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oder wer sich hinten anstellt, bleibt ungefressen.
Leider habe ich den vorderen Gecko nicht noch mit drauf bekommen, dann wäre die Nahrungskette anschaulicher.
So gesehen unter dem Dach der Dschungelunterkunft im Regenwald am Kinabatanganriver in Malaysia/Borneo.
Instead of handing in the laptop, somebody wrote "Doesn't work!!!" on the shift button, and left it where it was.
The people in helpdesk will probably find out some day. Handing it in to them would probably have been a better idea.
No idea how this happened but it appears that Liverpool vs Eveton was playing at the Louvre in Paris...
This expression will reappear throughout the night as many computer errors plague the editing session.
"Consulte sus inquietudes con el guardaparque". ¿Por ejemplo si existe dios? ¿Por ejemplo quiénes somos, de dónde venimos y a dónde vamos, si estamos solos en la galaxia o acompañados? (Siniestro Total). Isla Victoria, Patagonia argentina. 2007 © Sonia de Viana
SELLING MY CHILDHOOD BASEBALL CARD COLLECTION - 1940's to 1980's HOF'ers, Deceased, Errors, Autographs, Rookies, etc. WAY MORE baseball memorabilia where this came from. These are simply my favorites/highest price cards. I also have magazines, bottles, cans, framed memorabilia, unique items, etc available. Stay tuned for more uploads.
The Stalker laser has serious errors when the beam does not hit the target at a right angle. Here the stationary parking lot is moving 10 mph or more.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Sometimes you just despair looking at error messages on computer programs. Prime candidate today - Outlook 2010. Unless I've been to hospital, this isn't really helpful at all.
When you load up the App Store on the iPad, if your iTunes account is not for the US store, you receive the following error. This will be the case until the iPad App Store is enabled in your country.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
I received this wonderfully helpful error message (I assume) after rebooting from the 10.4.7 update.
Encuentra el error ortográfico ...
Encontrado en el portal de noticias de El Economista, pueden ver la nota en:
eleconomista.com.mx/notas-online/finanzas/2008/12/29/expr...
Error message when running out of memory during a PeopleCode dump. "Unrecoverable error: out of available memory. Requested 659272 bytes. Memory status (MB available/MB total): Physical 62/1023; PageFile 10/4006; Virtual 759/2047"
View psst0101.wordpress.com/2008/03/25/peopletools-tip-peoplec...
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography