View allAll Photos Tagged Exposed
Today’s post has many close-up photos of mechanisms, features, and details of the P1 exposed! Don’t pass on this slideshow, scroll left for some high definition photos and have an awesome Wednesday everybody! Build on! #Exposed #NewRelease #HyperCar #McLaren #Design #SkillModel #Lego #InstaCool #InstaLake #Designer #HDRPhotography
Arts Exposed is a dynamic two day conference that offers an unparalleled learning and networking experience for arts and culture stakeholders! Building on the success of the past two years, the 3rd annual Arts Exposed conference will be the capstone cultural event of 2013!
This concrete has rocks in it that will be exposed when finished. They use a "surface retarder" to prevent the surface from completely hardening. They then pressure wash off the surface to expose the rocks just below.
Gumdiggers Park, Awanui.
Ancient kauri (c. 100k bp) that has been partially dug and exposed for viewing.
Guests turned out to view the works of College of DuPage Photography students and local high school students at “Exposed,” the Photography program’s fourth annual student showcase. The event included a variety of work, including architectural, studio photography, fine art and portraiture.
Velvet Bus (Exposed By Observers, Le Page, The Callas, Berlin Brides) 1 (Volos) & 2 (Larissa) May 2009
So, turns out, I ran across this old roll of black and white film that I hadn't seen in many months, and the film leader was out, so I thought, "Hmmm, I'll take some black and whites! It's been a while!" Well, I just got the pictures back from the store, and it turns out that I had already taken pictures through that roll. Whoops. So every shot in here is a double exposure. Can you make out who's who or what's what? ;-)
Oh, and apparently, fireworks make really fun crazy accents to regular pictures...haha
Today’s post has many close-up photos of mechanisms, features, and details of the P1 exposed! Don’t pass on this slideshow, scroll left for some high definition photos and have an awesome Wednesday everybody! Build on! #Exposed #NewRelease #HyperCar #McLaren #Design #SkillModel #Lego #InstaCool #InstaLake #Designer #HDRPhotography
after i took this shot a security guard told me that ever since 9/11 it's against the law to take pictures in cities. period.
Today’s post has many close-up photos of mechanisms, features, and details of the P1 exposed! Don’t pass on this slideshow, scroll left for some high definition photos and have an awesome Wednesday everybody! Build on! #Exposed #NewRelease #HyperCar #McLaren #Design #SkillModel #Lego #InstaCool #InstaLake #Designer #HDRPhotography
Today’s post has many close-up photos of mechanisms, features, and details of the P1 exposed! Don’t pass on this slideshow, scroll left for some high definition photos and have an awesome Wednesday everybody! Build on! #Exposed #NewRelease #HyperCar #McLaren #Design #SkillModel #Lego #InstaCool #InstaLake #Designer #HDRPhotography
#MobileArtistry is creative edits, beautiful images, unique perspectives, stellar shots, and happy accidents. IE, stuff you won't find on the pop page.
Through this ongoing project we hope to expose people to art and artists they may not normally get to see, learn about one another's process, and encourage each other to push the limits of creativity.
Please limit your tags to 2 a day.
For the fastest reply, direct your questions to our admins, @computerjones, @momma2maxh, & @wolfeaugen. Thank you.
Tonight's submission is from Caroline, aka @caroline2645, let's hear about her process.
I'd like to thank @mobileartistry, and all the administrators: @momma2maxh, @wolfeaugen and particularly Will @computerjones who reached out to me for this opportunity. I am thrilled to be here and have found this tag and group of artists truly inspiring. I am particularly drawn to self-portraits because it offers me the chance to explore my sense of self in relation to the world and others in a unique way. Some images are pictures I see in my head and then try and capture, and some images evolve over time and the editing process. Below is my process for this image:
I first took the image of my eye in native iphone5 camera, and the image of the trees in camera+. The image of my eye was cropped in snapseed and then edited in noir. The image of the trees was edited in camera+--I first cropped and then applied the "ansel" effect and toned it down a tad. Then I brought both images to blender and used the arrange and mask functions until I was satisfied. The blend mode was luminosity plus darker. Next I brought the new image to scratchcam and played around with scratches and textures. I then took the image back to blender to add some small flowers to my lower eyelid (just felt it needed something...). Then that image went back to noir for some light adjustments, and then finally I finished in snapseed with a little tuning and adjusting the white balance to -45 for the blueish tone. So.....that's it. I hope you like it!
326 Likes on Instagram
32 Comments on Instagram:
caroline2645: Thank you so much @preciousnest @soulcinnamon! I really appreciate the support!
jlw40: Really beautiful Caroline!✨✨ @caroline2645
caroline2645: Thank you @jlw40--the encouragement means a lot!
urbanmuser: Great image, congrats @caroline2645
caroline2645: Thanks so much @urbanmuser !
karinwei: @caroline2645 Just read this...wow, that's a lot of layering. I'm getting inspired to branch out. Just need 15 uninterrupted minutes.
blueberry_pi: @caroline2645 just perfect
caroline2645: @blueberry_pi thanks!!
"Film d'essai" (test film) of my French range-finder 35 mm camera Foca PF2B (year 1956) after the shutter new adjustments.
I used here a 36 exposure Ilford Pan100 film exposed for 100 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. The Foca Oplar lens1:2.8 f=5cm was fitted with a FOCA "AUV"(Anti-UV) filter and a Genaco metal shade hood, both push-on 42mm.
Place Colbert, March 13, 2023
69001 Lyon
France
After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 9 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France, in 1956 among a late series of the PF2B. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera is equipped with the collapsible OPLAR lens (a Tessar formula) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed in series for the FOCA PF3 type.
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Object of the adjustments :
Due to the presence the original factory seals on the shutter adjustments, I knew that the camera has never been adjusted of serviced since 1956!
Until now the 1/25s, 1/50s and 1/100s suffered from inconsistent curtains travel speeds causing band inhomogeneities in the exposure. The 1/1000, 1/500 and 1/200s were however coherent. I proceeded here as follows :
1- The shutter being on B setting, proceeding by half turns only on the adjustment screw, I increased the spring tension of the first curtain by 2 half anti-clockwise turns causing more regular and fast opening of the first curtain.
2- Then I did the same on the second curtains to get a similar speed of closure.
3- I checked visually that all speed gives homogenous opening scans from 1/25s to 1/1000 (proceed without the lens mounted).
Likely the 1/25s is still slow but I decided to see the results obtained on a test film. The exposures ae now all homogenous. Following the densities given by the Sony A7 during the digitalization, one could deduce that 1/50s gives +0,3 EV more than expected (ie 1/30s instead of 1/50s) and 1/25s gives +1.3 EV (ie 1/10s instead of 1/25s). After the test film I added 1/2 turn to the first curtains to increase the travel speed.
An interesting way to show an E Type , fully exposed . Still one of the best looking engine compartments in the business !
I will never forget the first time I saw one . That wonderful XK polished alloy twin cam six engine with those three big HD8,s on the side , it seemed nearly as long as the bonnet .... just as good as it ever was !
Sydney .