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Scanned in transmitted light, unwaxed.
Lactose iodiser batch 5-2
Dry exposed, sunny noon Sunday 26th Febr, 2012
f/ 4.8 for 20 min, whole plate
Developed in 0,8% gallic acid, highlights showing before development
acetonitrate added after 5 min, total 45 min
EV 15 for zone V on the camera's wood
EV 16 the light yellow book
EV 17 hvites on flasks (Acidum Gallotannic)
near the last water, for a windy and wet night. Inside we stayed dry but there were numerous anxious moments when gusts flattened the tent. We emerged with bleary eyes in the morning to find a clearing sky and easing winds.
The last five months (May-September 2023) required me to move a lot for a variety of professional and personal reasons. It was the first time in several years that I entered airplanes without carrying my DSLR camera. This resulted in me tinkering and thinking with my mobile phone camera, surpassing my snobbish attitude towards it as means of photographic expression. Visiting an old favourite antique store of mine, I was exposed to wallet-sized black and white pictures, very fashionable in the 1920s-1960s. Phenomenologically, I thought, these little pictures carried significance similar to the one carried by the myriads of photos nowadays stored on mobile phones. I tried to combine the sensory experience of black and white with the ease of mobile phone shooting, itself resembling certain types of pinhole cameras. Themes are the same as in my earlier photography: decayed and rusty patterns of disintegration, emptiness of spaces, outlier figures of the everyday, street signs and letters, nonhuman friends, naturecultures, and psychopolitically haunted scenes. Places include: Canada (Toronto), Greece (Athens, Thessaloniki, Aghia, Larissa, Eleftheroupoli, Kavala), Scotland (Edinburgh), France (Paris), Belgium (Brussels).
The first in a series of "wanted" posters put out anonymously on the University of Maryland College Park campus of police agents and informers following the student strike of 1970.
This one features state police officers John Paul Cook and Bob Wacker.
For a PDF of this poster, see washingtonspark.files.wordpress.com/2019/06/1970-umd-want...
For more information and related images, see flic.kr/s/aHsjBzxn3w
Donated by Robert “Bob” Simpson
Velvet Bus (Exposed By Observers, Le Page, The Callas, Berlin Brides) 1 (Volos) & 2 (Larissa) May 2009
These painted signs were recently exposed after the demolition of an old building in Downtown El Paso. The John T. Muir Building was built by Trost and Trost architects in 1916. It was originally a beautiful building but had been remodeled at some point. Our City council voted to demolish it because: "It is not on the historic register, It's a non-contributing historic building and it has been irreparably altered." Sad - but cool that these signs were exposed!
- www.kevin-palmer.com - This was one of the most exposed parts of the Mount Baldy Trail. A steep dropoff flanked both sides of the path.
PHOTO CREDIT: Louise Coghill.
Strip search Pastors strip to expose refugees as people
Eight Church leaders faced court in Perth this morning. The group pleaded guilty and were given a spent conviction with three month conditional release (they cannot be charged or convicted of an offence in that time). Photos are available for publication: www.flickr.com/photos/lovemakesaway/sets/72157650100422857/
Outside court: Five Christian leaders in Perth have stripped to their underwear and placards reading “Refugees are People” - they are currently walking to Foreign Minister Julie Bishop’s office, calling for the release of the 135 children currently locked-up on Nauru and for an end to offshore detention
Following a court hearing in Perth this morning 5 Christian leaders have stripped to just their undergarments and placards reading “Refugees are People” and are currently walking from Perth Court to Foreign Minister Julie Bishop’s Subiaco office, calling for the release of the 135 children currently locked-up on Nauru and for an end to offshore detention.
“Attempts to humiliate and deter us have failed and we are more determined than ever to see the dignity of people in immigration detention recognised,” said Pastor Jarrod McKenna of WestCity Church of Christ.
“For those who seek to deter us we have a simple message: at the centre of our faith is a symbol of torture that God transformed into a symbol of love. There is nothing you can throw at us that we can’t see transformed for the freedom of others,” said Pastor McKenna.
This action comes after eight Christian leaders faced Perth court earlier this morning over a peaceful sit-in last month at the office of Foreign Minister Julie Bishop. The eight Christian leaders were arrested, strip searched and charged with trespass on 10 December 2014 after the peaceful sit-in which was part of the #LoveMakesAWay national day of action. Love Makes a Way is a national movement of Christians seeking an end to Australia's inhumane asylum seeker policies through prayer and nonviolent love in action.
“The Human Rights Law Centre described the strip-searches of peaceful protesters as ‘deeply concerning’,” said Pastor McKenna.
“Instead of strip searching Church leaders our nation needs to be searching its heart for a humane response to those seeking safety,” he said.
“Even if you strip-search us, even if you make us squat and cough, even if you threaten us, we will not stop fighting for freedom of all people in detention. We believe that love makes a way,” said Teresa Lee, co-founder of First Home Project who faced court earlier today after participating in the peaceful sit-in last month.
“Refugees are people, it is as simple as that. All people deserve to have a safe home and not one of the 1930 people currently locked up in detention deserve to have their future frozen indefinitely,” she said.
“Today we call on the Government to make a public commitment to release the 135 children currently imprisoned on Nauru. These children have been cruelly shipped off, locked-up, and left in limbo, deprived of their precious childhoods,” said Reverend Lorna Green, Anglican Rector of Serpentine-Jarrahdale who also faced court earlier today.
“We say to these children and all those people locked up on Manus Island and Nauru: we see you and we won’t give up on you,” said Pastor Alex McKellar from WA’s largest church, Riverview, also among the eight who faced court for the December action at the Foreign Minister's office.
This was a couple of weeks ago when the only snow left was in sheltered areas. I like this photo because of the sparkle in the snow. Large view is best.
I've got that lefty curse
Where everything that I do is flipped
and awkwardly reversed
You're seldom known and barely missed
I always put myself
in destructive situations
I need oxygen
to be exposed where no one goes
Where no one's been
When it all comes crashing...
We've Got a Big Mess on Our Hands - The Academy Is...
I'm so frustrated right now. Between CS3, camera raw, lightroom, and ViewNX... ahhhh. I don't even know what to doooo. I'll view my raw files, but then when I go to open them in CameraRaw/Lightroom, they show up dark, and not like they should. When I convert to jpeg so I can directly open in Photoshop, their grainy and icky. Help? Perhaps? And because of this issue, I haven't sharpened/blurred, etc at all on this. Just tried to make it worrrkkk.
Also frustrated because I really need to get my priorities straight. School comes first. I've got homework to do right now, and a test to study for and it's already 11:24. I'm in need to organize.
C is for Caution
because, my shower is dripping, quite possibly causing an shock hazard, which in turn could turn into a fire hazard, and finally causes imminent death.
Over-exposed etc, but I quite liked the high-key look, very happy with the focus and dof, and I think it has real character too so stuck with it.
I usually don't go for the "meeting the stars" thing, but I couldn't resist -- at the Cincinnati Pride 2014.
A testament to how well old homes were constructed. The lath and horse hair plaster is still doing a good job of keeping this building standing
Some people say there is no ugliness in nature. Yet ... there is much that can evoke a mixture of disgust and recoil as the mind interprets what it sees. Such is human nature.
A little gross looking to me. Ugly and evocative. Perhaps images like this are simply meant to stay buried. Not brought forth or exposed to the light of day.
Yes Pinky, do you see what I see?
Why yes I do Brain. I see something evocative of more ugliness.
Thank you Pinky. Now lets go home and tomorrow we'll try again to take over the world.
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Points. Dots.. Period... mirit ben nun
The exposing of the aboriginal painting, (The Aborigines Tribes of Australia) to the western world in the 1970s infused an adrenaline rush like energy into modern drawing and relatively soon thereafter was accepted as a legitimate art form as well as an influential and inspirational source.
This tribal art form creates religious symbols for ritualistic purposes and its aestheticism is characterized with the hues of the land. Contemporary West-African artists are emphasizing similar elements in their work. They have diverted their attention to a continuous urge of constructing plateaus of colorful dots that please the eye with rich, velvet- like textures and winding images.
There is no doubt that Mirit Ben Nun s art derives, like a refreshing meteor in our skies, from that very source into our over- saturated art of photographic images and messages. As a self-taught artist, she grew outside of the lubricated system of art academies and does not suffer from the search for meaning. Her paintings burst out from within her as a primordial need to provoke the canvas, to attack it with an unstoppable obsession that leaves no corner hiding. The need to self- express does not stop but wants to continue and flow with her spiritual storm - perhaps to silence the demons within.
The painting is engulfing as a result of being primitive, free from justification and the sense of guilt for not being intellectual. It comes from the unconscious creative the psychological drive which is not adapted to a language of nuances and does not require decoding.
Mirits spectator is bombarded with a colorful abundance, with repeating images and metaphors that are easily perceived and identified. For the person who is accustomed to the sophisticated art form, this is a fresh breath of immediate beauty.
Perhaps this is the place and the time to go deeper into the roots of a culture which for generations now has been obscured with theories and isms.
David Gerstein
One of my failures as a photographer is to forget about my settings. The ISO was set way too high and this picture is
not exposed correctly. But it piqued my interest.
Cheers.
His Holiness Younus AlGohar issues an official statement about the rank and reality of Sheikh Nazim of Cyprus, a man some consider to be Sheikh ul Auliya (King of Saints). Link: www.youtube.com/watch?v=7tDGA5A_sPU