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Bonhams Pre Year End Sale Photoshoot At Mercedes Benz World
This Mercedes Benz 600 was once owned by the king of rock and roll Elvis Presley.
Restored to a very high standard and one of a handful of cars Presley Registered in his name, the Mercedes Benz has attracted a pre sale estimate of £150,000 - £200,000.
Presley kept the car, whichwas one of two 600 Mercedes he owned, for two years before giving it to a friend, James Leroy Robertson, It was purchased by the vendor in 2005 from Robertson Motors Memphis, and exported to the uk.
The Ferrari 550 GTZ is one of only five examples of the car bodied by the famous Italien Carrozeria Zagato and the only Right Hand Drive Example.
The traditional end of year sale of Important Motor Cars And Fine Automobilia is on the 6th Of December 2010 at Mercedes Benz World, Brooklands, Uk
Seen from the coach on the road from Cordoba to Granada in Andalusia, Spain. Mountains, various castles, olive trees, and sometimes grape trees!
Taken on my smartphone as the batteries on my main camera ran out (had to charge them at the hotel in Granada).
On the N-432.
Castle near Alcala la Real.
It is about 60 kilometres from the city of Jaén. Its old town has been declared Property of Cultural Interest.
The imposing La Mota Fortress stands out in the Arab-origin urban landscape of Alcalá la Real. This castle marked the border between the kingdoms of Granada and Castile for over 150 years. The fortress has one of the most extensive walled perimeters in Al-Aldalus, having several defensive walls. The site reproduces the classical Muslim city model with different enclosures for defensive, residential or religious purposes. At present, it is also the site of the Life on the Frontier Visitor Centre.
After the castle, the Abbatial Priory Church is a must-see. Started in 1530, the austere exterior contrasts with the stylized Plateresque interior décor. Heading down the streets towards the old town there are many emblazoned houses and examples of traditional architecture, as well as the Abbatial Palace – the Baroque building housing the Municipal Museum. La Trinidad Convent, which was installed in a mansion in 1752, Las Angustias or La Consolación churches are, amongst others, some of the interesting sites in Alcalá la Real. The Town Hall Square, with its characteristic arcades, is one of the town’s most charming spots. Another place not to be missed is the refreshing, tree-lined Los Álamos Walk, where the old Capuchin Convent and San Antón Church are to be found.
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Examples of the hidden traps in the ground made by the Viet Cong to attack enemies at the Cu Chi Tunnels outside Ho Chi Minh City/Saigon, which the Viet Cong used as hiding spots and during the American War/Vietnam War, in southern Vietnam
Barichara is considered to be the best example of a colonial village (at least according to one of the colombianas I met along the way…and Lonely Planet seems to speak very highly of the town as well.)
It’s a town in east-central Colombia, in the department of Santander, whose capital is Bucaramanga. To get there from where I’m living at the moment is about a 9 hour bus ride…even though it’s barely 300 km away. (Hello, winding mountain roads, and thank you for reintroducing me to nausea.) The ride over the mountain range is rather spectacular, but literally, with curves on average of every 15-30 seconds and few stops…it’s literally quite dizzying after a few hours. Also, since we didn’t make any stops along the way, there’s not a single picture in this set to represent the actual road trip.
My roommate and I struck out from Cúcuta around 3:00 on a Friday afternoon and spent one night in Bucaramanga, getting to the hotel there around 9:00 in the evening. Since I was nauseous, I didn’t make it out in Buca, unfortunately, though my roommate met one of his friends and they had a good time drinking and catching up.
Saturday morning, we left around 10:30 and had another bus ride – much shorter at about 2-3 hours and it wasn’t completely mountain road like the drive from Friday. That took us to the town of San Gil, about 100 km west of Bucaramanga.
San Gil is a good destination in its own right. It’s supposedly the adventure capital of Colombia (wholesome adventure, that is…or safe adventure). It’s the area to come if you’re interested in rafting, paragliding, etc. The town is pretty small and there’s some nice colonial architecture. We had lunch here since it looked to be an interesting enough place to spend an hour or two, then paid a taxi driver 37,000 pesos (about $12) to take us the 20 km from San Gil to Barichara. By that point, we’d had enough buses.
Finally, around 24 hours after we’d left Cúcuta, we arrived in the center of colonial Barichara. Our driver dropped us off at the northeast corner of the main square. Our guesthouse (and a rather comfortable guesthouse at that) was only a block away, half a block south from the southeast corner of the square. It was called Color de Hormiga and was at once comfortable, convenient, affordable ($30/night) and very hospitable. There’s no breakfast included in the stay – there’s no restaurant on site – but, they do provide coffee (for those who like it, which seems to be everyone in the world besides me) and the courtyard is very quiet and charming.
Saturday night’s sunset provided a very photogenic sky, though I was too tired (and, really, not thinking quickly enough) to ask about where to go to see it upon arriving after having traveled for that much time to get there. So, I saw the remains of the day from the main square and wondered what might have been.
We spent the better part of the evening just east of the northeast corner of the square; there were a few – at least three – decent bars in a row there and they were relaxing places to hang out. We had a few drinks, then wandered north of the square (uphill) for a few blocks towards one of the at least 4 chapels in this small town before cutting over a block and back down to the main cathedral on the square…before heading straight back to the bar – this time for a bite to eat. I wasn’t hungry, though, so just sat and enjoyed the music.
Sunday was the only full day we’d have here. I woke up early enough to catch the town before there were too many people wandering around. Barichara is really less than 10 blocks by 10 blocks (give or take) and it’s set on a ridge overlooking a gorgeous valley to the west.
Wandering alone in the morning, I started at the main square, including a few shots inside the main cathedral there before heading due west and slightly uphill towards the ridgeline. En route to the ridgeline, I passed another chapel (which I didn’t enter) that was attached to a cemetery (which I did enter). It was a nice cemetery with an unusually high number of fake floral arrangements. That struck me as a little odd considering Colombia is one of the highest exporters of flowers in the world. At any rate, it was a nice few minutes to reflect, especially since my mother (who also happens to be about the only one who would regularly look at any of this writing/posting that you’re reading) passed away only a few days before.
From the cemetery, I walked west the last black to Calle 1 (Calle del mirador) which is the one that crests the ridgeline overlooking the Cañón del Río Suárez (Saravita). When I got here, I realized this would’ve been a fabulous place to have seen the sunset the previous night – though I’m also certain it would have been VERY crowded, too.
At 9:00 in the morning, with the sun at my back, I just found myself overlooking a somewhat hazy valley…though not hazy enough to completely obscure the view. Walking along Viewpoint Road, I stopped at both pavilions and also at the Simón Bolivar statue which is at the head of El camino real (Royal Road) which connects Barichara to the much smaller colonial town of Guane about 5-6 km mostly downhill.
For the moment, I bypassed the trail and continued along Calle 1 to Santa Barbara Chapel and its attached art park (which left a lot to be desired). From there, it was a 6 block walk straight downhill to the guesthouse, with a stop next to the square for what I would consider an adequate (at best) breakfast.
After resting a few minutes at the guesthouse, my roommate showed up and we decided to walk to Guane via El camino real. (The heat wasn’t oppressive in the least and, since it was downhill…no big deal. Though my roommate is in much better shape than I, we still deliberated about whether or not to do this and, in the end, decided to go simply because there wasn’t much to see or do in Barichara.)
We left Color de Hormiga and made our way back to Calle 1 via San Antonio Chapel which was 2 blocks down the street and one block west on Carrera 4/Calle 5. It was the least imposing of the chapels, though still pleasant. (Like the Jesus Chapel next to the cemetery, we didn’t enter; I only entered the Church of the Immaculate Conception on the main square and the Santa Barbara Chapel at the top of the hill.)
Passing by, we just enjoyed walking the streets and eventually made our way to the trailhead next to our man Bolivar. The walk down to Guane, according to everything I read, was about “an hour walk.” It’s advertised as just under 5K, though one of the locals said it’s a little over 6. In my opinion, that’s a good walking/running pace…if you happen to be on flat ground or even pavement. This trail, however, was mostly rocks/boulders which would slow down most normal folks. The views of the valley were quite good, and we caught occasional glimpses of random lizards and birds (South American cardinals twice). We also stopped at Señor Esteban’s house on the way down for a few sodas and some fresh papaya. We hung out there for close to an hour, it seemed.
By that point, I was more interested in seeing the sunset and, as the day was getting long in the tooth, I talked my roomie into grabbing a taxi, bus, anything up the hill back to town. One of the other hikers at Esteban’s told us nothing really came by and it was easier to walk the last 40 minutes down to Guane (which was still about 3 km away) and just catch a bus there. Those 40 minutes turned out to be more than an hour.
As an aside, I’d like to mention the culinary delicacy of Barichara. They are quite proud of their hormigas culonas. (This literally translates to “fat-bottomed ants,” and yes…they eat them.) They’re considered to be an aphrodisiac. I mention this now because my roommate and I kept joking that we were stepping on someone’s dinner once in a while on the path.
When we arrived in Guane, we probably stayed less than 15 minutes. We walked to their main square, snapped a quick picture of the cathedral there, and then set to finding someone to negotiate a ride with to head back up to Barichara. We paid a guy (who seemed happier than a pig in slop) 25,000 to drive us the 9 km up the road to Barichara where he dropped us at Calle 1 and we watched what was a much cloudier and less-than-spectacular (compared with Saturday’s) sunset.
As I suspected, even with a “subpar” sunset, there were quite a few people at the pavilion. We didn’t stay until the end and just walked back down to our room for quick showers then dinner next to the main cathedral (underwhelming Italian) and a drink at the bar two doors down from where we’d been on Saturday night. (Of the three, this is the only one that was exclusively a bar; the others had limited menus.)
Monday morning brought an early start since we were doing the return trip all in one stretch. We were in a taxi by 7:30 and eventually got out at our apartment around 6:00 in the evening. For a first photo shoot in Colombia, I was pretty happy with how this turned out, though am looking forward to the next one in Cartagena in about 3 weeks.
A fine example of a Classic Buick, seen near the Pavilion in Bournemouth Dorset UK, at the Wheels Festival
**** THIS IS NOW OBSOLETE FUNCTIONALITY ****
screen 2 response opening to last place (or none).
Note the scale of the map may vary, (and can be varied to suit, even down to street level, by choosing the '+' and '-' signs).
Since the new Flickr Justified view layout, only examples 2 and 3 still apply.
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Manufactured from 1973 to 1976 by Eastman Kodak. Part of the “second wave” of Pocket Cameras to go with the “new” 110 film cartridge introduced in 1972. It made a 13x17mm negative with a fixed-focus 25mm f/11 lens. It had two shutter speeds—one for “normal” outdoor photography and one for “indoor” flash photography (and it was engaged by putting the flashcube in place).
The camera was attractively packaged for the consumer market and came as a kit that included film, a flashcube, a flash extender (to eliminate red-eye problems) and a set of stickers to personalize the camera. In this example, the red, white and blue patriotic sticker has been used.
A Hermit Crab on Espanola Island
Semi Terrestrial Hermit Crab
Hermit crabs are decapod crustaceans of the superfamily Paguroidea. They are not closely related to true crabs. Hermit crabs are quite commonly seen in the intertidal zone: for example, in tide pools. Most species have long, soft abdomens which are protected from predators by a salvaged empty seashell carried on the crab's back, into which the crab's whole body can retract. Most frequently hermit crabs utilize the shells of sea snails; the tip of the hermit crab's abdomen is adapted to clasp strongly onto the columella of the snail shell. As the hermit crab grows in size, it has to find a larger shell and abandon the previous one. Of about five hundred known species, most are aquatic and live in varying depths of saltwater, from shallow reefs and shorelines to deep sea bottoms. However, tropical areas host some terrestrials.
Espanola (Gardener Bay)
Approximately a 10-12 hour trip from Santa Cruz, Española is the oldest and the southernmost island in the chain. The trip across open waters can be quite rough especially during August and September. Española's remote location helped make it a unique jewel with a large number of endemic creatures. Secluded from the other islands, wildlife on Española adapted to the island's environment and natural resources. The subspecies of Marine iguana from Española are the only ones that change color during breeding season. Normally, marine iguanas are black in color, a camouflage, making it difficult for predators to differentiate between the iguanas and the black lava rocks where they live. On Española adult marine iguanas are brightly colored with a reddish tint except during mating season when their color changes to more of a greenish shade. The Hood Mockingbird is also endemic to the island. These brazen birds have no fear of man and frequently land on visitors heads and shoulders searching for food. The Hood Mockingbird is slightly larger than other mockingbirds found in the Galapagos; its beak is longer and has a more curved shape. The Hood Mockingbird is the only carnivorous one of the species feeding on a variety of insects, turtle hatchlings and sea lion placentas. Wildlife is the highlight of Española and the star of the show is the waved albatross. The island's steep cliffs serve as the perfect runways for these large birds which take off for their ocean feeding grounds near the mainland of Ecuador and Peru abandoning the island between January and March. Known as endemic to the island, Española is the waved albatross's only nesting place. Each April the males return to Española followed shortly thereafter by the females. Mating for life, their ritual begins with the male's annual dance to re-attract his mate. The performance can take up to 5 days consisting of a series of strutting, honking, and beak fencing. Once the pair is reacquainted they produce a single egg and share the responsibility of incubation. The colony remains based on Española until December when the chick is fully grown. By January most of the colony leaves the island to fish along the Humboldt Current. Young albatross do not return to Española until their 4th or 5th year when they return to seek a mate. Geographically Española is a classic example of a shield volcano, created from a single caldera in the center of the island. Over the years as the island has moved further away from the hot spot, the volcano became extinct and erosion began to occur. Española's two visitor sites offer an exceptional island visit. Gardner Bay is a favorite destination for swimming and snorkeling as well as offering a great beach andis located on the northeastern portion of the island offers a magnificent long, white sandy beach, where colonies of sea lions laze in the sun, sea turtles swim offshore, and inquisitive mockingbirds boldly investigate. The beach considered an open area where you are free to explore. Snorkeling at Gardner Bay is fantastic. This is often your first chance to swim with the Sea Lions and this is an opportunity not to be missed. Further out towards Tortuga Rock and Gardner Island schools of large colorful tropical fish including yellow tailed surgeon fish, king angelfish and bump-head parrot fish swim along with an occasional manta ray gliding by and white-tipped sharks napping on the bottom.
Galapagos Islands
The Galápagos Islands (official name: Archipiélago de Colón; other Spanish names: Islas de Colón or Islas Galápagos) are an archipelago of volcanic islands distributed around the equator in the Pacific Ocean, some 900 km west of Ecuador. It is a UNESCO World Heritage site: wildlife is its most notable feature. Because of the only very recent arrival of man the majority of the wildlife has no fear of humans and will allow visitors to walk right up them, often having to step over Iguanas or Sea Lions.The Galápagos islands and its surrounding waters are part of a province, a national park, and a biological marine reserve. The principal language on the islands is Spanish. The islands have a population of around 40,000, which is a 40-fold expansion in 50 years. The islands are geologically young and famed for their vast number of endemic species, which were studied by Charles Darwin during the voyage of the Beagle. His observations and collections contributed to the inception of Darwin's theory of evolution by natural selection.
The Brihadeshvara Temple at Thanjavur in the Indian state of Tamil Nadu, is a Hindu temple dedicated to Shiva. It is an important example of Tamil architecture achieved during the Chola dynasty. The temple is part of the UNESCO World Heritage Site known as the "Great Living Chola Temples".
This is one of the largest temples in India and one of India's most prized architectural sites. Built by emperor Raja Raja Chola I and completed in 1010 AD, Peruvudaiyaar Temple, also popularly known as the 'Big Temple', turned 1000 years old in 2010.
Thanjavur Periya Kovil stands amidst fortified walls that were probably added in the 16th century. The vimanam (or temple tower) is 66 m) high and is among the tallest of its kind in the world. The Kumbam (Kalasha or Chikharam, the apex or the bulbous structure on the top) of the temple is carved out of a single rock and it weighs around 80 tons. There is a big statue of Nandi (sacred bull), carved out of a single rock, at the entrance measuring about 16 feet long and 13 feet high. The entire temple structure is made out of granite, the nearest sources of which are close to Tiruchirappalli, about 60 km to the west of Thanjavur.
HISTORY
The temple had its foundations laid out by the Tamil emperor Arulmozhivarman, popularly called Rajaraja Chola I, in 1002 CE, as the first of the great Tamil Chola building projects.
The Brihadeshvara Temple was built to grace the throne of the Chola empire in compliance to a command given to him in his dream. The scale and grandeur is in the Chola tradition. An axial and symmetrical geometry rules the temple layout. Temples from this period and the following two centuries are an expression of the Tamils (Chola) wealth, power and artistic expertise. The emergence of such features as the multifaceted columns with projecting square capitals signal the arrival of the new Chola style.
The Brihadeshvara Temple was built to be the royal temple to display the emperor's vision of his power and his relationship to the universal order. The temple was the site of the major royal ceremonies such as anointing the emperor and linking him with its deity, Shiva, and the daily rituals of the deities were mirrored by those of the king. It is an architectural example showcasing the pure form of the Dravida type of temple architecture and representative of the Chola Empire ideology and the Tamil civilisation in Southern India. The temple "testify to the brilliant achievements of the Chola in architecture, sculpture, painting and bronze casting."
CONSTRUCTION
The wish to build a mammoth temple like this is said to have occurred to Raja Raja while he stayed at Sri Lanka as an emperor.
The esteemed architect and engineer of the temple was Kunjara Mallan Raja Raja Perunthachan as stated in inscriptions found at the temple. The temple was built per ancient texts called Vaastu Shastras and Agamas. He is the ancient ancestor of the doyan of Vaastu Vedic architecture, the late Dr. V. Ganapti Sthapati of Chennai and Mahabalipurim (architect of the 133' granite Thiruvalluvar statue at the tip of south India). Members of his family still live and practice the ancient art and science. The American University of Mayonic Science and Technology was initiated by Dr. V. Ganapati Sthapati to perpetuate the same form of architectural principles used by Kunjara Mallan Raja Raja Perunthachan to build the Brihadeeswarar temple. The temple was built using a measure of 1 3/8-inch called an angula (24 units equalling 33 inches called a hasta, muzam, or kishku). This is the same measure found in ancient Lothal and other sites in the Indus Valley dating back 4000 - 6000 years. This same measure is used to build structures compliant with the Vaastu Shastras and Agamas today. While some builders use a different measure this is considered a standard due to its antiquity.
This temple is the first building fully built by granite and finished within 5yrs [1004AD – 1009AD]. The solid base of the temple raises about 5 metres, above which stone deities and representatives of Shiva dance. The huge kalasam or Vimanam (top portion of the shrine) is believed to weigh 81.28 tonnes of single stone block and was raised to its present height by dragging on an inclined plane of 6.44 km. The big Nandi (bull), weighing about 20 tonnes is made of a single stone and is about 2 m in height, 6 m in length and 2.5 m in width. The presiding deity of lingam is 3.7m tall. The prakaram (outer precincts of the temple) measures 240m by 125m. The outer wall of the upper storey is carved with 81 dance karanas – postures of Bharathanatyam, the classical dance of Tamil Nadu. The shrine of Goddess was added by Pandyas during the 13th century, Subramanya Shrine by Vijayanagara rulers and the Vinayaka shrine was renovated by Maratha rulers.
TEMPLE COMPLEX
The temple complex sits on the banks of a river that was channelled to make a moat around the complex's outer walls, the walls being built like a fortress. The complex is made up of many structures that are aligned axially. The complex can be entered either on one axis through a five-story gopuram or with a second access directly to the huge main quadrangle through a smaller free-standing gopuram. The massive size of the main Vimanam (Shikhara) is ca. 60 meters high, with 16 elaborately articulated stories, and dominates the main quadrangle. Pilaster, piers, and attached columns are placed rhythmically covering every surface of the Vimanam.
The gopuram of the main entrance is 30 m high, smaller than the vimana. It is unusual in the dravidian architecture where the gopurams are generally the main towers and taller than the vimanam.
MAIN TEMPLE
A first rectangular surrounding wall, 270 m by 140 m, marks the outer boundary. The main temple is in the center of the spacious quadrangle composed of a sanctuary, a Nandi, a pillared hall and an assembly hall (mandapas), and many sub-shrines. The most important part of the temple is the inner mandapa which is surrounded by massive walls that are divided into levels by sharply cut sculptures and pilasters providing deep bays and recesses. Each side of the sanctuary has a bay emphasising the principle cult icons. The karuvarai, a Tamil word meaning the interior of the sanctum sanctorum, is the inner most sanctum and focus of the temple where an image of the primary deity, Shiva, resides. Inside is a huge stone linga. The word Karuvarai means "womb chamber" from Tamil word karu for foetus. Only priests are allowed to enter this inner-most chamber.
In the Dravida style, the Karuvarai takes the form of a miniature vimana with other features exclusive to southern Indian temple architecture such as the inner wall together with the outer wall creating a pradakshina around the garbhagriha for circumambulation (pradakshina). The entrance is highly decorated. The inside chamber housing the image of the god is the sanctum sanctorum, the garbhagriha. The garbhagriha is square and sits on a plinth, its location calculated to be a point of total equilibrium and harmony as it is representative of a microcosm of the universe. In the center is placed the image of the deity. The royal bathing-hall where Rajaraja the great gave gifts is to the east of the hall of Irumudi-Soran.
The circumambulation winds around the massive lingam in the garbhagriha and is repeated in an upper story, presenting the idea that Chola Empire freely offered access to the gods.
The inner mandapa leads out to a rectangular mandapa and then to a twenty-columned porch with three staircases leading down. Sharing the same stone plinth is a small open mandapa dedicated to Nandi, Shiva's sacred bull mount.
TEMPLE DEITIES
The "moolavar" or prime deity of the Brihadeeswarar Temple is Shiva. All deities, particularly those placed in the niches of the outer wall (Koshta Moorthigal) like Dakshinamurthy, Surya, Chandra are of huge size. The Brihadiswarar temple is one of the rare temples which has idols for "Ashta-dikpaalakas" (Guardians of the directions) – Indra, Agni, Yama, Nirṛti, Varuṇa, Vāyu, Kubera, Īśāna – each of whom was originally represented by a life-sized statue, approximately 6 feet tall, enshrined in a separate temple located in the respective direction. (Only Agni, Varuṇa, Vāyu and Īśāna are preserved in situ.)
ADJOINING STRUCTURES
Surrounding the main temple are two walled enclosures. The outer wall is high, defining the temple complex area. Here is the massive gopuram or gateway mentioned above. Within this a portico, a barrel vaulted gorpuram with over 400 pillars, is enclosed by a high wall interspersed with huge gopurams axially lined up to the main temple.
FEATURES
Another widely held belief is that the shadow of the gopuram (pyramidal tower usually over the gateway of a temple) never falls on the ground. . The temple is said to be made up of about 60,000 tons of sandstone and granite. The Kumbam itself, a 60 ton granite stone carved in one piece, on top of the main gopuram is believed to have been taken to the top by creating an inclined slope to the height of 66m to the top of the gopuram. The prevailing belief is that a mud-slope, which starts at about three miles from the temple site, from Thirukoilore (birthplace of Raja raja's mother) near Sri Virateshvara swamy temple portrays the figure of the Thanjavur Temple. Elephants might have been used to drag the stone up the slope. This was claimed to be the only part of the gopuram, which does not cast a shadow that fall on the ground, at least not within the temple premises which is an architectural amazement in the world of architecture.
MURALS
The temple has Chola frescoes on the walls around the sanctum sanctorum potryaing Shiva in action, destroying demonic forts, dancing and sending a white elephant to transport a devotee to heaven. These frescoes were discovered in the 1940s and portray the mythological episodes of the journey of Saint Sundarar and the Chera King to heaven, the battle scene of Tripurantaka (Lord Siva) with Asuras (demons). The Chola artists have proved their mettle by portraying even the Asura women with a sense of beauty. Some of the paintings in the sanctum sanctorum and the walls in the passage had been damaged because of the soot that had deposited on them. Owing to the continuous exposure to smoke and soot from the lamps and burning of camphor in the sanctum sanctorum over a period of centuries certain parts of the Chola paintings on the circumambulatory passage walls had been badly damaged. The Tanjore Nayak kings replaced them with a few paintings of their own, about 400 years ago. The Archaeological Survey of India, for the first time in the world, used its unique de-stucco process to restore 16 Nayak paintings, which were superimposed on 1000-year-old Chola frescoes. These 400-year-old paintings have been mounted on fibre glass boards, displayed at a separate pavilion.
TEMPLE PERSONNEL
The temple was consecrated in 1010 CE by Raja Raja Chola I & in 2010 a celebration commemorated the temple's thousandth anniversary. The temple maintained a staff of 1000 people in various capacities with 400 being temple dancers Besides the Brahmin priests, these included record-keepers, musicians, scholars, and craftsman of every type as well as housekeeping staff. In those days the temple was a hub of business activities for the flower, milk, oil, and ghee merchants, all of whom made a regular supply of their respective goods for the temple for its poojas and during festival seasons. Moreover as evidenced by the inscriptions that found in the compound wall of this temple, the temple had always been serving as a platform for the dancers who excelled in the traditional dance form of Bharatnatyam. vallamuthu minnadi generation worshipped this temple.
WIKIPEDIA
Some examples of projects using conductive thread and LEDs. More information at tinkering.exploratorium.edu/sewn-circuits
Some examples of projects using conductive thread and LEDs. More information at tinkering.exploratorium.edu/sewn-circuits
Some examples of projects using conductive thread and LEDs. More information at tinkering.exploratorium.edu/sewn-circuits
Logo designed by the designers at Arkansas Logos. If your looking for a nice logo check out www.ArkansasLogos.com
Historic example of sleeping arrangements at Silver Bay Scout Camp found on Garden Ground Mountain at the 2017 National Scout Jamboree (Photo by Greg Crenshaw)
THE CATHEDRAL
The massive Cathedral of Santa Maria Nascente, which the Milanese call just "Il Duomo" is among the world's largest (it holds up to 40,000 people) and most magnificent churches, the ultimate example of the Flamboyant Gothic style. It was begun in the 14th century, but its façade was not completed until the early 1800s, under Napoleon.
The roof is topped by 135 delicately carved stone pinnacles and the exterior is decorated with 2,245 marble statues. The dim interior, in striking contrast to the brilliant and richly patterned exterior, makes a powerful impression with its 52 gigantic pillars. The stained-glass windows in the nave (mostly 15th-16th centuries) are the largest in the world; the earliest of them are in the south aisle.
Highlights include the seven-branched bronze candelabrum by Nicholas of Verdun (c. 1200) in the north transept, the 16th-century tomb of Gian Giacomo Medici, and the jeweled gold reliquary of San Carlo Borromeo in the octagonal Borromeo Chapel leading off the crypt. Behind the high altar, the choir has deeply carved panels, and misericords under the seats.
In the south sacristy is the treasury with gold and silver work dating from the fourth to the 17th century. A walk on the roof of the cathedral is an impressive experience, offering views across the city and extending on clear days to the snow-covered Alps. (An elevator ascends all but the last 73 steps to the platform of the dome).
At the front of the Duomo, near the central doorway, you can descend under Piazza del Duomo into the foundations of the Basilica di Santa Tecla (fourth-fifth and seventh century) and the fourth-century baptistery, Battistero di San Giovanni alle Fonti, which were discovered during the construction of the Milan Metro system [planetware.com]
IT TOOK THOUSANDS OF WORKERS, A NEW CANAL SYSTEM AND OVER SIX CENTURIES TO COMPLETE
The construction of the Duomo officially started in 1386 by Bishop Antonio da Saluzzo and was supported by the ruler of Milan Gian Galeazzo Visconti who had grand visions of the cathedral. Though originally started in terracotta stone, once the grandeur of the project was realized Condoglian marble from Lake Maggiore was chosen. The entire building is made up of this pink-hued white marble. To bring it from the quarries of Candoglia, canals were dug leading to the construction site, evidence of which is still visible along the famous navigli, the canals left over from the network built in southern Milan specifically for that purpose! Thousands of artists, sculptors and specialized workers were involved in the construction of the Cathedral of Milan. Architects from across Europe were invited to work on the project (at least 78 different architects total) and as it grew and grew, its construction dragged on over the years. It was consecrated in 1418 but only the nave was really finished at that time. Heavy construction continued for another 200 years [walksofitaly.com]
Infographics - Digital Marketing Examples
This Infographics shows examples of digital marketing platforms. Key social media sites stats shows that Facebook and Google plus are top networking sites for branding.
youtu.be/6M-MtZkZOzw?t=2s Full Feature
Starring Marshall Thompson, Kynaston Reeves, Michael Balfour, Kim Parker, Stanley Maxted, Gil Winfield, Shane Cordell, Terry Kilburn, James Dyrenforth, Peter Madden, Meadows White, and Lala Lloyd. Directed by Arthur Crabtree.
In December 1958 Eros Films, Ltd. had another British B sci-fi movie touring American. Fiend Without A Face (FwoF) ran as the B feature to "Haunted Strangler." Both were British productions being marketed in America by MGM. This is another example of the blurry line between sci-fi and horror. FwoF itself exists in that blurry zone. Mysterious, invisible "mental vampires" killing their victims takes up the bulk of the film. The final showdown with the creatures is classic monster movie. Yet, the tie-in to the customary misguided scientist and atomic energy keep FwoF in the sci-fi orbit.
Synopsis
A Canadian farmer is killed just outside of an American Air Force base in remote Canada. The villagers were already up in arms over the mere presence of the base (jets frightened their cows) so are convinced there is a mad GI on the loose. Major Jeff Cummings befriends the slain farmer's sister, Barbara. The base tests their super radar system again, but like before, it falters just as it seems to be succeeding. Something is draining off the atomic energy. More murders stir up the towns folk to revolt. Jeff is certain that a reclusive genius, Professor Walgate, is the key. Yet more murders occur, each preceded by a rhythmic thumping and squishing sound. Eventually, Walgate confesses that he was working on Thought Materialization -- telekinesis. He needed more power, so fabricated an energy hijacking device to siphon off the air base's transmitted power. (that's why the tests always failed) The extra power worked, but created separate beings rather than intensifying Walgate's own thoughts. The invisible beings escaped his lab and began to 'feed' on townsfolk by sucking out their brains. They need the reactor's power to exist. Jeff rushes to blow up the control room. The reactor is going into overload, so the beings become visible. Dozens of the brain and spinal cord things surround the house. They break in, kill a few people, but can also be killed. Many are. Just as one of the beings has got Barbara, the reactor is shut down. It falls limp. The brain things dissolve into foam. Jeff kisses Barbara. The End.
The monster murder mystery element is fairly well played so it keeps interest up. Once visible, the brain-things have some interest too. As a monster movie, it has some merit. Killer brain-creatures are quirky enough to stay interesting.
The Cold War provides a backdrop, but isn't the focus. The Air Force base's mission is early radar detection of Soviet aircraft coming over the pole. One could see the brain-things as manifestations of deadly atomic energy. (the invisible killer)They seem to fit better the usual science-gone-wrong theme.
Dr. Walgate fills the archetypal role of the naive scientist. He meant well with all his research and work. But, like many naive scientists who had gone before him, his assumptions prove wrong. His work gets away from him and becomes a force of destruction, not one of good for mankind. It has been fairly customary for the naive scientist to die at the hands (or whatever) of his creation. Walgate makes the noble sacrifice at the end, letting the creatures attack him while Jeff gets away.
The brain-creatures are akin to the "Id Monster" in Forbidden Planet. Man's most basic thoughts, if given independence, prove primal and ruthless. As a nuclear cautionary tale, the brain-creatures, man's primal thoughts, prove deadly if given atomic power. The stop-motion animation of the brain-creatures is not too bad. It's not Harryhausen, but it works.
We're told that the brain-creatures suck out the brains and spinal cord of their human victims. So, it interesting that the brain-creatures are depicted as brain shaped. They have a segmented spinal column which they use inch-worm-style for locomotion. They ARE what they eat.
The brain-creatures break the atomic reactor's control rods so people can't shut it down (the creatures need the radiation to exist). It is curious that screenwriters solve the problem with good old dynamite. Jeff blows up the control room to shut down the reactor. ?? The reactor core was already out of control. Why would less control help?
Bottom line? Most of FwoF is a fair horror flick with "mental vampires" and agonizing victims. Things get more interesting when the brain-creatures surround the house. Sure, the movie has its flaws, but is an entertaining 50s sci-fi. 4
I've had my GX7 for a week tomorrow, and have stumbled on a rather interesting problem. In semi dark conditions I sometime get a strong stripy pattern in my pictures, especially when shot with a high ISO. An example is seen in this picture It was shot with an ISO 800 and f2 at 1/200.
These stripes where not there, though there were patterns of light and dark than might have been accentuated. I had the same problem yesterday, when taking pictures indoors during a lecture: Strong stripes that clearly was not there from the beginning. It looks like a moiré problem to me, probably due to the lack of a anti aliasing filter.
An example of Carmel's story-book architecture on a side street up from Ocean Avenue, Carmel's main drag.
Another example of the Jupiter 37A lens on a Pentax *ist DSLR. This is a manual focus lens found cheaply on eBay. The design is a Russian copy of a very distinguished old German lens. It amazes me how sharp this lens can be.