View allAll Photos Tagged Expression,
The 'Expressions' exhibit at the Kelvingrove Art Museum, Glasgow, Scotland. Credit: Charles Garnett.
Came across a group of people who seemed to be having fun on this magic carpet sort of ride. The ride had almost ended, so I couldn't get a motion blur picture. Anyway, I hope you still like it despite the flaws. Any tips will be appreciated.
That feeling when Nature expresses itself!
Captured some part of it in this Time-lapse during sunset at Radhanagar beach, which is one of the most beautiful beach in Asia.
Well, thats what BMW says about the new Z4 Roadster. I'm not really a fan of this car but because it was parked at this awesome location I decided to take a few shots of it. BMW has parked three of their newest cars there for advertisement. Fortunately the Z4 was parked at the very right from this row so I was able to capture this scene :).
On thursday night we headed over to dublin to take part in the Heineken Expressions event at the Tripod club. It was a hugely fun night and there was some awesome work going on :D:D
A series of dramatic facial expressions.
Strobist: 580EXII into beauty dish at 1/2 above subject, LP120 through white umbrella at 1/16 below subject.
Magestic black Stallion in Sao Paulo, Brazil
This place is beautifullll a lot of gardens with flowers, incredible...
Raphael Macek - Photography
contact@raphaelmacek.com
The Mona Lisa is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, [and] the most parodied work of art in the world." The painting's novel qualities include the subject's enigmatic expression, monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism.
The painting has been traditionally considered to depict the Italian noblewoman Lisa del Giocondo. It is painted in oil on a white poplar panel. Leonardo never gave the painting to the Giocondo family. It was believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. King Francis I of France acquired the Mona Lisa after Leonardo's death in 1519, and it is now the property of the French Republic. It has normally been on display at the Louvre in Paris since 1797.
The painting's global fame and popularity partly stem from its 1911 theft by Vincenzo Peruggia, who attributed his actions to Italian patriotism—a belief it should belong to Italy. The theft and subsequent recovery in 1914 generated unprecedented publicity for an art theft, and led to the publication of many cultural depictions such as the 1915 opera Mona Lisa, two early 1930s films (The Theft of the Mona Lisa and Arsène Lupin), and the song "Mona Lisa" recorded by Nat King Cole—one of the most successful songs of the 1950s.
The Mona Lisa is one of the most valuable paintings in the world. It holds the Guinness World Record for the highest known painting insurance valuation in history at US$100 million in 1962, equivalent to $1 billion as of 2023.
The title of the painting, which is known in English as Mona Lisa, is based on the presumption that it depicts Lisa del Giocondo, although her likeness is uncertain. Renaissance art historian Giorgio Vasari wrote that "Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife." Monna in Italian is a polite form of address originating as ma donna—similar to Ma'am, Madam, or my lady in English. This became madonna, and its contraction monna. The title of the painting is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), which is rare in English, where it is traditionally spelled Mona.
Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany, and the wife of wealthy Florentine silk merchant Francesco del Giocondo. The painting is thought to have been commissioned for their new home, and to celebrate the birth of their second son, Andrea. The Italian name for the painting, La Gioconda, means "jocund" ("happy" or "jovial"), or literally "the jocund one", a pun on the feminine form of Lisa's married name, Giocondo. In French, the title La Joconde has the same meaning. Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death. It has long been the best-known source of information on the provenance of the work and identity of the sitter. Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.
That Leonardo painted such a work, and its date, were confirmed in 2005 when a scholar at Heidelberg University discovered a marginal note in a 1477 printing of a volume by ancient Roman philosopher Cicero. Dated October 1503, the note was written by Leonardo's contemporary Agostino Vespucci. This note likens Leonardo to renowned Greek painter Apelles, who is mentioned in the text, and states that Leonardo was at that time working on a painting of Lisa del Giocondo. In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated "Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. About this we are now certain. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre."
The catalogue raisonné Leonardo da Vinci (2019) confirms that the painting probably depicts Lisa del Giocondo, with Isabella d'Este being the only plausible alternative. Scholars have developed several alternative views, arguing that Lisa del Giocondo was the subject of a different portrait, and identifying at least four other paintings referred to by Vasari as the Mona Lisa. Several other people have been proposed as the subject of the painting, including Isabella of Aragon, Cecilia Gallerani, Costanza d'Avalos, Duchess of Francavilla, Pacifica Brandano/Brandino, Isabella Gualanda, Caterina Sforza, Bianca Giovanna Sforza, Salaì, and even Leonardo himself. Psychoanalyst Sigmund Freud theorized that Leonardo imparted an approving smile from his mother, Caterina, onto the Mona Lisa and other works like The Baptism of Christ, Virgin of the Rocks, and The Virgin and Child with Saint Anne.
The Mona Lisa bears a strong resemblance to many Renaissance depictions of the Virgin Mary, who was at that time seen as an ideal for womanhood. The woman sits markedly upright in a pozzetto armchair with her arms folded, a sign of her reserved posture. Her gaze is fixed on the observer. The woman appears alive to an unusual extent, which Leonardo achieved by his method of not drawing outlines. The soft blending (sfumato) creates an ambiguous mood "mainly in two features: the corners of the mouth, and the corners of the eyes".
The depiction of the sitter in three-quarter profile is similar to late 15th-century works by Lorenzo di Credi and Agnolo di Domenico del Mazziere. Frank Zöllner notes that the sitter's general position can be traced back to Flemish models and that "in particular the vertical slices of columns at both sides of the panel had precedents in Flemish portraiture." Woods-Marsden cites Hans Memling's portrait of Benedetto Portinari (1487) or Italian imitations such as Sebastiano Mainardi's pendant portraits for the use of a loggia, which has the effect of mediating between the sitter and the distant landscape, a feature missing from Leonardo's earlier portrait of Ginevra de' Benci.
Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.
The painting was one of the first Italian portraits to depict the sitter in front of an imaginary landscape, although some scholars favour a realistic description, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains, winding paths and a distant bridge, giving only the slightest indications of human presence. Leonardo chose to place the horizon line not at the neck, as he did with Ginevra de' Benci, but on a level with the eyes, thus linking the figure with the landscape and emphasizing the mysterious nature of the painting. The bridge in the background was identified by Silvano Vincenti as the four-arched Romito di Laterina bridge from Etruscan-Roman times near Laterina, Arezzo, over the Arno river. Other bridges with similar arches suggested as possible locations had more arches. Some observers find similarities with the Azzone Visconti Bridge.
Mona Lisa has no clearly visible eyebrows or eyelashes, although Vasari describes the eyebrows in detail. In 2007, French engineer Pascal Cotte announced that his ultra-high resolution scans of the painting provide evidence that Mona Lisa was originally painted with eyelashes and eyebrows but that these had gradually disappeared over time, perhaps as a result of overcleaning. Cotte discovered that the painting had been reworked several times, with changes made to the size of the face and the direction of gaze. He also found that in one layer the subject was depicted wearing numerous hairpins and a headdress adorned with pearls which was later scrubbed out and overpainted.
There has been much speculation regarding the painting's sitter and landscape background. For example, Leonardo probably painted his sitter's appearance faithfully since her beauty is not seen as being among the best, "even when measured by late quattrocento (15th century) or even twenty-first century standards." Some historians in Eastern art, such as Yukio Yashiro, argue that the landscape in the background of the picture was influenced by Chinese paintings; this thesis has been contested for lack of clear evidence.
Research in 2003 by Professor Margaret Livingstone of Harvard University said that Mona Lisa's smile disappears when observed with direct vision, known as foveal. Because of the way the human eye processes visual information, it is less suited to pick up shadows directly; however, peripheral vision can pick up shadows well. Research in 2008 by a geomorphology professor at Urbino University and an artist-photographer revealed that Mona Lisa's landscape was similar to some views in the Montefeltro region in the Italian provinces of Pesaro and Urbino, and Rimini. Research in 2023/2024 by geologist and art historian Ann Pizzorusso suggests that the landscape contains "several recognisable features of Lecco, on the shores of Lake Como in the Lombardy region of northern Italy."
Of Leonardo da Vinci's works, the Mona Lisa is the only portrait whose authenticity has never been seriously questioned, and one of four works—the others being Saint Jerome in the Wilderness, Adoration of the Magi and The Last Supper—whose attribution has avoided controversy. He had begun working on a portrait of Lisa del Giocondo, the sitter for the Mona Lisa, by October 1503. It is believed by some that the Mona Lisa was begun in 1503 or 1504 in Florence. Although the Louvre states that it was "doubtless painted between 1503 and 1506", art historian Martin Kemp says that there are some difficulties in confirming the dates with certainty. Alessandro Vezzosi believes that the painting is characteristic of Leonardo's style in the final years of his life, post-1513. Other academics argue that, given the historical documentation, Leonardo would have painted the work from 1513. According to Vasari, "after he had lingered over it four years, left it unfinished". In 1516, Leonardo was invited by King Francis I to work at the Clos Lucé near the Château d'Amboise; it is believed that he took the Mona Lisa with him and continued to work on it after he moved to France. Art historian Carmen C. Bambach has concluded that Leonardo probably continued refining the work until 1516 or 1517. Leonardo's right hand was paralytic c. 1517, which may indicate why he left the Mona Lisa unfinished.
Circa 1505, Raphael executed a pen-and-ink sketch, in which the columns flanking the subject are more apparent. Experts universally agree that it is based on Leonardo's portrait. Other later copies of the Mona Lisa, such as those in the National Museum of Art, Architecture and Design and The Walters Art Museum, also display large flanking columns. As a result, it was thought that the Mona Lisa had been trimmed. By 1993, Frank Zöllner observed that the painting surface had never been trimmed; this was confirmed through a series of tests in 2004. In view of this, Vincent Delieuvin, curator of 16th-century Italian painting at the Louvre, states that the sketch and these other copies must have been inspired by another version, while Zöllner states that the sketch may be after another Leonardo portrait of the same subject.
The record of an October 1517 visit by Louis d'Aragon states that the Mona Lisa was executed for the deceased Giuliano de' Medici, Leonardo's steward at Belvedere, Vienna, between 1513 and 1516; this was likely an error. According to Vasari, the painting was created for the sitter's husband, Francesco del Giocondo. A number of experts have argued that Leonardo made two versions (because of the uncertainty concerning its dating and commissioner, as well as its fate following Leonardo's death in 1519, and the difference of details in Raphael's sketch—which may be explained by the possibility that he made the sketch from memory). The hypothetical first portrait, displaying prominent columns, would have been commissioned by Giocondo c. 1503, and left unfinished in Leonardo's pupil and assistant Salaì's possession until his death in 1524. The second, commissioned by Giuliano de' Medici c. 1513, would have been sold by Salaì to Francis I in 1518, and is the one in the Louvre today. Others believe that there was only one true Mona Lisa but are divided as to the two aforementioned fates. At some point in the 16th century, a varnish was applied to the painting. It was kept at the Palace of Fontainebleau until Louis XIV moved it to the Palace of Versailles, where it remained until the French Revolution. In 1797, it went on permanent display at the Louvre.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for. ~Georgia O'Keeffe
not 100% on the framing here yet
Iphone 3Gs + classictoy app + irisphotosuite app + diptic app
Portrait Series (Marisa)
________
More photos taken with an iPhone 3Gs here: Little Things Iphoneography and I'm an IPhone Sapiens.
I took this a while ago while we were on a date walking around the Art district in Wynwood for his birthday.
We were both sick, more-so HE was sick. He had spent the previous weekend with a stomach virus and was still recovering, but was feeling well enough for us to go out for his birthday. We were getting out of the car and he was screaming for me not to take a picture because he was sick and didn't want it to look bad but this is one of my favorites.
That's what Bharatanatyam is all about.
In the pic: Shourya - During her Arangetram.
We were trying to be cool and calm before she entered the arena for her first solo performance :)
While I was walking in the evening around the pond today, the sun's rays suddenly came filtering through the trees from above, which lighted the surface of the pond. It warmed my heart to see this instant transfiguration of nature.
My water/reflection set is here.
Pretty and lovely唐舒恬 is a art university girl , she got beautiful face , eyes , high nose , and natural quality , every her pose and expression was charming and gorgeous , we took her picture at the Da An park of Taipei
Author: Tekahem
Edition: Unique work
Year: 2015
Size: 100 x 100 x 4,2 cm
Signed at the back
Numbered at the back
January 24th 2014
Expression (noun): the process of making known one's thoughts or feelings.
“I like beautiful melodies telling me terrible things.” I've always been fascinated with all of the various ways of expressing oneself. Some music truly is poetry (a quality of beauty and intensity of emotion). I especially love it when music makes you feel empathy. Makes you feel as though you yourself were in a certain position that you've never experienced. ah, it's such a great feeling when you realize that artists (of any kind) are sort of speaking to you from their hearts to yours. And it's so weird. Sometimes you're just overcome by sheer emotion. I really don't know how to explain it but sometimes the words or even just the melody really resonates with me in a way that words just can't describe. I know I can't be the only one. "After silence, that which comes nearest to expressing the inexpressible is music."