Experimental project between me and film photographers from around the world.

I've shot with each photographer one roll of film without sharing our shots.

First roll with Annette Pehrsson

Website | Follow me on Instagram @mariamsitchinava

(NOTE: All textures were produced in the shot, not photoshop. This piece is very "photoshop-lite" as I only healed a tiny spot near the nose, and adjusted the curves. Everything you see is pretty much on the original file.)

I'm still working out the kinks with this technique and while I like that it's mood is softer than the first shot in the series (the one of my son's face) I am not keen on how the camera autofocused on the glass. That little issue will be fixed next week when I get something less digitally crappy to shoot with (Santa, baby).

I will post another one from this series soon in which there are fewer scratched out parts on the glass. While I think there's something nice about the larger scratched out bits there is still also something about them which bothers me. I am hoping its the focus issue. If not then I'll have to think on it some more. What do you guys think?

To be re-shot using proper lighting and a proper camera, rather than artificial living room lighting and a hand-held iPhone

2016

Double exposure in Sydney, with one shot of the water, & the other looking towards the ships at the National Maritime Museum. Taken in 2012.

Nikon F65. Ilford Delta 100 35mm B&W film.

Glassware display in The State theatre building. Sydney CBD.

Valor squadron have a new toy.

Pentax 540 Background Flash + 2 Metz 48 Side-Flashs with Gel-Filters, no Trigger, "handmade" *g* with cable-release + wet clothes (& kitchen floor) after innumerable attempts *g*

and *pssssst*... actually it is a "downrising", only rotated by 180°

Av. Rio Branco, Juiz de Fora, MG.

No Photoshop manipulations - other than to resize.

© All rights reserved

www.flickriver.com/photos/kiltti/random/

A bit of experimental post-processing on images of the Life Sciences building at the University of Bristol.

I have been having new inspiration to try out new portrait work recently. Though my shooting style mainly revolve around landscape, travel and lifestyle but I am keen on trying something new this year…

Thanks to Huey Yee and Woody for inviting me over for a casual portrait session yesterday. Had loads of fun specially on the ending part though I had an uninspired cold start earlier on.

sabor intenso

self portrait

SOOC - an experiment in suggestivve motion and texturizing landscape in the camera. Ok, so maybe it doesn't work...

Bokeh

Experimental

I took this picture in Yomiuri Land.

This camera "boke" was not very beautiful.

So,it is an experimental photo, I posted to confirm the assessment.

Experimenting with a double exposure in Sydney, one shot of a fence, with the other of some flowers. Also used a Hoya Pop Blue Filter for the latter. I was interested in trying out the widest aperture for each shot.

Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Pro 400H 35mm C41 film.

"Lens Filters Group"

Canon EOS620

Kodak FarbWelt400 (expired)

Chile

experimental

Shot using an infrared filter using in-camera custom white balance

I have been having new inspiration to try out new portrait work recently. Though my shooting style mainly revolve around landscape, travel and lifestyle but I am keen on trying something new this year…

Thanks to Huey Yee and Woody for inviting me over for a casual portrait session yesterday. Had loads of fun specially on the ending part though I had an uninspired cold start earlier on.

First try.. but then we ran out of fireworks, since they were £35 for 5... we'll try again... later

Experimental

Double exposure experiments, London, November 2015.

Instagram

VSCO

Multiple exposure at Lions Park in Bowral, with Hoya Pop Colour Filters.

Nikon F4. AF Nikkor 50mm F1.4D lens. Rollei Crossbird 200 35mm C41 processed film.

"Lens Filters Group"

Do you always throw your test stripes?

I used to , in the beginning , until i started to fall for how surprisingly marvelous they`d look because of different affecting factors.

So i decided to collect my test stripes from some of my silver gelatin and liquid emulsion prints. The pictures you are seeing are a product of under(over)developing,under(over)exposing,maltreating,light and erosion caused by time passing.

The wonderful thing is that they`ll continue to change after the time they were taken:)

I decided to name this project : ALCHEMY OF DESERTION.

Prononciation of alchemy of desertion would normally awaken gloomy feelings...

But I think it`s amazing to see how things continuously morph into something new.

It`s like a synonym of infinity and everything/everyone , can/should discover this on their selves ...

whole project here

you can support me here if you want:)

facebook /webpage/behance/model mayhem/blog/museum/twitter

pls keep the comments clean.

no banners & awards pls!

© All rights reserved. Use without permission is illegal.

Experimental

© 2021 Sabine Fischer

find me elsewhere:

instagram: sabine fey

portfolio: www.phoenixstudios.de

With the clocks moving forward by one hour, the sunset season has officially started. This is a sort of experiment where I tried to take a long exposure panoramic shot from Calton Hill.

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Instagram: @hermanlasso

Youtube: www.youtube.com/user/hermanlasso