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From my set entitled “Black Creek Pioneer Village”
www.flickr.com/photos/21861018@N00/sets/72157611538656614/
In my collection entitled "Places"
www.flickr.com/photos/21861018@N00/collections/7215760074...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
Black Creek Pioneer Village is an historic site in Toronto, Ontario, Canada, just west of York University and southeast of the Jane and Steeles intersection. It overlooks Black Creek, a tributary of the Humber River.
The village is a recreation of life in 19th-century Ontario and gives an idea how rural Ontario might have looked in the early-to-mid 1800s.
The "pioneer" village consists of over forty historic 19th century buildings, decorated in the style of the 1860s with period furnishings. Besides the Historical Interpreters and Craftspeople housed in the restored buildings, the site also features historical reenactments and visiting artisans. Buildings include period houses, the original Stong Family farm buildings, a water-powered grist mill, a general store, a blacksmith's shop along with over 10 other trades buildings, a hotel, a church, and a one-room schoolhouse. A core of buildings built by the Stong family are on their original sites, while others have been moved in from across Southern Ontario.
The majority of the buildings were moved from their original sites (notably the large Halfway House and Mennonite Meeting House), and some re-built on their current locations.
The village is a regular destination for field trips by schoolchildren from the Greater Toronto Area.
It is operated by the Toronto and Region Conservation Authority.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
Imagekind link:
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/North_Rhine-Westphalia
North Rhine-Westphalia (German: Nordrhein-Westfalen, usually shortened to NRW, official short form NW) is the westernmost and - in terms of population and economic output - the largest Federal State of Germany. North Rhine-Westphalia has over 18 million inhabitants, contributes about 22% of Germany's gross domestic product and comprises a land area of 34,083 km (13,158 square miles). North Rhine-Westphalia is situated in the Western part of Germany and shares borders with Belgium and the Netherlands. It has borders with the German states of Lower Saxony to the North and Northeast, Rhineland-Palatinate to the Southwest and Hesse to the Southeast.
The capital city is Düsseldorf, and the largest city is Cologne (Köln). Other major cities are Dortmund, Essen, Duisburg, Oberhausen, Aachen, Bielefeld, Bonn, Bochum, Bottrop, Bergisch Gladbach, Mönchengladbach, Mülheim, Münster, Gelsenkirchen, Krefeld, Hagen, Hamm, Herne, Iserlohn, Leverkusen, Neuss, Paderborn, Recklinghausen, Remscheid, Siegen, Solingen, Witten and Wuppertal.
The state is centred on the sprawling Rhine-Ruhr urbanised region, which contains the cities of Düsseldorf, Bonn and Cologne as well as the Ruhr Area industrial complex. The Ruhr area consists of, among others, the cities of Dortmund, Essen, Duisburg, Bochum, Gelsenkirchen and Oberhausen.
The state's area covers a maximum distance of 291 km from north to south, and 266 km from east to west.
The total length of the state's borders is 1,645 km. The following countries and states have a border with North Rhine-Westphalia:
Belgium (99 km)
The Netherlands (387 km)
Lower Saxony (583 km)
Hessen (269 km)
Rhineland Palatinate (307 km)
For many people North Rhine-Westphalia is synonymous with industrial areas and agglomerating cities. But the largest part of the state is used for agriculture (almost 52%), forests cover 25%. The southern parts of the Teutoburg Forest are located in the northeast. In the southwest, Nordrhein-Westafalen shares in a small part of the Eifel, located on the borders with Belgium and Rheinland-Pfalz. The southeast is occupied by the sparsely populated regions of Sauerland and Siegerland. The northwestern areas of the state are part of the Northern European Lowlands.
The most important rivers that run at least partially through North Rhine-Westphalia include: Rhine, Ruhr, Ems, Lippe and Weser. The Pader, which runs only through the city of Paderborn, is considered the shortest river in Germany.
The state of North Rhine-Westphalia was established by the British military administration on 25 October 1946. Originally it consisted of Westphalia and the northern parts of the Rhine Province, both formerly belonging to Prussia. In 1947 the former state of Lippe was merged with North Rhine-Westphalia, hence leading to the present borders of the state.
This photograph I entitled, "square". How do we "square" up with one another and our world?
A little under a week ago (9/22) I was in the Wild Horse Sanctuary south of Hot Springs, SD. I was taking part in the 2024 Black Hills Photo Shoot Out, and this was my last workshop for the weekend. We were challended to take a monochrome square image, and to visualize what we wanted the final image to be. I placed this tree in the center of the image, and then it sat on my card in the camera for about a week.
When I got around to editing this image I took out the color. What??? But color adds life; life is colorful. True, quite true. But in monochrome we tend to see the essentials. The smaller details that can get lost otherswise. How the tree stands in relation to its neighbors. The lay of the land, and the shape of the rocks. And, also, the interplay between the land and the sky.
Last night I went into the Tinder Box in Rapid City, SD to be with friends and listen to Orion and Stacey Potter's beautiful music. We were having fun and visiting, and I was also thinking of my 35th Class Reunion going on in Winner, SD this weekend (yes, I'm that old). Pictures were posted on Facebook of friends and classmates, and I was with my friends in Rapid City. I was also texting a high school friend who now lives in Germany, and was with a friend in the Navy who is based in Japan the day before. I guess what I'm getting at is how interconnected we all are in the tapestry of life. This tree is in the center of the photograph, but it. couldn't exist without the interplay of rain, sun light, soil and air. Its branches hold birds and squirrels who they themselves might become food for birds of prey or other predators. This tree doesn't exist in a vacuum, and neither do we. Life is good, God is good, and we live in a beautiful world. May we live and rejoice each day in our interconnectedness with God and with one another.
Yesterday I wrote a blog post entitled "10 Reasons Why the iDongle is Not for Me." In the article I gave 10 reasons why I'm not crazy about Apple's new Apple TV. The biggest thing for me is the picture quality of the TV that I want to watch.
The TV on my HDTV TiVo is just breathtaking.
This morning I headed up to the Apple store to check out the picture quality for myself and was very disappointed. On the demo model that they had there (and I'm assuming as a demo at their store they are using the best possible TV and video content they can get) the TV picture quality was just not good enough for me. It's not HDTV quality.
They were playing this "terra" channel thing as part of the demo and although it was "DiscoveryHD like" the picture quality is much worse. Maybe this picture quality is "good enough" for most people, but it's not "good enough" for me when compared to the picture quality I get on my HDTV TiVo.
Here's my article from yesterday:
thomashawk.com/2007/03/10-reasons-why-300-idongle-is-not-...
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
An exhibition on contemporary design in Slovenia entitled "Silent Revolutions" was held at WIPO from October 7 to 26, 2015. The exhibition was inaugurated during the WIPO Assemblies, held in Geneva from October 5 to 14, 2015.
WIPO co-organized the exhibition with the Permanent Mission of the Republic of Slovenia to the UN Office in Geneva, the Slovenian IP Office (SIPO), and the Slovenian Museum of Architecture and Design.
In this photo: Household appliances HomeCHEF, SensoCARE and IQcook by Gorenje Design Studio, for Gorenje, 2012 and Alpina Racing Elite CS and CL Cross Country Ski Boots by Jure Miklavc, Jan Jagodič, Robert Križnar, for Alpina (2008).
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Cleo is a strange girl.
Happy at home, happy at school.
So what's her beef?
And why the graffiti?
A play concerned with fairness, class, education and social mobility.
The 2010 Holiday Windows at Bergdorf Goodman, entitled "Wish You Were Here", had David Hoey and his visual team taking customers on a journey through fantasy travel, sly visual wit and far-flung places. With an array of wild mash-ups of unexpected arrivals and departures, each window features visual influences as diverse as Roman mythology, 1940s Hollywood musicals, the original Penn Station, and the very first science fiction film.
Bergdorf Goodman began in 1899 when Herman Bergdorf, an immigrant from Alsace, opened a tailor shop just above Union Square. Edwin Goodman, an employee of Bergdorf's, purchased the store then located in the "Ladies' Mile" in 1906. In 1914, Goodman became the first couturier to introduce ready-to-wear. The store moved to its present location at 5th Avenue and 58th Street in 1928, building its Art Deco store on the site of the William K. Vanderbilt mansion. The men's store was moved across the street to the old FAO Schwarz space at 745 Fifth Avenue in 1990.
my dear angelic friend *alice* celebrated her b~day with a colorful cake entitled " *wonderland*, purchased from our only city market grocery store....i thought this cake was made by a 5yr old, i thought i could have done a heavenlier job...and i wouldn't have charged close 2 $30.00!
^i^
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(If I had a world of my own everything will be nonsense)
(Nothing will be what it is because everything will be what it isn't)
I invite you to a world where there is no such thing as time
And every creature lens themselves to change your state of mind
And the girl that chase the rabbit drank the wine and took the pill
Has locked herself in limbo to see how it truly feels
To stand outside your virtue
No one can ever hurt you
Or so they say
Her name is Alice (Alice)
She crawls into the window
Shaped in shadows
Alice (Alice)
And even though she is dreaming, she knows
Sometimes the curiosity can kill the soul but leave the pain
And every ounce of innocence is left inside her brain
And through the looking glass we see shes painfully returned
But now off with her head I fear is everyone's concern
You see there's no real ending
It's only the beginning
Come out and play
Her name is Alice (Alice)
She crawls into to the window
Shaped in shadows
Alice (Alice)
And even though she is dreaming
Shes a locked for meaning for you
This kingdom good riddance good freedom and innocence
Has brought this whole thing down
Her name is Alice (Alice)
She crawls into to the window
Shaped in shadows
Alice (Alice)
And even though she is dreaming
Shes a locked for meaning
Shes a locked for meaning for you
(In contrary was what it is it wouldn't be)
(And what it wouldn't be it would)
(You see)
* Her name is Alice * ~ by Shinedown
From my set entitled “Black Creek Pioneer Village”
www.flickr.com/photos/21861018@N00/sets/72157611538656614/
In my collection entitled "Places"
www.flickr.com/photos/21861018@N00/collections/7215760074...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
Black Creek Pioneer Village is an historic site in Toronto, Ontario, Canada, just west of York University and southeast of the Jane and Steeles intersection. It overlooks Black Creek, a tributary of the Humber River.
The village is a recreation of life in 19th-century Ontario and gives an idea how rural Ontario might have looked in the early-to-mid 1800s.
The "pioneer" village consists of over forty historic 19th century buildings, decorated in the style of the 1860s with period furnishings. Besides the Historical Interpreters and Craftspeople housed in the restored buildings, the site also features historical reenactments and visiting artisans. Buildings include period houses, the original Stong Family farm buildings, a water-powered grist mill, a general store, a blacksmith's shop along with over 10 other trades buildings, a hotel, a church, and a one-room schoolhouse. A core of buildings built by the Stong family are on their original sites, while others have been moved in from across Southern Ontario.
The majority of the buildings were moved from their original sites (notably the large Halfway House and Mennonite Meeting House), and some re-built on their current locations.
The village is a regular destination for field trips by schoolchildren from the Greater Toronto Area.
It is operated by the Toronto and Region Conservation Authority.
Suspended Animation Classic #483 Originally published March 15, 1998 (#11) (Dates are approximate)
New Year’s Evil By Dr. Jon Suter
DC Comics celebrated the arrival of 1998 with a series entitled "New Year's Evil". Some may be worth collecting.
One problem is that "evil" is not always present, particularly in “Mr. Mxyzptlk”. The art is so cartoonish that it distracts from Alan Grant's script. There are some amusing parts, but the menace cannot be taken seriously. There are hints of an ongoing series for the imp, but the current premise is too thin.
Another entry is “Darkseid”. Sal Buscema's interpretation of this character is unlike any I've seen. The title is somewhat misleading in that Darkseid never appears. Since the script is by John Byrne, continuity with artist "Jack Kirby's Fourth World" is assured.
The most important issue of "New Year's Evil" is probably “Prometheus”. This new villain has appeared in two issues of JLA; they are much clearer if you read “Prometheus”. Grant Morrison's script and Arnie Jorgensen's art are effective.
The origin of Prometheus is parallel to Batman's. A young boy who accompanies his parents on their murderous crime spree witnesses their deaths in a shootout with police. As with Batman, there is a strong Asian influence. This villain could prove a popular sparring partner.
“Gog” will be of interest to readers of the "Elsewhere" series, Kingdom Come. Mark Waid's script implies that we have not seen the end to this story.
“Dark Nemesis” will appeal to Teen Titans followers, but some of the art seems rushed. Chris Cross's work is generally good, but faces, particularly the Atom's, often seem unfinished or distorted.
“Body Doubles” puzzles me. The art is a blend of cartoonish and realistic elements. My first impression was that the female assassins are a blend of the titles “Katy Keene” and “Agent of S.H.I.E.L.D”. This will appeal to those interested in "good girl art."
Distorted art works very well in “Scarecrow”. Duncan Fegredo's pencils and Peter Milligan's script probe the darkest corners of this villain's mind.
Again, there are hints of continuations of the story.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
Imagekind link:
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/North_Rhine-Westphalia
North Rhine-Westphalia (German: Nordrhein-Westfalen, usually shortened to NRW, official short form NW) is the westernmost and - in terms of population and economic output - the largest Federal State of Germany. North Rhine-Westphalia has over 18 million inhabitants, contributes about 22% of Germany's gross domestic product and comprises a land area of 34,083 km (13,158 square miles). North Rhine-Westphalia is situated in the Western part of Germany and shares borders with Belgium and the Netherlands. It has borders with the German states of Lower Saxony to the North and Northeast, Rhineland-Palatinate to the Southwest and Hesse to the Southeast.
The capital city is Düsseldorf, and the largest city is Cologne (Köln). Other major cities are Dortmund, Essen, Duisburg, Oberhausen, Aachen, Bielefeld, Bonn, Bochum, Bottrop, Bergisch Gladbach, Mönchengladbach, Mülheim, Münster, Gelsenkirchen, Krefeld, Hagen, Hamm, Herne, Iserlohn, Leverkusen, Neuss, Paderborn, Recklinghausen, Remscheid, Siegen, Solingen, Witten and Wuppertal.
The state is centred on the sprawling Rhine-Ruhr urbanised region, which contains the cities of Düsseldorf, Bonn and Cologne as well as the Ruhr Area industrial complex. The Ruhr area consists of, among others, the cities of Dortmund, Essen, Duisburg, Bochum, Gelsenkirchen and Oberhausen.
The state's area covers a maximum distance of 291 km from north to south, and 266 km from east to west.
The total length of the state's borders is 1,645 km. The following countries and states have a border with North Rhine-Westphalia:
Belgium (99 km)
The Netherlands (387 km)
Lower Saxony (583 km)
Hessen (269 km)
Rhineland Palatinate (307 km)
For many people North Rhine-Westphalia is synonymous with industrial areas and agglomerating cities. But the largest part of the state is used for agriculture (almost 52%), forests cover 25%. The southern parts of the Teutoburg Forest are located in the northeast. In the southwest, Nordrhein-Westafalen shares in a small part of the Eifel, located on the borders with Belgium and Rheinland-Pfalz. The southeast is occupied by the sparsely populated regions of Sauerland and Siegerland. The northwestern areas of the state are part of the Northern European Lowlands.
The most important rivers that run at least partially through North Rhine-Westphalia include: Rhine, Ruhr, Ems, Lippe and Weser. The Pader, which runs only through the city of Paderborn, is considered the shortest river in Germany.
The state of North Rhine-Westphalia was established by the British military administration on 25 October 1946. Originally it consisted of Westphalia and the northern parts of the Rhine Province, both formerly belonging to Prussia. In 1947 the former state of Lippe was merged with North Rhine-Westphalia, hence leading to the present borders of the state.
Original poster entitled “Air Raid Wardens,” used to denote a group of local Office of Civilian Defense air raid wardens for Pasquotank County, NC, used in an Office of Civilian Defense parade held in Elizabeth City, NC, on July 4, 1942, during World War II. Participating in the parade were: J. K. Wilson, who served as the chief air raid warden for Pasquotank County; and J. H. LeRoy, who served as the commander of the Pasquotank County Civilian Defense [July 1942] [Poster sent with a description note from the Elizabeth City OCD that was removed during processing].
From North Carolina WWII Home Front Posters, WWII 11, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
Federal Vases
This pair of bronze vases, which artist Horatio Stone entitled “Ecce Homo” and “Freedom,” have been variously referred to as “Philosophy” and “Invention,” or more simply as the Federal Vases. They are part of a group of three; the third, larger vase, entitled “Republic,” is located at the Pomona College Montgomery Art Gallery in Claremont, California. Collectively, they suggest that American democracy draws its strength from a moral foundation coupled with native ingenuity.
•Artist: Horatio Stone
•Date: 1871
•Material: Bronze
•Dimensions: 34½" tall, 15" diameter
•Location: East Front Vestibule, U.S. Capitol Rotunda
Stone apparently conceived this unusual sculptural ensemble around 1868, specifically for display at the U.S. Capitol to reinforce the concept of American stability and unity in the wake of the Civil War. These vases, each 34½ inches tall and 15 inches in diameter, convey their message through a procession of low-relief figures, inscriptions and recognizable details, such as the telegraph machine and views of the Capitol dome, before and after the Capitol extension.
The vase referred to as Philosophy depicts the evolution of ethical thought and celebrates Greek philosophers as well as the artistic contributions of poets, musicians and sculptors to cultural development. The figures are identified in the inscription: “I. PROMETEUS/II. ORPHEUS/II. HOMER/IV. ARISTIDES/V. ANAXAGORAS/VI. PHIDIAS/VII. SOCRATES/VII. ECCE HOMO.” The frieze begins with the mythological figure of Prometheus and the vulture, signifying remorse for stealing the celestial fire; Orpheus with his lyre; and the epic poet Homer. Athenian statesman Aristedes, known as “the Just,” is followed by Anaxagoras, who brought philosophy to Athens, and the great Athenian sculptor Phidias, who adorned the Parthenon. Socrates, who embodies Truth, and an ecce homo depiction of Jesus complete the progression.
In the Invention vase, Freedom is personified by a male figure wearing a liberty cap, a motif that is repeated throughout the relief. The narrative begins as he receives the lamp full of the sacred oil of knowledge from Minerva, the goddess of Wisdom. Freedom then embarks on his metaphorical journey, in which he receives symbolic gifts from three leading American inventors: Benjamin Franklin, who presents him with a key, referencing the discovery of electricity; Robert Fulton, who offers his design for the steamboat; and Samuel F. B. Morse, who demonstrates the electric telegraph. The inscription on the vase reads “I. A SCIENCE/II. FREEDOM/III. FREEDOM/IV. FRANKLIN/V. FREEDOM/VI. FULTON/VII. FREEDOM/VIII. MORSE.”
The third, larger and more elaborate vase, Republic, depicts George Washington along with President Abraham Lincoln, Civil War Admiral David G. Farragut, Chief Justice John Marshall and newly elected President Ulysses S. Grant, surrounded by allegorical figures symbolizing Peace, Prosperity and Progress.
History
Apparently, as revealed in a letter that Horatio Stone wrote to his friend and legal counsel, Robert J. Stevens, the artist first developed these figural processions to adorn the walls of the east and west Capitol porticoes. Because the completed Capitol extension did not provide the proper architectural opportunity, Stone transferred his concept to free-standing vases, recasting the traditional bacchanal imagery found on Etruscan and Greek vases into a commemorative historical narrative. The amount of $10,000 was included for the vases in the 1870 congressional appropriation bill, but Stone did not sign a contract for the work. He completed the sculptures and had them cast in bronze by the Robert Wood Foundry in Philadelphia in 1871; however, by that time the money had reverted to the treasury. Confronted with a lien on the vases, Stone sought the help of his patron, the engineer John Chipman Hoadley, who covered his foundry debt and brought the vases to Washington, D.C., where they were placed on temporary public view. According to the National Republican of December 16, 1871, Ecce Homo and Freedom were displayed “in the east corner of the new hall of the House of Representatives.” After Stone’s sudden death in 1875, ownership of the vases reverted to Hoadley. Hoadley himself died in 1886, and in 1887 a public subscription raised funds to present all three vases to the Boston Art Club, which sold them in 1939 to a California collector.
In 2015 the vases were offered for exhibit in the U.S. Capitol by their owners, Daniel and Mathew Wolf, in honor of their sister, the Honorable Diane R. Wolf. With the approval of the Joint Committee on the Library, the vases were accepted and placed on display atop specially designed sandstone pedestals in the east front vestibule of the Rotunda.
The Sculptor
Horatio Stone was born in Jackson, New York, in 1808. Stone’s attempts at woodcarving as a young boy showed his early interest in sculpture, but he left home as young man to study medicine. In the mid- to late 1840s, he closed his practice and moved to Washington, D.C., to focus on sculpture. He became interested in the decoration of the Capitol as a founder and president of the Washington Art Association, which evolved into the National Art Association. In 1858, the Association petitioned Congress for the formation of an art commission to oversee the acquisition of art for the Capitol; the commission existed for only one year. Stone maintained studios in Washington, including, for a time, a room in the Capitol, and worked on his sculpture in Italy. He sculpted three statues for the Capitol: John Hancock (1861), Alexander Hamilton (1868) and Edward Dickinson Baker (1876). He died in Carrara, Italy, in 1875.
A transcription of the plaque on the base, edited and formatted for clarity:
The Federal Vases
Philosophy, 1871, by Horatio Stone
Mural entitled "Renaissance" by Antonio Segura [Dulk] aka @dulk1, seen at 4290 Brighton Boulevard in the RiNo area of Denver, Colorado.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
This is the finished 3D Painting entitled Centurion.
See the full slide show in the Epic Journey in the Transformation of this 3D Painting here.
www.flickr.com/photos/57605784@N06/sets/72157625891634410...
When I first saw this picture I know I had to paint it, full credit to the original artist, it is a masterpiece. Bursting out of the Colosseum, on the left you have the elements of history and tradition, and on the right you have the future, which looks like a space craft, and in the middle you have the Centurion, signalling, forward...the past and future being lead by the present, how it should be.
Working full time as well, this picture may take me 3 to 4 days to complete, every night I will post more & more stages to completion. If you click on the Slideshow link below you can watch a Slideshow showing the many stages in the painting of the picture, iv uploaded 11 so far, it may take as many as 30 until im happy with it. Every night if you click on the same link you will see the new additions automatically added to the slidehow, giving you an insight into how 3D Paintings are created.
Transformation Slideshow :
www.flickr.com/photos/57605784@N06/sets/72157625891634410...
As with all civilisations, nations & empires, its not how strong you are, its what you stand for that counts , it is these values, not military might & brute force, that determines longevity & prosperity.
Many things have been said about the Romans, the recent film released 2010 entitled Centurion is a good example, as was Spartacus, and the birth & life of Jesus Christ. When all is said & done the Romans lasted an aweful long time, they must have been doing something right.
There demise was started with the emergence of a movement that put forth to mankind a much higher set of values, not a stronger military force. That movement is Christianity.
The Roman civilisation tried to Adapt, tried to absorb, but its decline was inevitable. The Catholic Church is what remains of the Roman branch of Christianity.
From my set entitled “Smokebush”
www.flickr.com/photos/21861018@N00/sets/72157607213776358/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Smoketree or Smoke bush (Cotinus) is a genus of two species of flowering plants in the family Anacardiaceae, closely related to the sumacs (Rhus). They are large shrubs or small trees, native to the warm temperate Northern Hemisphere. The leaves are deciduous, alternate, simple oval shape, 3-13 cm long. The flowers are clustered in a large open terminal panicles 15-30 cm long with a fluffy grayish-buff appearance resembling a cloud of smoke over the plant, from which the name derives. The fruit is a small drupe with a single seed. Often classified in Rhus in the past, they are distinguished by the leaves being simple (not pinnate) and the 'smoke-like' fluffy flower heads.
The American Smoketree (Cotinus obovatus, syn. Rhus cotinoides) is native to the southeastern United States, from Tennessee south to Alabama and west to eastern Texas. It is a larger plant, frequently becoming a small tree up to 10-12 m tall and with a trunk up to 25 cm diameter. The leaves are also larger, 6-13 cm long; it also has varied but very bright fall color, usually brighter than the Eurasian species. The flower heads are usually sparser than in C. coggygria.
The smoketrees, particularly C. coggygria, are popular garden shrubs. Several bronze or purple-leaved cultivars of C. coggygria have been selected, with warm pink inflorescences set against purple-black foliage; the commonest in commerce are 'Notcutt's Variety' and 'Royal Purple'. When brought into cultivation together, the two species will form hybrids; some garden cultivars are of this parentage.
Cultivation is best in dry, infertile soils, which keeps the growth habit more compact and also improves the autumn colour; when planted in fertile soil, they become large, coarse and also tend to be short-lived, succumbing to verticillium wilt disease. Both species can be coppiced in early spring, to produce first-year shoots up to 2 m tall with large handsome leaves, but no "smoke".
An image from the exhibit entitled : Everything in Place
It focuses on the preparatory materials kept "at hand"—sketches, diagrams, discoveries, studies, and ephemera—both inspiring and documenting the creative process.
Artists included in the exhibition: Deborah Boardman, Judy Chicago, Virginia Eifert, Fatherless (Corey Hagberg, Jarrod Hennis, Javier Jimenez, David Menard, Greg Lang), James Garrett Faulkner, Susan Frankel, Winifred Godfrey, Shoshana Hoffman, Kate Ingold, Jessie Pixely Lacey, Julius Moessel, John Warner Norton, Olivia Petrides, James Purdy, Milton Rivera, Francois Robert, Flora Schofield, Diane Simpson, Eleanor Spiess-Ferris, Frank Trankina, Rudolph Weisenborn, Rebecca Wolfram, Mary Agnes Yerkes, Betsy Youngquist, R. Scott Long, archaeological sketch maps and journals by W. B. Nickerson and Gwyneth Gillette, and species identification drawings by Don Luce.
The Springfield Art Association will host an opening reception for a nationally juried ceramic exhibition entitled Shapes of Influence on Friday evening, August 3rd, from 5:30-7:30 PM. Awards and a gallery talk by juror Simon Levin will occur at 6:45 PM.
The show will be on display in the SAA's M.G. Nelson Family Gallery from August 3-September 1 and features work from over two dozen states and Canada.
Juried artists include Morgan Barton, Kenneth Baskin, Casey Beck, Irina Bondarenko, Robert Bruch, Danielle Callahan, Michelle Coakes, John Cohorst, Louis Colomarini, John Costanza, Paula Diaz-Sylvester, Auguste Elder, Karen Ellis-Phillips, Curtis and Karen Frederick, Verne Funk, John Gargano, Kaitlyn Getz, Sarah Gross, Lois Harbaugh, Ian Hazard-Bill, Jason Hess, Jennifer Holt, Drew Ippoliti, Iskra Ivanova, Anna Kats, Patty Kochaver, Robert Kokenyesi, Lucien Koonce, Joe Kraft, Annie Lee, Andrew Mcintyre, Jessie Martin, Paul McCoy, Avra Messe, Molly Morning-glory, Matthew Patton, Sara Prigodich, Jenny Reed, Masa Sasaki, Jessica Sallay-Carrington, Kourtney Stone, Suzanne Storer, Sam Thompson, Austin Wieland, Nicole Winning, Matthew Wright, Kensuke Yamada, Lisa York, and David Zahn.
Invited artists include Dan Anderson, Kahil Irving, Peter Pincus, and Kelsie Rudolph.
The M.G. Nelson Gallery is open to the public M-F from 9 AM-5 PM and Saturdays from 10 AM-3 PM.
This Christmas bauble, entitled "Tudor Rose in Red" depicting a stylised rose in the Tudor style was hand beaded with sequins and pins by me. I have a Christmas tradition. I bead one Christmas bauble for a select group of friends every year.
"Tudor Rose in Red" is actually for Christmas 2013 (yes, I'm a bit early I know) and is going to a friend of mine, who like me, is an ex-pat from Britain Past baubles have featured such things as things from home like snowflakes, winter scenes and this year, a holly sprig.
Each bauble is 25 centimetres in diameter and contain hundreds of sequins, varying in number depending upon the complexity of the image and the type of sequins I use. Most sequins in this bauble are 5mm in diameter, except the white background ones which are 8mm. Depending upon the colour of the sequin, I will use either a gold or a silver pin to attach it to the bauble. The white, and black sequins all use silver pins, The gold and red sequins are affixed with gold pins.
Each bauble takes approximately 6 hours per side, and this is why my select group of friends only get one each year!
It is however, a labour of love which I do to pass the time throughout the year.
*Fort** Necessity* News Release
Release Date Immediate
Contact: Brian Reedy or MaryEllen Snyder
Phone number: 724-329-5811
Date: April 14, 2014
Seneca Nation of Indians Partners with National Park Service on Exhibit
and Cultural Education at Fort Necessity
FARMINGTON, Pa., The National Park Service has partnered with the Seneca
Nation of Indians in New York. This partnership includes a museum exhibit,
cultural festival, and cultural training. The Seneca-Iroquois National
Museum in New York has developed the exhibit entitled "The Seneca and the
French & Indian War. Installation is in progress and the exhibit opens April
19, 2014 for National Park Week at Fort Necessity National Battlefield. It
will be displayed in the park's visitor center through March 31, 2015.
In celebration of National Park Week, April 19 and 20 is a fee free weekend
at all National Parks. Entrance fees will be waived at the National Park
sites in western Pennsylvania - Fort Necessity, Johnstown Flood National
Memorial, and Allegheny Portage Railroad National Historic Site. Flight 93
National Memorial and Friendship Hill National Historic Site are National
Park sites that do not have entrance fees.
The Onöndowa'ga:' (Seneca) are one of the six nations of
Haudenosaunee("Iroquois Confederacy"), or people of the Long House.
The Onöndowa'ga:'
are known at "Keepers of the Western Door" within that political alliance.
In the 1700's their influence extended far beyond their traditional
homelands in New York State as they played a prominent role in the
political and military events surrounding the French and Indian War.
"The Seneca and the French and Indian War" reveals aspects of the Seneca
and Haudenosaunee culture and how it influenced the events of the
mid-1700s. Artifacts on loan from the Rochester Museum & Science Center
and the Seneca-Iroquois National Museum will be displayed along with pieces
from Fort Necessity's collection.
A cultural weekend is planned for June 28-29, 2014 at Fort Necessity. Guest
lecturers and cultural demonstrators will highlight the event with focus on
Seneca life in mid-18th century America. Special programming at the event
will include demonstrative arts of traditional dance and children's games,
as well as talks on the Seneca involvement in the French and Indian War and
the use wampum in Seneca culture.
While the exhibit and cultural weekend highlight Onöndowa'ga':s (Seneca's)
roles as diplomats and warriors in the French and Indian War, and in the
development of "The Seneca Plan" that eventually became known as Pontiac's
War, they also aim to inform that the Seneca are still a vibrant and
dynamic sovereign Nation in New York State.
During the fall of 2014, members of the Seneca-Iroquois National Museum and
the National Park Service will conduct a teacher's in-service
Haudenosauneeculture and history.
Fort Necessity National Battlefield is located 11 miles east of Uniontown,
Pennsylvania on US 40 - The Historic National Road. Admission to the park
is $5.00 per adult, children 15 and under are free of charge. The fee is
collected at the Interpretive and Education Center and is valid for seven
days. For more information on park programs, call 724-329-5811 or visit
the park web site at www.nps.gov/fone.
-NPS-
*ABOUT THE NATIONAL PARK SERVICE*
More than 20,000 National Park Service employees care for America's 401
national parks and work with communities across the nation to help preserve
local history and create close-to-home recreational opportunities. Learn
more at: www.nps.gov.
*ABOUT THE SENECA-IROQUOIS NATIONAL MUSEUM*
The Seneca-Iroquois National Museum is located at 814 Broad Street,
Salamanca, NY on the Seneca Nation of Indians' Allegany Territory. It cares
for over 100.000 archaeological and ethnographic materials that relate to
Onöndowa'ga:' (Seneca) and Hodinöhsö:ni' (Iroquois) history and culture.
The Museum has permanent exhibits including a re-creation of a longhouse,
a historic Onöndowa'ga:' cabin, and an exhibit on the Kinzua Dam's
devastating impact on the people of the Allegany Territory. They also have
rotating exhibits. Each year, we host visitors from the region, nation and
from around the world. This May-December, 2014, the SINM is pleased to
present "We Play Lacrosse", which will feature contemporary and historical
objects relating to the history of lacrosse on Hodinöhsö:ni' territories.
For more information about hours of operation, please visit us on our
website: www.senecamuseum.org, or visit us on our Facebook page.
*ABOUT THE SENECA NATION OF INDIANS*
One of the original Five Nations of the Hodinöhsö:ni' (Iroquois), the
Seneca are a proud people with a rich history. The Onöndowa'ga:' ("Great
Hill People", or Senecas) are known as the "Keepers of the Western Door",
for they are the westernmost of the now Six Nations (Seneca, Cayuga,
Onondaga, Oneida, Mohawk and Tuscarora). Today the Seneca Nation of Indians
has a population of over 8,000 enrolled members, many of whom continue to
live on their traditional territories in New York State. To learn more
about the Seneca Nation, visit our website at: www.sni.org, or the
SNITourism site at
Images:
Michael Galban, a Public Historian from Ganondagan State Historic Site in
New York puts some finishing touches on the "Seneca and the French and
Indian War" exhibit.
Items from the Seneca culture displayed in the exhibit include historic
clothing, a corn grinder, corn washing baskets, jewelry, wampum, and a pipe
tomahawk.
Entitled ‘The Enemy’ and based upon the charcoal sketch originally exhibited at The Future Tense group launch show in 2010, the work was developed in collaboration with world-renowned print studio, Thumbprint Editions. Thumbprint is best known for creating etchings and woodcuts with such artists as Damien Hirst, Anish Kapoor and Tracey Emin, including her most recent release ‘The Kiss’.
Measuring a generous 100 x 70 cm and limited to a signed edition of 50 + 3 artist proofs, the print uses a traditional Polymer Gravure etching process to fully capture the unique tonal variation typically found in charcoal works on paper. This complex, highly technical process produces prints of unrivalled quality, whilst also creating an attractive embossed frame within the paper due to the extreme pressures on the plate during the printing process.
The Enemy will be available from www.thefuturetense.net from midday GMT on Thursday June 16th.
Safe and Fair programme, through a partnership with World Vision Foundation of Thailand, trained women migrant construction workers on a site in Pathum Thani province to help them understand labour rights and their entitlements.
6 February 2023. © ILO/Pichit Phromkade.
More information about Safe and Fair programme:
www.ilo.org/asia/projects/WCMS_632458/lang--en/index.htm.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
The Shooting Gallery Project Space recently showed artist Lauren Napolitano's intriguing journey home in her latest installation entitled "A Well Marked Path". Napolitano's work is influenced by traditional Mexican pottery and basket work, featuring patterned line work over various antique items. The artist holds a deep connection with found objects, and with a steady hand makes her marks across their surface.
Read more here: www.warholian.com/2013/12/16/lauren-napolitanos-well-mark...
Mural entitled "Free Thinker" by Gina Ilczyszyn seen at the River North Brewery at 3400 Blake street in the RiNo area of Denver, Colorado.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
The sculpture entitled Thumbs Up is a focal point of his the home studio of Lewis Van DerCar in Wesley Chapel. The sculpture honors the eleven athletes who lost their lives in 1972 Munich Olympic Games. Bobby Ebie Van Dercar explained that his grandfather Lewis was touched and wanted to symbolically memorialize the tragedy. The Thumbs-Up statue is surrounded by numerous works of modern artist Van Dercar, who died in 1988. Photo courtesy of Ernest Wise, from Images of America: Wesley Chapel, by Madonna Jervis Wise. (e2750)
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
From my set entitled “Bleeding Heart”
www.flickr.com/photos/21861018@N00/sets/72157607186479750/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Dicentra
Dicentra spectabilis also known as Venus's car, bleeding heart, Dutchman's trousers, or lyre flower, is a perennial herbaceous plant native to eastern Asia from Siberia south to Japan. This species of bleeding heart can grow to 24"-36" tall and has ternately compound leaves (leaflets that come in threes). The flowers are pendulous, shaped much like hearts, produced in a raceme bearing 3-15 individual flowers, each one 1-2" long, with pink outer petals and white inner petals. The flowering season is from early spring to mid summer. The common name of this plant, bleeding heart, comes from the heart-shaped flowers which have a longer inner petal that extends below the 'heart'.
It is a popular ornamental plant for flower gardens in temperate climates, and is also used in floristry as a cut flower. It can be a full sun plant if in a cool area but in a warm climate, prefers semi-shaded areas. It needs to be kept moist and prefers neutral to alkaline soil with good drainage although these plants can tolerate heavy clay soil as well.
It is prone to aphids, slugs and snails, which cause damage to its leaves. Propagation is by sowing the seeds when fresh. It can also be divided, preferably in the late fall or early spring. However, contact with the plant can cause skin irritation because the entire plant is toxic, so should be handled with gloves and long sleeves.
Several cultivars have been selected, including 'Alba', with pure white flowers, and 'Goldheart', a relatively new cultivar developed at Hadspen Garden in England and introduced in 1997 with fuchsia-coloured flowers that drop from the stem in a row, and yellow foliage that turns lime green by mid summer.
Ceremony of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the bac
Entitled "Glorious Generations", the urban graffiti is part of eight creative projects, as part of the "I like working downtown" initiative of the Board of Trade of Metropolitan Montreal (CCMM) announced last March and supported financially by the Ministry of Economy and Innovation. For the occasion, Chantal Rouleau, Minister for Transport and Minister responsible for Greater Montréal and the Montreal region, as well as Michel Leblanc, President and Chief Executive Officer of the Chamber of Commerce of Metropolitan Montreal, joined the leadership of the team.
Produced in partnership with creative studio LNDMRK and created by local street artist Marc Sirus, the mural, which measures 18 meters wide and 12 meters high, includes a nod to the team's original logo and 1909, the year the Club was founded, an image of the iconic facade of the Montreal Forum, a celebration of the venerable former captain Saku Koivu as well as a representation of three generations of legendary Habs goaltenders: Ken Dryden, Patrick Roy and Carey Price. Additional elements capture the energy of the sport synonymous with Montreal and the fans who support the Canadiens with a passion unmatched in the world of hockey.
At the Bell Centre, Montréal, Québec.
Dunmanway continues to promote its most famous son Sam Maguire with yet another wonderful project entitled ‘The Sam Maguire Passport’. It was officially launched on Sunday, 26th May, at St Patrick’s Cathedral, Dublin, by the President of the GAA John Horan, who said: ‘We pride ourselves in the GAA on being a community organisation. The Rev Cliff Jeffers is so keen and so driven. He is doing something that is a big benefit to the community and to the GAA… This is a GAA story and he is giving new life to it. But it will also bring benefit to the community. It will put Dunmanway on the map.’
Over 500 samples of the Sam Maguire Passport were distributed to those who attended a special service ‘in celebration of the inclusivity in the Gaelic Athletic Association’. Former President of Ireland Mary McAleese, Tom Ryan and Edel Maguire were among those who read at the service.
Dunmanway Community Tourism Initiative, consisting of the Reverend Cliff Jeffers, film–maker Brendan Hayes, Margaret Hennessey, Aine O’Brien of Dunmanway Library, and UCC marketing intern Máiread O’Donovan, together with students from Cork Institute of Technology, collaborated to develop three different types of passport for under–12s, under–18s and seniors.
The passport challenges the holder to follow in Sam Maguire’s steps by visiting the different locations in Dunmanway he frequented including his home and school. They will collect stamps along the way as a reward for a number of challenges which will help them to fulfil the criteria of the passport’s purpose.
On completion the passport holder will be entitled to attend one of the four celebrations planned over the summer where they will get their own personal All–Ireland winning experience with the trophy replica presented to them by one of a number of different former GAA presidents, including Sean Kelly MEP. Mr Kelly was GAA President in 2002 when he officially unveiled the Sam Maguire statue in Dunmanway.
The project is yet another collaboration between the Reverend Cliff Jeffers, Rector of the Fanlobbus Union of Parishes, and Brendan Hayes. Last year, Brendan worked on www.visitdunmanway.ie and the Sam Maguire Community Bells documentary, which is now the audio visual component of the Sam Maguire Visitor Experience.
The Reverend Cliff Jeffers said: 'In life Sam was Protestant by creed and Nationalist by conviction and this project encourages unity and reconciliation among the people and the community from all traditions in his hometown
'The Sam Maguire Passport Trail can be undertaken at any time, with external story boards at each location providing the information for the answers to be discovered and spare ‘visa stamps’ at St Mary’s Church and Dunmanway Swimming Pool. Opening times are given in the passport, with the majority of the locations giving priority to being open for July and August when Sam’s story can be comprehensively discovered. Special opening times can be arranged for groups who wish to visit at any time of year.'
The Sam Maguire Passport is best experienced by visiting Sam Maguire’s hometown of Dunmanway in West Cork. The Sam Maguire Passport also can be completed with an online version of the passport and going on a virtual tour of the locations on our website www.visitdunmanway.ie
Dunmanway town looks forward to welcoming everyone in their quest to follow Sam’s steps using the Sam Maguire Passport.
Original poster entitled “Uncle Sam Calls You,” promoting a week-long meeting from September 15-21 of an unspecified year with a local Office of Civilian Defense block leader for local civilians to be involved in local Civilian Defense wartime services. The female block leader would explain how households could participate in community wartime programs such as child care, home nursing, salvage of materials, and the WACCS. The poster was created by B. E. Moore. This poster was believed to have been used in Wake County, NC, during World War II [1940s].
From North Carolina WWII Home Front Posters, WWII 11, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
A special exhibit entitled "Entertainment Collectors, Authors, and Critics: Selections from the Mamie and Ellis Nassour Arts & Entertainment, Stark Young, and Herschel Brickell Collections" opens at the UM Library featuring posters, signed playbills, handmade books. Photo by Robert Jordan/Ole Miss Communications
Formerly entitled "Juxtaposition... jux positioned on the ground."
View of the soon-to-be-razed landmark, The Parliament House Hotel, 420, 20th Street South, Birmingham, AL as seen from the circular driveway entrance.
Built in 1964 by investors which included actress Doris Day, University of Alabama at Birmingham, purchased the now-dilapidated 11-story, 223-room hotel in 2006 for $3.7 million property to expand their facilities.
President Nixon gave a speech there. Other luminaries whom stayed there include Bob Hope and his wife, whom stayed in the Presidential Suite, former New York Jets Quarterback Joe Namath, famed University of Alabama Head Coach Paul "Bear" Bryant and others.
A colourful folding brochure entitled "Lincoln and Lincolnshire" issued by the Great Northern Railway in c.1907 with covers decorated by colour sketches of Lincoln by "E.W.". As well as Lincoln and the surrounding county the brochure looks at the various cathedrals found en route from London Kings Cross toward Yorkshire. The covers also show the GNR's unusual, for the UK, almost American style 'herald' or badge.
The Great Northern Railway was incorporated in 1846 and began operations in a small way in 1848. It took some years to finally construct and open what is now the East Coast Main lIne southcof Doncaster to London but this was to become, along witht he GNR, part of the vital main line from London to Scotland via York and Newcastle that was jointly operated by the GNR, the North Eastern Railway and the North British Railway. The GNR also operated a network of branch lines in Lincolnshire and Yorkshire, the latter being of particular importance in terms of access to the county's great coalfields.
My buddy joey curated an AMAZING photography dissertation entitled “Modern Geometry” which features a vast collection of talented young photographers, i am fortunate enough to be amongst them, this is my photo on the left. mad props joey!
check out the full flick through at:
Shown here is a photograph of an exhibit entitled "Constructing Swem Library," on display from October 2010-2011 outside the Brown Boardroom on the third floor of Swem Library at the College of William and Mary. Since opening, Swem Library has undergone several rounds of renovations and additions, continuing to meet the evolving demands of its public. A 2010 Princeton Review survey even ranked Swem as the eighth “Best College Library” based on student evaluations! In this exhibit you will find a selection of programs and photographs that document various phases of its construction and renovation.
Below is a list of the exhibit text panels that are on display in the case:
The Earl Gregg Swem Library first opened on January 4, 1966. Here you will see a selection of programs and photographs that document various phases of its construction and renovation. After years of planning, the $3-million project gave the College of William and Mary a modern library fit for use by students, faculty, and researchers. Dr. Earl Gregg Swem was an obvious choice for the naming of the new library. As the school’s first College Librarian (1920-1944), he oversaw the increase of the College’s collection to more than 240,000 books. He also established the Archives and Manuscript Department and revived the William and Mary Quarterly.
Since opening, Swem Library has undergone several rounds of renovations and additions, continuing to meet the evolving demands of its public. A 2010 Princeton Review survey even ranked Swem as the eighth “Best College Library” based on student evaluations!
Earl Gregg Swem, 1870-1965.
Pictured here in his office, Dr. Swem was the ideal namesake of the College’s new library. He wrote about it in 1963, “Here then will be a haven for mortals who may wish to commune with immortals.” Sadly, Dr. Swem died before the official opening of the Earl Gregg Swem Library.
Left: Laying the cornerstone, October 1964: Ervin Farmer, Superintendent of Buildings and Grounds; Earl Gregg Swem, III; Davis Y. Paschall, President; Robert English, Bursar; James A. Servies, College Librarian.
Above: Davis Paschall and James Servies talk at the construction site before the cornerstone laying.
From the Special Collections Research Center, Earl Gregg Swem Library at the College of William and Mary. See swem.wm.edu/scrc/ for further information and assistance.
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
i'll suspend the gravitas for a photo or two today....So i went to a colleague's housewarming party on saturday evening....these people are weird...funny but weird. I figured...if you're going to put a photo of this on flickr, i've got to keep it in context!
These images are from my project entitled, 'the ladies who lift'. My project focuses on women competing in masculine sports and any challenges they may or may not face. I wanted this project to perhaps challenge some pre-conceptions people may have about the aesthetic of the sport and show the ladies on a personal level, in training. The women featured are all members at Crossfit Poole.
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
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Afghani men watch a video entitled "Why We Are Here" which explains the United States involvement in the war on terrorism during a Medical Civil Action Program (MEDCAP) held in the village of Aroki Province of Kapisa, Afghanistan, on Jan/ 21, 2003. Soldiers from the 48th Combat Support Hospital, along side airmen from the 455th Air Expeditionary Wing and the 924th Korean Medical hospital, gathered together in the village of Aroki Province of Kapisa, Afghanistan to conduct a Medical Civilian Action Program (MEDCAP), Dental Civilian Action Program and a Veterinarian Civil Action Program to help bring health and wellness to the Afghan people. (U.S. Air Force photo by Staff Sgt. Cherie A. Thurlby) (Released)
To learn more about living and serving in Korea with the US Army, visit our official website at: imcom.korea.army.mil
Whether you are fresh off of active-duty, a military spouse or a seasoned professional, you will find a career with U.S. Army in Korea both challenging and inspiring. If you ready to join an award winning team and embark on the adventure of a lifetime, you can learn more about living and working in Korea online: imcom.korea.army.mil
Photos from the US Army in Korea can be viewed online at www.flickr.com/imcomkorea
The Morning Calm Weekly command information newspaper is available online at imcom.korea.army.mil
Published for those serving in the Republic of Korea - an assignment of choice.
About this image: Operation Enduring Freedom. A Department of Defense Image Collection.
These images are generally cleared for release and are considered in the public domain. Request credit be given the Department of Defense and individual photographer.
To learn more about living and serving in Korea with the US Army, visit our official website at: imcom.korea.army.mil
Whether you are fresh off of active-duty, a military spouse or a seasoned professional, you will find a career with U.S. Army in Korea both challenging and inspiring. If you ready to join an award winning team and embark on the adventure of a lifetime, you can learn more about living and working in Korea online: imcom.korea.army.mil
Photos from the US Army in Korea can be viewed online at www.flickr.com/imcomkorea
The Morning Calm Weekly command information newspaper is available online at imcom.korea.army.mil
Published for those serving in the Republic of Korea - an assignment of choice.
About this image: Operation Enduring Freedom. A Department of Defense Image Collection.
These images are generally cleared for release and are considered in the public domain. Request credit be given the Department of Defense and individual photographer.
To learn more about living and serving in Korea with the US Army, visit our official website at: imcom.korea.army.mil
Whether you are fresh off of active-duty, a military spouse or a seasoned professional, you will find a career with U.S. Army in Korea both challenging and inspiring. If you ready to join an award winning team and embark on the adventure of a lifetime, you can learn more about living and working in Korea online: imcom.korea.army.mil
Photos from the US Army in Korea can be viewed online at www.flickr.com/imcomkorea
The Morning Calm Weekly command information newspaper is available online at imcom.korea.army.mil
Published for those serving in the Republic of Korea - an assignment of choice.
About this image: Operation Enduring Freedom. A Department of Defense Image Collection.
These images are generally cleared for release and are considered in the public domain. Request credit be given the Department of Defense and individual photographer.
A colourful folding brochure entitled "Lincoln and Lincolnshire" issued by the Great Northern Railway in c.1907 with covers decorated by colour sketches of Lincoln by "E.W.". As well as Lincoln and the surrounding county the brochure looks at the various cathedrals found en route from London Kings Cross toward Yorkshire. The covers also show the GNR's unusual, for the UK, almost American style 'herald' or badge.
The Great Northern Railway was incorporated in 1846 and began operations in a small way in 1848. It took some years to finally construct and open what is now the East Coast Main lIne southcof Doncaster to London but this was to become, along witht he GNR, part of the vital main line from London to Scotland via York and Newcastle that was jointly operated by the GNR, the North Eastern Railway and the North British Railway. The GNR also operated a network of branch lines in Lincolnshire and Yorkshire, the latter being of particular importance in terms of access to the county's great coalfields.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
Federal Vases
This pair of bronze vases, which artist Horatio Stone entitled “Ecce Homo” and “Freedom,” have been variously referred to as “Philosophy” and “Invention,” or more simply as the Federal Vases. They are part of a group of three; the third, larger vase, entitled “Republic,” is located at the Pomona College Montgomery Art Gallery in Claremont, California. Collectively, they suggest that American democracy draws its strength from a moral foundation coupled with native ingenuity.
•Artist: Horatio Stone
•Date: 1871
•Material: Bronze
•Dimensions: 34½" tall, 15" diameter
•Location: East Front Vestibule, U.S. Capitol Rotunda
Stone apparently conceived this unusual sculptural ensemble around 1868, specifically for display at the U.S. Capitol to reinforce the concept of American stability and unity in the wake of the Civil War. These vases, each 34½ inches tall and 15 inches in diameter, convey their message through a procession of low-relief figures, inscriptions and recognizable details, such as the telegraph machine and views of the Capitol dome, before and after the Capitol extension.
The vase referred to as Philosophy depicts the evolution of ethical thought and celebrates Greek philosophers as well as the artistic contributions of poets, musicians and sculptors to cultural development. The figures are identified in the inscription: “I. PROMETEUS/II. ORPHEUS/II. HOMER/IV. ARISTIDES/V. ANAXAGORAS/VI. PHIDIAS/VII. SOCRATES/VII. ECCE HOMO.” The frieze begins with the mythological figure of Prometheus and the vulture, signifying remorse for stealing the celestial fire; Orpheus with his lyre; and the epic poet Homer. Athenian statesman Aristedes, known as “the Just,” is followed by Anaxagoras, who brought philosophy to Athens, and the great Athenian sculptor Phidias, who adorned the Parthenon. Socrates, who embodies Truth, and an ecce homo depiction of Jesus complete the progression.
In the Invention vase, Freedom is personified by a male figure wearing a liberty cap, a motif that is repeated throughout the relief. The narrative begins as he receives the lamp full of the sacred oil of knowledge from Minerva, the goddess of Wisdom. Freedom then embarks on his metaphorical journey, in which he receives symbolic gifts from three leading American inventors: Benjamin Franklin, who presents him with a key, referencing the discovery of electricity; Robert Fulton, who offers his design for the steamboat; and Samuel F. B. Morse, who demonstrates the electric telegraph. The inscription on the vase reads “I. A SCIENCE/II. FREEDOM/III. FREEDOM/IV. FRANKLIN/V. FREEDOM/VI. FULTON/VII. FREEDOM/VIII. MORSE.”
The third, larger and more elaborate vase, Republic, depicts George Washington along with President Abraham Lincoln, Civil War Admiral David G. Farragut, Chief Justice John Marshall and newly elected President Ulysses S. Grant, surrounded by allegorical figures symbolizing Peace, Prosperity and Progress.
History
Apparently, as revealed in a letter that Horatio Stone wrote to his friend and legal counsel, Robert J. Stevens, the artist first developed these figural processions to adorn the walls of the east and west Capitol porticoes. Because the completed Capitol extension did not provide the proper architectural opportunity, Stone transferred his concept to free-standing vases, recasting the traditional bacchanal imagery found on Etruscan and Greek vases into a commemorative historical narrative. The amount of $10,000 was included for the vases in the 1870 congressional appropriation bill, but Stone did not sign a contract for the work. He completed the sculptures and had them cast in bronze by the Robert Wood Foundry in Philadelphia in 1871; however, by that time the money had reverted to the treasury. Confronted with a lien on the vases, Stone sought the help of his patron, the engineer John Chipman Hoadley, who covered his foundry debt and brought the vases to Washington, D.C., where they were placed on temporary public view. According to the National Republican of December 16, 1871, Ecce Homo and Freedom were displayed “in the east corner of the new hall of the House of Representatives.” After Stone’s sudden death in 1875, ownership of the vases reverted to Hoadley. Hoadley himself died in 1886, and in 1887 a public subscription raised funds to present all three vases to the Boston Art Club, which sold them in 1939 to a California collector.
In 2015 the vases were offered for exhibit in the U.S. Capitol by their owners, Daniel and Mathew Wolf, in honor of their sister, the Honorable Diane R. Wolf. With the approval of the Joint Committee on the Library, the vases were accepted and placed on display atop specially designed sandstone pedestals in the east front vestibule of the Rotunda.
The Sculptor
Horatio Stone was born in Jackson, New York, in 1808. Stone’s attempts at woodcarving as a young boy showed his early interest in sculpture, but he left home as young man to study medicine. In the mid- to late 1840s, he closed his practice and moved to Washington, D.C., to focus on sculpture. He became interested in the decoration of the Capitol as a founder and president of the Washington Art Association, which evolved into the National Art Association. In 1858, the Association petitioned Congress for the formation of an art commission to oversee the acquisition of art for the Capitol; the commission existed for only one year. Stone maintained studios in Washington, including, for a time, a room in the Capitol, and worked on his sculpture in Italy. He sculpted three statues for the Capitol: John Hancock (1861), Alexander Hamilton (1868) and Edward Dickinson Baker (1876). He died in Carrara, Italy, in 1875.
A transcription of the plaque on the base, edited and formatted for clarity:
The Federal Vases
Invention, 1871, by Horatio Stone