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Apeldoorn. Fietsstrook met parallelweg. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org.
CAVE 15
(DASAVATARA OR TEN INCARNATIONS OF VISNU)
Probably for the first time at Ellora, the architects had gained enough expertise; they experimented by carving out a monolith structure out of the solid rock mass. This led to the finishing of the front mandapa of this cave which is two storeyed. This mandapa also has a historical record of the Rashtrakuta king Dantidurga, which is mentioned above. The inscription mentions the genealogy of some of the kings of the Rashtrakuta dynasty. They are Dantivarma I (c. A.D. 600-630), his son Indraraja I (630-650), his son Govindaraja (650-675), his son Karkaraja I (675-700), his son Indraraja II (700-725), his son Dantidurga Khadgavaloka (725-757). Interestingly, the sculptural representations on the pillars of top storey are Buddhist, while the lower part is Brahmanical.
The first storey is reached by a flight of steps, which has eleven sunken compartments in which huge bas-reliefs of various gods and goddesses are carved. They are Ganapati, Parvati, Surya, Siva and Parvati, Mahisasuramardini, Ardhanarisvara, Bhavani or Durga, Ganapati, Uma in penance attitude, Ardhanarisvara and Kali.
The second storey measures 109 feet by 95 feet inclusive of a shrine of linga and an antechamber. The side walls of the front chamber have deep recesses adorned with huge sculptural reliefs. The sculptural representations are of Gajasamharamurti, Nataraja, Bhavani or Durga, Siva and Parvati playing the game of chausar, Kalyanasundara murti, Ravanugraha murti on the north wall. The back wall has Markandeya anugraha murti, Gangadhara murti, Ganapati, Parvati, Gajalakshmi, Vishnu, Lingodhbhava Siva and Tripurantaka murti. The south wall has the representations of Govardhanadhari Vishnu, Sheshasayi Vishnu, Vishnu on garuda, Varaha, the boar incarnation of Vishnu, Vamana Trivikrama avatara of Vishnu, Narasimha avatara of Vishnu.
(Archaeological Survey of India)
___________________________________
Ellora (\e-ˈlȯr-ə\, Marathi: वेरूळ Vērūḷa), is an archaeological site, 29 km North-West of the city of Aurangabad in the Indian state of Maharashtra built by the Rashtrakuta dynasty. It is also known as Elapura (in the Rashtrakuta literature-Kannada). Well known for its monumental caves, Ellora is a World Heritage Site. Ellora represents the epitome of Indian rock-cut architecture. The 34 "caves" are actually structures excavated out of the vertical face of the Charanandri hills. Buddhist, Hindu and Jain rock-cut temples and viharas and mathas were built between the 5th century and 10th century. The 12 Buddhist (caves 1–12), 17 Hindu (caves 13–29) and 5 Jain (caves 30–34) caves, built in proximity, demonstrate the religious harmony prevalent during this period of Indian history. It is a protected monument under the Archaeological Survey of India.
ETYMOLOGY
Ellora, also called Verula or Elura, is the cave form of the Ancient name Elapura.
HISTORY
Ellora is known for Hindu, Buddhist and Jain cave temples built during (6th and 9th centuries) the rule of the Kalachuri, Chalukya and Rashtrakuta dynasties. The Jagannatha Sabha a group of five Jain cave temples of 9th century built by Rashtrakuta.
THE BUDDHIST CAVES
These caves were built during the 5th-7th century. It was initially thought that the Buddhist caves were one of the earliest structures, created between the fifth and eighth centuries, with caves 1-5 in the first phase (400-600) and 6-12 in the later phase (mid 7th-mid 8th), but now it is clear to the modern scholars that some of the Hindu caves (27,29,21,28,19,26,20,17 and 14) precede these caves.[citation needed] The earliest Buddhist cave is Cave 6, followed by 5,2,3,5 (right wing), 4,7,8,10 and 9. Caves 11 and 12 were the last. All the Buddhist caves were constructed between 630-700.
These structures consist mostly of viharas or monasteries: large, multi-storeyed buildings carved into the mountain face, including living quarters, sleeping quarters, kitchens, and other rooms. Some of these monastery caves have shrines including carvings of Gautama Buddha, bodhisattvas and saints. In many of these caves, sculptors have endeavoured to give the stone the look of wood.
Most famous of the Buddhist caves is cave 10, (refer map) a chaitya hall (chandrashala) or 'Vishvakarma cave', popularly known as the 'Carpenter's Cave'. Beyond its multi-storeyed entry is a cathedral-like stupa hall also known as chaitya, whose ceiling has been carved to give the impression of wooden beams. At the heart of this cave is a 15-foot statue of Buddha seated in a preaching pose. Amongst other Buddhist caves, all of the first nine (caves 1–9) are monasteries. The last two caves, Do Tal (cave 11) and Tin Tal (cave 12) have three stories.
CAVE 10
Cave 10 is a vihara with eight cells, four in the back wall and four in the right wall. It had a portico in the front with a cell. Possibly served as a granary for other viharas.
THE VISHWAKARMA
The Vishwakarma (Cave 10) is the only chaitya griha amongst the Buddhist group of caves. It is locally known as Vishwakarma or Sutar ka jhopda "carpenter's hut". It follows the pattern of construction of Caves 19 and 26 of Ajanta. On stylistic grounds, the date of construction of this cave is assigned to 700 A.D. The chaitya once had a high screen wall, which is ruined at present. At the front is a rock-cut court, which is entered through a flight of steps. On either side are pillared porticos with chambers in their back walls. These were probably intended to have subsidiary shrines but not completed. The pillared verandah of the chaitya has a small shrine at either end and a single cell in the far end of the back wall. The corridor columns have massive squarish shafts and ghata-pallava (vase and foliage) capitals. The main hall is apsidal on plan and is divided into a central nave and side aisles by 28 octagonal columns with plain bracket capitals. In the apsidal end of the chaitya hall is a stupa on the face of which a colossal 3.30 m high seated Buddha in vyakhyana mudra (teaching posture) is carved. A large Bodhi tree is carved at the back. The hall has a vaulted roof in which ribs have been carved in the rock imitating the wooden ones.
THE HINDU CAVES
The Hindu caves were constructed between the middle of sixth century to the end of the eighth century. The early caves (caves 17–29) were constructed during the Kalachuri period. The work first commenced in Caves 28, 27 and 19. These were followed by two most impressive caves constructed in the early phase - Caves 29 and 21. Along with these two, work was underway at Caves 20 and 26, and slightly later at Caves 17, 19 and 28. The caves 14, 15 and 16 were constructed during the Rashtrakuta period. The work began in Caves 14 and 15 and culminated in Cave 16. All these structures represent a different style of creative vision and execution skills. Some were of such complexity that they required several generations of planning and co-ordination to complete.
THE KAILASANATHA TEMPLE
Cave 16, also known as the Kailasa temple, is the unrivaled centerpiece of Ellora. This is designed to recall Mount Kailash, the abode of Lord Shiva – looks like a freestanding, multi-storeyed temple complex, but it was carved out of one single rock, and covers an area double the size of Parthenon in Athens. Initially the temple was covered with white plaster thus even more increasing the similarity to snow-covered Mount Kailash.
All the carvings are done in more than one level. A two-storeyed gateway resembling a South Indian Gopura opens to reveal a U-shaped courtyard. The courtyard is edged by columned galleries three storeys high. The galleries are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.
Within the courtyard are three structures. As is traditional in Shiva temples, the first is a large image of the sacred bull Nandi in front of the central temple. The central temple - Nandi Mantapa or Mandapa - houses the Lingam. The Nandi Mandapa stands on 16 pillars and is 29.3 m high. The base of the Nandi Mandapa has been carved to suggest that life-sized elephants are holding the structure aloft. A living rock bridge connects the Nandi Mandapa to the Shiva temple behind it. The temple itself is a tall pyramidal structure reminiscent of a South Indian Dravidian temple. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous lingam at its heart – carved from living stone, is carved with niches, pilasters, windows as well as images of deities, mithunas (erotic male and female figures) and other figures. Most of the deities at the left of the entrance are Shaivaite (followers of Shiva) while on the right hand side the deities are Vaishnavaites (followers of Vishnu). There are two Dhvajastambhas (pillars with the flagstaff) in the courtyard. The grand sculpture of Ravana attempting to lift Mount Kailasa, the abode of Lord Shiva, with his full might is a landmark in Indian art. The construction of this cave was a feat of human genius – it entailed the removal of 200,000 tonnes of rock, and took 100 years to complete.
The temple is a splendid achievement of Rashtrakuta Karnata architecture. This project was started by Krishna I (757–773) of the Rashtrakuta dynasty that ruled from Manyakheta in present day Karnataka state. His rule had also spread to southern India, hence this temple was excavated in the prevailing style. Its builders modelled it on the lines of the Virupaksha Temple in Pattadakal. Being a south Indian style temple, it does not have a shikhara common to north Indian temples. – The Guide to the Architecture of the Indian Subcontinent, 1996, Takeo Kamiya, Japan Architects Academy and archaeological Survey of India.
THE DASHAVATARA
The Dashavatara (Cave 15) was begun as a Buddhist monastery. It has an open court with a free-standing monolithic mandapa at the middle and a two-storeyed excavated temple at the rear. The layout of the temple is closely related to caves 11 and 12. Large sculptural panels between the wall columns on the upper floor illustrate a wide range of themes, which include the ten avatars of Vishnu. An inscription of grant of Dantidurga is found on the back wall of the front mandapa. According to Coomaraswamy, the finest relief of this cave is the one depicting the death of Hiranyakashipu, where Vishnu in man-lion (Narasimha) form, emerges from a pillar to lay a fatal hand upon the shoulder of Hiranyakashipu.
OTHER HINDU CAVES
CAVE 21
Other notable Hindu caves are the Rameshvara (Cave 21), which has figurines of river goddesses Ganga and Yamuna at the entrance and the Dhumar Lena (Cave 29) whose design is similar to the cave temple on Elephanta Island near Mumbai. Two other caves, the Ravan ki Khai (Cave 14) and the Nilkantha (Cave 22) also have several sculptures. The rest of the Hindu caves, which include the Kumbharvada (Cave 25) and the Gopilena (Cave 27) have no significant sculptures.
The five Jain caves at Ellora belong to the ninth and tenth centuries. They all belong to the Digambara sect. Jain caves reveal specific dimensions of Jain philosophy and tradition. They reflect a strict sense of asceticism – they are not relatively large as compared to others, but they present exceptionally detailed art works. The most remarkable Jain shrines are the Chhota Kailash (cave 30), the Indra Sabha (cave 32) and the Jagannath Sabha (cave 33). Cave 31 is an unfinished four-pillared hall and a shrine. Cave 34 is a small cave, which can be approached through an opening on the left side of Cave 33. Amongst other devotional carvings, a place called samvatsarana can be found in Elora caves. Samvatsarana is of special interest to Jains, as it is a hall where the tirthankara preaches after attaining omniscience.
THE INDRA SABHA
The Indra Sabha (Cave 32) is a two storeyed cave with one more monolithic shrine in its court. It has a very fine carving of the lotus flower on the ceiling. It got the appellation "Indra Sabha" probably it is significantly ornate and also because of the sculpture of the yaksha (dedicated attendant deity) Matanga on an elephant, which was wrongly identified as that of Indra. On the upper level of the double-storied shrine excavated at the rear of the court, an U image of Ambika, the yakshini of Neminath, is found seated on her lion under a mango tree, laden with fruits.
OTHER JAIN CAVES
All other Jain caves are also characterized by intricate detailing. Many of the structures had rich paintings in the ceilings - fragments of which are still visible.
GEOLOGY OF ELLORA
Ellora occupies a relatively flat region of the Western Ghats. Ancient volcanic activity in this area created many layered basalt formations, known as Deccan Traps. During the Cretaceous, one such volcanic hill formed on the southwest-facing side of Ellora. Its vertical face made access to many layers of rock formations easier, enabling architects to pick basalt with finer grains for more detailed sculpting.
INSCRIPTIONS AT ELLORA
Several inscriptions at Ellora range from 6th century to 15th century. The best known of them is an inscription of Rashtrakuta Dantidurga (c. 753-57 A.D.) on the back wall of the front mandapa of Cave 15, which gives an account of his conquests. Inscriptions on the Kailash temple itself range from 9th to 15th century. Jain cave Jagannatha Sabha has 3 inscriptions that give the names of monks and donors. A Parshvanth temple on the hill has a 11th-century inscription that gives the name of the donor from Vardhanapura.
The Great Kailasa (Cave 16) is attributed to Krishna I (c. 757-83 A.D.), the successor and uncle of Dantidurga. A copper plate grant by Karka II (c. 812-13 A.D.) narrates that a great edifice was built on a hill by Krishnaraja at Elapura (Ellora).
The Ellora caves, unlike Ajanta, were never lost. There have been several written records that indicate that these caves were visited regularly. The earliest is that of the Arab geographer Al-Mas‘udi of the 10th century A.D. In 1352 A.D. Sultan Hasan Gangu Bahmani, who camped at the site and visited the caves. The others are by Firishta, Thevenot (1633–67), Niccolao Manucci (1653-1708), Charles Warre Malet (1794), and Seely (1824)
WIKIPEDIA
Leeuwarden. Schrans. Fietser op weg met gemengd profiel. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC01596_fb]
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Zwolle. Fietsstroken in beide richitngen in rood asfalt. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [fietsberaad Zwolle 270608 en uitje Duitsland 280608 022_fb]
Leeuwarden. Rotonde met fietsers in de voorrang. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC01490_fb]
Rijssen. Fietstunnel. Fietspad uitgevoerd in rood asfalt. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [Rijssen 005_fb]
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Rood wit paaltje middenop fietspad. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [P9050047_fb]
Enschede. Wijk Roombeek. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org.
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Credits: ESA
Expertise, professionalism and dedication were recognised once more in the third ISS Award ceremony, held on 26 March in ESTEC’s Erasmus Centre. This year’s edition acknowledged the work of 36 people, the largest number to date in this special event, who supported the ATV-3 mission and ESA astronaut André Kuipers during the Increment 31/32.
Credits: ESA
Leeuwarden. Schrans. Fietsers op weg met gemengd profiel. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC01592_fb]
Zeeland. Schotsmanweg tussen de rotonde bij de Parallelweg Zuid en de Campensweg. Fietsweg. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [FIETSWM07071674_fb]
Apeldoorn. Rotonde met fietsers in de voorrang. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org.
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Amstelwijck. Fietsbrug met railings aan beide zijden en openbare verlichting. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [Amstelwijckfietsbrug 014_fb]
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Cameron Beach MUNI yard. On the right are two of the retired Boeing Vertol light rail vehicles. After the Vietnam War the government encouraged the defense industry to convert their military expertise into civilian use. Unfortunately, these vehicles turned out to be boondoggles. I guess military aviation expertise does not translate into knowing how to build rail vehicles. These vehicles were withdrawn from service after only about 15 years of service around 1995- versus decades of service for the previous PCC streetcars. The rail vehicle on the left is one of many old streetcars that San Francisco bought from Milan a few years ago for the F line. #sfmuni #streetcars #fline #marketstrailway #lrv #marketstreetrailway
Zwolle. Fietsstraat, auto te gast. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [fietsberaad Zwolle 270608 en uitje Duitsland 280608 070_fb]
Middengeleider met verkeersbord 'rechts houden' op fietspad. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [P9050224_fb]
Expertise, professionalism and dedication were recognised once more in the third ISS Award ceremony, held on 26 March in ESTEC’s Erasmus Centre. This year’s edition acknowledged the work of 36 people, the largest number to date in this special event, who supported the ATV-3 mission and ESA astronaut André Kuipers during the Increment 31/32.
Credits: ESA
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Private-sector guidance has made a big difference in Ohio's success with Lean and Kaizen in state government. Cintas and Parker Hannifin, both of which are based in Ohio, provided early training and facilitation. Here, Master Black Belt Chris McGill (from Cintas) leads a session for state employees. Chris brings expertise, experience, and an engaging personality -- making him a tremendously effective (and popular!) trainer and change agent.
The companies in this year’s class represent the ever-growing and diversifying entrepreneurial ecosystem. Our companies come from all over the country and bring unique skills, background and expertise to Boulder this summer. While individually different, they are all fueled by an unquenchable desire to improve the world by solving big problems.
This year’s class includes companies that are focused on helping brides get the dress they dream of (while staying within their budget) to enabling any child to make music to wearables that notify a loved one if you feel unsafe to helping home buyers/sellers save money and many more. These 10 companies stood out for their drive and passion to do something great and it’s a true honor and privilege to work with them.
We’re very excited to introduce the Techstars Boulder 2015 class:
adHawk: A mobile app that provides a bird’s eye view of all your digital marketing data in one place.
Blazing DB: An SQL database at supercomputer speeds that’s incredibly easy to use.
Edify: Empower every kid in the world to make their own music.
Flytedesk: A platform for buying and selling uncollected media, starting with college newspapers.
HobbyDB: The definitive database for collectors and hobbyists to manage and monetize their collections.
MadKudu: Data science that helps sales and support teams fight customer churn.
Revolar: The world’s smartest personal safety wearable device keeps you safe anytime, anywhere.
Stryd: The world’s first running power meter that helps runners improve their performance.
TRELORA: A commission-free real estate company, replacing percentage-based commissions with one flat fee.
Photography by 23rd Studios Boulder - for permissions please contact www.23rdstudios.com - info@23rdstudios.com
Groningen. Oude situatie fietsenstalling Groningen NS station. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC00997_fb]
Leeuwarden. Rotonde met fietsers in de voorrang. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSC01486_fb]
Maastricht. Tongerseplein. Meerstrooksrotonde met fietsers in de voorrang. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [DSCN2563_fb]
20220125 - ASU Day - Phoenix
Released:
Image fully released. Model release on file in Alumni Association.
Fulton Schools of Engineering students talk with policymakers outside the state Capitol near downtown Phoenix, Tuesday, January 25, 2022, as part of the ASU Day at the State Capitol. Many schools and departments held displays on engineering, cybersecurity, border issues, health initiatives, water policy to attract the attention of state legislators and policymakers. The University is promoting the New Economy Initiative, a forward-thinking investment by the State that leverages ASU’s knowledge and expertise to improve Arizona’s competitiveness in the sectors imperative for 21st-century industrial growth. These include advanced manufacturing and materials, advanced communication technologies, artificial intelligence, automation and robotics, digital media, virtual and augmented reality, big data and more. Photo by Charlie Leight/ASU News
Zippo Newport 2010-09 I-10 Newport Cigarettes Menthol Expertise Lorillard Tobacco Reg 205 Satin Chrome 5244
September 24, 2015; Beverly Hills, CA, USA
Book launch of “The Silo Effect: The Peril of Expertise and the Promise of Breaking Down Barriers” by Gillian Tett at Hotel Bel-Air.
Mandatory credit: Photo by Eric Slomanson
Photo © 2015 Eric Slomanson
ABI Resources has revolutionized the landscape of brain injury home health care in the United States, becoming a beacon of hope for countless families and individuals. Their incredible triumph is a testament to their relentless pursuit of excellence.
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Zeeland. Schotsmanweg tussen de rotonde bij de Parallelweg Zuid en de Campensweg. Fietsweg. Deze foto is beschikbaar gesteld door het kenniscentrum voor fietsbeleid: www.fietsberaad.nl. This photograph has been made available by the centre of expertise on bicycle policy: www.bicyclecouncil.org. [FIETSWK07071685_fb]