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Snapped these two while playing monopoly! Becky my daughter had just found out that Lilly had been helping herself to the green triangles in the sweetie tin! Lilly was miffed at the tin being removed.
Wish I'd bought this one - £60 in 2003 stolen/recovered. Just needed new barrel, key & locks. Otherwise in excellent condition.
The vehicle details for J780 LHD are:
Date of Liability 01 09 2003
Date of First Registration 16 03 1992
Year of Manufacture 1992
Cylinder Capacity (cc) 1598CC
CO2 Emissions Not Available
Fuel Type Petrol
Export Marker Not Applicable
Vehicle Status Unlicensed
Vehicle Colour BLUE
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A young adult caucasian white man portrait with long brown curly hair and surprised and shocked expression in his handsome face holding his head with his two hands, looking straight and watching.
How to Think about Parallel Programming---Not!
Anyone remember the old days, when for good performance you had to worry carefully about which register should hold which variable, and when? Sometimes we still do this to get extremely high performance from critical inner loops, especially when using specialized processing hardware such as GPUs.
On the other hand, we have been able to write ever more complex and ever more capable software systems only by sacrificing such micromanagement and using general-purpose tools and abstractions for coding the bulk of our software. Along the way, we have discovered that code generated by automated tools often does a better job than hand-crafted code.
And we learn to code in such a way that the behavior of our code does not depend critically on the detailed optimization decisions that we have delegated to the tools. If we want to let a compiler's register allocator have the freedom to put variables in registers, we stop writing code takes the address of a variable, as in the C expression & myvar. If we want to allow an automatic storage allocator to do its job, we must write code that works properly independently of where an object or array happens to have been allocated, and perhaps independently of whether the object or array happens to be automatically relocated in the middle of a computation. Once we do this, we don't have to think about memory placement. Good programming language design can get us from the place where we must remember "don't use this difficult feature" to the place where it's not even on the radar screen because the language provides other, better ways to think and get things done. (Example: Java doesn't even have a way to take the address of a variable.)
Likewise, the best way to write code for multiple processors is not to have to think about multiple processors. We need to get to the point where we worry about the assignment of tasks to processors just about as much as we worry about the assignment of data to memory---which is to say, only for truly critical portions of the code---and for the most part leave such decisions to automated tools.
This will require further adjustments in our programming habits---adjustments that, we argue, in the end will make programs easier to understand and maintain as well as easier to run on parallel processors. The key is not to focus on a particular technology but on useful invariants. Here, as in the past, good programming language design can help to encourage good programming habits.
Target audience: Developers with an interest in parallelism and/or computer history
Speaker Information
Guy L. Steele, Jr.
Keynote Speaker
Language Designer and Author
Fellow Sun Labs, Oracle
Links:
Websites: labs.oracle.com/projects/plrg projectfortress.sun.com
Twitter: I am not a member of Twitter. I generally deal in ideas that require paragraphs, or perhaps full-blown essays, rather than single sentences.
Books: Coders at Work The Java Language Specification Common LISP, The Language C: A Reference Manual
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The YOW! 2010 Australia Software Developer Conference is a unique opportunity for you to listen to and talk with international software experts in a relaxed setting.
Here's why you should want to attend:
* concise, technically-rich talks and workshops delivered
without the usual vendor-hype and marketing spin
* broad exposure to the latests tools and technologies,
processes and practices in the software industry
* "invitation only" speakers selected by an independent
international program committee from a network
of over 400 authors and experts
* a relaxed conference setting where you get the rare opportunity
to meet and talk with world-reknowned speakers face-to-face
* an intimate workshop setting where you are able
to benefit from an in-depth learning experience
* a truly unique opportunity to make contacts and network
with other talented Australian software professionals
* you'll be supporting a great charity. Ten dollars from every registration will be donated to the Endeavour Foundation.
website: YOW! 2010 Melbourne
venue: Jasper Hotel, Melbourne
Geoffroy normally works with art formats like the EMERGENCY ROOM
to stimulate urgent expression by artist about today 's emergencies :
www.emergencyrooms.org/formats.html
www.colonel.dk contact : emergencyrooms@gmail.comThierry Geoffroy/ Colonel will be exhibiting in the museum Kunsthalle Mannheim from october 2018 part of the exhibition Konstruktion der Welt .Kunst und Ökonomie
Constructing the World: Art and Economy 1919-1939 and 2008-2018
10/12/18 to 02/03/19
Ten years after the peak of the global financial crisis in 2008, which profoundly shook the economic systems of America and Europe and had a lasting effect on present-day life, this topical exhibition is the first to illustrate the economy’s dramatic influence on art and to make global comparisons, demonstrating these in an analysis of two separate eras. Economic phenomena in the classical modernism of the 1920s and 30s are not only explored by focusing on art from the German Weimar Republic, the Soviet Union, and the United States, but also juxtaposed with artists of the present day.
Curatorial team: Dr. Eckhart Gillen (Berlin), Dr. Ulrike Lorenz, Dr. Sebastian Baden
Project Lead: Dr. Inge Herold, Assistence: Lisa Valentina Riedel, M. A. mult., Elisabeth Bohnet, M.A.
How does contemporary art reflect the world of work today? The catalogue for the second part of the exhibition Constructing the World at the Kunsthalle Mannheim takes a look at this question. The focus of it is primarily on artistic positions of the past decade that deal with the social, political, and economic effects of the most recent economic crisis after 2008. The works address and interrogate new production conditions and developments on the labor market as well as political conflicts. The accompanying publication provides fascinating insights into the diverse artistic positions.
Artists participating 2008-2018
Maja Bajevic - BBM (Observers of Operators of Machines) - Bureau d'Études - Claire Fontaine - Jacques Coetzer - Abraham Cruzvillegas - Szilárd Cseke - Chto Delat - Jeremy Deller - Simon Denny - Tatjana Doll - Harun Farocki & Antje Ehmann - Thierry Geoffroy - Andreas Gursky - Thomas Hirschhorn - Olaf Holzapfel - Sanja Iveković - Charles Lim Yi Yong - Maha Maamoun - José Antonio Vega Macotela - Tobias Rehberger - Oliver Ressler & Dario Azzellini - Mika Rottenberg - Superflex - Zefrey Throwell - Volume V - Maya Zack - Artur Żmijewski
Artists participating 1919-1939
Berenice Abbott - Gerd Arntz - Lester Thomas Beall - Thomas Hart Benton - George Biddle - John Biggers - Peter Blume - Margaret Bourke-White - Jacob Burck - Clarence Holbrook Carter - Charlie Chaplin - Ottilie Cieluszek - Ralston Crawford - Francis Hyman Criss - Stuart Davis - Alexander A. Deineka - Rudolf Dischinger - Otto Dix - Nikolaj A. Dolgorukow - Arthur Durston - Sergej M. Eisenstein - Fred Ellis - Walker Evans - Philip Evergood - Conrad Felixmüller - Hans Finsler - Max Gebhard - Hugo Gellert - John R. Grabach - Otto Griebel - William Gropper - Carl Grossberg - George Grosz - Hans Grundig - Kurt Günther - O. Louis Guglielmi - John Heartfield - Werner Heldt - Karl Hubbuch - Eric Johansson - Joe Jones - Grethe Jürgens - William Karp - Lewis W. Hine - Hannah Höch - Heinrich Hoerle - Edward Hopper - Hermann Otto Hoyer - Edward McKnight Kauffer - Gerhard Keil - Gustavs Klucis - Käthe Kollwitz - Pawel D. Korin - Valentina N. Kulagina - Wilhelm Lachnit - Fritz Lang - Wladimir W. Lebedew - Jack Levine - El Lissitzky - Arkadi Lobanow - Louis Lozowick - Sergej A. Lutschischkin - Reginald Marsh - Carl Mayer - László Moholy-Nagy - Dimitri Moor - Reinhold Nägele - Otto Nagel - Alice Neel - Oskar Nerlinger -Solomon B. Nikritin - Alice Lex-Nerlinger - Gerta Overbeck - Werner Peiner - Kusma S. Petrow-Wodkin - Juri I. Pimeno w - Natalia Pinus - Michail M. Plaksin - Jackson Pollock - Curt Querner - Climent N. Redko - Albert Renger-Patzsch - Serafima V. Rjangina - Alexander Rodtschenk o - Theodore Roszak - Walter Ruttmann - Leni Riefens tahl - Nikolaus Sagrekov - Alexander N. Samochwalow - Paul Sample - August Sander - Arkadi S. Schaichet - Rudolf Schlichter - Wilhelm Schnarrenberger - Georg Scholz - Franz Wilhelm Seiwert - Ben Shahn - Charles Sheeler - Georgi und Wladimir A. Stenberg - Warwara Stepanowa - Paul Strand - Miklos Suba - Ernst Thoms - Alexander G. Tyschler - Bumpei Usui - Konstantin A. Vialov - Karl Völker - Wladimir A. Wassiljew - Dsiga Wertow - Piotr W. Wiljams - Grant Wood - Gustav Wunderwald - Ekaterina S. Zernova - Heinrich Zille
www.colonel.dk contact : emergencyrooms@gmail.com
#artformats #artformat #formatart #biennale #biennalism #biennalecritic
#ARTIVISM #streetartist #politicalartist #activistartist #Epigrammatists #socialcommentary
#premonitionart #avantgardeart #inadvanceart #urbanartist #InstitutionalCritique
#artintime #onlineart
#toolate
thierry.geoffroy #thierrygeoffroy #artistrole
#biennalist #Biennalism #biennalecritic
#exhibition #contemporaryart #
#artandeconomy #kunsthallemannheim #museum #mannheim#thierrygeoffroycolonel
#kuma #kumamuseum
Emotional Expressions , JOy and Gaiety Seen During CTM - Chennai Trail Marathon Held on 07th sep 2014 in chennai
This cat lives with my freind for over seven years and is amazingly quiet. She loves posing for cameras and is very curious about the sound of shutter.
I randomly took this photo on a whim, but I didn't notice until I had a really good look at this photo that I captured many interesting expressions on people's faces. Best viewed in full size.
Another image of my recent foxtrot performance with Angie, captured by Commissioner Myra Harris of the Maricopa County Superior Court, who was using my camera. I hesitated to post this image until I studied the video carefully and ascertained that the expression on Angie's face was intentional. Mine definitely was. I wanted to convey a sort of bemused resignation, and I believe Angie, for her part, wanted to project a sense of mischief and restrained mirth. I think she succeeded. Feedback, as always, is invited.
This was taken near the beginning of the brief performance, which lasted about a minute and 45 seconds. A second video may be seen here; there is a link to the other one in the description accompanying the first image of this dance, posted by me within a couple of hours after the performance. That one was taken just as we were finishing.
I'm going to try and capture the many faces Toto seems to pull. He's so expressive.
I went for harsher editing on this photo.
Why so serious Toto?
Subject: Doorways and Passages
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At North Carolina State University the Free Expression Tunnel connect two different parts of campus. This area is designated as the 'official' site for graffiti on campus. The art changes constantly so there are always fresh photos to capture.
All details are on my blog 12/6/16: Joyful Creations with Kim. This card uses Taylored Expressions products that are part of the release on December 8th, 2016 at 7:00 a.m. PST. Be sure to head to the Taylored Expressions blog for more information and for a chance to win prizes just for leaving a comment!