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The Royal Fortress of Suceava is ranked as one of the most important historical sites in Romania. In 2016 we have successfully brought it to life by assembling the first ever permanent exhibition in its long history.
In Medieval Ages, the fortress played an important role both from a defensive and strategic point of view. Keeping this in mind, we created an exhibit concept that held on to the historical destination of the stronghold.
Following our idea, we put together an exposition that illustrates the military character of the location, certain medieval customs and also presents the citadel's history throughout the ages.
To better represent our concept and to bring a higher note of authenticity to the fortress, all the replicas that we created for this location were handmade. An impressive arsenal of arms and armors, siege weapons, cannons, garments, jewelry, ceramics, furniture, everything was done by hand with the help of several craftsmen and artists.
Furthermore, to make it more lively, we inhabited the fortress with ultra realistic mannequins that embody several important Moldavian characters from the Middle Ages, soldiers and artisans. The mannequins helped us to better display some of the replicas we've made: garments, armor and weapons. We were also able to put into play certain activities from those times: guard duty, crafting, dining and games.
History is ultimately a tale and by using the power of storytelling, visitors can better learn and understand the important events that took place here all through the years.
Therefore, besides a large number of informative panels, we also equipped the exhibit with many interactive systems and projections, that are intended to tell the stories of the fortress in a more attractive fashion. This new method of content delivery has a higher education value and a deeper immersive character than the classical methods of convening information.
Vi på Sture™ stod bakom arrangemang och inramning av SP-dagen på Stockholmsmässan, 18 april.
Eventet är en plattform för diskussion och idéskapande kring forskning, innovation och affärsmöjligheter. Arrangör är SP Sveriges Tekniska Forskningsinstitut, ett internationellt ledande institutskoncern.
#spdagen #mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
Proof of the magazine/catalogue we designed to accompany the the exhibition: Fantastische Fotografie - De Rotterdamse School?
The magazine uses the size and paper of the original Hard Werken Magazine and embodies the context of the exhibition/creative scene of 80s Rotterdam,The Netherlands
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
Sture™ hade en stark närvaro på Elfack-mässan i Göteborg där vi stod bakom design och produktion åt flertalet mässmontrar.
Här ser vi en mässmonter åt Vacon.
#mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
Sture™ hade en stark närvaro på Elfack-mässan i Göteborg där vi stod bakom design och produktion åt flertalet mässmontrar.
Här ser vi en mässmonter åt Alstom.
#mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
Vi på Sture™ stod bakom arrangemang och inramning av SP-dagen på Stockholmsmässan, 18 april.
Eventet är en plattform för diskussion och idéskapande kring forskning, innovation och affärsmöjligheter. Arrangör är SP Sveriges Tekniska Forskningsinstitut, ett internationellt ledande institutskoncern.
#spdagen #mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
The Royal Fortress of Suceava is ranked as one of the most important historical sites in Romania. In 2016 we have successfully brought it to life by assembling the first ever permanent exhibition in its long history.
In Medieval Ages, the fortress played an important role both from a defensive and strategic point of view. Keeping this in mind, we created an exhibit concept that held on to the historical destination of the stronghold.
Following our idea, we put together an exposition that illustrates the military character of the location, certain medieval customs and also presents the citadel's history throughout the ages.
To better represent our concept and to bring a higher note of authenticity to the fortress, all the replicas that we created for this location were handmade. An impressive arsenal of arms and armors, siege weapons, cannons, garments, jewelry, ceramics, furniture, everything was done by hand with the help of several craftsmen and artists.
Furthermore, to make it more lively, we inhabited the fortress with ultra realistic mannequins that embody several important Moldavian characters from the Middle Ages, soldiers and artisans. The mannequins helped us to better display some of the replicas we've made: garments, armor and weapons. We were also able to put into play certain activities from those times: guard duty, crafting, dining and games.
History is ultimately a tale and by using the power of storytelling, visitors can better learn and understand the important events that took place here all through the years.
Therefore, besides a large number of informative panels, we also equipped the exhibit with many interactive systems and projections, that are intended to tell the stories of the fortress in a more attractive fashion. This new method of content delivery has a higher education value and a deeper immersive character than the classical methods of convening information.
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
this picture was taken before some of the materials mysteriously disappeared from the visitor center.
Sture™ hade en stark närvaro på Elfack-mässan i Göteborg där vi stod bakom design och produktion åt flertalet mässmontrar.
Här ser vi en mässmonter åt BoxCo.
#mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
Sture™ hade en stark närvaro på Elfack-mässan i Göteborg där vi stod bakom design och produktion åt flertalet mässmontrar.
Här ser vi HellermanTytons mässmonter.
#mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
The Royal Fortress of Suceava is ranked as one of the most important historical sites in Romania. In 2016 we have successfully brought it to life by assembling the first ever permanent exhibition in its long history.
In Medieval Ages, the fortress played an important role both from a defensive and strategic point of view. Keeping this in mind, we created an exhibit concept that held on to the historical destination of the stronghold.
Following our idea, we put together an exposition that illustrates the military character of the location, certain medieval customs and also presents the citadel's history throughout the ages.
To better represent our concept and to bring a higher note of authenticity to the fortress, all the replicas that we created for this location were handmade. An impressive arsenal of arms and armors, siege weapons, cannons, garments, jewelry, ceramics, furniture, everything was done by hand with the help of several craftsmen and artists.
Furthermore, to make it more lively, we inhabited the fortress with ultra realistic mannequins that embody several important Moldavian characters from the Middle Ages, soldiers and artisans. The mannequins helped us to better display some of the replicas we've made: garments, armor and weapons. We were also able to put into play certain activities from those times: guard duty, crafting, dining and games.
History is ultimately a tale and by using the power of storytelling, visitors can better learn and understand the important events that took place here all through the years.
Therefore, besides a large number of informative panels, we also equipped the exhibit with many interactive systems and projections, that are intended to tell the stories of the fortress in a more attractive fashion. This new method of content delivery has a higher education value and a deeper immersive character than the classical methods of convening information.