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In the City: a design and sound art exhibition which provides a rare glimpse into four Arab cities - Alexandria, Algiers, Baghdad, and Nablus. 26 Sep-15 Dec 2013 at P21 Gallery in London.
Participants: design_atelier_, Sherif Adel, Yusef Alahmad, Nora Aly, Mohamed Nabil Labib, Wael Morcos, Maajoun, Nayzak, Nour Tabet, Ghada Wali, Ibraheem Youssef, and Mohammed Zakaria
Photos by Maria Portugal. www.kalimatmagazine.com/inthecity
網誌一覽 Laser激光Digital-die-cut數碼Laser-cutting模切Wire-EDM名牌props道具nameboard雷射@Background背景design婚嫁backdrop場所layout禮堂WEDDING-decoration@christy-florist婚禮場地佈置WEDDING&EVENT-Decorations@裝飾POSTER婚慶Ideas宴會Background婚禮stage場地BANNER結婚FoamBoard大型exhibition噴畫style場地展覽expo場合擺酒宴會DECO香港HK婚宴構思統籌晚會GARPHIC網頁|繄蘼鮮花批發花店TRACKBACK-URL-FOR-THIS POSTS佈置網誌一覽CHRISTY-FLORIST_VENUS_EVENT_DECORATIONS繄蘼鮮花批發及專業婚禮場地佈置設計公司Since1989WHATSAPP//TEL94503374 敬請預約
地址香港九龍尖沙咀漆咸道南45至51號其士大廈尖東堡商場地庫B65舖 masterwin@ymail.com
www.facebook.com/florist.christy
http//www.flickr.com/photos/94503374/
http//www.weshare.hk/94503374decoration
http//christyflorist.tumblr.com/
http//eventdecoration.pixnet.net/blog
//youtu.be/VNilzfUuWwQ?t=1m49s
www.youtube.com/watch?v=e0lR1RKfTcw
www.flickr.com/photos/wedding-decoration
http//eventdecoration.pixnet.net/blog/
//printing-style.blogspot.hk/
#數碼切割 #LaserDIECUT #WireEDM #NAMEBOARD #結婚道具 #WELCOMEBOARD #Background #exhibitionDESIGN #WEDDINGDECORATION #婚禮 #場地佈置 #IdeasDesign #WEDINGDECO #數碼雷射切割 #DIECUT #PRINTING #噴畫裝飾 #海報設計 #FoamBoard #WEDDINGBANNER #WEDDINGPOSTER #WEDDINGBACKDROP #DECORATION #特色主題婚禮場地宴會佈置 #CREATIVETHEMEDESIGN #花牆flowerwall #LAYOUT #weddingideas #printinggraphicdesign #Wholesaleflowers
LEVO – Retail, Office and Exhibition Systems is a partner of weight EVOL. The business started in 2010 with the aim of providing an integrated and modular service / product in the area of Design and Production of building systems to equip Commercial spaces, Workspaces and Exhibition spaces.
Under this partnership, EVOL, who had drawn the system ESYS (see post), worked again with the LEVO for the design of exhibitors / museum showcases. Responding to the briefing of LEVO, we developed a modular, easy assemble, disassemble and storage model of showcase. EVOL projected the external design, the assembly and the necessary accessories to the structure of the modules on display. They may take different layouts, sizes and levels of customization.
The first assembly of the exhibitors was at Ílhavo Maritime Museum, for a temporary exhibition, where the focus was relieved of miniature boats.
Project for LEVO – Retail, Office and Exhibition Systems.
this picture was taken after some of the materials (book, brochure, cards) from two teams mysteriously disappeared from the visitor center.
map etc upside down as wen printed it can be folded and stuck down, just saves me on the cutting and printing :).
Museums used to have these mobile exhibits crammed into a kind of wooden suitcase usually called an education box. Most often they were used to take an exhibition to a school or community centre, i guess they had the intrigue of a portable wunderkammer. However the content was always quite instructive and usually explained the inner workings of our natural environment.
We have always wanted to do something similar and now thankd to Genesis Energy and The Department of Conservation we have the opportunity see if we could achieve something bigger and more contemporary.
The Royal Fortress of Suceava is ranked as one of the most important historical sites in Romania. In 2016 we have successfully brought it to life by assembling the first ever permanent exhibition in its long history.
In Medieval Ages, the fortress played an important role both from a defensive and strategic point of view. Keeping this in mind, we created an exhibit concept that held on to the historical destination of the stronghold.
Following our idea, we put together an exposition that illustrates the military character of the location, certain medieval customs and also presents the citadel's history throughout the ages.
To better represent our concept and to bring a higher note of authenticity to the fortress, all the replicas that we created for this location were handmade. An impressive arsenal of arms and armors, siege weapons, cannons, garments, jewelry, ceramics, furniture, everything was done by hand with the help of several craftsmen and artists.
Furthermore, to make it more lively, we inhabited the fortress with ultra realistic mannequins that embody several important Moldavian characters from the Middle Ages, soldiers and artisans. The mannequins helped us to better display some of the replicas we've made: garments, armor and weapons. We were also able to put into play certain activities from those times: guard duty, crafting, dining and games.
History is ultimately a tale and by using the power of storytelling, visitors can better learn and understand the important events that took place here all through the years.
Therefore, besides a large number of informative panels, we also equipped the exhibit with many interactive systems and projections, that are intended to tell the stories of the fortress in a more attractive fashion. This new method of content delivery has a higher education value and a deeper immersive character than the classical methods of convening information.
Sture™ hälsar Turtle Wax™ och Armor All™ hjärtligt välkomna som nya kunder. I samband med Bilsport Performance & Custom Motor Show stod vi bakom koncept, design och produktion av mässmontrar åt dessa varumärken. Mässan, som är Skandinaviens största bil- och mc-event för entusiastfordon, arrangerades 29 mars - 1 april på Elmia i Jönköping och besöktes av närmare 80.000 personer.
#mässa #mässmonter #eventdesign #eventproduction #events #monterdesign #dekor #inredning #interiordesigner #interiordesign #interiör #mässmontrar #utställning #utställningar #expo #branding #brandingdesign #exhibitiondesign #exhibitionstand #staging #exhibition #exhibitions #exhibit #exhibits #standdesign
The Royal Fortress of Suceava is ranked as one of the most important historical sites in Romania. In 2016 we have successfully brought it to life by assembling the first ever permanent exhibition in its long history.
In Medieval Ages, the fortress played an important role both from a defensive and strategic point of view. Keeping this in mind, we created an exhibit concept that held on to the historical destination of the stronghold.
Following our idea, we put together an exposition that illustrates the military character of the location, certain medieval customs and also presents the citadel's history throughout the ages.
To better represent our concept and to bring a higher note of authenticity to the fortress, all the replicas that we created for this location were handmade. An impressive arsenal of arms and armors, siege weapons, cannons, garments, jewelry, ceramics, furniture, everything was done by hand with the help of several craftsmen and artists.
Furthermore, to make it more lively, we inhabited the fortress with ultra realistic mannequins that embody several important Moldavian characters from the Middle Ages, soldiers and artisans. The mannequins helped us to better display some of the replicas we've made: garments, armor and weapons. We were also able to put into play certain activities from those times: guard duty, crafting, dining and games.
History is ultimately a tale and by using the power of storytelling, visitors can better learn and understand the important events that took place here all through the years.
Therefore, besides a large number of informative panels, we also equipped the exhibit with many interactive systems and projections, that are intended to tell the stories of the fortress in a more attractive fashion. This new method of content delivery has a higher education value and a deeper immersive character than the classical methods of convening information.
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
Katherine Kane is the Stowe's Center Executive Director and Shannon Burke is the Director of Education and Visitor Services