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From my set entitled “Buttercup”
www.flickr.com/photos/21861018@N00/sets/72157607214043026/
www.flickr.com/photos/21861018@N00/sets/72157607217763461/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Ranunculus
Ranunculus is a large genus of about 400 species of plants in the Ranunculaceae. It includes the buttercups, spearworts, water crowfoots and the lesser celandine (but not the greater celandine of the poppy family Papaveraceae).
They are mostly herbaceous perennials with bright yellow or white flowers (if white, still with a yellow centre); some are annuals or biennials. A few have orange or red flowers and occasionally, as in R. auricomus, petals may be absent. The petals are often highly lustrous, especially in yellow species. Buttercups usually flower in April or May but flowers may be found throughout the summer especially where the plants are growing as opportunistic colonisers, as in the case of garden weeds.
The Water crowfoots (Ranunculus subgenus Batrachium), which grow in still or running water, are sometimes treated in a separate genus Batrachium. They have two different leaf types, thread-like leaves underwater and broader floating leaves although for some species, such as R. aquatilis, a third, intermediate leaf form occurs.
Ranunculus species are used as food plants by the larvae of some Lepidoptera species including Hebrew Character and Small Angle Shades. Some species are popular ornamental flowers in horticulture, with many cultivars selected for large and brightly coloured flowers.
The name Ranunculus derives from the Latin words rana (frog) and ulus (little). This probably refers to many species being found near water, like frogs.
In the interior of the Pacific Northwest of the United States the buttercup is called "Coyote’s eyes" — iceyéeyenm sílu in Nez Perce and spilyaynmí áčaš in Sahaptin. In the legend Coyote was tossing his eyes up in the air and catching them again when Eagle snatched them. Unable to see, Coyote made eyes from the buttercup.
All Ranunculus species are poisonous when eaten fresh by cattle, horses, and other livestock, but their acrid taste and the blistering of the mouth caused by their poison means they are usually left uneaten. Poisoning can occur where buttercups are abundant in overgrazed fields where little other edible plant growth is left, and the animals eat them out of desperation. Symptoms include bloody diarrhea, excessive salivation, colic, and severe blistering of the mucous membranes and gastrointestinal tract. When Ranunculus plants are handled, naturally occurring ranunculin is broken down to form protoanemonin, which is known to cause contact dermatitis in humans and care should therefore be exercised in excessive handling of the plants[1]. The toxins are degraded by drying, so hay containing dried buttercups is safe
The term sardonic (sardanios), "bitter or scornful laughter", is often cited as deriving from the name of the Sardinian plant Ranunculus sardous, known as either σαρδάνη (sardanē) or σαρδόνιον (sardonion). When eaten, it would cause the eater's face to contort in a look resembling scorn (generally followed by death). It might also be related to σαίρω (sairō) "I grin"
The Leaders Of Technique program hosted their 1st Annual Tie Ceremony entitled “A City Tied Together” on Wednesday, October 10th. This epic event symbolically connected Elizabeth’s younger and older generations by having prominent Elizabeth men donate neck ties to the members of the L.O.T. program.
spray paint on used and abused skate deck entitled 'MADAM'.
My fave piece in a wicked show entitled Old Boots New Laces curated by Ben Oakley at 91-95 Brick Lane London E1 there was some great work by many others including some pimped DM boots (sponsered by Doc Martins), 10% of all sales went to Mc Millan Cancer, The list of artists exhibiting includes Pam Glew, Jo Peel, Everett Jaime, Carne Griffiths, Asboluv, Yvonne Wayling, Mark Perronet, Gary Alford, Ben Oakley, Rowan Newton, Gonny Van Hulst, Stuart Mcalpine Miller, Sergejs Djomins
Ska and reggae after party got everyone skankin and everyone got a bit messy, huge shout to all my friends and family that reached, it really meant the most to me, speacial thanx to Mrs asboluv and lil Boogs for a great weekend togeather x
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
From my set entitled “Spruce”
www.flickr.com/photos/21861018@N00/sets/72157607213861692/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Spruce refers to trees of the genus Picea, a genus of about 35 species of coniferous evergreen trees in the Family Pinaceae, found in the northern temperate and boreal (taiga) regions of the earth. Spruces are large trees, from 20–60 (–95) m tall when mature, and can be distinguished by their whorled branches and conical form. The needles, or leaves, of spruce trees are attached singly to the branches in a spiral fashion, each needle on a small peg-like structure called a sterigmata. The needles are shed when 4–10 years old, leaving the branches rough with the retained sterigmata (an easy means of distinguishing them from other similar genera, where the branches are fairly smooth).
Spruces are used as food plants by the larvae of some Lepidoptera species; see list of Lepidoptera that feed on spruces. They are also used as food plants by Gall Adelgids (Adelges species).
The word "spruce" derives from an obsolete term for Prussia.
Scientists have found a cluster of Norway Spruce in the mountains in western Sweden which, at an age of 9,550 years, is the world's oldest known living trees.[1]
Spruce is one of the most important woods for paper manufacture, as it has long wood fibres which bind together to make strong paper. Spruces are cultivated over vast areas for this purpose.
Spruces are also popular ornamental trees in horticulture, admired for their evergreen, symmetrical narrow-conic growth habit. For the same reason, some (particularly Picea abies and P. omorika) are also extensively used as Christmas trees.
Spruce wood, often called whitewood, is used for many purposes, ranging from general construction work and crates to highly specialised uses in wooden aircraft and many musical instruments, including guitars, mandolins, cellos, violins, and the soundboard at the heart of a piano. The Wright Brothers first aircraft was built of spruce.
The resin was used in the manufacture of pitch in the past (before the use of petrochemicals); the scientific name Picea is generally thought to be derived from Latin pix, pitch (though other etymologies have been suggested).
The leaves and branches, or the essential oils, can be used to brew spruce beer. The tips from the needles can be used to make spruce tip syrup. Native Americans in eastern North America once used the thin, pliable roots of some species for weaving baskets and for sewing together pieces of birch bark for canoes. See also Kiidk'yaas for an unusual golden Sitka Spruce sacred to the Haida people. Native Americans in New England also used the sap to make a gum which was used for various reasons.
In survival situations spruce needles can be directly ingested or boiled into a tea. This replaces large amounts of vitamin C. Also, water is stored in a spruce's needles, providing an alternative means of hydration. Spruce can be used as a preventative measure for scurvy in an environment where meat is the only prominent food source.
Spruce branches are also used at Aintree racecourse, Liverpool, to build several of the fences on the Grand National course.
Nandi is the name for the bull which serves as the mount (Sanskrit: Vahana) of the god Shiva and as the gatekeeper of Shiva and Parvati. In Hindu Religion, he is the chief guru of eighteen masters (18 Siddhar ) including Patanjali and Thirumular. Temples venerating Shiva display stone images of a seated Nandi, generally facing the main shrine. There are also a number of temples dedicated solely to Nandi.
The application of the name Nandi to the bull (Sanskrit: vṛṣabha) is in fact a development of recent centuries, as Gouriswar Bhattacharya has documented in an illustrated article entitled "Nandin and Vṛṣabha". The name Nandi was earlier widely used instead for an anthropomorphic deity who was one of Shiva’s two door-keepers, the other being Mahākāla. The doorways of pre-tenth-century North Indian temples are frequently flanked by images of Mahākāla and Nandi, and it is in this role of Shiva’s watchman that Nandi figures in Kālidāsa’s poem the Kumārasambhava.
ETYMOLOGY
The word “Nandi” is derived from the ancient Indian Language of Sanskrit. The Sanskrit word 'Nandi' in English translates as Happy, Joyous or Happy Person.
BIRTH OF NANDI
There was a sage named Shilada who underwent severe penance to have a boon — a child with immortality. Lord Indra pleased of the austerities of Shilada appeared in front of him to offer a boon. After hearing the request of Shilada and his desire to have an immortal child, Lord Indra suggested he pray to Lord Shiva: nobody else could provide such a boon. Sage Shilada continued his penance for 1,000 years. He was totally immovable for many years, so the termites settled on his body and slowly started to build up their nest. Finally, his whole body was covered up by them. The insects started to eat his flesh and imbibed his blood. At last, only bones remained.
Lord Shiva appeared in front of him and provided the boon for the child. Moreover, Lord Shiva provided Sage Shilada his old form with a single touch. Sage Shilada performed Yagna and a child appeared from the sacrificial fire. His body was clad in armour made out of diamonds. The celestial dancers and singers performed on this auspicious occasion and the deities showered flowers on the child. The boy was named ’Nandi’ — who brings joy. Shilada brought the child home. Immediately the boy lost his divine appearance to an ordinary child. The child completely forgot all about his birth. Sage Shilada was worried about the sudden change. He devoted his time for Nandi's upbringing his education etc. By the age of seven, the boy was well versed in Veda and all sacred texts.
One day the deities Mitra and Varuna visited Sage Shilada. At the first sight of the boy, they commented: Though the boy had all auspicious signs, he would have a very short life. He would not live after the age of eight. Sage Shilada was mortified at this remark. Nandi could not bear his father's sorrow; he began to pray to Lord Shiva. Lord Shiva appeared before him and blessed him. Lord Shiva adorned the boy with a necklace and made him immortal. Lord Shiva blessed the child and declared that he would be worshiped along with Him and become his vahana (vehicle). Immediately the boy got all the divine powers and transformed into half bull-half human. He and Shilada went to Lord Shiva's abode to live.
IN HINDUISM
Bulls appear on the Indus Valley seals, including the 'Pasupati Seal', which depicts a seated figure and, according to some scholars, is similar to Shiva. However, most scholars agree that the horned bull on the Indus Valley seals is not identical to Nandi.
DESCRIPTIONS ON NANDI IN HINDU RELIGIOUS TEXTS INCLUDE:
- Some Puranas describe Nandi or Nandikeshvara as bull face with a human body that resembles that of Shiva in proportion and aspect, although with four hands — two hands holding the Parasu (the axe) and Mruga (the antelope) and the other two hands joined together in the Anjali (obeisance). Brahma Vaivarta Purana mentions Krishna himself to have taken the form of a bull as no one else in the Universe can bear Shiva.
- Vehicle of Shiva: The bull Nandi is Shiva's primary vehicle and is the principal gana (follower) of Shiva.
- Gate keeper of Shiva's abode: The close association of Shiva and Nandi explains the presence of a statue of Nandi at the gate of many temples dedicated to Shiva. It also explains why the word "nandi" in the Tamil, Kannada and Telugu languages is used as a metaphor for a person blocking the way.[citation needed] In Sanskrit, a bull is called vrisha, which has another connotation — that of righteousness or Dharma. It is important to seek the blessings of Nandi before proceeding to worship Lord Shiva.
- Chief in Shiva's army: Some Puranas mention that Nandi lead the Shiva Ganas, Shiva's attendants.
- A Guru of Saivism: In addition to being his mount, Nandi is Shiva's foremost disciple. In the Natha/Siddhar tradition, Nandi is one of the primal gurus. He was the guru to Siddhar Thirumulanathar, Patanjalinathar and others.
- From the yogic perspective, Nandi/Nandhi/Nandikeshvara is the mind dedicated to Lord Siva, the Absolute. In other words, to understand and absorb Light, the 'experience and the wisdom' is Nandi which is the Guru within.
- Spiritually, Nandi represents an individual jiva (soul) and the message that the jiva should always be focused on the Atman (Paramatman).
LEGENDS
According to some puranas, Nandi was born to sage Shilada who got him by the grace of Shiva.
It was Nandi who cursed Ravana (the demon King of Lanka) that his kingdom would be burnt by a monkey (Vanara). And later Hanuman burnt Lanka when he went in search of Sita, who was kept prisoner by Ravana in Ashok Vatika.
In one puranic story, it is stated that once Siva and Parvathi were playing a game of dice. For any game there has to be an umpire, who has to declare who is the winner. Siva and Parvathi agreed to have Nandi (the divine bull) as the umpire. Nandi is a favorite of Siva, as he is Siva's vehicle. Although Siva lost the game, Nandi declared him the winner. It is stated that Parvathi was indignant over Nandi's partiality for Siva and cursed him that he should die from an incurable disease. Thereupon Nandi fell at the feet of Parvathi and pleaded for forgiveness. "Mother forgive me. Should I not show at least this amount of gratitude to one who is my master? Is it not humiliating for me to declare that my master has lost the game? To uphold his honor I no doubt uttered a lie. But am I to be punished with such severity for so small an offence?" Nandi prayed for forgiveness in this manner. Parvathi forgave Nandi and taught him the means to atone for his lapse. She told him. "The Chaturdasi day in the month of Bhadrapada is the day when my son's birthday is celebrated. On that day you have to offer to my son what pleases you most (green grass)". This means that one atones for one's sins when one offers to the Lord what is most pleasing and enjoyable to him. For Nandi the most enjoyable and relishing food is green grass. As directed by Parvathi Nandi worshipped Ganapathi by offering green grass. Nandi was then relieved of his dreaded disease. His health improved and by the grace of Parvathi he was redeemed.
When the positive forces, the devas, and the negative forces, the asuras, joined together on a rare occasion to churn the ocean with a mountain to obtain the nectar of immortality they utilized Vasuki, the serpent, as the rope. The devas pulled from one end and the asuras from the other. Lots of precious herbs and gems were produced during the Churning and one of them was a poison (halāhala) which became human karma. This "poison" was so dangerous that none of the devas or asuras wanted to go near it. It was extremely sticky and coming into contact with this poison, i.e., human karma, would drag the divinity down to the realms of human suffering and ego. As everyone else ran away, Lord Siva, followed by Nandi, came forward to help as he was the only one who could counteract this deadly poison. Siva took the poison into his hand and drank it, the descent of the poison was in turn stopped at His throat, by His divine consort. Siva is therefore also known as Nīlakaṇṭha (the blue-throated one) and Viṣakaṇṭha (the poison-throated one). Nandi saw some of the poison spill out of Siva's mouth and immediately drank if off the ground. The devas and asuras watching were shocked and wondered aloud what would happen to Nandi. Lord Siva calmed their fears saying, "Nandi has surrendered into me so completely that he has all my powers and my protection".
LARGEST NANDIS IN INDIA
1. Lepakshi, Andhra Pradesh
2. Brahadishwara Temple, Tamil Nadu
4. Bull Temple, Bangalore, Karnataka
5. Rameswaram, Tamil Nadu
6. Hoysaleswara Temple, Halebidu, Karnataka
7. Shanthaleswara Temple, Halebidu, Karnataka
8. Vadakkunnathan Temple, Thrissur, Kerala
9. Virupaksha Temple, Hampi, Karnataka
10. Nandi Temple, Western Group of Temples, Khajuraho,
Madhya Pradesh
11. Kedareshvara Temple at Balligavi (Karnataka)
12. Doddabasaveshvara temple, Kurugodu Bellary dist
MISCELLANEOUS
The white color of the bull symbolizes purity and justice.
Women visit images of Nandi, bringing floral offerings, and touch the stone. Their prayers are for fertility. Additionally, it is also considered a custom among some to whisper the fact of their visit, to that shrine, while requesting the faithful attendant to inform his master of the same.
WIKIPEDIA
I got this popup book entitled ''Disney Frozen: A Pop-Up Adventure'' by Matthew Reinhart. I got it a couple of weeks ago from 20th Century Music Company on Main Street in Disneyland. It had just been released last month (October 2016). It came wrapped in clear plastic, with a paper insert in the back. It tells the story of Frozen in pop-up drawings depicting actual scenes from the movie. There are six double page pop-ups, with some of them transforming into two separate scenes by means of pull tabs. There are also many smaller pop-ups tucked inside of side panels next to the main pop-ups. It costs $40.
Nandi is the name for the bull which serves as the mount (Sanskrit: Vahana) of the god Shiva and as the gatekeeper of Shiva and Parvati. In Hindu Religion, he is the chief guru of eighteen masters (18 Siddhar) including Patanjali and Thirumular. Temples venerating Shiva display stone images of a seated Nandi, generally facing the main shrine. There are also a number of temples dedicated solely to Nandi.
The application of the name Nandi to the bull (Sanskrit: vṛṣabha) is in fact a development of recent centuries, as Gouriswar Bhattacharya has documented in an illustrated article entitled "Nandin and Vṛṣabha". The name Nandi was earlier widely used instead for an anthropomorphic deity who was one of Shiva’s two door-keepers, the other being Mahākāla. The doorways of pre-tenth-century North Indian temples are frequently flanked by images of Mahākāla and Nandi, and it is in this role of Shiva’s watchman that Nandi figures in Kālidāsa’s poem the Kumārasambhava.
ETYMOLOGY
The word “Nandi” is derived from the ancient Indian Language of Sanskrit. The Sanskrit word 'Nandi' in English translates as Happy, Joyous or Happy Person.
BIRTH OF NANDI
There was a sage named Shilada who underwent severe penance to have a boon — a child with immortality. Lord Indra pleased of the austerities of Shilada appeared in front of him to offer a boon. After hearing the request of Shilada and his desire to have an immortal child, Lord Indra suggested he pray to Lord Shiva: nobody else could provide such a boon. Sage Shilada continued his penance for 1,000 years. He was totally immovable for many years, so the termites settled on his body and slowly started to build up their nest. Finally, his whole body was covered up by them. The insects started to eat his flesh and imbibed his blood. At last, only bones remained.
Lord Shiva appeared in front of him and provided the boon for the child. Moreover, Lord Shiva provided Sage Shilada his old form with a single touch. Sage Shilada performed Yagna and a child appeared from the sacrificial fire. His body was clad in armour made out of diamonds. The celestial dancers and singers performed on this auspicious occasion and the deities showered flowers on the child. The boy was named ’Nandi’ — who brings joy. Shilada brought the child home. Immediately the boy lost his divine appearance to an ordinary child. The child completely forgot all about his birth. Sage Shilada was worried about the sudden change. He devoted his time for Nandi's upbringing his education etc. By the age of seven, the boy was well versed in Veda and all sacred texts.
One day the deities Mitra and Varuna visited Sage Shilada. At the first sight of the boy, they commented: Though the boy had all auspicious signs, he would have a very short life. He would not live after the age of eight. Sage Shilada was mortified at this remark. Nandi could not bear his father's sorrow; he began to pray to Lord Shiva. Lord Shiva appeared before him and blessed him. Lord Shiva adorned the boy with a necklace and made him immortal. Lord Shiva blessed the child and declared that he would be worshiped along with Him and become his vahana (vehicle). Immediately the boy got all the divine powers and transformed into half bull-half human. He and Shilada went to Lord Shiva's abode to live.
IN HINDUISM
Bulls appear on the Indus Valley seals, including the 'Pasupati Seal', which depicts a seated figure and, according to some scholars, is similar to Shiva. However, most scholars agree that the horned bull on the Indus Valley seals is not identical to Nandi.
DESCRIPTIONS ON NANDI IN HINDU RELIGIOUS TEXTS INCLUDE:
- Some Puranas describe Nandi or Nandikeshvara as bull face with a human body that resembles that of Shiva in proportion and aspect, although with four hands — two hands holding the Parasu (the axe) and Mruga (the antelope) and the other two hands joined together in the Anjali (obeisance). Brahma Vaivarta Purana mentions Krishna himself to have taken the form of a bull as no one else in the Universe can bear Shiva.
- Vehicle of Shiva: The bull Nandi is Shiva's primary vehicle and is the principal gana (follower) of Shiva.
- Gate keeper of Shiva's abode: The close association of Shiva and Nandi explains the presence of a statue of Nandi at the gate of many temples dedicated to Shiva. It also explains why the word "nandi" in the Tamil, Kannada and Telugu languages is used as a metaphor for a person blocking the way.[citation needed] In Sanskrit, a bull is called vrisha, which has another connotation — that of righteousness or Dharma. It is important to seek the blessings of Nandi before proceeding to worship Lord Shiva.
- Chief in Shiva's army: Some Puranas mention that Nandi lead the Shiva Ganas, Shiva's attendants.
- A Guru of Saivism: In addition to being his mount, Nandi is Shiva's foremost disciple. In the Natha/Siddhar tradition, Nandi is one of the primal gurus. He was the guru to Siddhar Thirumulanathar, Patanjalinathar and others.
- From the yogic perspective, Nandi/Nandhi/Nandikeshvara is the mind dedicated to Lord Siva, the Absolute. In other words, to understand and absorb Light, the 'experience and the wisdom' is Nandi which is the Guru within.
- Spiritually, Nandi represents an individual jiva (soul) and the message that the jiva should always be focused on the Atman (Paramatman).
LEGENDS
According to some puranas, Nandi was born to sage Shilada who got him by the grace of Shiva.
It was Nandi who cursed Ravana (the demon King of Lanka) that his kingdom would be burnt by a monkey (Vanara). And later Hanuman burnt Lanka when he went in search of Sita, who was kept prisoner by Ravana in Ashok Vatika.
In one puranic story, it is stated that once Siva and Parvathi were playing a game of dice. For any game there has to be an umpire, who has to declare who is the winner. Siva and Parvathi agreed to have Nandi (the divine bull) as the umpire. Nandi is a favorite of Siva, as he is Siva's vehicle. Although Siva lost the game, Nandi declared him the winner. It is stated that Parvathi was indignant over Nandi's partiality for Siva and cursed him that he should die from an incurable disease. Thereupon Nandi fell at the feet of Parvathi and pleaded for forgiveness. "Mother forgive me. Should I not show at least this amount of gratitude to one who is my master? Is it not humiliating for me to declare that my master has lost the game? To uphold his honor I no doubt uttered a lie. But am I to be punished with such severity for so small an offence?" Nandi prayed for forgiveness in this manner. Parvathi forgave Nandi and taught him the means to atone for his lapse. She told him. "The Chaturdasi day in the month of Bhadrapada is the day when my son's birthday is celebrated. On that day you have to offer to my son what pleases you most (green grass)". This means that one atones for one's sins when one offers to the Lord what is most pleasing and enjoyable to him. For Nandi the most enjoyable and relishing food is green grass. As directed by Parvathi Nandi worshipped Ganapathi by offering green grass. Nandi was then relieved of his dreaded disease. His health improved and by the grace of Parvathi he was redeemed.
When the positive forces, the devas, and the negative forces, the asuras, joined together on a rare occasion to churn the ocean with a mountain to obtain the nectar of immortality they utilized Vasuki, the serpent, as the rope. The devas pulled from one end and the asuras from the other. Lots of precious herbs and gems were produced during the Churning and one of them was a poison (halāhala) which became human karma. This "poison" was so dangerous that none of the devas or asuras wanted to go near it. It was extremely sticky and coming into contact with this poison, i.e., human karma, would drag the divinity down to the realms of human suffering and ego. As everyone else ran away, Lord Siva, followed by Nandi, came forward to help as he was the only one who could counteract this deadly poison. Siva took the poison into his hand and drank it, the descent of the poison was in turn stopped at His throat, by His divine consort. Siva is therefore also known as Nīlakaṇṭha (the blue-throated one) and Viṣakaṇṭha (the poison-throated one). Nandi saw some of the poison spill out of Siva's mouth and immediately drank if off the ground. The devas and asuras watching were shocked and wondered aloud what would happen to Nandi. Lord Siva calmed their fears saying, "Nandi has surrendered into me so completely that he has all my powers and my protection".
LARGEST NANDIS IN INDIA
1. Lepakshi, Andhra Pradesh
2. Brahadishwara Temple, Tamil Nadu
4. Bull Temple, Bangalore, Karnataka
5. Rameswaram, Tamil Nadu
6. Hoysaleswara Temple, Halebidu, Karnataka
7. Shanthaleswara Temple, Halebidu, Karnataka
8. Vadakkunnathan Temple, Thrissur, Kerala
9. Virupaksha Temple, Hampi, Karnataka
10. Nandi Temple, Western Group of Temples, Khajuraho,
Madhya Pradesh
11. Kedareshvara Temple at Balligavi (Karnataka)
12. Doddabasaveshvara temple, Kurugodu Bellary dist
MISCELLANEOUS
The white color of the bull symbolizes purity and justice.
Women visit images of Nandi, bringing floral offerings, and touch the stone. Their prayers are for fertility. Additionally, it is also considered a custom among some to whisper the fact of their visit, to that shrine, while requesting the faithful attendant to inform his master of the same.
WIKIPEDIA
This window was designed by John Piper and installed in 1985 in honor of the Sixth Viscount Gage, Henry Reginald Gage. It is entitled "Homage to William Blake's The Book of Job". and depicts the Tree of Life in Heavenly Jerusalem. Firle is Old English for "oak", and the sheep depicted are downland sheep. The ram is taken from the Gage family coat of arms.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
This is part of my newest portfolio, entitled Memoirs.
In the past couple of years my family has been touched by illness and death. These events have left me struggling with the mortality of those I loved. As a result, my family’s stories and memories have become very sacred to me. My portfolio, Memoirs, is an assemblage of my family’s recollections. Growing up in a military family that constantly moved, home was not a physical place, but the keepsakes that traveled with us. They were reminders of where we had been. They connected us to each other and to the rest of the family in Texas. These treasures were our photo albums and my family’s history. Photography allows me to interpret these memories, to share what I have seen and how I understand it. Words are not needed, the visual metaphors speak volumes.
From my set entitled “Iris”
en.wikipedia.org/wiki/Iris_(plant)
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Iris_(plant)
Iris is a genus of between 200-300 species of flowering plants with showy flowers which takes its name from the Greek word for a rainbow, referring to the wide variety of flower colors found among the many species. As well as being the scientific name, Iris is also very widely used as a common name and refers to all Iris species as well as some closely related genera.
The genus is widely distributed throughout the north temperate zone. Their habitats are considerably varied, ranging from cold regions into the grassy slopes, meadowlands, stream banks of Europe, the Middle East and northern Africa, Asia and across North America.
They are perennial herbs, growing from creeping rhizomes (rhizomatous irises), or, in drier climates, from bulbs (bulbous irises). They have long, erect, flowering stems, which may be simple or branched, solid or hollow, and flattened or have a circular cross-section. The rhizomatous species usually have 3-10 basal, sword-shaped leaves growing in dense clumps. The bulbous species have cylindrical basal leaves.
The inflorescences are fan-shaped and contain one or more symmetrical, six-lobed flowers. These grow on a pedicel or lack a footstalk. The three sepals, which are spreading or droop downwards, are referred to as falls. They expand from their narrow base into a broader limb (= expanded portion), often adorned with veining, lines or dots. The three, sometimes reduced, petals stand upright, partly behind the sepal bases. They are called standards. Some smaller iris species have all six lobes pointing straight outwards. The sepals and the petals differ from each other. They are united at their base into a floral tube that lies above the ovary. The styles divide towards the apex into petaloid branches (see pollination, below).
The iris flower is of special interest as an example of the relation between flowering plants and pollinating insects. The shape of the flower and the position of the pollen-receiving and stigmatic surfaces on the outer petals form a landing-stage for a flying insect, which in probing the perianth for nectar, will first come in contact of perianth, three with the stigmatic stamens in one whorl surface which is borne and an ovary formed of three carpels. The shelf-like transverse projection on the inner whorl under side of the stamens, which is beneath the over-arching style arm below the stigma, so that the insect comes in contact with its pollen-covered surface only after passing the stigma, while in backing out of the flower it will come in contact only with the non-receptive lower face of the stigma. Thus, an insect bearing pollen from one flower, will in entering a second, deposit the pollen on the stigma, while in backing out of a flower, the pollen which it bears will not be rubbed off on the stigma of the same flower!
Mural entitled "My son Ían is eating your fries!" by @chicadania with @cranioartes and @pezbarcelona located at 3320 NW 2nd Avenue in Miami Florida.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
New Deal mural entitled "Montgomery County Farm Women's Market" painted in 1939 by Robert Gates.
After the old post office was closed in 2012, the mural was restored and installed in the Bethesda-Chevy Chase Regional Services Center in 2013.
entitled "your girl, my girl"
Show how awesome and hot you think your girl is with this design. And yes, this one comes in women's sizes as well.
Buy it here:
www.orangemoonapparel.com/store/oma.cgi/oma.orangemoonapp...
Die Werke von Willem de Rooij kreisen um Fragen nach Repräsentation und Bedeutung. Seit den frühen 1990er-Jahren arbeitet der niederländische Künstler in unterschiedlichen Medien wie Installation, Fotografie und Film. Für seine Ausstellung „Entitled“ im MMK 2 des MMK Museum für Moderne Kunst Frankfurt am Main hat er Werke und Werkgruppen aus frühen Schaffensphasen bis zur Gegenwart erstmals zu einer neuen, den gesamten Museumsraum umfassenden Installation vereint.
„Willem de Rooij ist mit wichtigen Werken aus seiner Kooperation mit Jeroen de Rijke in der Sammlung des MMK vertreten. Wir freuen uns, mit dieser Ausstellung das Œuvre von de Rooij noch intensiver und umfassender beleuchten zu können“, sagt Prof. Dr. Susanne Gaensheimer, Direktorin des MMK.
De Rooij studierte an der Gerrit Rietveld Akademie und an der Rijksakademie in Amsterdam. Seit 2006 lehrt er als Professor für Bildende Künste an der Städelschule in Frankfurt am Main. Von 1995 bis 2006 arbeitete er zusammen mit Jeroen de Rijke (1970–2006).
Bei dieser Ausstellung stehen sowohl die einzelnen Arbeiten des Künstlers im Mittelpunkt als auch ihre Anordnung in einer umfassenden Installation, die speziell für die Räume des
MMK 2 entwickelt wurde. „In der Anordnung der Werke zu einer Gesamtinstallation sieht Willem de Rooij einen wichtigen Teil seiner Arbeit als Künstler. Der Raum – ob privat, öffentlich, institutionell oder sozial – ist dabei zentral. Der Raum zwischen den einzelnen Werken und die Aussichten auf den städtischen Umraum schaffen eine Beziehung zwischen dem Werk und dem Betrachter, zwischen dem Museum und der Stadt.“, sagt Klaus Görner, Kurator der Ausstellung.
Durch die bewusste Einbindung von Zwischenräumen und Fensteröffnungen stellt die Installation im MMK 2 Verbindungen zwischen dem Innenraum und der äußeren Umgebung her. Die Präsentation ist dabei nicht als Parcours oder Abfolge aufgebaut, sondern als ein Gefüge verschiedener Zonen, die sich gegenseitig durchdringen und über Blickachsen miteinander verknüpft sind. Dadurch deckt die Installation Referenzen innerhalb de Rooijs Œuvre auf.
Pressemitteilung MMK
From my set entitled “Peonies”
www.flickr.com/photos/21861018@N00/sets/72157607186459134/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
The peony or paeony (Paeonia) is the only genus in the flowering plant family Paeoniaceae. They are native to Asia, southern Europe and western North America.
Most are herbaceous perennial plants 0.5–1.5 metres tall, but some are woody shrubs up to 1.5–3 metres tall. They have compound, deeply lobed leaves, and large, often fragrant flowers, ranging from red to white or yellow, in late spring and early summer. In the past, the peonies were often classified in the family Ranunculaceae, alongside Hellebores and Anemones.
The peony is named after Paeon or Paean, a student of Asclepius, the Greek god of medicine and healing. Asclepius became jealous of his pupil; Zeus saved Paeon from the wrath of Asclepius by turning him into the peony flower
The peony is among the longest-used flowers in ornamental culture and is one of the smallest living creature national emblems in China. Along with the plum blossom, it is a traditional floral symbol of China, where it is called 牡丹 (mǔ dān). It is also known as 富贵花 (fuguihua) "flower of riches and honour", and is used symbolically in Chinese art.[2] In 1903, the Qing Dynasty declared the peony as the national flower. Currently, the Republic of China on Taiwan designates the plum blossom as the national flower, while the People's Republic of China has no legally designated national flower. In 1994, the peony was proposed as the national flower after a nationwide poll, but the National People's Congress failed to ratify the selection. In 2003, another selection process has begun, but to date, no choice has been made.
The famous ancient Chinese city Luoyang has a reputation as a cultivation centre for the peonies. Throughout Chinese history, peonies in Luoyang are often said to be the finest in the country. Dozens of peony exhibitions and shows are still held there annually.
In Japan, Paeonia lactiflora used to be called ebisugusuri ("foreign medicine"). In kampo (the Japanese adaptation of Chinese medicine), its root was used as a treatment for convulsions. It is also cultivated as a garden plant. In Japan Paeonia suffruticosa is called the "The King of flowers" and Paeonia lactiflora is called the "prime minister of flowers".
Pronunciation of 牡丹 (peony) in Japan is "botan". Before the Meiji period, meat taken from quadrupeds was seldom consumed in Japan due to Buddhism. Thus in cases where such meat was handled, it was paraphrased using the names of flowers. The term botan was used (and is still used) to paraphrase wild boar meat. This comes from the flowery resemblance of the sliced meat when spread over a dish. Another example is sakura (cherry blossoms) which stands for horsemeat.
In 1957, the Indiana General Assembly passed a law to make the peony the state flower of Indiana, a title which it holds to this day. It replaced the zinnia, which had been the state flower since 1931.
Mischievous nymphs were said to hide in the petals of the Peony thus causing this magnificent flower to be given the meaning of Shame or Bashfulness in the Language of Flowers. It was named after Pæon, a physician to the gods, who obtained the plant on Mount Olympus from the mother of Apollo. Once planted the Peony likes to be left alone and punishes those who try to move it by not flowering again for several years. Once established, however, it produces splendid blooms each year for decades (Taken from The Language of Flowers, edited by Sheila Pickles, 1990).
Peonies are also extensively grown as ornamental plants for their very large, often scented flowers.
Peonies tend to attract ants to the flower buds. This is due to the nectar that forms on the outside of the flower buds.
Peonies are a common subject in tattoos, often used along with koi-fish.
Libreta Ration Booklet
For the average Cuban however, it’s a constant part of daily life in 2017. The libreta ration booklet was introduced in 1962 by Che Guevara and entitles citizens to a basic ration of groceries such as rice, eggs and beans, which they can buy at their local bodega at 12% of the market value, amounting to less than $2 a month for their monthly rations. Doesn’t sound so bad right? Well sure, if you’re okay with an allowance of say– 5 eggs a month.Here’s how it works. Each household ration book has a number, a list of family members and their dates of birth. What you’re allowed to buy depends on your age and your gender. For example, milk, can only be bought for children below the age of seven or for pregnant women and the elderly. (So your morning bowl of cornflakes is definitely out). The bodega clerk also keeps a book containing the information on each local household and the list of products he is allowed to sell them. A bodega clerk will know if there is or isn’t a child under seven or an elderly member of the household who needs milk. There are penalties for families not reporting any changes in the composition of the household, but you do get extra rations if it’s your birthday or your weddind day. Cakes, rum and beer.Any Westerner walking into a state-controlled bodega would find the shelves strangely empty compared to what we’re used to. Distribution and product delivery is often unreliable in a country that still needs to import about 80% of its food. Some months there can be a shortage of an entire food group and when products finally arrive at random, the bodega queues can be long and disorderly. When (and if) a weekly chicken ration arrives at the market, you can smell chicken cooking in every kitchen in the neighbourhood.The island’s ration allowance has been shrinking over the decades ever since it was introduced when American sanctions placed a sudden burden on the population. It was at its worst when the Soviet Union fell in 1991, known as “the skinny period”, el tiempo de los flacos, when Cuba’s food importation dropped by 75%. Rations were cut in half and the average citizen lost 20 lbs.Things have improved since then, but still, this socialist experiment that costs the government over $1 billion annually, is barely enough to keep its people from starving and it certainly wouldn’t satisfy the average appetite.But for the tourists of course, it’s very different. While finding beef in a state-run bodega is a laughable idea, for the foreigner paying in dollars at government-owned hotels, you can order as many hamburgers as you want. Beef is a pretty taboo subject for many Cubans, who haven’t tasted it since they were children.
Only state-owned luxury butchers can sell beef and serve it in their hotels and private restaurants. Did you hear the one about the cows in Cuba? Under Cuban law, a person can get more jail time for killing a cow than killing a human. Needless to say, there isn’t exactly an entrepreneurial spirit for farmers on this island.If a local ever did feel like having a feast for dinner one night, there are options– if they have the money to burn. Products not freely available at the bodegas can be purchased at the mercado libre (free market), mercado paralelo (parallel market), or any supermarket that sells goods in convertible pesos (formerly known as dollar stores). And of course there’s always the black market. But at these establishments, market prices are so high, a kilo of milk powder for example, costs about $21. The average wage for Cubans is about $16 a month. Most food items that aren’t part of government rationing are simply off-limits to those who can only afford to pay in pesos.Cubans who find jobs in the tourist sector have it easier with access to hard currency and those living abroad often bring back suitcases filled with milk powder to give to their families. But for now, la libreta and the bare-shelved bodega is still a lifesaver for the poor. When the reform-minded President Raul Castro proposed to eliminate the ration, he was met with overwhelming opposition, particularly from low-wage state workers struggling to get by on $15 a month.
Most Cubans have known the ration book all their life and see it as one of the main achievements of the revolution. As more tourists with a big appetite descend on the island however, it remains to be seen how this austere and archaic system will co-exist with the outside influence of an “all-you-can-eat” consumerism heading its way.
From my set “Coleus”
www.flickr.com/photos/21861018@N00/sets/72157607213883496/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
www.google.com/search?hl=en&rlz=1G1GGLQ_ENZZ262&q...
Solenostemon is a genus of perennial plants, native to tropical Africa, Asia, Australia, the East Indies, the Malay Archipelago, and the Philippines. They are commonly known as Coleus, a name which derives from an earlier classification under the genus name Coleus, species of which are currently included in either Solenostemon or another genus, Plectranthus.
Many cultivars of the southeast Asian species Solenostemon scutellarioides have been selected for their colorful variegated leaves, typically with sharp contrast between the colors; the leaves may be green, pink, yellow, maroon, and red (somewhat resembling the unrelated caladium). The plants grow well in moist well-drained soil, and typically grow 0.5-1 m tall, though some may grow as tall as 2 meters. Coleus are typically grown as ornamental plants. They are heat-tolerant, though they do less well in full sun in subtropical areas than in the shade. In cultivation in temperate areas, they are often grown as annuals as they are not hardy and become leggy and unattractive with age. In bright hot areas, the colors of the plant will typically be more intense in shaded areas than in full sun, and the plants will require less water there. Coleus also make low-maintenance houseplants, and can often be propagated by clipping a length of stem just below the leaves and putting the stem in water to root. The plant's flowers grow on a stem above that stem's leaves, and tend to be purple and quite small in comparison to the leaves. The plant is not generally grown for its flowers.
One disease that can affect coleus is downy mildew. This mildew appears on the leaves making the plant look dirty because it is brown in color. The organism is called Peronospora sp. and can also result in curled leaves. The leaves also twist. Sometimes symptoms are not found on leaves which make the disease harder to control.[1] Another disease is Impatiens necrotic spot virus which causes brown or yellow spots on leaves, rings, black or brown stem discoloration, and brown leaf veins. It is a virus that causes plants to die. The disease is spread by an insect called a thrips that develops the disease from an infected plant and carries it to an uninfected plant. It only takes a few of these insects to infect a whole greenhouse. [2]
There are two ways to propagate Coleus. Seeds are inexpensive and easily obtainable. Sprouts can show color in as little as two weeks. Alternatively, cuttings can be taken.
From my set entitled “Pulmonaria”
en.wikipedia.org/wiki/Pulmonaria
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Pulmonaria
The lungworts are the genus Pulmonaria of flowering plants in the family Boraginaceae, native to Europe and western Asia, with one species (P. mollissima) east to central Asia. According to various estimates there may be between 10 and 18 Pulmonaria species found in the wild, but the taxonomy of this genus is very confusing.
The scientific name Pulmonaria is derived from Latin pulmo (the lung). In the times of sympathetic magic, the spotted oval leaves of P. officinalis were thought to symbolize diseased, ulcerated lungs, and so were used to treat pulmonary infections. The common name in many languages also refers to lungs, as in English "lungwort" and German "Lungenkraut". In some East European languages, the common name is derived from a word for honey, e.g. Russian "medunitza" and Polish "miodunka".
English colloquial names include Lungwort, Soldiers and Sailors, Spotted dog, Joseph and Mary, Jerusalem Cowslip, Bethlehem Sage.
Lungworts are perennial herbs that form clumps or rosettes. They are covered in hairs of varied length and stiffness, and sometimes also bear glands. The underground parts consist of a slowly creeping rhizome with adventitious roots. Flowering stems are unbranched, rough, covered with bristly hairs, usually not exceeding 25–30cm, with a few exceptions (P. mollis, P. vallarsae). The stems are usually upright, or slightly spreading.
The leaves are arranged in rosettes. The blades are usually large, from narrowly lanceolate to oval, with the base ranging from heart shaped to very gradually narrowing, and can have a sharply pointed or blunt tip. Leaf margin is always entire, but in some species and forms can be rather wavy. Basal leaves are carried on stalks that can be short or longer than the leave blade in various species. Stem leaves are smaller and often narrower, and are unstalked or clasping the stem. All leaves are covered with hairs that are usually bristly, or occasionally soft. The leaves are often prominently spotted in black and blue, or sometimes in pale green, or unspotted.
The inflorescence is a terminal scorpioid cyme, with bracts. Lungwort flowers are heterostylous, with two distinct forms of flower within each species; those with short stamens and long styles ("pin" flowers) and those with long stamens and short styles ("thrum" flowers), with the former usually being larger and more showy. The calyx is hairy, 5-lobed, tubular or funnel-shaped, enlarging as the fruit ripens. The corolla is funnel-shaped and consists of a long, cylindrical tube and a limb with five shallow lobes. Within the corolla throat, five tufts of hairs alternate with the stamens to form a ring. The colour of corolla varies from purple, violet or blue to shades of pink and red, or sometimes white. The colour of the flower in bud is often pink, which then changes as the flower matures. The stamens and style are included within the corolla and not protruding.
The nutlets are smooth, egg-shaped, brownish, up to 4.5 mm long and 3 mm wide, each containing a single seed. Up to four nutlets per flower are produced, ripening mostly in summer.
Pulmonaria species are used as food plants by the larvae of some Lepidoptera species including Coleophora pulmonariella which feeds exclusively on P. saccharata.
St Pancras New Church (so entitled to differentiate it from an older building that remains several blocks away to the north east) was built in 1819-22 to the designs of William & Henry Inwood and is a remarkable example of the then prevalent taste for Neo-Classical architecture. Few churches can claim to be as Grecian in style as this one, which boasts the unique features of two porticoes flanking the east end copied directly from the famous caryatid porch of the Erectheum on the Athenian Acropolis, complete with column figures in terracotta (molded in sections around cast-iron columns). The spindly octagonal tower is a major landmark to visitors arriving at nearby Euston Station just over the main road (as it has welcomed me on many visits to the capital).
The interior of the church continues the theme of Classical severity, with a broad flat coffered ceiling spanning the nave with the apse beyond adding a touch of enrichment. The Victorian glass in the windows does make the space a little gloomier than it could be. The galleries remain and create side aisles beneath them but otherwise the interior retains the impression of a large unified space.
I am unsure what normal opening times are for this church but I believe it is usually open in office hours during the day.
*** He is based on my dolls storys from World of Dolls "Anthrogon" on my New serie of dolls entitled "Confectionery D'Kokowill" in which Mr. D'Kokowill is owner this confectionery. For many years he bakes delicious cakes for visitors its small cozy confectionery.
Rooster on Etsy: www.etsy.com/listing/473087066/rooster-mr-dkokowill-art-d...
Description:
- He is 11.81 inches (30 cm) from her base to the top of her head.
- Doll with hand painted glass eyes.
- His form is of wire armature - movable except the head, hands, boots.
- His head made from Polymer Clay and white mohair faux fur.
Outfit: shirt, cardigan, scarf, velvet trousers, apron and sleeves, boots made of genuine leather.
Him costume was designed in the Victorian (1880) style for confectionery workers.
*Outfit not be removed!
Cake is Polymer Clay Miniature 2.36x 2.36 inches (6x6 cm)
D'Kokowill is self-balancing, but unstable stand on his own two tiny feet without aid of a doll stand.
Keywords: Art dolls , Rooster decor , Rooster dolls , Ooak , Cock rooster, furry, anthro rooster, cock-a-doodle-doo, cockerel, furry gifts, Ooak Dolls , How to make art dolls , Interior dolls , Fine Art , Rooster art doll , Rooster, Gifts for 2017 Year, Fantasy Dolls , Fairy Tale , Zlata Schimanski , Zlata's fantasy dolls , World of dolls Anthrogon , Animals sculpture , Handmade dolls , Fantasy art , Birthday gifts , Toys , Dolls Story , Handmade toys , Art sculpture , poliuretan PU resin , portrait in frame , how to make polimer clay dolls , Dolls , Miniature dolls, Doll portrait in frame , Collectible Dolls, Collectible sculptures, Halloween, Halloween gifts, Gothic dolls, Gothic, Gothic art, Victorian dolls, Victorian gothic, 1:6 Dollhouse doll
See my other listings for more Anthropomorphic Dolls: www.etsy.com/shop/ZlatasFantasyForest?section_id=17547178
To see all my other listings click here: www.etsy.com/shop/ZlatasFantasyForest?ref=search_shop_red...
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
From my set entitled “Lamium”
www.flickr.com/photos/21861018@N00/sets/72157607217474399/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Deadnettle
Lamium (deadnettle) is a genus of about 40-50 species of flowering plants in the family Lamiaceae, of which family it is the type genus. They are all herbaceous plants native to Europe, Asia, and north Africa, but several have become very successful weeds of crop fields and are now widely naturalised across the temperate world.
The genus includes both annual and perennial species; they spread by both seeds and stems rooting as they grow along the ground.
The common name refers to their superficial resemblance to the unrelated stinging nettles, but unlike those, they do not have stinging hairs and so are harmless or apparently "dead".
Lamiums are frost hardy and grow well in most soils. Flower colour determines planting season and light requirement: white- and purple-coloured flowered species are planted in spring and prefer full sun. The yellow-flowered ones are planted in fall (autumn) and prefer shade. They often have invasive habits and need plenty of room. Propagate from seed or by division in early spring
Libreta Ration Booklet
For the average Cuban however, it’s a constant part of daily life in 2017. The libreta ration booklet was introduced in 1962 by Che Guevara and entitles citizens to a basic ration of groceries such as rice, eggs and beans, which they can buy at their local bodega at 12% of the market value, amounting to less than $2 a month for their monthly rations. Doesn’t sound so bad right? Well sure, if you’re okay with an allowance of say– 5 eggs a month.Here’s how it works. Each household ration book has a number, a list of family members and their dates of birth. What you’re allowed to buy depends on your age and your gender. For example, milk, can only be bought for children below the age of seven or for pregnant women and the elderly. (So your morning bowl of cornflakes is definitely out). The bodega clerk also keeps a book containing the information on each local household and the list of products he is allowed to sell them. A bodega clerk will know if there is or isn’t a child under seven or an elderly member of the household who needs milk. There are penalties for families not reporting any changes in the composition of the household, but you do get extra rations if it’s your birthday or your weddind day. Cakes, rum and beer.Any Westerner walking into a state-controlled bodega would find the shelves strangely empty compared to what we’re used to. Distribution and product delivery is often unreliable in a country that still needs to import about 80% of its food. Some months there can be a shortage of an entire food group and when products finally arrive at random, the bodega queues can be long and disorderly. When (and if) a weekly chicken ration arrives at the market, you can smell chicken cooking in every kitchen in the neighbourhood.The island’s ration allowance has been shrinking over the decades ever since it was introduced when American sanctions placed a sudden burden on the population. It was at its worst when the Soviet Union fell in 1991, known as “the skinny period”, el tiempo de los flacos, when Cuba’s food importation dropped by 75%. Rations were cut in half and the average citizen lost 20 lbs.Things have improved since then, but still, this socialist experiment that costs the government over $1 billion annually, is barely enough to keep its people from starving and it certainly wouldn’t satisfy the average appetite.But for the tourists of course, it’s very different. While finding beef in a state-run bodega is a laughable idea, for the foreigner paying in dollars at government-owned hotels, you can order as many hamburgers as you want. Beef is a pretty taboo subject for many Cubans, who haven’t tasted it since they were children.
Only state-owned luxury butchers can sell beef and serve it in their hotels and private restaurants. Did you hear the one about the cows in Cuba? Under Cuban law, a person can get more jail time for killing a cow than killing a human. Needless to say, there isn’t exactly an entrepreneurial spirit for farmers on this island.If a local ever did feel like having a feast for dinner one night, there are options– if they have the money to burn. Products not freely available at the bodegas can be purchased at the mercado libre (free market), mercado paralelo (parallel market), or any supermarket that sells goods in convertible pesos (formerly known as dollar stores). And of course there’s always the black market. But at these establishments, market prices are so high, a kilo of milk powder for example, costs about $21. The average wage for Cubans is about $16 a month. Most food items that aren’t part of government rationing are simply off-limits to those who can only afford to pay in pesos.Cubans who find jobs in the tourist sector have it easier with access to hard currency and those living abroad often bring back suitcases filled with milk powder to give to their families. But for now, la libreta and the bare-shelved bodega is still a lifesaver for the poor. When the reform-minded President Raul Castro proposed to eliminate the ration, he was met with overwhelming opposition, particularly from low-wage state workers struggling to get by on $15 a month.
Most Cubans have known the ration book all their life and see it as one of the main achievements of the revolution. As more tourists with a big appetite descend on the island however, it remains to be seen how this austere and archaic system will co-exist with the outside influence of an “all-you-can-eat” consumerism heading its way.
Mural entitled "Ice Queen" by Caledonia Dance Curry aka @swoonhq located on the wall of Zheng’s Cleaners at 24th & Hampshire in San Francisco, California.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
Original poster entitled “Share Your Car the Easy Way,” promoting the Office of Civilian Defense program Share The Ride Club. The club promoted the conservation of resources such as gasoline and rubber by limiting driving and carpooling to save travel waster of materials during World War II. This poster advertises for the public to come to the state capitol building six days a week to join a Civilian Defense Share The Ride Club. Poster features a magazine cut-out of people in a red convertible. The poster was original tacked up on display somewhere during the war [1940s] [Poster has two cardboard pieces stapled to the back of the poster as hangers used during WWII].
From North Carolina WWII Home Front Posters, WWII 11, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.
Not entirely true, of course. At fourteen and nearly blind in both eyes, Fatty loves me more than anyone, albiet in that self entitled kind of way;)
On display at an exhibition at the N.C. Museum of Art in Raleigh, entitled "Rolling Sculpture: Art Deco Cars from the 1930s and ’40s". On loan from a collection in Denver, Colorado.
Like a number of the other vehicles in this "Rolling Sculpture" art exhibit, the 1941 Thunderbolt was a concept car, not a mass production car. Only five were produced, of which four still survive. It was a 2-door hard-top convertible, with an electrically controlled one-piece retractable metal top. Its 324 cu. in., 140 hp inline eight engine gave it an estimated top speed of 110 mph.
In addition to the retractable hardtop (a first in U.S. cars), this car had an aerodynamic design, hidden headlights, fully skirted front and rear wheels, aluminum body panels on a wooden frame, an experimental fluid drive, and semi-automatic overdrive transmission, among other features. The minimum of ornamentation included a chrome thunderbolt on the doors, barely visible in this photo.
Viewers were surprised that this impressive-looking car was a Chrysler. They were undoubtedly also surprised by its high sale price ($8,250 in 1941 dollars, or about $134,000 in 2016 dollars).
After 1941, production of civilian passenger cars was halted due to the onset of World War II. When production resumed at the end of the War, no effort was made to revive the Thunderbolt. So these concept cars were the only Thunderbolts ever built.
The Thunderbolt had a sister car, the 1941 Chrysler Newport. The Newport had a body style that was generally similar to the Thunderbolt, with hidden headlights. But it was a 4-passenger dual-cowl phaeton (i.e., two passenger compartments, no top, compared to the 2-passenger hard-topped convertible Thunderbolt), and it had a small front radiator grille. Like the Thunderbolt, the Newport was a concept car for show; only five were made, and it was never put into mass production in the 1941 form. However, Chrysler did introduce a Newport line of cars after the War, starting in the 1950 model year and extending through 1981. None of these post-War Newports looked anything like the original 1941 version.
Safdarjang's Tomb was built in 1753-54 by nawab 'Shuja-ud- Daulah' as a tribute to his father's memory 'Mirza Abul Mansur Khan', entitled 'Safdarjng'. He was the Governor of the province of Awadh under the reign of Muhammad Shah (1719-48) the Mughal Ruler, and later his Prime minister.
The monument is entered through an ornamental painted gateway on the east. This double storeyed gateway has several apartments, a court yard and a mosque. The enclosure wall with channels over them to carry water to different pavilions has a series of recessed arches on the interior and octagonal towers on the four corners. It has multi chambered pavilions namely Moti Mahal, Badshah-Pasand and Jangli Mahal on the north, south and west respectively.
Committee Chairman Senator Ron Johnson asks questions of U.S. Border Patrol Chief Mark Morgan and U.S. Border Patrol Deputy Chief Carla Provost as they testify before the Senate Committee on Homeland Security & Governmental Affairs in a hearing entitled “Initial Observations of the New Leadership at the U.S. Border Patrol” in the Dirksen Senate Building in Washington, D.C., November 30, 2016. U.S. Customs and Border Protection Photo by Glenn Fawcett
A map entitled "Belleville's Main Arteries." It includes the streets of the city, as well as 29 different building locations (e.g. Belleville General Hospital, Four Seasons Hotel etc.)
Part of the Mika collection.
The Rathbun Company's lumber drying kilns, on the south side of Main Street, Deseronto, at its junction with Mill Street. The photographer was positioned at the northwest corner of the building, looking to the southeast. In the distance can be seen the brick Rathbun Company offices and the sawmill known as the Big Mill. The picture is entitled “Fig. 6. Dry Kilns", as published in The Lumberman (Chicago, Sept. 5 1891).
Description: 'Photograph (Cinematograph Film) entitled 'With Captain Scott [Royal Navy] to the South Pole (British Antarctic Expedition)'. Steam Yacht 'Terra Nova' with dogs and men standing on ice near by', by Herbert Ponting (1870-1935).
Date: c.1911
Our Catalogue Reference: COPY 1/562/115
This image shows a single frame from the very short (3-4 frame) sections of nitrate film stock accessioned at The National Archives from Herbert Ponting's footage of the Antarctic. For preservation reasons copies were made of of the original nitrate negatives and these were used to produce modern black and white Kodak prints of the clips which we have scanned for the web. The quality of the resultant images is variable.
Feel free to share it within the spirit of the Commons.
For high quality reproductions of any item from our collection please contact our image library.
message series entitled progress.
i just know it has to do with following the steps of Jesus.
my pastor mentioned the idea of a sky scraper in the process of being built. but i kinda thought that has been overdone. so i went with this. also thinking of doing like a loading screen, or progress bar you would see on a video game loading screen or start up on a mac.
edit* i dont know if this is what im going to use hence the istock photo not having yet been purchased but if i use it i will buy it dont worry:)
This photo appeared in the Wichita Eagle Newspaper and was entitled, "LEADERS BEFORE THE TURN OF THE CENTURY". It states, "Among this group of early day Wichita citizens are many who had a major part in laying the foundation for Wichita as she is today. This old photograph was not dated and some of the men are unknown but those in the picture from left to right are: 1 - M.M. Murdock, founder of the Wichita Eagle; 2 - W.A. Vincent; 3 - Burt Drake; 4 - William O. Sternberg; 5 - Coy McCormick; 6 - Henry McDonald; 7 - unknown; 8 - Red Sparks; 9 - unknown; 10 - Mr. Hake; 11 - John Bruer; 12 - unknown; 13 - Billy Marks; 14 - Sam Burneau; 15 - Lew Ward; 16 - Bill Tusche; 17 - Chas Ketzler; 18 - Jack Clal; 19 - E.W. Spafford; 20 - F.P. Martin; 21 - Mr. Crawford; 22 - unknown; 23 - Jim Clark; 24 - Bob Darrough.
William Olin Sternberg worked for many years for the Eagle Newspaper in Wichita being a manager for many years. He and Marshall Murdock knew each other quite well.
This Christmas bauble, entitled "Royal Star" depicting a six pointed star in blue with gold detailing, or corresponding gold with blue detailing was hand beaded with sequins and pins by me. I have a Christmas tradition. I bead one Christmas bauble for a select group of friends every year.
"Royal Star" is going to the adult daughter of my friend who wears dangling Christmas themed earrings. My friend's daughter has an autistic son who likes vibrant colours, and it helps bring her some Christmas cheer too! Her Christmas baubles always feature images that have contrasts of colour in them. Past baubles have featured such things as a night sky with stars on one side and a daytime sky with the sun on the other, or a sailing ship sailing one way and a different ship in different livery on the other (I wish I'd photographed this last one as it was very complex and took nearly 10 hours per side).
Each bauble is 25 centimetres in diameter and contain hundreds of sequins, varying in number depending upon the complexity of the image and the type of sequins I use. Most sequins in this bauble are 5mm in diameter, except the white background ones which are 8mm and the centrepiece of the star which is 15mm. Depending upon the colour of the sequin, I will use either a gold or a silver pin to attach it to the bauble. The white, blue and black sequins all use silver pins, The gold sequins are affixed with gold pins.
Each bauble takes approximately 6 hours per side, althought as this is a fairly simple pattern working from the central pin outwards, it only took 4 hours per side. Even though this is a lesser period of time, this number of hours is why my select group of friends only get one each year!
It is however, a labour of love which I do to pass the time throughout the year.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
From my set entitled “Mandevilla”
www.flickr.com/photos/21861018@N00/sets/72157607213952426/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Mandevilla
Mandevilla, sometimes also called Dipladenia,[1] is a genus of plants. It consists of about 100 species, mostly tropical and subtropical flowering vines belonging to the family Apocynaceae, the Periwinkle family.
Mandevilla is native to Central and South America and many Mandevillas come originally from the Organ Mountains forests near Rio de Janeiro in Brazil. The genus was named after Henry Mandeville (1773-1861), a British diplomat and gardener.[1]
Mandevillas develop spectacular flowers in warm climates. The flowers come in a variety of colours, including white, pink, yellow, and red. As climbers, Mandevillas can be trained against a wall or trellis to provide a leafy green and often flowering picture of beauty. They have a tendency to attract insects like mealybugs and scales.
While Mandevilla scabra is sometimes as an additive to the psychedelic drink Ayahuasca, there is no evidence that it is psychoactive in its own right.[2] It is, however, considered to be toxic.[3]
St Mary The Virgin
Church of England
Nativity
This window entitled 'Nativity', was designed by John Piper and made by David Wasley. It was given to Iffley Church in 1995 by Myfanwy Piper in memory of her husband.
The idea was taken from an Elizabethan wall painting in Shulbrede Priory in Sussex.
The Latin words put into the mouths of the birds are:
COCK - Christus natus est (Christ is born),
GOOSE - Quando? Quando? (When? When?),
CROW - In hac nocte (On this night),
OWL - Ubi? Ubi? (Where? where?),
LAMB - Bethlehem! Bethlehem!
The sounds of the Latin words resemble the noises made by the animals and birds. Underneath is a line from Christopher Smart: "Let man and beast appear before him and magnify his name together."
The window has a dual motif. There are the birds and the lamb proclaiming the birth of Christ, and there is the Tree of Life round which they are grouped. The idea that on the night of Christ's Nativity birds and animals gained the power of speech was a widespread medieval legend. The Tree of Life is referred to in the Book of Genesis but also in the Book of Revelation: "On either side of the river there stood a Tree of Life which yielded twelve crops of fruit, one for each month of the year. The leaves of the trees serve for the healing of the nations, and every accursed thing shall disappear."
Alternatively it may be seen as a window of the Creation. It has an immediate appeal through the passionate intensity of its colours, the slight touch of humour and the joy it expresses in the natural world.
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
From my set entitled ‘Sumac”
www.flickr.com/photos/21861018@N00/sets/72157607186471302/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Sumac (also spelled sumach) is any one of approximately 250 species of flowering plants in the genus Rhus and related genera, in the family Anacardiaceae. The dried berries of some species are ground to produce a tangy purple spice often used in juice.
Sumacs grow in subtropical and warm temperate regions throughout the world, especially in North America.
Sumacs are shrubs and small trees that can reach a height of 1-10 meters. The leaves are spirally arranged; they are usually pinnately compound, though some species have trifoliate or simple leaves. The flowers are in dense panicles or spikes 5-30 cm long, each flower very small, greenish, creamy white or red, with five petals. The fruits form dense clusters of reddish drupes called sumac bobs.
Sumacs propagate both by seed (spread by birds and other animals through their droppings), and by new sprouts from rhizomes, forming large clonal colonies.
The drupes of the genus Rhus are ground into a deep-red or purple powder used as a spice in Middle Eastern cuisine to add a lemony taste to salads or meat; in the Turkish cuisine e.g. added to salad-servings of kebabs and lahmacun. In North America, the smooth sumac (Rhus glabra), and the staghorn sumac (Rhus typhina), are sometimes used to make a beverage, termed "sumac-ade" or "Indian lemonade" or "rhus juice". This drink is made by soaking the drupes in cool water, rubbing them to extract the essence, straining the liquid through a cotton cloth and sweetening it. Native Americans also used the leaves and berries of the smooth and staghorn sumacs combined with tobacco in traditional smoking mixtures.
Species including the fragrant sumac (Rhus aromatica), the littleleaf sumac (R. microphylla), the skunkbush sumac (R. trilobata), the smooth sumac and the staghorn sumac are grown for ornament, either as the wild types or as cultivars.
The leaves of certain sumacs yield tannin (mostly pyrogallol), a substance used in vegetable tanning. Leather tanned with sumac is flexible, light in weight, and light in color, even bordering on being white.
Dried sumac wood is fluorescent under long-wave UV light. Mowing of sumac is not a good control measure as the wood is springy resulting in jagged, sharp pointed stumps when mowed. The plant will quickly recover with new growth after mowing. See Nebraska Extension Service publication G97-1319 for suggestions as to control.
At times Rhus has held over 250 species. Recent molecular phylogeny research suggests breaking Rhus sensu lata into Actinocheita, Baronia, Cotinus, Malosma, Searsia, Toxicodendron, and Rhus sensu stricta. If this is done, about 35 species would remain in Rhus. However, the data is not yet clear enough to settle the proper placement of all species into these genera.
Dr. Ismail Serageldin held a lecture entitled “Bibliotheca Alexandrina: past, present and future”. His one-hour lecture was richly illustrated by dozens of pictures. In his lecture, Mr. Serageldin gave a cultural historical overview of the most influential institution of ancient science, Bibliotheca Alexandrina, showing its foundation, major personalities and scholarly effects.
This cat entitled 'The Tiger who came to Knowsley' based on the two Amur Tigers at the local safari park. The title is a play on the one by Judith Kerr 'The Tiger who came to tea'. This particular cat sculpture is located on platform four, Huyton Station.
As part of the 'Knowsley Borough of Culture 2022' event, the Council have introduced The Owl and the Pussy Cat trail within the borough due to the links it has with Edward Lear who wrote the original poem. Apparently there are about 50 sculpture's doted about. For further information, see: www.cultureknowsley.co.uk/the-owl-and-the-pussy-cat-trail/ 22nd June 2022.
Copyright: Doug Birmingham