View allAll Photos Tagged Existence
le matin on lit ce numéro en face du numéro 38 de la rue. tout les jours on se dit que c'est une étrange chose que les humains donnent un numéro d'existence. je me demande si derrière cette vitrine on donne un numéro d'existence aux gens. formations théoriques pour avoir un numéro d'existence.... hmmm c'est-ce que c'est
Taken in Cleethorpes! Currently on Holiday in UK visiting Family. The shot was taken for this months entry in POTY TP forum. Ive had to process it on a very old PC belonging to my dear Mum. To make things worse I've just seen another entry which is almost identicle!...... Nevermind, it's going to have to go in as I just don't have the time (or energy) to come up with something new!
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"Our existence is finite. The self that we have created through so many years of effort and suffering will die. And sustained though we may be by the idea, the hope, the certainty that some portion of us will eternally endure, we also must acknowledge that this "I" who breathes and loves and works and knows itself will be forever and ever and ever . . . obliterated.
So, whether or not we live with images of continuity - of immortality - we also will have to live with a sense of transience, aware that no matter how passionately we love whatever we love, we don't have the power to make either it, or us, stay."
- Judith Viorst
Necessary Losses
psychobabble
A previous existence as a military parachutist helped Patrick Baty on this project. The 185ft bridge had to be scaled at night, when the trains had stopped running, in order for paint samples to be taken.
See the BBC clip here.
He was able to establish that this famous bridge by Isambard Kingdom Brunel had originally been painted with a white “anti-corrosive” paint containing ground glass. The bridge had been painted twenty times and with a combination of physical and documentary analysis Patrick was able to work out how it looked since it was built in 1859.
A hyperrealistic surreal portrait of a young woman standing among shelves of colorful yarn balls. Her entire body and outfit are seamlessly made of flowing, three-dimensional strands of yarn in vivid rainbow hues—red, blue, green, yellow, orange, and violet. The yarn wraps tightly around her form, creating mesmerizing patterns that emphasize her elegance and symmetry. Her hair transforms into a radiant crown of coiled yarn, resembling both a headdress and a halo of creativity. Her piercing turquoise eyes contrast with the explosion of color surrounding her. The atmosphere radiates artistry, craftsmanship, and surreal fashion. Ultra-detailed, high-definition textures, cinematic lighting, 4K photography aesthetic.
The fulfillment of the Earth community is to be caught up in the grandeur of existence itself and in admiration of those mysterious powers whence all this has emerged.
Berry, Thomas (2011-08-10). The Great Work: Our Way into the Future . Random House, Inc.. Kindle Edition.
A rare treat!! Rocket (the black one) is usually outside, and Yoda usually pounces on him as soon as he comes in!!
Fomapan 400
35mm film
Exposed April 2019
~EI 160-250
Minolta SRT 101 with MC Rokkor-X PF 50/1.7
Caffenol-C-L (semi-stand, 43 minutes, ~22C)
“We know only too well that what we are doing is nothing more than a drop in the ocean. But if the drop were not there, the ocean would be missing something.”
― Mother Teresa
Puerto Princesa, Palawan | July 24, 2013
Art for the Soul by RICHARD LAZZARA
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