Olympus OM-2n

Olympus F.Zuiko AUTO-S 50 mm f/1.8

Fujicolor Superia 200

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All of My Reviews｜心得文：

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

A Five-Year Photographic Journey with the M4/3 Series.

Photo by Olympus PEN-F PENF + Panasonic Leica DG 42.5mm f/1.2

En grande.

Salida con La Banda del Charco a Nou Barris.

Torino, 03-01-2016

Olympus OM-2N, Zuiko 50 mm f/1.8, FUJI Superia 200 ASA

Scanner EPSON V600 - 2400 dpi

[60D + 50mm @f/1.4]

ma flickr mi fa le foto sfocate?!

Mi trovi quì:

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OLYMPUS DIGITAL CAMERA

Rolling through Seligman, Arizona on a nice April 05, 1996.

Canon F-1 with 200mm lens on Kodachrome 25.

Taken Date: 2008:05:11 17:51:40

Make: PENTAX Corporation

Model: PENTAX K20D

FocalLength: 18.0 mm

F-Number: F 8

Exposure Time: 1/500 secs

ISO Speed: 200

You're a refraction of the one light. You're a waveform of light. You're a fractal, a pattern that continuously changes.

--Frederick Lenz

This image is from my most recent trip to Cuba.

I was employee number six of Altamira group, the creators of Genuine Fractals scaling technology and the second employee of Niksoftware. That goes back to the time when dirt was discovered. Why I bring this up is my complete and utter fascination with the concept that everything in the universe is a fractal, no two fractals are the same but in the same exact place after a series of random numbers is The Thumbprint of God. A perfect mathematical fractal, such as the famous Mandelbrot set— this self-similarity goes infinitely deep: each pattern made up of smaller copies of itself and those smaller copies made up of smaller copies again, forever.

What does the above have to do with this image you ask? There is the whole totality of the car, then there are the smaller parts of the self similarity of the car that are part of the whole and yet completely different. That thought just fascinates me. So if you wonder why you see a lot a parts of the micro and macro world of reality. Now you know.

I shot this with the135mm f 1.8 S “Plena” Nikkor lens. 1/250 of a second ISO 125. Image raw processed in NX Studio and Photoshop CC with the NiK collection.

#Nikon100 #nikonlove #kelbyone #photography #onOne @NikonUSA

#mirrorless #Nikonz6III #135mm S Plena Nikkor #NikonNoFilter #nxstudio #niksoftware #nikonUSA #Epson #nikonusa @NIKONUSA

#wacom #calibrite #onone #sunbounce #fineartphotography #kolarivision @nikonusa

#DxO #iamgenerationimage #iamnikon #B&H #PhotogenicbyBenQ

#nikonLOVE #hoodman #infrared #CUBA #nikonnofilter #nikonambassador

Sigma ART 20mm f/1.4 DG HSM + Sony a7mii

-- Canon F-1 Camera (S/N 252xxx) 1971-1976

-- Eye-level finder

-- CANON LENS FD 55mm 1:1.2 S.S.C. ASPHERICAL (S/N 68xxx) (radioactive)

Body weight = 827g (with finder)

Taken with a Canon T2i/550D and Canon 100mm f/2.8 Macro lens at f/5.6. 63 1/30-second exposures at ISO100 in a focus stack (DoF stack) were combined with Zerene Stacker using DMap mode. Shooting was done tethered to a PC using the Canon EOS utility. Focus stepping was done by pressing the live view ">" focus button once between each exposure in the stack.

Canon F-1n w/85mm 1.8 and F-1N w/50mm 1.4 S.S.C. Taken with sony A-7 with olympus 50mm 1.8

It's not unusual to find in Rome this stands with a lot of used books this one for example was near Piazza del Popolo.

Lens: Konica Hexanon AR 40 mm f/ 1.8

Vickers Supermarine Scimitar F.1

United Kingdom - Royal Navy

XD317

Yeovilton EGDY

Fleet Air Arm Museum

Started testing this new masterpiece from Zeiss. Not quite a good example to start with, but I really love how it captures the details. (Though I'd guess 5D Mark III is not matching up with the best potential performance of the lens.)

patrickjoust | flickr | tumblr | instagram | facebook | prints

...

Leica M4 and Voigtlander Nokton 40mm f/1.4 SC

Kodak Ektachrome E100 VS

Nikon Z9 (FW v3.10)

PRE-PRODUCTION Z 85mm f/1.2

Manual Exposure + Auto ISO

JPG capture

Monochrome conversion via DxO/Nik Silver Efex Pro

Journey was AMAZING! Always up for anything that any one through at her. She like Blake and Ryan was part of the Nikon Image Creation modeling team over the three days of WPPI.

Analogica,Exa 1 B ( 1977 ) priva di esposimetro ( attacco M 42 ), Zeiss Pancolar Zebra 50 mm F 1.8, Fomapan bianco e nero 200 asa, sviluppo con Rodinal.

After reading dozens of reviews of various 35mm prime lenses, I ended up choosing the Samyang 35mm f/1.4. The Canon 24 & 35 1.4 L are well out of my budget at the moment, so this is the only lens around that focal lenght I could afford. The reviews for the Samyang have been rather positive so far and I thought I would take the risk and get it myself.

I'm only at testing stage since I got the lens yesterday, and I only had the chance to take a few shots, but I'm pleasantly surprised with the colour rendition and contrast it offers. I just wanted to share my first impressions with all those who might be interested in this lens.

The built is quite good and it feels like a good solid lens. It's bigger than I thought it'll be, and it's considerably longer than my Sigma 50mm 1.4. The focusing ring works quite well and it's easy to operate, the same for the apperture ring. Being a manual lens I need to focus through live view most of the time and that slows down the process a bit, but I noticed it's not too difficult to nail the focus provided there's enough light.

I obviously need to try it in different conditions to see how it performs and will try and share my impressions but so far I don't feel I made a mistake buying this lens. For just about 1/4 of the price of the Canon 35 1.4 L I think it's worth the money, even if it isn't ideal under some conditions.

(This shot is straight from the camera, RAW format, neutral pic style, only converted through Adobe ACR. Sorry, EXIF data is wrong. That's one of the drawbacks of the Samyang. It really is 35mm @ f1.4)

Super nice all original Canon F-1 instruction book. Dated September 1978.

It's available at www.ccstudio2380.com

Thanks, Chris

Vintage glass from 1938(!)

B&W convertion with Silver Efex Pro 2 and the Panatomic 32 film simulation profile

Olympus E-M5 + Panasonic 20mm f/1.7

-

www.silvacordeiro.com

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Doc N Roll sticks his tongue out by his sign at Old Friends at Cabin Creek in Greenfield, NY.

All rights reserved. Protected with PIXSY

This DSLR is surprising me: Awesome High ISO performance from it's 18MP cropped sensor. I highly recommend this camera to anyone!

5D Mark iii +85L ii Exif: 1/1000s f/1.2 ISO100 85mm

Leica M3

Leica Summarit 50mm f/1.5

Kodak Tri-x

1/250, f/11

Xtol (1+1), 8:30min @ 20°C

Plustek 8100i Scanner

AI Nikkor 50mm f/1.4

Fujica ST701, 50mm lens

Agfacolor

SONY DSC

Modèle : Morgane

Samyang MF 35mm f/1.4 ED AS UMC AE

Canon T-90 • Canon New FD 85mm f:1.2 L

Rollei Retro 100 developed in Caffenol CL 60min stand @ 20°C

Scanned with Epson Perfection V500 at 3200dpi

Caffenol CL

500 ml Filtered Water

8gr Anhydrous Washing Soda

5gr Vitamin C

0.5gr KBr

20gr Instant coffee ("Cora")

60 sec. slow agitations then let stand for 59 minutes

From Glam Noise editorial on 9394 magazine

Model: Teresa / Modelpoint

Photography: Marko Saari

Visual director: Graziella Louhio

Stylist: Riina Salmi

Stylist assist: Kolya Kotov

Stylist assist: Joni leppiniemi

Make-up & hair: Meghna Mukherjee

Hair specialist: Miila Hyökki

Head accessories and vest: Burlesque Tsunami

Chapsi-skirt: MEM by Paula Malleus

Top: Outi Les Pyy

Jacket: Stylist own

FaceBook｜Blogger ｜Instagram ｜500PX

You can licence images through My Getty image

All of My Reviews｜心得文：

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

A Five-Year Photographic Journey with the M4/3 Series.

Photo by Olympus PENF PEN-F + 25mm f/1.2 PRO 2512pro

Allowing him to record his own talk show on my phone where he commented about the baseball practice at the park. Still have the recordings.

Nikon D850

AF-S Nikkor 50mm f/1.4G

Meyer-Optik Görlitz Primoplan 58mm f/1.9

Abisko, Sweden. Canon F-1

Nikon F80

Sigma 20mm f/1.8 EX DG

Fujifilm Superia 100

Negatives were "scanned" using a D600 + extension tubes + Nikkor Series E 50mm f/1.8. RAW files were converted/processed in Lr.

Something was really wrong with this film. Maybe because it was expired, maybe because it stayed too long in the camera... I don't know.

But the colors on most of the frames are totally off.

random | tumblr | vsco

FaceBook｜Blogger ｜Instagram ｜500PX

You can licence images through My Getty image

All of My Reviews｜心得文：

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

A Five-Year Photographic Journey with the M4/3 Series.

Photo by Sony A7s + Sony FE 85mm f/1.8

FaceBook｜Blogger ｜Instagram ｜500PX

You can licence images through My Getty image

All of My Reviews｜心得文：

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

A Five-Year Photographic Journey with the M4/3 Series.

Photo by Sony A7s + Sony FE 85mm f/1.8

"Kamlan 21 mm F 1.8"

Olympus OM-2n

Olympus F.Zuiko AUTO-S 50 mm f/1.8

Fujicolor Superia 200

FaceBook｜Blogger ｜Instagram ｜500PX

You can licence images through My Getty image

All of My Reviews｜心得文：

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

A Five-Year Photographic Journey with the M4/3 Series.

Photo by Olympus PENF PEN-F + 25mm f/1.2 PRO 2512pro