View allAll Photos Tagged Explains,
💡COMMENT 🔽
🔥ACTION UNE (15,5✔️) (👨🔧Mémoriser) Mémoriser les étapes et mettez les en pratiques dans votre vie de vendeur (ou autres) :
👣1S - Sécurité (4✔️)
👣2O - Orgueil (3,5✔️)
👣3N - Nouveauté (2✔️)
👣4C - Confort (2✔️)
👣5A - Argent (4✔️)
👣6S - Sympathie (3✔️)
👣7(E) - Écologie (1✔️) {#Optionnel}
➕15,5 ✔️Points d'expérience
👩🔬eXplication : La « méthode SONCAS » (encore appelé « système SONCASE ») est une méthode d'approche commerciale qui tire son nom de l'acronyme formé à partir des six mots supposés représenter les motivations d'achat d'un acheteur potentiel sur lesquelles tout vendeur va devoir s'appuyer en adaptant son discours pour provoquer l'achat.
🏆Difficulté de Compréhension : Facile (Niveau 2)
Difficulté d'Exécution : Facile à démarrer. Amélioration presque sans limites possible.
🎓Compétences : Empathie. Un sens de l'observation. Etre sociable.
️Sens : 👀Vision 👂Ouïe
👩🏫Intelligences : 👨👩👧👦 Intelligence Interpersonnelle
📐Intelligence Logico Mathématiques
🌲Intelligence Naturaliste Ecologiste
️Intelligence Verbo Linguistique
🔭Intelligence Existentielle
💡Imagination
👤Intelligence Intra Personnelle
🙇État d'esprits : 😶A l'écoute
😵Argent
😉Amical et Sociable
😷Analyser les besoins psychologiques et matériels du client
💞Contexte (Exemples) : 🍪Vendre un Produit
🏪Vendre un Service
📋QUOI 🔽
💡Comment {1} Étape par Étape
🌟Comment Fonctionne la Méthode SONCAS(E)
💫Planète : Attitude Consommateurs/Psychologie des Clients/Stratégie de Vente/Stratégie de Commerce/Psychologie d'Achat
⭐Etoile : ️Vente Commerce
🌌Galaxy : 👔Business 👥Psychologie 👛Consommation
✨Univers : 👪Sciences Humaines et Sociales
📝Type : Stratégie de ventes liées aux comportements des consommateurs
🎨Style : Compréhension de la psychologie des consommateurs et des actions commerciales à prendre en compte
️Langage : 🇫🇷Français
️ Vous pouvez utiliser les playlists comme filtres, pour trouver exactement ce que vous cherchez (Téléchargez l'application si vous voulez une liste plus exhaustive) : www.youtube.com/channel/UCvJbtKd3hIIgneJmPBnFoRw/playlists
🔢COMBIEN 🔽
👣7 Étapes {#Optionnel}
🔥1 Action
✔️15,5 Points d'expérience
️2 Sens
👩🏫7 Intelligences
🙇4 État d'esprits
QUI 🔽
💡 eXplication par LG
📡Poster par LG
️Video creer par LG (Pinnacle Studio 14)
©Etoile (Video)
©Ikson & Etoile (Musique)
Supporter Ikson :
ℹ️ Comment utiliser la musique : iksonmusic.wordpress.com/
📌https://soundcloud.com/ikson
📌https://www.youtube.com/channel/UCh37tfDJivztwYyVX6jdskQ
📌https://twitter.com/Iksonofficial
📌https://www.facebook.com/iksonmusic/
📌https://www.instagram.com/iksonofficial/
🎵Musique promue 📂 par eMotion
️Etoile - Theme 2 : youtu.be/B_5z60PLkF8
️Ikson - Deep Dive : youtu.be/pTr1zNATLNU
❓POURQUOI 🔽
Apprendre la Méthode SONCAS(E)
📍OU 🔽
Pontault Combault (🇫🇷 France)
🕓QUAND 🔽
📅2014
⌚Durée : La compréhension et l'exécution dépend des caractéristiques de chacune. L'amélioration de cette méthode une fois comprise, demande de l'expérience et de la pratique.
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#SONCAS #Apprendre #Comprendre #Entreprendre #SONCASE
💌Contactez Nous : explanationcontact@gmail.com
v.1
Can't explain...
Anything...
Not even how im feeling...
My emotions are so messed up lately...
Im not myself, But sometimes im more than myself.
I don't sleep.
Im just not me, Then who am i?
I act stuck up and mean, But thats not me.
Whats gotten into me...
I need to find myself, But i can't.
I push everyone close to me away...
I need them more than ever rightnow.
sometimes i feel like my heart
is beating extremlyy fast like im having
a heart attack, almost like im dying,
i've been told these are panic attacks
bah i get them most frequently grr
Random Fact: that peace sign headband i wear that almost everyday. :)
Members of the American High School Theatre Festival presenting excerpts of their show "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" on and around one of the Virgin Money free stages on The Mile
These two. Tough to really explain just how much they mean to me. Kate's more than my best friend. She's my sister. And my god daughter? I can't even. I was honored to help her get ready for her big daddy-daughter dance by straightening her naturally wavy hair and putting a few braids into it. She was pretty excited. I was just happy to spend time with my monsters.
When I wrote the screen about the number of senses in my neuroscience exhibition I was running out of time, stressed out of my mind and had not slept much. Which explains why I wrote that the five tastes are sour, salt, bitter, bitter and umami (the second bitter, "besk" is a synonym in Swedish). Nobody noticed the mistake until the premiere. Since then the exhibition has toured Sweden for two years and nobody has remarked on this obvious mistake. Until now in Uppsala when finally a friend of exactness has crossed out the bitter and added the correct sweet.
St Peter, Walpole St Peter, Norfolk
St Peter is one of the dozen most famous parish churches in England. Alec Clifton-Taylor thought it was the best. Of course, claims can made for many big churches; but St Peter is not just special for its size. It is indeed magnificent, but also infinitely subtle, the fruit of circumstance and the ebb and flow of centuries. There is a sense of community and continuity as well; this is no mere museum, and it is not simply St Peter's historic survivals that attract its champions. This is a building to visit again and again, to delight in, and always see something new.
Be in no doubt that St Peter is a big church. At 160 feet long it dwarfs other East Anglian giants like Southwold, Blythburgh, Cley and Cawston. Only Salle gives it a run for its money. It is also a welcoming church, as all great churches should be. But even if it were kept locked, there would still be so much to see here that it would be worth the journey.
This part of the county has a character more commonly associated with Cambridgeshire, and of course we are only a couple of miles from the Nene which forms the border between the two counties. Walpole St Peter is closer to Peterborough and Cambridge than it is to Norwich. Indeed, it is closer to Leicester than it is to Great Yarmouth at the other end of Norfolk, a reminder that this is a BIG county. Today, the Norfolk marshland villages tend to be rather mundane, apart from their churches of course. In this curiously remote area around the Wash delineated by Lynn, Wisbech and Boston, there is an agri-industrial shabbiness accentuated by the flat of the land. But you need to imagine the enormous wealth of this area in the late medieval period. The silt washed by the great rivers out of the Fens was superb for growing crops. East Anglia, with the densest population in England, provided a ready market, and the proximity of the great ports gave easy access for exports. And then there was the Midlands and the North which could be accessed by the east coast ports.
The landowners and merchants became seriously wealthy, and according to custom bequeathed enhancements to their parish churches to encourage their fellow parishioners to pray for their souls after they were dead. This was nothing to do with the size of the local population; in England's Catholic days, these buildings were not intended merely for congregational worship. The fixtures and fittings of the parish churches reflected the volume of devotion, not just the volume of people. In areas where there was serious wealth, the entire church might be rebuilt.
But here at Walpole St Peter there was another imperative for rebuilding the church. In the terrible floods of the 1330s, the church here was destroyed, apart from its tower. Before it could be rebuilt in the fashionable Decorated style, the Black Death came along and took away fully half of the local population. However, the economic effects of the pestilence would turn out to be rather good for East Anglia in the long term, and by the early-15th century churches were being rebuilt on a grand scale all over Norfolk, Suffolk and Cambridgeshire. Walpole has two late medieval churches - St Andrew on the other side of the village is very fine, but St Peter is the one that puts it in the shade.
The nave came first, the chancel following a few decades after. Eventually, the tower would also have been rebuilt, in a similar scale to the rest of the church. How amazing it might have been! We only need to look a few miles over the border to Boston to see what could have been possible. But the English Reformation of the 16th century brought an end to the need for bequests, and so the late 13th century tower remains in place to this day.
The vast church sits hemmed in to the north and east by its wide churchyard. The battlemented nave and chancel are a magnificent sight, most commonly first seen from the village street to the north. Rendering accentuates the reddishness of the stone, and the finest moment is probably the conjunction between nave and chancel; spired roodstair turrets rise to the gable, and at the apex is a glorious sanctus bell turret. The stairway on the north side is supported by a small figure who has been variously interpreted as the Greek god Atlas, the Fenland giant Hickathrift, or as anyone else I suppose.
The chancel is beautiful, but its most striking feature is the tunnel that goes beneath its eastern end. One of the features of the late medieval English Catholic church was liturgical processions, but when this chancel was extended in the 15th century it took the building right up to the boundary of consecrated ground. To enable processions still to circumnavigate this building, the tunnel was placed beneath the high altar. Such passageways are more common under towers, and there are several examples of this in Norfolk, but that option was obviously not possible here.
There are lots of interesting bosses in the vaulting. It isn't just the medieval past that has left its mark here. The floor of the tunnel is flagged, and there are horse-rings in the wall from the 18th and 19th century when it served the more mundane purpose of stabling during services.
Views of the south side of the church are hindered by a vast and beautiful copper beech, but there is no hiding the vastness of the south porch, one of the biggest and finest in Norfolk. The parvise window is as big as nave windows elsewhere; the keys of St Peter decorate the footstool of one of the niches.
And here are some of the finest medieval bosses in Norfolk. The two main ones are the Assumption of the Blessed Virgin, and the Last Judgement. There are characterful animals in the other bosses. Figures in niches include a Pieta, a Madonna and child, and a pilgrim with a staff, pack, and shell on his hat. Also in the porch is a sign reminding you to remove your patens, the hardy wooden clogs common to 19th century farm workers.
So much to see, then, even before you come to push open the original medieval door! And then you do, and the birdsong and leaf-thresh of the summer morning outside falls away, and you enter the cool of a serious stone space. The first impression is of height, because the vista to the east is cut off by an elegant 17th century screen, as at nearby Terrington St Clement. The unifying of nave and tower, almost a century apart, is accomplished by sprung buttresses high up on the west wall, each carved with a figure. Here are the Elizabethan communion table, a hudd ( the sentry box-like device intended to keep 18th century Rectors dry at the graveside) and the perpendicular light through the west windows.
And then you step through the pedimented entrance through the screen into the body of the church, and the building begins to unfold before you. Your journey through it begins.
Some huge churches impose themselves on you. St Peter doesn't. It isn't Salle or Long Melford. But neither is it jaunty and immediately accessible like Terrington St Clement or Southwold, nor full of light and air like Blythburgh. St Peter is a complex space, the sum of its parts, like Cley, and yet more than them, with a sense of being an act of worship in itself.
One of the delights of Walpole St Peter is that many of the furnishings reveal the hands of local craftsmen; the roodscreen dado Saints, for example. There are twelve of them, their naive character reminiscent of Westhall. The six outer saints are women, the inner ones apostles. The two sets are clearly by different hands, and the late Tom Muckley wondered if they were, in fact, from two different screens.
On the north side are St Catherine, the rare subject of the Blessed Virgin and Christchild, St Margaret (the processional cross with which she dispatches the dragon is unfinished), St John, St James and St Thomas. On the south side are St Peter, St Paul, St Andrew, St Mary of Magdala, St Dorothy and St Barbara. I was pleased to be asked recently for the use of my photographs for the information board which explains it.
The nave has a feel that is at once ancient and vital, not so much of age as of timelessness, of continuity. It's the sheer mixture of woodwork that impresses - silvery oak broods in the white light from the high windows. The best of the medieval work is in the south aisle, where the benches are tiered and face inwards. A massive dark wood pulpit and tester broods over the north side. Above all this rises the pale cream of the arcades, topped by the gold of the hanging candelabras, and the towering, serious early 17th century font cover. The font is clearly one of the Seven Sacraments series; but, as at the great churches of Blythburgh and Southwold in Suffolk, the panels have been completely erased. A dedicatory inscription is dated 1537.
As well as wood, metal. The candelabras provide a focus, but there is also one of the latten medieval lecterns familiar from elsewhere in Norfolk, the little lions perky at its feet. The south aisle chapel has a lovely parclose screen with a spiked iron gate. In the north aisle, the chapel has been neatly furnished for smaller scale worship.
And then you step through into the chancel, and this is something else again. Here is true grandeur. This immense spaces rises fully twenty-one steps from nave floor to high altar. Here is the late medieval imagination writ large, compromised in the years since, but largely restored by the late Victorians. You step from subtlety to richness. Niches and arcading flank the walls leading the eye east, their blankness becoming sedilia. In the high niches where once were images, 17th and 18th century worthies have their memorials. Everything leads the eye to the great east window, where excellent 19th century glass completes your journey through the Queen of the Marshlands.
Simon Jenkins, in the often-maligned England's Thousand Best Churches, tends to cast a cold and even sardonic eye on most buildings as he passes by, but at Walpole St Peter even his breath was taken away: it is a place not of curiosity but of subtle proportion, of the play of light on stone and wood. If English churches were Dutch Old Masters, this would be St Pieter de Hooch.
PGT Challenge - Breaking the rules. I wouldn't typically post a photo of a license plate, but since its break the rules week. (folks with vanity plates have to expect someone will take a photo). There is so much to see on the back of this Rogue. I especially like the Put a Bird On It sticker.
Explaining about the model you have made.
On my first visit, the morning was spent with a lady asking me various questions on how happy I was, what did l like playing with and several other similar matters.
"The BMW Concept M4 Coupe reflects the BMW M philosophy in ideal form: It combines motor racing genes and unrestricted everyday suitability in a highly emotional overall concept. For four generations, the BMW M3 has put motor racing on the road and the BMW Concept M4 Coupe consistently continues to pursue this fundamental idea. The new model designation "M4" refers – like all other BMW M automobiles – to the series on which this concept car is based," explains Dr. Friedrich Nitschke, President BMW M Division.
SMADEMEDIA.COM
Mia explains why it is so much fun to be in Ms. Cephus' class. "She is always funny, but you learn a lot!"
“No reason explains war”
From the 10th to the 13th November, our socio-cultural partners and friends in the AfroReggae Band from Rio de Janeiro, will be in and around the state of São Paulo to launch their latest show, “No reason explains war”. Formed by youth from the infamous shanties of Rio de Janeiro, the AfroReggae Band has been an important inspiration and motivation for the actions of our own youth group and especially the Beija-Flor Band.
São Paulo was chosen by the group for the launching and tour of their latest show, which will be passing through the cultural centres of SESC Pompéia (10/11), SESC Bauru (11/11), SESC Ribeirão Preto (12/11) and SESC Itaquera (13/11). The images in this series are from the show at SESC Pompéia. The relationship between AfroReggae and the SESC of São Paulo began in 2001 and extends further than just their circuit of shows and cultural presentations. This year, the choice by AfroReggae to realize the premier viewing of their prize-winning film Favela Rising, in São Paulo at the SESC Pinheiros, was no mere coincidence, not to mention all the other social, cultural and artistic activities already realized in partnership with the group.
The show coincides with the launching of their latest CD at the end of November. The CD, “No reason explains war”, unites 10 songs – most of which are unpublished – composed by diverse members of AfroReggae in partnership with some of the grand names in Popular Brazilian Music, such as Arnaldo Antunes, Nando Reis, Jorge Mautner, Nelson Jacobina and Liminha, besides a new version of Caetano Veloso e Gilberto Gil’s music “Haiti”. With their unique sonority in the track titled “No reason explains war”, AfroReggae also counts on the special participation of the English Rappers, TY and Estelle.
The performances in São Paulo – directed by José Junior e Johayne Hidelfonso – brings us songs from the new álbum like "Negro Affairs", "I only want you" and “Another Chance”, besides great successes from their first album, like "I’m annoyed" and "Front Cover". Also acclaimed songs such as “Let’s Escape”, by Gilberto Gil and Liminha, “Fly In My Soup” by Raul Seixas, and “What country is This” by Renato Russo, are in the selection.
The AfroReggae Band surfaced in 1995, as a result of the dance and percussion workshops that were held by the NGO in the Vigário Geral Shanty. During the São Paulo tour, the band is made up of Ando (vocals); LG (vocals); Dinho (vocals); Altair Martins (percussion); Dada (percussion); Wallace (percussion); Juninho (percussion); Jairo Cliff (bass guitar); Joel Dias (guitar); Magic Julio (DJ); Cosme (drums); Maílson (keyboards) and Mariana Rangel (backing vocals).
With the passing of time, AfroReggae has also changed and gained new dimensions, increasing the sounds of the drums, bass and guitar. The presence of a DJ put final touches on the songs being composed by the band. In 1998, the first International invitiation delivered AfroReggae to Europe and in 2001 the banda launched their first album called “New Face”.
Portuguese Text:
“Nenhum motivo explica a guerra”
Entre os dias 10 e 13 de novembro, a banda AfroReggae estará em São Paulo para lançar o seu novo show, “Nenhum motivo explica a guerra”. O estado foi escolhido pela banda para começar a turnê de shows que passará pelas unidades do Sesc Pompéia (em 10/11), Sesc Bauru (11/11), Sesc Ribeirão Preto (12/11) e Sesc Itaquera (13/11). A relação entre o AfroReggae e o SESC-SP começou em 2001 e vai além do circuito de shows e apresentações. Neste ano o AfroReggae fez questão de fazer a primeira exibição do premiado filme Favela Rising, em São Paulo, para a direção do SESC-SP, na unidade de Pinheiros. Além de inúmeras ações sociais, culturais e artísticas.
Com lançamento marcado para o fim de novembro, o cd “Nenhum motivo explica a guerra” reúne 10 canções - a maioria inédita - compostas pela turma do AfroReggae em parceria com alguns dos grandes nomes da música popular brasileira como Arnaldo Antunes, Nando Reis, Jorge Mautner, Nelson Jacobina e Liminha, além de uma versão para a música “Haiti”, de Caetano Veloso e Gilberto Gil. Com sonoridade única, a banda AfroReggae conta com participação especial dos rappers ingleses TY e Estelle, na faixa título “Nenhum motivo explica a guerra”.
A apresentação em São Paulo – com direção de José Junior e Johayne Hidelfonso - traz músicas do novo cd como "Coisa de negão", "Quero só você" e “Mais uma chance”, além de sucessos do primeiro disco como "Tô bolado" e "Capa de revista". Canções consagradas como “Vamos fugir”, de Gilberto Gil e Liminha, “Mosca na sopa” de Raul Seixas e “Que Pais é este”, de Renato Russo também estão na seleção.
Formada pelos integrantes Ando (voz); LG (voz); Dinho (voz); Altair Martins (percussão); Dada (percussão); Wallace (percussão); Juninho (percussão); Jairo Cliff (baixo); Joel Dias (guitarra); Magic Julio (Dj); Cosme (bateria); Maílson (teclado) e Mariana Rangel (backing vocal), a banda AfroReggae surgiu em 1995, a partir de oficinas de dança e percussão que eram realizadas em Vigário Geral.
Com o passar do tempo, o AfroReggae mudou e ganhou novas formas, acrescentando em suas melodias naipes de bateria, baixo e guitarra. A presença de um DJ deu um toque final às músicas que a banda começava a compor. Em 1998 surge o primeiro convite internacional, que levou o AfroReggae para Europa. Em 2001 a banda lança o primeiro Cd chamado “Nova Cara”.
More AfroReggae Images
Thanks for watching the show!
“No reason explains war”
From the 10th to the 13th November, our socio-cultural partners and friends in the AfroReggae Band from Rio de Janeiro, will be in and around the state of São Paulo to launch their latest show, “No reason explains war”. Formed by youth from the infamous shanties of Rio de Janeiro, the AfroReggae Band has been an important inspiration and motivation for the actions of our own youth group and especially the Beija-Flor Band.
São Paulo was chosen by the group for the launching and tour of their latest show, which will be passing through the cultural centres of SESC Pompéia (10/11), SESC Bauru (11/11), SESC Ribeirão Preto (12/11) and SESC Itaquera (13/11). The images in this series are from the show at SESC Pompéia. The relationship between AfroReggae and the SESC of São Paulo began in 2001 and extends further than just their circuit of shows and cultural presentations. This year, the choice by AfroReggae to realize the premier viewing of their prize-winning film Favela Rising, in São Paulo at the SESC Pinheiros, was no mere coincidence, not to mention all the other social, cultural and artistic activities already realized in partnership with the group.
The show coincides with the launching of their latest CD at the end of November. The CD, “No reason explains war”, unites 10 songs – most of which are unpublished – composed by diverse members of AfroReggae in partnership with some of the grand names in Popular Brazilian Music, such as Arnaldo Antunes, Nando Reis, Jorge Mautner, Nelson Jacobina and Liminha, besides a new version of Caetano Veloso e Gilberto Gil’s music “Haiti”. With their unique sonority in the track titled “No reason explains war”, AfroReggae also counts on the special participation of the English Rappers, TY and Estelle.
The performances in São Paulo – directed by José Junior e Johayne Hidelfonso – brings us songs from the new álbum like "Negro Affairs", "I only want you" and “Another Chance”, besides great successes from their first album, like "I’m annoyed" and "Front Cover". Also acclaimed songs such as “Let’s Escape”, by Gilberto Gil and Liminha, “Fly In My Soup” by Raul Seixas, and “What country is This” by Renato Russo, are in the selection.
The AfroReggae Band surfaced in 1995, as a result of the dance and percussion workshops that were held by the NGO in the Vigário Geral Shanty. During the São Paulo tour, the band is made up of Ando (vocals); LG (vocals); Dinho (vocals); Altair Martins (percussion); Dada (percussion); Wallace (percussion); Juninho (percussion); Jairo Cliff (bass guitar); Joel Dias (guitar); Magic Julio (DJ); Cosme (drums); Maílson (keyboards) and Mariana Rangel (backing vocals).
With the passing of time, AfroReggae has also changed and gained new dimensions, increasing the sounds of the drums, bass and guitar. The presence of a DJ put final touches on the songs being composed by the band. In 1998, the first International invitiation delivered AfroReggae to Europe and in 2001 the banda launched their first album called “New Face”.
Portuguese Text:
“Nenhum motivo explica a guerra”
Entre os dias 10 e 13 de novembro, a banda AfroReggae estará em São Paulo para lançar o seu novo show, “Nenhum motivo explica a guerra”. O estado foi escolhido pela banda para começar a turnê de shows que passará pelas unidades do Sesc Pompéia (em 10/11), Sesc Bauru (11/11), Sesc Ribeirão Preto (12/11) e Sesc Itaquera (13/11). A relação entre o AfroReggae e o SESC-SP começou em 2001 e vai além do circuito de shows e apresentações. Neste ano o AfroReggae fez questão de fazer a primeira exibição do premiado filme Favela Rising, em São Paulo, para a direção do SESC-SP, na unidade de Pinheiros. Além de inúmeras ações sociais, culturais e artísticas.
Com lançamento marcado para o fim de novembro, o cd “Nenhum motivo explica a guerra” reúne 10 canções - a maioria inédita - compostas pela turma do AfroReggae em parceria com alguns dos grandes nomes da música popular brasileira como Arnaldo Antunes, Nando Reis, Jorge Mautner, Nelson Jacobina e Liminha, além de uma versão para a música “Haiti”, de Caetano Veloso e Gilberto Gil. Com sonoridade única, a banda AfroReggae conta com participação especial dos rappers ingleses TY e Estelle, na faixa título “Nenhum motivo explica a guerra”.
A apresentação em São Paulo – com direção de José Junior e Johayne Hidelfonso - traz músicas do novo cd como "Coisa de negão", "Quero só você" e “Mais uma chance”, além de sucessos do primeiro disco como "Tô bolado" e "Capa de revista". Canções consagradas como “Vamos fugir”, de Gilberto Gil e Liminha, “Mosca na sopa” de Raul Seixas e “Que Pais é este”, de Renato Russo também estão na seleção.
Formada pelos integrantes Ando (voz); LG (voz); Dinho (voz); Altair Martins (percussão); Dada (percussão); Wallace (percussão); Juninho (percussão); Jairo Cliff (baixo); Joel Dias (guitarra); Magic Julio (Dj); Cosme (bateria); Maílson (teclado) e Mariana Rangel (backing vocal), a banda AfroReggae surgiu em 1995, a partir de oficinas de dança e percussão que eram realizadas em Vigário Geral.
Com o passar do tempo, o AfroReggae mudou e ganhou novas formas, acrescentando em suas melodias naipes de bateria, baixo e guitarra. A presença de um DJ deu um toque final às músicas que a banda começava a compor. Em 1998 surge o primeiro convite internacional, que levou o AfroReggae para Europa. Em 2001 a banda lança o primeiro Cd chamado “Nova Cara”.
Explaining the dangers of drug use.
Last Friday, 17 October 2014, saw Local officers join HMP Manchester Community Team in a visit to Irlam and Cadishead College.
The officers talked about the dangers of using in drugs and the wider dangers of becoming involved in crime and antisocial behaviour.
The HMP Community Team gave the young people an idea of the harsh reality of prison life and the dangers of knife and gang-related crime.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
Last Friday, 17 October 2014, saw Local officers join HMP Manchester Community Team in a visit to Irlam and Cadishead College.
The officers talked about the dangers of using in drugs and the wider dangers of becoming involved in crime and antisocial behaviour.
The HMP Community Team gave the young people an idea of the harsh reality of prison life and the dangers of knife and gang-related crime.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.
The Headmistress explains going to be busy this afternoon quite a long list of six form students waiting outside my study for bare bottom punishment
I did this diagram in 2002 to get my head around all the players and politics in the interactive television business.
Researcher in high spirit as he explains points in cowpea field. Photo by IITA. (file name: CO_605).
''Well the farm I lived on was only a small holding, so mainly cows and chickens, we had no pigs or horses. I liked it there helping with milking and collecting eggs in the morning'' Sparrow explained
'''So do you miss the farm ?'' Ruby wondered
''Yes I do, but when my daddy left us it was too much for my mum and I so we sold up and me mum said it was best to come to London so I could get good schooling. I like it here too because I met you and your sisters and crazy cousin and back in Devon there was no next door for a couple of miles so I did get lonely'' Sparrow replied honestly.
I think they had a nice evening playing with the farmyard
The above photo has been shot with the Samsung SMART CAMERA NX20, which has been provided by Samsung Electronics. Co., Ltd.
This is a photograph from the "Lock Up The Year" Royal Canal Trail Marathon which was held along on the banks of the Royal Canal from Moyvalley, Co. Kildare to Leixlip, Co. Kildare on Wednesday 31st December 2014 at 09:00. The race started at Furey's Pub at Moyvalley and proceeded westwards to Blackshade bridge where the race turned around and then the route was direct back to Leixlip. The running route followed the Royal Canal Way from start to finish. There was also the option of a 1/2 marathon (from Cloncurry Bridge near Enfield) and a 10KM distance from The Maws at Kilcock. This event is made possible through the cooperation of East Of Ireland Marathons and Jarlath B. Hynes and Brendan Murphy from Leixlip, Co. Kildare (see a Facebook group page here www.facebook.com/groups/524790427539290/?fref=ts). The key aspect of this run is that they are three races are informal and self supported runs along on the Royal Canal Way trail. There is no chip timing, water stops, marshals, massages, t-shirts or prizes. But it is an enjoyable run along the Royal Canal and a chance to meet up with fellow runners during the race and then after it at the Le Cheile clubhouse in Leixlip. There are some nice numbers for the race today. 26.2 miles, 2 counties, 5 traversals in and out of Meath and Kildare, crossing 6 roads, and passing under 5 bridges before the finish outside the Leixlip amenities center. The marathon today is supported by the East of Ireland Marathon Series. Thanks is also extended to the Le Cheile AC who made some of their facilities available today after the race(s).
Heavy rain before Christmas and some grazing cattle the canal towpath (particularly between Cloncurry and Kilcock) was very wet and muddy and proved difficult and testing terrain for all of the runners. However despite a strong breeze at a few sections the weather was bright and dry and made for good running conditions. The frosty weather of the last two days made other grassy underfoot conditions firm.
This photograph is part of a larger set of photographs taken of the event(s) today. They are all available for viewing in this Flickr set. www.flickr.com/photos/peterm7/sets/72157647714256973/
The Royal Canal is a very special piece of Irish Heritage. It's waterway channel and it's banks have seen much history with both the rise and subsequent decline in railway and canal travel and transportation. Our run on the Royal Canal is made possible by the incredible hard and dilligent work by the Inland Waterways of Ireland and countless volunteer individuals who turned their vision of a restored Royal Canal into reality.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
The Lock Up The Year website: sites.google.com/site/lockuptheyear/
Leixlip Le Cheile Athletic Club: www.lecheileac.com
Royal Canal Trail Marathon - Our Flickr Photographs from December 2013: www.flickr.com/photos/peterm7/sets/72157639233559965
Royal Canal Trail Marathon - Our Flickr Photographs from December 2012: www.flickr.com/photos/peterm7/sets/72157632391728899/
A pictorial description of the Royal Canal Way Marathon Route: www.peterm7.com/marathons/royalcanal2014/
East of Ireland Marathons: www.eastofirelandmarathons.com/
Garmin GPS trace of the 2012 Lock Up The Year Marathon: connect.garmin.com/activity/256320990
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Photo citation: Ted Auch, FracTracker Alliance, 2021.
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I spotted this extremely well heeled young fellow walking up Bridlesmith Gate and quickly approached him asking if I could make a portrait of him.
I explained that he had a dapper style, he introduced himself as Jamie and explained he worked in a shop called Flannels where he sold the suits - hence begin suited and booted!
I liked the details on his suit (which was a lovely cut) and he has a very cool kerchief in his pocket - I toyed with a diptych or triptych but decided to keep the additional shots as comment shots. I think he thought I was mad as I shot images of her hankie but I explained that it was a detail shot (like I would take at a wedding), he responded like a true salesman asking me to suggest Flannels to anyone getting married!
As I moved Jamie into the lane/cut through for the shot one of his work colleagues walked down behind him and he thought he was in for ribbing afterwards! Hope your famous moment wasn't to tortuous Jamie!
I'll be putting a shot of you on my blog www.facebook.com/UrbanScot so please check it out.
**********************************************************************************************************
Check my ongoing photo blog and connect with me on Facebook: www.facebook.com/UrbanScot
This is the 91st portrait in my 100 Strangers Project round 2.
See Round 1 for my first 100 strangers.
Find out more and get involved at www.100Strangers.com
**********************************************************************************************************
U.S. military reenactor explaining his musket or rifle at the Battle of New Orleans Bicentennial, 2015. Chalmette Battlefield.
This is from my vacation in June 2008. I can not explain this place
This is from my vacation in June 2008. I can not explain this place. Who can describe the indescibable.
This is from my vacation in June 2008. I can not explain this place. Who can describe the indescibable.
vacation beautiful yosemite. How can one explain
vacation beautiful yosemite. How can one explain
vacation beautiful yosemite. How can one explain this place
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