View allAll Photos Tagged ExhibitionDesign
Febbraio 2012
V Edizione del Master IDEA in Exhibition design.
in aula con il Prof. Boriani, lezione sulle basi tecniche di grafica.
Entrance to the permanent film exhibition. For the website of Deutsche Kinemathek/Museum für Film und Fernsehen, see www.deutsche-kinemathek.de/. Exhibition architecture and design: Hans Dieter Schaal. See also osiris22.pi-consult.de/view.php3?show=51970731
The Abu Dhabi exhibition stand at the 2012 World Travel Market.
Design by- Wood Design & Management. Website- woodint.co.uk
ALL RIGHTS RESERVED
Marco Polo Exhibition at Korčula.
:: Set, Props and Animal figures Design & Production by www.skillsdivision.com
..for less formal encounter visit us @ Facebook ...so drop by :)
The Abu Dhabi exhibition stand at the 2012 World Travel Market.
Design by- Wood Design & Management. Website- woodint.co.uk
ALL RIGHTS RESERVED
23 Marzo 2012
Master in Exhibition design
Revisione dei Progetto con l'Arch. Ico Migliore e il Direttore del Master l'Arch. Mastropietro
Marco Polo Exhibition at Korčula.
:: Set, Props and Animal figures Design & Production by www.skillsdivision.com
..for less formal encounter visit us @ Facebook ...so drop by :)
The Abu Dhabi exhibition stand at the 2012 World Travel Market.
Design by- Wood Design & Management. Website- woodint.co.uk
ALL RIGHTS RESERVED
Fossil Tales is a small display, that brings together a range of fossils from National Museums Scotland's collection to explore some of the myths and early uses for fossils.
This display is showing 7 April - 10 September 2017.
Febbraio 2012
V Edizione del Master IDEA in Exhibition design.
in aula con il Prof. Boriani, lezione sulle basi tecniche di grafica.
Marco Polo Exhibition at Korčula.
The travels of Marco Polo
:: Set, Props and Animal figures Design & Production by www.skillsdivision.com
..for less formal encounter visit us @ Facebook ...so drop by :)
Marco Polo Exhibition at Korčula.
:: Set, Props and Animal figures Design & Production by www.skillsdivision.com
..for less formal encounter visit us @ Facebook ...so drop by :)
The Abu Dhabi exhibition stand at the 2012 World Travel Market.
Design by- Wood Design & Management. Website- woodint.co.uk
ALL RIGHTS RESERVED
Marco Polo Exhibition at Korčula.
:: Set, Props and Animal figures Design & Production by www.skillsdivision.com
..for less formal encounter visit us @ Facebook ...so drop by :)
Marco Polo Exhibition at Korčula.
The travels of Marco Polo
:: Set, Props and Animal figures Design & Production by www.skillsdivision.com
..for less formal encounter visit us @ Facebook ...so drop by :)
A poster design for the current project...unsure which to pick as yet and there is probably more stuff could be done...
The attached pictures illustrate the first of a new proto-type Toyota customer lounge area designed specifically for smaller showrooms. The unit is manufactured, constructed, pre-wired and completely assembled tested and tweaked off site before then being disassembled, transported to site and installed.
Appointed lead design consultants / design guardians for Toyota (GB) Plc in 2001 and continuing this role to the present day our role involves all aspects of Toyota’s showroom architectural design, interior design, contractor management and project implementation within the UK from concept design of all new centres and interior brand development to the re-designing and refurbishment of all existing centres.
The success of Space Projects design and implementation operation emanates from operating a tight team of designers and consultants, all with a “total” all-round skill base. If a designer can draw the scheme, they can project manage, cost control, and implement the process from start to finish. The approach closes possible gaps in communication between designer, other directly appointed consultants, main contractors, and suppliers. The result is a seamless process, delivering contracts on time and to budget.
Space Projects Ltd – 2011
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
23 Marzo 2012
Master in Exhibition design
Revisione dei Progetto con l'Arch. Ico Migliore e il Direttore del Master l'Arch. Mastropietro
Creeya is the latest modular exhibition stand design offering, loaded with unique features. Modular exhibition system Creeya is also termed as- custom modular trade show exhibit displays or custom modular trade show stand designs, since it allows myriad customized configurations. It’s locking & extension mechanism makes this modular exhibition design system applicable in the range from modular linears -10’x10’ - 10’x30’ inline exhibition stall designs to 20’x40’+ large island modular trade show displays. These stall designs are completely tool free making messebau (stand construction) quick and hassle free. These custom modular Trade Show Exhibition stands are also available as Modular Trade Show Rentals. Exhibition booth rental facility gives custom modular cost advantage providing complete value to your spent even on rental exhibits. This modular exhibition stand design encompasses the versatility of fabric substrate walls as well as the possibility of using rigid panels on front and back sides. Creeya is unique since it can be easily configured with other exhibition systems or Messestände (trade show booths) to make hybrid trade show booth designs to fit every budget. Creeya Modulare Messestände (modular booth) system is ideal for trade shows, events, conferences, exhibitions and point of purchase displays. Creeya is most innovative trade show display since it embraces the ten most essential elements which any trade show exhibiting system or booth design must have, viz:
Light Weight,
Tool Free,
Quick Set-up,
Modular system,
Stable exhibit,
Double sided graphic walls,
Eco-friendly fabric walls,
LED lighting,
Do it yourself ease,
Easy to transport.
Permanent exhibition in and about the imperial fortress of Franzensfeste.
Concept & design: Gruppe Gut, Tacus&Didonè, Josef Rohrer
The Abu Dhabi exhibition stand at the 2012 World Travel Market.
Design by- Wood Design & Management. Website- woodint.co.uk
ALL RIGHTS RESERVED
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
The Ars Electronica Futurelab has realized three media installations for the exhibition "Stille Nacht 200" ("Silent Night 200") at Salzburg Museum.
At this installation, the autograph is deconstructed. Visitors can experience the different parts of Silent Night on their own, by using the interactive terminal.
Credit: Vanessa Graf
The Abu Dhabi exhibition stand at the 2012 World Travel Market.
Design by- Wood Design & Management. Website- woodint.co.uk
ALL RIGHTS RESERVED
Strange Attractors Design, Ryan Pescatore Frisk & Catelijne van Middelkoop
for the Historisch Museum Rotterdam
www.hmr.rotterdam.nl/programma/schielandshuis/2010/2209-F...
Natural History Museum of Utah. The Rio Tinto Center, in the University of Utah's Research Park 301 Wakara Way, Salt Lake City. Photograph by James Russiello, November 11, 2017
The Rio Tinto Center is a 163,000-square-foot building set in foothills of the Wasatch Mountains. The building's highest point is a round structure on the back or east side which houses the Native Voices gallery. The architects for the building that opened in 2011 were Ennead Architects from New York City and GSBS of Salt Lake City. Ralph Appelbaum Associates designed the exhibits.
"The museum was conceived in 1959, when the University of Utah faculty committee decided to consolidate natural history collections from around its campus. The museum was established as the Utah Museum of Natural History on the University of Utah campus in 1963 by the Utah State Legislature. It opened in 1969 in the former George Thomas Library and included specimens from the Deseret Museum as well as from the Charles Nettleton Strevell Museum that was located in the old Lafayette School on South Temple Street from 1939 until 1947.
"The paleontology collections acquired a very important amount of new collected specimens during the 1960s, particularly fossilised remains of dinosaurs. It all began when a young local paleontologist called James Henry Madsen Jr. obtained his Master of Science in 1959 in the University of Utah. The following year, as of 1960, Madsen was hired as an assistant for Professor William Lee Stokes of the Princeton University, who at that time performed the dauntless project to extensively dig the Cleveland-Lloyd Dinosaur Quarry. Since the 1920s it had been firmly established by geologists that this quarry is one of the most important paleontological sites ever found in the United States, and still in the early 1960s literally tens of thousands of disarticulated dinosaur bones were buried in the rock, awaiting to be excavated. Because the bone bed was so vast and contained a so huge quantity of fossilised bones (mainly from Allosaurus fragilis), it seemed obvious to Stokes and Madsen that it was literally impossible for a single unique institution to dig up a number of specimens being realistically representative of the overall total. To accomplish this task, or at least a reasonable part of it, Stokes and Madsen founded the "University of Utah Cooperative Dinosaur Project," thank to initial funds allowed by the University of Utah and its Department of Geology. This project worked 16 years during in close collaboration not only with museums and institutions within the USA but also with prestigious international museums and research centers. Since financial assistance was brought by all the institutions who had participated in the project, the Dinosaur Project granted them casts or even original composite specimens of the dinosaurs found in the quarry.
"In the running time of the "Cooperative Dinosaur Project" (from 1960 to 1976), literally tons of fossilised bones were dug up from the quarry, numerous remains of species as famous as Camarasaurus, Camptosaurus, Ceratosaurus, Stegosaurus and, of course, Allosaurus, among others (Allosaurus is by far the most represented species, with 44-46 individuals found). In addition of these already known species, two new species were discovered and named: Stokesosaurus (in 1974) and Marshosaurus (in 1976), whose holotypes are preciously preserved in the Natural History Museum of Utah. In 1976 the University of Utah stopped the project. To continue financing his research, Madsen founded Dinolab, a company that casted and sold skeletons of dinosaurs to museums, institutions or private buyers. Madsen died in 2009 and Dinolab disappeared in 2014, but thank to the "University of Utah Cooperative Dinosaur Project" and Madsen's excavations in the Cleveland-Lloyd Dinosaur Quarry back in the 1960s and 1970s, the Natural History Museum of Utah possesses nowadays on display the biggest collection in the world of Allosaurus skeletons, among some additional dinosaur skeletal mounts belonging to other species."
Opening of the exhibition "Frei Otto. Denken in Modellen" at ZKM Karlsruhe
photographed by
Frank Dinger
BECOMING - office for visual communication