View allAll Photos Tagged Exposed
Velvet Bus (Exposed By Observers, Le Page, The Callas, Berlin Brides) 1 (Volos) & 2 (Larissa) May 2009
Guests turned out to view the works of College of DuPage Photography students and local high school students at “Exposed,” the Photography program’s fourth annual student showcase. The event included a variety of work, including architectural, studio photography, fine art and portraiture.
Velvet Bus (Exposed By Observers, Le Page, The Callas, Berlin Brides) 1 (Volos) & 2 (Larissa) May 2009
Exposed tree roots on the banks of the River Swale. The earth is washed away when the River is high.
María Cookies and Milk with a Split Cam ~ Galletas María con leche con la cámara Split Cam
November/Noviembre 2012.
Film/Película: Kodak (rebranded as CVS) 400. Camera/Cámara: Split Cam. Film treated with milk and Goya's María cookies. | Película tratada con leche y galletas María marca Goya.
...Before Thatcher Dies
Pete Wylie @ Masterclass @ Liverpool John Moores University
Interviewed by Dr. David Clampin about his early musical career with such Mersey luminaries as Pete Burns through Mighty Wah! on to his recent Hillsborough work
Test film of my Carl Zeiss lens Sonnar CF T* 1:4 f=150mm (year 1982) for the Hasselblad.
I received this second jewel lens for my Hasselblad Camera 500 C/M with it the favorite long focal lens for many Hasselblad users. The lens is as a new, in a mint condition both mechanically and optically. It came with its two original caps and the original Hasselblad shade hood 100-250mm. For the test, I equipped the Sonnar with a Hasselblad UV-SKY (1A) multicoated protective filter with B60 mount.
The Hasselblad Camera 500 C/M was fitted with a A-12 film back (year 1977) loaded with a Kodak Professional Tri-X film that I exposed for 400 ISO using a Minolta Autometer III and its 10° viewer for selective measurement privileging the shadow area's or by measuring the incident light with the opalescent dome.
Parc de la Tête d'Or, September 28, 2024
69006 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 14min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 120-format film.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About my Hasselblad 500C/M:
I remember that somewhere around 2002, I considered to buy a Hasselblad camera. I gave up because I had no more access to a darkroom and I found too complicated to recreate one or to delegate the processing to a service lab. Afterward, I started digital photography that distracted me to operate again with films until more recently. It is only when I could manage in 2022 a reliable and quality way to exploit my negatives in a reasonable time, that I really could enjoy again of analog photography.
On July 17, 2024, I decided to buy "my" Hasselblad in a very traditional way, almost as I could in the 90’s, in a local real photographic store, Lyon, France. The store « Carré Couleur » of Jacques Larger, rue Servient, Lyon, France, is a long-time specialist of professional medium-format camera’s including Hasselblad ones. They had on display several revised and 6-month guaranteed camera’s and a large choice of lenses and accessories.`
I choose a 500 C/M year 1978 and a Carl Zeiss lens Planar T* 1:2.8 f=80mm of the CF series year 1986, plus a small set of little Hasselblad goodies. The 500 C/M is totally mechanical without any electrical nor electronic circuitry. The 500 C/M's were produced in Göteborg, Sweden, from year 1970 to 1994. They followed the production of the 500C camera’s (1957-1970). The latest V-series camera (503 CX, CW, CWI etc) ceased in 2006 and Hasselblad then produced only digital camera’s but also digital camera backs that could fit to the V-series includingbthis 500 C/M (www.hasselbladhistorical.eu/HS/HSTable.aspx)
This CF lens series has central shutter Prontor (Synchro-Compur for the earlier Zeiss series). They are more cylindrical than earlier series and equipped of the proprietary bayonet filter mount B60. The delayed shutter realease was also abandoned. The focusing screen is the « Bright » series with the Dodin stigmometer in the screen centrer and the squared cross-ruling lines. Later 501 and 503 were basically equipped with an even more brighter screen called « Acute-mat ». The camera back could dated from year 1977 is an « A-12 » back « A » standing for « Automatic ». The film advance automatically stops at view 1 with view counter on the right camera side.
After a complete demo by Jacques Larger, I studied the camera manipulation at home with the user manual in hand (an original edition of 1980) before doing the decisive « film d’essai » (test film) on a sunny morning of July 20, 2024.
The results show very high-quality, highly-contrasted negative views, perfectly exposed and spaced proving the good technical state of the camera, film magazine, and the lens/shutter.
On sept. 2, 2024, I received from a French specialist of collection camera's, a second film magazine Hasselblad "A12". This back is in a pristine condition and matches the production year 1978 (Hasselblad letter coding "UR") of the 500 C/M body.
The camera back is like a new with almost no signs of use. It arrived in its original Hasselblad box including the original user manual too. The film insert has latest 3 digits matching the film magazine serial number, that is not the case of the other magazine. Unmatched magazines and inserts, are very common and assumed not to be a technical problem, but Hasselblad maintained the pairing of the insert magazine to ensure to the customers of the best attention to the precision of the film plane.
Today’s post has many close-up photos of mechanisms, features, and details of the P1 exposed! Don’t pass on this slideshow, scroll left for some high definition photos and have an awesome Wednesday everybody! Build on! #Exposed #NewRelease #HyperCar #McLaren #Design #SkillModel #Lego #InstaCool #InstaLake #Designer #HDRPhotography
The Summer House in the gardens of Insole Court is in a shockingly bad state. The walls inside are plastered with graffiti and a large hole in the roof admits the elements.
Today’s post has many close-up photos of mechanisms, features, and details of the P1 exposed! Don’t pass on this slideshow, scroll left for some high definition photos and have an awesome Wednesday everybody! Build on! #Exposed #NewRelease #HyperCar #McLaren #Design #SkillModel #Lego #InstaCool #InstaLake #Designer #HDRPhotography
An interesting experiment I did with a 35mm film and a cheap plastic camera. First I took some very random shots, then I reloaded the film and took another set of random cat shots to double expose the film. Once I finished the film I dunked IT in in a pot of boiling water for 3 mins! Amazingly the film survived, although it did take a few days to dry out. Once it was dry I took it to my local minilab and developed it. Some weird results but pretty happy. Give it a go!