2.8 Len and went to my safe location in Coogee expecting things to be calm and free from intrusion, how wrong was I, not only did it rain but the surf was massive and several times I found myself scampering to the safety of the steps and only making it sometimes, lets just say a change of clothes was needed. Anyway, back to the important stuff, firstly I didn't use any filters or a pano head for this image, I used settings f32 at 15 second exposures for 5 frames iso 100. The lens mounts on the tripod, right on the nodal point, and is absolutely massive, dwarfing the camera and looks the business, but all that aside, the image quality and dynamic range are phenomenal, even with my Carl Zeiss I'd have to use filters to balance out the exposure. Have I found the Holy Grail of panoramic setups, I'm off to the snow this weekend and plan on spending lots of time testing, stay tuned for more results.

 

Check out my website:

timothypoulton.com/

Walker Titan SF with Rodenstock Sironar N 150mm Lens, 1/30 sec @ F32, HP5+ in Ultrafin

Ancient Beech, Walker Titan Sf with Nikkor 90mm Lens, 4 sec @ F32, Hp5+ in Ultrafin

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