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This ones entitled "The Young Discoverers". With full calendar pads you get to read all the amazing testimonials of the people who were cured of everything under the sun by taking this wonderful preparation! The Prue Food and Drug Act of 1906 squelched most of the Snake Oil peddlers. Hood's, after being a giant in the 1880's and 90's hung on but languished until 1922 when they closed their doors.
Accession Number: spa.33
Leaflet entitled "Independence.... is the next step forward". Reverse shows new SNP logo and statement "The SNP is a democratic left-of-centre political party committed to Scottish independence. It aims to create a just, caring and enterprising society in the mainstream of modern Europe by realising Scotland's full potential as an independent nation".
The Scottish Political Archive is housed at the University of Stirling. The archive is home to the oral interviews, personal papers and associated material from prominent Scottish politicians. For further information about the work of the archive please visit our website www.scottishpoliticalarchive.org.uk
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
NASA Goddard employees gathered on May 25, 2017 to pay their respects to family members, colleagues and friends who died in service to the United States.
The program, entitled "A Moment of Reflection: Remembering those who served – All Gave Some, Some Gave All” – was sponsored by the Veterans Advisory Committee (VAC) and the Diversity and Inclusion Program Office at Goddard and was held in the Noel Hinners Auditorium in Building 8.
The event began with welcoming remarks from Mark Hubbard, the VAC co-chair, followed by the presentation of colors, singing of the National Anthem and an invocation delivered by Wounded Warrior Chaplain Lt. Col. Todd Wolf.
Read more: www.nasa.gov/feature/goddard/2017/goddard-employees-hold-...
Credit: NASA/Goddard/Bill Hrybyk
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
An exhibition on contemporary design in Slovenia entitled "Silent Revolutions" was held at WIPO from October 7 to 26, 2015. The exhibition was inaugurated during the WIPO Assemblies, held in Geneva from October 5 to 14, 2015.
WIPO co-organized the exhibition with the Permanent Mission of the Republic of Slovenia to the UN Office in Geneva, the Slovenian IP Office (SIPO), and the Slovenian Museum of Architecture and Design.
In this photo: Household appliances HomeCHEF, SensoCARE and IQcook by Gorenje Design Studio, for Gorenje, 2012 and Alpina Racing Elite CS and CL Cross Country Ski Boots by Jure Miklavc, Jan Jagodič, Robert Križnar, for Alpina (2008).
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
Imagekind link:
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/North_Rhine-Westphalia
North Rhine-Westphalia (German: Nordrhein-Westfalen, usually shortened to NRW, official short form NW) is the westernmost and - in terms of population and economic output - the largest Federal State of Germany. North Rhine-Westphalia has over 18 million inhabitants, contributes about 22% of Germany's gross domestic product and comprises a land area of 34,083 km (13,158 square miles). North Rhine-Westphalia is situated in the Western part of Germany and shares borders with Belgium and the Netherlands. It has borders with the German states of Lower Saxony to the North and Northeast, Rhineland-Palatinate to the Southwest and Hesse to the Southeast.
The capital city is Düsseldorf, and the largest city is Cologne (Köln). Other major cities are Dortmund, Essen, Duisburg, Oberhausen, Aachen, Bielefeld, Bonn, Bochum, Bottrop, Bergisch Gladbach, Mönchengladbach, Mülheim, Münster, Gelsenkirchen, Krefeld, Hagen, Hamm, Herne, Iserlohn, Leverkusen, Neuss, Paderborn, Recklinghausen, Remscheid, Siegen, Solingen, Witten and Wuppertal.
The state is centred on the sprawling Rhine-Ruhr urbanised region, which contains the cities of Düsseldorf, Bonn and Cologne as well as the Ruhr Area industrial complex. The Ruhr area consists of, among others, the cities of Dortmund, Essen, Duisburg, Bochum, Gelsenkirchen and Oberhausen.
The state's area covers a maximum distance of 291 km from north to south, and 266 km from east to west.
The total length of the state's borders is 1,645 km. The following countries and states have a border with North Rhine-Westphalia:
Belgium (99 km)
The Netherlands (387 km)
Lower Saxony (583 km)
Hessen (269 km)
Rhineland Palatinate (307 km)
For many people North Rhine-Westphalia is synonymous with industrial areas and agglomerating cities. But the largest part of the state is used for agriculture (almost 52%), forests cover 25%. The southern parts of the Teutoburg Forest are located in the northeast. In the southwest, Nordrhein-Westafalen shares in a small part of the Eifel, located on the borders with Belgium and Rheinland-Pfalz. The southeast is occupied by the sparsely populated regions of Sauerland and Siegerland. The northwestern areas of the state are part of the Northern European Lowlands.
The most important rivers that run at least partially through North Rhine-Westphalia include: Rhine, Ruhr, Ems, Lippe and Weser. The Pader, which runs only through the city of Paderborn, is considered the shortest river in Germany.
The state of North Rhine-Westphalia was established by the British military administration on 25 October 1946. Originally it consisted of Westphalia and the northern parts of the Rhine Province, both formerly belonging to Prussia. In 1947 the former state of Lippe was merged with North Rhine-Westphalia, hence leading to the present borders of the state.
Cleo is a strange girl.
Happy at home, happy at school.
So what's her beef?
And why the graffiti?
A play concerned with fairness, class, education and social mobility.
Tinted postcard photograph entitled Trinity Church, Old Brompton, Kent comprising view of Holy Trinity parish church looking south-west from inside corner formed by Mansion Row and The Sally Port, showing in foreground junction of Mansion Row, The Sally Port, Garden Street and Military Road (later Maxwell Road), telegraph pole, in middle ground church wall and bollards, street lamp and tree, in middle ground church wall and in distance church and trees. Street scene shows onlookers including sappers in walking out dress facing camera, carriageway, wooden fence alongside Mansion Row and Military Road and iron railings alongside The Sally Port.
One of several different postcards taken from the same exposure.
IN CONGRESS, July 4, 1776.
The unanimous Declaration of the thirteen united States of America,
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.--Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
He has refused his Assent to Laws, the most wholesome and necessary for the public good.
He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.
He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.
He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their public Records, for the sole purpose of fatiguing them into compliance with his measures.
He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.
He has refused for a long time, after such dissolutions, to cause others to be elected; whereby the Legislative powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.
He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.
He has obstructed the Administration of Justice, by refusing his Assent to Laws for establishing Judiciary powers.
He has made Judges dependent on his Will alone, for the tenure of their offices, and the amount and payment of their salaries.
He has erected a multitude of New Offices, and sent hither swarms of Officers to harrass our people, and eat out their substance.
He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.
He has affected to render the Military independent of and superior to the Civil power.
He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:
For Quartering large bodies of armed troops among us:
For protecting them, by a mock Trial, from punishment for any Murders which they should commit on the Inhabitants of these States:
For cutting off our Trade with all parts of the world:
For imposing Taxes on us without our Consent:
For depriving us in many cases, of the benefits of Trial by Jury:
For transporting us beyond Seas to be tried for pretended offences
For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:
For taking away our Charters, abolishing our most valuable Laws, and altering fundamentally the Forms of our Governments:
For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.
He has abdicated Government here, by declaring us out of his Protection and waging War against us.
He has plundered our seas, ravaged our Coasts, burnt our towns, and destroyed the lives of our people.
He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation and tyranny, already begun with circumstances of Cruelty & perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.
He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.
He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages, whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.
In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.
Nor have We been wanting in attentions to our Brittish brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.
We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.
On 16 November 2021 Dame Sarah Falk delivered the 2021 Cambridge Freshfields Lecture entitled "Modern Judging".
The Honourable Mrs Justice Falk DBE spoke about modern judging, her experience as a High Court judge having followed an unconventional path to the High Court bench, the selection of judges, and some lessons learned from the pandemic for the conduct of proceedings.
Dame Sarah Falk studied law at the University of Cambridge before starting her professional career at Freshfields. She was a partner at Freshfields between 1994 and 2013 and subsequently worked as a consultant. While at Freshfields she was involved in graduate recruitment as well as holding managerial roles. She became a High Court judge in October 2018, sitting in the Chancery Division, and was appointed to the Judicial Appointments Commission as the High Court representative in October 2019.
The Cambridge Freshfields Lecture is an annual address delivered by a guest of the Cambridge Private Law Centre, and the event is sponsored by Freshfields Bruckhaus Deringer.
More information about this lecture, including photographs from the event, is available from the Private Law Centre website: www.privatelaw.law.cam.ac.uk/events/past-events
Yesterday I wrote a blog post entitled "10 Reasons Why the iDongle is Not for Me." In the article I gave 10 reasons why I'm not crazy about Apple's new Apple TV. The biggest thing for me is the picture quality of the TV that I want to watch.
The TV on my HDTV TiVo is just breathtaking.
This morning I headed up to the Apple store to check out the picture quality for myself and was very disappointed. On the demo model that they had there (and I'm assuming as a demo at their store they are using the best possible TV and video content they can get) the TV picture quality was just not good enough for me. It's not HDTV quality.
They were playing this "terra" channel thing as part of the demo and although it was "DiscoveryHD like" the picture quality is much worse. Maybe this picture quality is "good enough" for most people, but it's not "good enough" for me when compared to the picture quality I get on my HDTV TiVo.
Here's my article from yesterday:
thomashawk.com/2007/03/10-reasons-why-300-idongle-is-not-...
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
From my set entitled “Black Creek Pioneer Village”
www.flickr.com/photos/21861018@N00/sets/72157611538656614/
In my collection entitled "Places"
www.flickr.com/photos/21861018@N00/collections/7215760074...
In my photostream
www.flickr.com/photos/21861018@N00/
Reproduced from Wikipedia, the free encyclopedia
Black Creek Pioneer Village is an historic site in Toronto, Ontario, Canada, just west of York University and southeast of the Jane and Steeles intersection. It overlooks Black Creek, a tributary of the Humber River.
The village is a recreation of life in 19th-century Ontario and gives an idea how rural Ontario might have looked in the early-to-mid 1800s.
The "pioneer" village consists of over forty historic 19th century buildings, decorated in the style of the 1860s with period furnishings. Besides the Historical Interpreters and Craftspeople housed in the restored buildings, the site also features historical reenactments and visiting artisans. Buildings include period houses, the original Stong Family farm buildings, a water-powered grist mill, a general store, a blacksmith's shop along with over 10 other trades buildings, a hotel, a church, and a one-room schoolhouse. A core of buildings built by the Stong family are on their original sites, while others have been moved in from across Southern Ontario.
The majority of the buildings were moved from their original sites (notably the large Halfway House and Mennonite Meeting House), and some re-built on their current locations.
The village is a regular destination for field trips by schoolchildren from the Greater Toronto Area.
It is operated by the Toronto and Region Conservation Authority.
From my set entitled “Boats and Ships”
www.flickr.com/photos/21861018@N00/3206986832/in/set-7215...
In my collection entitled “Transportation”
www.flickr.com/photos/21861018@N00/collections/7215761271...
In my photostream
www.flickr.com/photos/21861018@N00/
Imagekind link:
Reproduced from Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/North_Rhine-Westphalia
North Rhine-Westphalia (German: Nordrhein-Westfalen, usually shortened to NRW, official short form NW) is the westernmost and - in terms of population and economic output - the largest Federal State of Germany. North Rhine-Westphalia has over 18 million inhabitants, contributes about 22% of Germany's gross domestic product and comprises a land area of 34,083 km (13,158 square miles). North Rhine-Westphalia is situated in the Western part of Germany and shares borders with Belgium and the Netherlands. It has borders with the German states of Lower Saxony to the North and Northeast, Rhineland-Palatinate to the Southwest and Hesse to the Southeast.
The capital city is Düsseldorf, and the largest city is Cologne (Köln). Other major cities are Dortmund, Essen, Duisburg, Oberhausen, Aachen, Bielefeld, Bonn, Bochum, Bottrop, Bergisch Gladbach, Mönchengladbach, Mülheim, Münster, Gelsenkirchen, Krefeld, Hagen, Hamm, Herne, Iserlohn, Leverkusen, Neuss, Paderborn, Recklinghausen, Remscheid, Siegen, Solingen, Witten and Wuppertal.
The state is centred on the sprawling Rhine-Ruhr urbanised region, which contains the cities of Düsseldorf, Bonn and Cologne as well as the Ruhr Area industrial complex. The Ruhr area consists of, among others, the cities of Dortmund, Essen, Duisburg, Bochum, Gelsenkirchen and Oberhausen.
The state's area covers a maximum distance of 291 km from north to south, and 266 km from east to west.
The total length of the state's borders is 1,645 km. The following countries and states have a border with North Rhine-Westphalia:
Belgium (99 km)
The Netherlands (387 km)
Lower Saxony (583 km)
Hessen (269 km)
Rhineland Palatinate (307 km)
For many people North Rhine-Westphalia is synonymous with industrial areas and agglomerating cities. But the largest part of the state is used for agriculture (almost 52%), forests cover 25%. The southern parts of the Teutoburg Forest are located in the northeast. In the southwest, Nordrhein-Westafalen shares in a small part of the Eifel, located on the borders with Belgium and Rheinland-Pfalz. The southeast is occupied by the sparsely populated regions of Sauerland and Siegerland. The northwestern areas of the state are part of the Northern European Lowlands.
The most important rivers that run at least partially through North Rhine-Westphalia include: Rhine, Ruhr, Ems, Lippe and Weser. The Pader, which runs only through the city of Paderborn, is considered the shortest river in Germany.
The state of North Rhine-Westphalia was established by the British military administration on 25 October 1946. Originally it consisted of Westphalia and the northern parts of the Rhine Province, both formerly belonging to Prussia. In 1947 the former state of Lippe was merged with North Rhine-Westphalia, hence leading to the present borders of the state.
Tinted postcard photograph entitled Trinity Church, Old Brompton, Kent comprising view of Holy Trinity parish church looking south-west from inside corner formed by Mansion Row and The Sally Port, showing in foreground junction of Mansion Row, The Sally Port, Garden Street and Military Road (later Maxwell Road), telegraph pole, in middle ground church wall and bollards, street lamp and tree, in middle ground church wall and in distance church and trees. Street scene shows onlookers including sappers in walking out dress facing camera, carriageway, wooden fence alongside Mansion Row and Military Road and iron railings alongside The Sally Port.
One of several different postcards taken from the same exposure.
Original poster entitled “Air Raid Wardens,” used to denote a group of local Office of Civilian Defense air raid wardens for Pasquotank County, NC, used in an Office of Civilian Defense parade held in Elizabeth City, NC, on July 4, 1942, during World War II. Participating in the parade were: J. K. Wilson, who served as the chief air raid warden for Pasquotank County; and J. H. LeRoy, who served as the commander of the Pasquotank County Civilian Defense [July 1942] [Poster sent with a description note from the Elizabeth City OCD that was removed during processing].
From North Carolina WWII Home Front Posters, WWII 11, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.
The trans-disciplinary and post-digital series entitled FrAgility addresses the fragility/agility of design, technology, materiality, environment, nature and architecture in the 21st century, and results from the collaboration of a plethora of disciplines (industry, craftsmen, material scientists, biologists, couturiers, artists, engineers…). Fully robotically 3-D-printed, Pahoehoe is a landscape, a garden – a chimera of both natural and man-made materials, objects and species – yet with antithetical techno-organic aesthetics. The project reflects with particular attention on the often troubled, in some cases incompatible relationship of the built environment with the natural environment. It creates a hybrid domain beyond the oppressive binaries of western modernity, defined by an ecosystem of specious symbionts and mistaken materials.
Credit: tom mesic
Federal Vases
This pair of bronze vases, which artist Horatio Stone entitled “Ecce Homo” and “Freedom,” have been variously referred to as “Philosophy” and “Invention,” or more simply as the Federal Vases. They are part of a group of three; the third, larger vase, entitled “Republic,” is located at the Pomona College Montgomery Art Gallery in Claremont, California. Collectively, they suggest that American democracy draws its strength from a moral foundation coupled with native ingenuity.
•Artist: Horatio Stone
•Date: 1871
•Material: Bronze
•Dimensions: 34½" tall, 15" diameter
•Location: East Front Vestibule, U.S. Capitol Rotunda
Stone apparently conceived this unusual sculptural ensemble around 1868, specifically for display at the U.S. Capitol to reinforce the concept of American stability and unity in the wake of the Civil War. These vases, each 34½ inches tall and 15 inches in diameter, convey their message through a procession of low-relief figures, inscriptions and recognizable details, such as the telegraph machine and views of the Capitol dome, before and after the Capitol extension.
The vase referred to as Philosophy depicts the evolution of ethical thought and celebrates Greek philosophers as well as the artistic contributions of poets, musicians and sculptors to cultural development. The figures are identified in the inscription: “I. PROMETEUS/II. ORPHEUS/II. HOMER/IV. ARISTIDES/V. ANAXAGORAS/VI. PHIDIAS/VII. SOCRATES/VII. ECCE HOMO.” The frieze begins with the mythological figure of Prometheus and the vulture, signifying remorse for stealing the celestial fire; Orpheus with his lyre; and the epic poet Homer. Athenian statesman Aristedes, known as “the Just,” is followed by Anaxagoras, who brought philosophy to Athens, and the great Athenian sculptor Phidias, who adorned the Parthenon. Socrates, who embodies Truth, and an ecce homo depiction of Jesus complete the progression.
In the Invention vase, Freedom is personified by a male figure wearing a liberty cap, a motif that is repeated throughout the relief. The narrative begins as he receives the lamp full of the sacred oil of knowledge from Minerva, the goddess of Wisdom. Freedom then embarks on his metaphorical journey, in which he receives symbolic gifts from three leading American inventors: Benjamin Franklin, who presents him with a key, referencing the discovery of electricity; Robert Fulton, who offers his design for the steamboat; and Samuel F. B. Morse, who demonstrates the electric telegraph. The inscription on the vase reads “I. A SCIENCE/II. FREEDOM/III. FREEDOM/IV. FRANKLIN/V. FREEDOM/VI. FULTON/VII. FREEDOM/VIII. MORSE.”
The third, larger and more elaborate vase, Republic, depicts George Washington along with President Abraham Lincoln, Civil War Admiral David G. Farragut, Chief Justice John Marshall and newly elected President Ulysses S. Grant, surrounded by allegorical figures symbolizing Peace, Prosperity and Progress.
History
Apparently, as revealed in a letter that Horatio Stone wrote to his friend and legal counsel, Robert J. Stevens, the artist first developed these figural processions to adorn the walls of the east and west Capitol porticoes. Because the completed Capitol extension did not provide the proper architectural opportunity, Stone transferred his concept to free-standing vases, recasting the traditional bacchanal imagery found on Etruscan and Greek vases into a commemorative historical narrative. The amount of $10,000 was included for the vases in the 1870 congressional appropriation bill, but Stone did not sign a contract for the work. He completed the sculptures and had them cast in bronze by the Robert Wood Foundry in Philadelphia in 1871; however, by that time the money had reverted to the treasury. Confronted with a lien on the vases, Stone sought the help of his patron, the engineer John Chipman Hoadley, who covered his foundry debt and brought the vases to Washington, D.C., where they were placed on temporary public view. According to the National Republican of December 16, 1871, Ecce Homo and Freedom were displayed “in the east corner of the new hall of the House of Representatives.” After Stone’s sudden death in 1875, ownership of the vases reverted to Hoadley. Hoadley himself died in 1886, and in 1887 a public subscription raised funds to present all three vases to the Boston Art Club, which sold them in 1939 to a California collector.
In 2015 the vases were offered for exhibit in the U.S. Capitol by their owners, Daniel and Mathew Wolf, in honor of their sister, the Honorable Diane R. Wolf. With the approval of the Joint Committee on the Library, the vases were accepted and placed on display atop specially designed sandstone pedestals in the east front vestibule of the Rotunda.
The Sculptor
Horatio Stone was born in Jackson, New York, in 1808. Stone’s attempts at woodcarving as a young boy showed his early interest in sculpture, but he left home as young man to study medicine. In the mid- to late 1840s, he closed his practice and moved to Washington, D.C., to focus on sculpture. He became interested in the decoration of the Capitol as a founder and president of the Washington Art Association, which evolved into the National Art Association. In 1858, the Association petitioned Congress for the formation of an art commission to oversee the acquisition of art for the Capitol; the commission existed for only one year. Stone maintained studios in Washington, including, for a time, a room in the Capitol, and worked on his sculpture in Italy. He sculpted three statues for the Capitol: John Hancock (1861), Alexander Hamilton (1868) and Edward Dickinson Baker (1876). He died in Carrara, Italy, in 1875.
A transcription of the plaque on the base, edited and formatted for clarity:
The Federal Vases
Philosophy, 1871, by Horatio Stone
Mural entitled "Renaissance" by Antonio Segura [Dulk] aka @dulk1, seen at 4290 Brighton Boulevard in the RiNo area of Denver, Colorado.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
Installation of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the back.
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
This is the finished 3D Painting entitled Centurion.
See the full slide show in the Epic Journey in the Transformation of this 3D Painting here.
www.flickr.com/photos/57605784@N06/sets/72157625891634410...
When I first saw this picture I know I had to paint it, full credit to the original artist, it is a masterpiece. Bursting out of the Colosseum, on the left you have the elements of history and tradition, and on the right you have the future, which looks like a space craft, and in the middle you have the Centurion, signalling, forward...the past and future being lead by the present, how it should be.
Working full time as well, this picture may take me 3 to 4 days to complete, every night I will post more & more stages to completion. If you click on the Slideshow link below you can watch a Slideshow showing the many stages in the painting of the picture, iv uploaded 11 so far, it may take as many as 30 until im happy with it. Every night if you click on the same link you will see the new additions automatically added to the slidehow, giving you an insight into how 3D Paintings are created.
Transformation Slideshow :
www.flickr.com/photos/57605784@N06/sets/72157625891634410...
As with all civilisations, nations & empires, its not how strong you are, its what you stand for that counts , it is these values, not military might & brute force, that determines longevity & prosperity.
Many things have been said about the Romans, the recent film released 2010 entitled Centurion is a good example, as was Spartacus, and the birth & life of Jesus Christ. When all is said & done the Romans lasted an aweful long time, they must have been doing something right.
There demise was started with the emergence of a movement that put forth to mankind a much higher set of values, not a stronger military force. That movement is Christianity.
The Roman civilisation tried to Adapt, tried to absorb, but its decline was inevitable. The Catholic Church is what remains of the Roman branch of Christianity.
From my set entitled “Smokebush”
www.flickr.com/photos/21861018@N00/sets/72157607213776358/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
Smoketree or Smoke bush (Cotinus) is a genus of two species of flowering plants in the family Anacardiaceae, closely related to the sumacs (Rhus). They are large shrubs or small trees, native to the warm temperate Northern Hemisphere. The leaves are deciduous, alternate, simple oval shape, 3-13 cm long. The flowers are clustered in a large open terminal panicles 15-30 cm long with a fluffy grayish-buff appearance resembling a cloud of smoke over the plant, from which the name derives. The fruit is a small drupe with a single seed. Often classified in Rhus in the past, they are distinguished by the leaves being simple (not pinnate) and the 'smoke-like' fluffy flower heads.
The American Smoketree (Cotinus obovatus, syn. Rhus cotinoides) is native to the southeastern United States, from Tennessee south to Alabama and west to eastern Texas. It is a larger plant, frequently becoming a small tree up to 10-12 m tall and with a trunk up to 25 cm diameter. The leaves are also larger, 6-13 cm long; it also has varied but very bright fall color, usually brighter than the Eurasian species. The flower heads are usually sparser than in C. coggygria.
The smoketrees, particularly C. coggygria, are popular garden shrubs. Several bronze or purple-leaved cultivars of C. coggygria have been selected, with warm pink inflorescences set against purple-black foliage; the commonest in commerce are 'Notcutt's Variety' and 'Royal Purple'. When brought into cultivation together, the two species will form hybrids; some garden cultivars are of this parentage.
Cultivation is best in dry, infertile soils, which keeps the growth habit more compact and also improves the autumn colour; when planted in fertile soil, they become large, coarse and also tend to be short-lived, succumbing to verticillium wilt disease. Both species can be coppiced in early spring, to produce first-year shoots up to 2 m tall with large handsome leaves, but no "smoke".
Inaugurated on October 18, 2000, this monument entitled "Women are Persons!" is a tribute to Nellie McClung, Irene Parlby, Emily Murphy, Louise McKinney and Henrietta Muir Edwards. Known as the Famous Five, these women won the "Persons" Case, a 1929 court ruling which legally declared women as persons under the British North America Act and made them eligible for appointment to the Canadian Senate
The larger-than-life sculptures by Edmonton artist Barbara Paterson were donated to the Government of Canada by the Famous 5 Foundation. They show the five women celebrating their important legal victory in characteristic poses. An empty chair adds an interactive feature to the monument that invites passers-by to join the group. The newspaper with the headline "Women are Persons" that Nellie McClung is holding reflects some of the actual headlines of newspapers of the day.
Nellie L. McClung (1873-1951), novelist, journalist, suffragette and temperance worker. She was a member of the Alberta legislature, the only woman on the Dominion War Council, and the first woman on the CBC Board of Governors.
Irene Parlby (1868-1965), suffragette and politician. She was elected president of the women's branch of the United Farmers of Alberta in 1916 and became a member of the Alberta legislature in 1921. She was still a member of Parliament at the time of the Persons Case.
Emily G. Murphy (1868-1933), instigator of the Persons Case, writer, and first woman magistrate in the British Empire. She pioneered married women's rights, was National President of the Canadian Women's Press Club 1913-1920, vice-president of the National Council of Women and first president of the Federated Women's Institutes of Canada.
Henrietta Muir Edwards, (1849-1931), journalist, suffragist and organizer, fought for equal rights for wives, mothers' allowances and women's rights. She started the Working Girls' Association in Montréal in 1875, a forerunner of the YWCA. Later, while living in Alberta, she compiled two works on Alberta and federal laws affecting women and children.
Louise McKinney (1868-1931), politician and temperance campaigner. She was president of the Dominion Women's Christian Union and elected to the Alberta legislature in 1917 as representative of the non-partisan league.
- - -
Inauguré le 18 octobre 2000, ce monument intitulé «Les femmes sont des personnes!» rend hommage à Nellie McClung, Irene Parlby, Emily Murphy, Louise McKinney et Henrietta Muir Edwards. Ces cinq femmes, mieux connues sous le nom des « Cinq femmes célèbres », ont gagné l'affaire « personnes », un jugement de 1929 qui reconnaissait l'existence des femmes en tant que personnes selon l'Acte de l'Amérique du Nord britannique et les rendait admissibles à être nommées au Sénat du Canada
Les sculptures plus grandes que nature, oeuvre de l'artiste Barbara Paterson, d'Edmonton, ont été offertes au Gouvernement du Canada par la fondation Famous 5. Elles représentent les cinq femmes célébrant leur victoire juridique historique dans des poses caractéristiques. Une chaise vide fait partie de l'oeuvre et constitue un élément interactif qui invite les passants à se joindre au groupe. Le titre «Les femmes sont des personnes», sur le journal qu'arbore Nellie McClung, représente bien le type de manchettes qu'on pouvait lire à l'époque.
QUI SONT LES CINQ FEMMES CÉLÈBRES (de gauche à droite sur la photo, source :Archives nationales du Canada) :
Nellie L. McClung (1873-1951), romancière, journaliste, suffragette et militante au sein du mouvement de tempérance. Députée à l'Assemblée législative de l'Alberta, elle fut la seule femme à siéger au Dominion War Council et la première femme à faire partie du Conseil des gouverneurs de la Canadian Broadcasting Corporation.
Irene Parlby (1868-1965), suffragette et femme politique. Elle fut élue en 1916 présidente de la section féminine de la United Farmers of Alberta et, en 1921, députée à l'Assemblée législative de l'Alberta. Elle siégeait encore au Parlement au moment de l'affaire « personnes ».
Emily G. Murphy (1868-1933), instigatrice de l'affaire « personnes », écrivaine et première femme à siéger comme juge municipale dans l'Empire britannique. Elle a revendiqué les droits des femmes mariées, a été présidente nationale du Canadian Women's Press Club de 1913 à 1920, vice-présidente du National Council of Women et première présidente de la Federated Women's Institutes of Canada.
Henrietta Muir Edwards, (1849-1931), journaliste, suffragette et organisatrice, lutta pour l'égalité des droits des femmes et des épouses, et pour les allocations familiales. En 1875, à Montréal, elle fonda la Working Girls' Association, qui deviendrait un jour la Young Women's Christian Association (YWCA). Plus tard, lorsqu'elle habitait l'Alberta, elle compila deux recueils de lois provinciales et fédérales concernant les femmes et les enfants.
Louise McKinney (1868-1931), femme politique et militante de la tempérance. Elle présida la Dominion Women's Christian Union et fut élue à l'Assemblée législative de l'Alberta en 1917 comme représentante de la ligue non partisane.
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Safe and Fair programme, through a partnership with World Vision Foundation of Thailand, trained women migrant construction workers on a site in Pathum Thani province to help them understand labour rights and their entitlements.
6 February 2023. © ILO/Pichit Phromkade.
More information about Safe and Fair programme:
www.ilo.org/asia/projects/WCMS_632458/lang--en/index.htm.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
This Christmas bauble, entitled "Tudor Rose in Red" depicting a stylised rose in the Tudor style was hand beaded with sequins and pins by me. I have a Christmas tradition. I bead one Christmas bauble for a select group of friends every year.
"Tudor Rose in Red" is actually for Christmas 2013 (yes, I'm a bit early I know) and is going to a friend of mine, who like me, is an ex-pat from Britain Past baubles have featured such things as things from home like snowflakes, winter scenes and this year, a holly sprig.
Each bauble is 25 centimetres in diameter and contain hundreds of sequins, varying in number depending upon the complexity of the image and the type of sequins I use. Most sequins in this bauble are 5mm in diameter, except the white background ones which are 8mm. Depending upon the colour of the sequin, I will use either a gold or a silver pin to attach it to the bauble. The white, and black sequins all use silver pins, The gold and red sequins are affixed with gold pins.
Each bauble takes approximately 6 hours per side, and this is why my select group of friends only get one each year!
It is however, a labour of love which I do to pass the time throughout the year.
Dunmanway continues to promote its most famous son Sam Maguire with yet another wonderful project entitled ‘The Sam Maguire Passport’. It was officially launched on Sunday, 26th May, at St Patrick’s Cathedral, Dublin, by the President of the GAA John Horan, who said: ‘We pride ourselves in the GAA on being a community organisation. The Rev Cliff Jeffers is so keen and so driven. He is doing something that is a big benefit to the community and to the GAA… This is a GAA story and he is giving new life to it. But it will also bring benefit to the community. It will put Dunmanway on the map.’
Over 500 samples of the Sam Maguire Passport were distributed to those who attended a special service ‘in celebration of the inclusivity in the Gaelic Athletic Association’. Former President of Ireland Mary McAleese, Tom Ryan and Edel Maguire were among those who read at the service.
Dunmanway Community Tourism Initiative, consisting of the Reverend Cliff Jeffers, film–maker Brendan Hayes, Margaret Hennessey, Aine O’Brien of Dunmanway Library, and UCC marketing intern Máiread O’Donovan, together with students from Cork Institute of Technology, collaborated to develop three different types of passport for under–12s, under–18s and seniors.
The passport challenges the holder to follow in Sam Maguire’s steps by visiting the different locations in Dunmanway he frequented including his home and school. They will collect stamps along the way as a reward for a number of challenges which will help them to fulfil the criteria of the passport’s purpose.
On completion the passport holder will be entitled to attend one of the four celebrations planned over the summer where they will get their own personal All–Ireland winning experience with the trophy replica presented to them by one of a number of different former GAA presidents, including Sean Kelly MEP. Mr Kelly was GAA President in 2002 when he officially unveiled the Sam Maguire statue in Dunmanway.
The project is yet another collaboration between the Reverend Cliff Jeffers, Rector of the Fanlobbus Union of Parishes, and Brendan Hayes. Last year, Brendan worked on www.visitdunmanway.ie and the Sam Maguire Community Bells documentary, which is now the audio visual component of the Sam Maguire Visitor Experience.
The Reverend Cliff Jeffers said: 'In life Sam was Protestant by creed and Nationalist by conviction and this project encourages unity and reconciliation among the people and the community from all traditions in his hometown
'The Sam Maguire Passport Trail can be undertaken at any time, with external story boards at each location providing the information for the answers to be discovered and spare ‘visa stamps’ at St Mary’s Church and Dunmanway Swimming Pool. Opening times are given in the passport, with the majority of the locations giving priority to being open for July and August when Sam’s story can be comprehensively discovered. Special opening times can be arranged for groups who wish to visit at any time of year.'
The Sam Maguire Passport is best experienced by visiting Sam Maguire’s hometown of Dunmanway in West Cork. The Sam Maguire Passport also can be completed with an online version of the passport and going on a virtual tour of the locations on our website www.visitdunmanway.ie
Dunmanway town looks forward to welcoming everyone in their quest to follow Sam’s steps using the Sam Maguire Passport.
1957 “AIR BOX” CORVETTE RPO-579D
CHEVROLET ENGINEERING COLD -AIR INDUCTION TEST CORVETTE
ES57S104469
Shortly after joining Chevrolet, Zora Arkus-Duntov wrote a memo entitled "Thoughts Pertaining to Youth, Hot Rodders and Chevrolet", which laid the foundation for the strategy that Chevrolet has used ever since to create one of the most successful performance parts programs in the industry. Chevrolet quickly became one of the most successful manufacturers ever in the history of motor racing. Zora came be known as the “Father of the Corvette”.
This Chevrolet Engineering Cold-Air Induction test Corvette E57S104469 was built at the St. Louis Corvette Plant on June 7, 1957 and shipped to Chevrolet Engineering for track evaluation as specified by then Chief Engineer, Zora Arkus-Duntov. The Marchal Fantastic 660/300 Driving Lights first used by Duntov on the 1956 Sebring #1 Corvette driven by John Fitch, a.k.a The Real McCoy, were also used on #4469 but were moved inside to a one-off oval grille with the center teeth and bar removed to better funnel cooling air through the radiator.
This RPO-579D Corvette is one, of only two, “Air Box” Corvettes that retains the original RPO-579D “F502EL” engine and Airbox, RPO-684 Heavy Duty Brakes & Suspension, RPO-685 Four Speed and RPO-677A Positraction Axle that Duntov specified as Chief Engineer for Corvette Racing. It was fitted with a special X-Frame to install the straight-thru Sebring 2-1/4” exhaust fabricated by SEDCO for Corvettes #3 & #4 only.
The car is presented in original red, white and blue Corvette Racing livery as it appeared on June 19th, 1957 at GM Styling Center (see photo). The paint scheme was originally created by William L. Mitchell for the 1956 Sebring Team Corvettes using what was known as “Mitchell Blue.”
The meticulous restoration was done by noted Corvette expert and respected restorer, Kenneth W. Kayser, who wrote the definitive book on the Air Box Corvettes entitled, The History of GM's Ramjet Fuel Injection on the Chevrolet V-8 and Its' Corvette Racing Pedigree.
SPECIFICATIONS:
Chassis NumberES57S104469St Louis Assembled June 7 1957
Engine NumberF502ELFlint May 2 “EL” Corvette 283HP
EngineRPO-579DAir Box w/Column 8k Tachometer
ChassisRPO-684HD Brakes & Suspension
TransmissionRPO-685 Four Speed Manual
DifferentialRPO-677APositraction 3.70:1 Ratio
WheelsRPO-27615”x 5-1/2”K
Entitled ‘The Enemy’ and based upon the charcoal sketch originally exhibited at The Future Tense group launch show in 2010, the work was developed in collaboration with world-renowned print studio, Thumbprint Editions. Thumbprint is best known for creating etchings and woodcuts with such artists as Damien Hirst, Anish Kapoor and Tracey Emin, including her most recent release ‘The Kiss’.
Measuring a generous 100 x 70 cm and limited to a signed edition of 50 + 3 artist proofs, the print uses a traditional Polymer Gravure etching process to fully capture the unique tonal variation typically found in charcoal works on paper. This complex, highly technical process produces prints of unrivalled quality, whilst also creating an attractive embossed frame within the paper due to the extreme pressures on the plate during the printing process.
The Enemy will be available from www.thefuturetense.net from midday GMT on Thursday June 16th.
Safe and Fair programme, through a partnership with World Vision Foundation of Thailand, trained women migrant construction workers on a site in Pathum Thani province to help them understand labour rights and their entitlements.
6 February 2023. © ILO/Pichit Phromkade.
More information about Safe and Fair programme:
www.ilo.org/asia/projects/WCMS_632458/lang--en/index.htm.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
St Pancras New Church (so entitled to differentiate it from an older building that remains several blocks away to the north east) was built in 1819-22 to the designs of William & Henry Inwood and is a remarkable example of the then prevalent taste for Neo-Classical architecture. Few churches can claim to be as Grecian in style as this one, which boasts the unique features of two porticoes flanking the east end copied directly from the famous caryatid porch of the Erectheum on the Athenian Acropolis, complete with column figures in terracotta (molded in sections around cast-iron columns). The spindly octagonal tower is a major landmark to visitors arriving at nearby Euston Station just over the main road (as it has welcomed me on many visits to the capital).
The interior of the church continues the theme of Classical severity, with a broad flat coffered ceiling spanning the nave with the apse beyond adding a touch of enrichment. The Victorian glass in the windows does make the space a little gloomier than it could be. The galleries remain and create side aisles beneath them but otherwise the interior retains the impression of a large unified space.
I am unsure what normal opening times are for this church but I believe it is usually open in office hours during the day.
I got this popup book entitled ''Disney Frozen: A Pop-Up Adventure'' by Matthew Reinhart. I got it a couple of weeks ago from 20th Century Music Company on Main Street in Disneyland. It had just been released last month (October 2016). It came wrapped in clear plastic, with a paper insert in the back. It tells the story of Frozen in pop-up drawings depicting actual scenes from the movie. There are six double page pop-ups, with some of them transforming into two separate scenes by means of pull tabs. There are also many smaller pop-ups tucked inside of side panels next to the main pop-ups. It costs $40.
From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
Sculpture entitled Conjoined by Matthew Arnold Harrison based on a scan of African masks and rendered using a home-made 3D printer. Seen in the "I was raised on the internet" exhibition at the Museum of Contemporary Art in Chicago, Illinois.
Ceremony of Glen Cinema Memorial entitled Rattle Little Mother at Dunn Square Paisley.
Location Of Names On Rattle Little Mother, Glen Cinema Memorial
Front “ To The Children Of The Glen Cinema “
Left Panel as you face front of memorial which faces in the direction of the Piazza “ Elizabeth Leonard - Samuel McBlane - Sarah McCafferty - Robert McConnell - Nellie McCran - Minnie McCran - Edward McEnhill - Margaret McEnhill - James McEnhill - Denis McGarrity - Robert McGirr - Jeanie McGrattan - Mary McWattie - Margaret Morrow - Robert Niven - Georgina Peacock - Tom Perkins - John Pinkerton - William Pinkerton - Alexander Telfer - William Rae - Thomas Renfrew - George Scott - William Spears - Jane Stevenson - Robert Wingate.
Back of Memorial which faces Paisley Town Hall “ James Gielty - John Gielty - Norman Gillies - John Goodwin - Henry Green - Mary Green - Archibald Grogan - Annie Hamilton - George Hammond “ 31 December 1929 “ Elizabeth Hart - Peter Houston - Thomas Howard - Julia Irvine - William Irvine - Thomas Jackson - James Johnston - George Kennedy - Helen Kilkie - Thomas Kilkie.
Right panel as you face front of memorial which faces towards Forbes Place “ Robert Adams - Robert Alexander - John Bell - William Black - Hugh Blue - John Bowes - David Boyd - Caroline Brain - Lily Buchanan - John Cairns - Daniel Corbett - Elizabeth Corrigan - Agnes Coyle - Robert Craig - Francis Curran - Elizabeth Dempster - Leah Dixon - Mary Dolan - George Elliott - Henry Elliott - Bessie Finlay - Enso Fiori - Janet Fitch - William Fitch - James Gatherer - Margaret Gibson.
N.B All lettering in gold except from “ 31 December 1929 “ on rear of memorial which is in black, both sides contain 26 names whilst there is 19 names on the bac
A statue of Adolf Hitler praying on his knees with his hands clasped is causing controversy in Warsaw, Poland. The Simon Wiesenthal Center calls the statue, entitled “HIM” by Italian artist Maurizio Cattelan “a senseless provocation which insults the memory of the Nazis' Jewish victims.”
The work is one piece in Cattelan’s retrospective show “Amen” which the artist says explores the subject of “life, death, good and evil.”
The statue, which is on display in a former Warsaw ghetto, is visible only from a distance through a hole in a wooden gate. Viewers only see the back of the small figure, which appears to be a harmless schoolboy, praying in a courtyard.
Commenting on the Hitler praying statue, the Wiesenthal Center’s Israel director Efraim Zuroff said “As far as the Jews were concerned, Hitler's only 'prayer' was that they be wiped off the face of the earth.”
Fabio Cavallucci, the director of the Centre for Contemporary Art, who oversaw the installation, said, "There is no intention from the side of the artist or the centre to insult Jewish memory,” but to make people reflect on the nature of evil.
“It's an artwork that tries to speak about the situation of hidden evil everywhere,” he says, and to remind those who see it that “every criminal was once a tender, innocent and defenseless child.”
Organizers of the display also raised eyebrows by placing the statue in the former ghetto, an area of Warsaw that the Nazis sealed off after invading Poland.
It was there that many Jews live in cramped and inhuman conditions while waiting to be deported to concentration camps. Many didn’t survive the brutal conditions at the ghetto and died from hunger or disease or were executed by German soldiers.
While artists sometimes utilize graphic or disturbing images to provoke viewers and stir up controversy, they occasionally cross the bounds of good taste and spark moral outrage over the message they’re trying to convey.
Such appears to be the case with the praying Hitler statue, which critics say attempts to soften the image of the Nazi despot.
To Jews, Adolf Hitler represents a modern-day Haman, who plotted to destroy the Jews during the days of Queen Esther (Esther 3).
Pray that the memories of Nazi atrocities will never be forgotten and that civilized people everywhere will learn the lessons of history, or be doomed to repeat it.
For more on this story, visit: Jerusalem Prayer Team Articles Page.
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Dunmanway continues to promote its most famous son Sam Maguire with yet another wonderful project entitled ‘The Sam Maguire Passport’. It was officially launched on Sunday, 26th May, at St Patrick’s Cathedral, Dublin, by the President of the GAA John Horan, who said: ‘We pride ourselves in the GAA on being a community organisation. The Rev Cliff Jeffers is so keen and so driven. He is doing something that is a big benefit to the community and to the GAA… This is a GAA story and he is giving new life to it. But it will also bring benefit to the community. It will put Dunmanway on the map.’
Over 500 samples of the Sam Maguire Passport were distributed to those who attended a special service ‘in celebration of the inclusivity in the Gaelic Athletic Association’. Former President of Ireland Mary McAleese, Tom Ryan and Edel Maguire were among those who read at the service.
Dunmanway Community Tourism Initiative, consisting of the Reverend Cliff Jeffers, film–maker Brendan Hayes, Margaret Hennessey, Aine O’Brien of Dunmanway Library, and UCC marketing intern Máiread O’Donovan, together with students from Cork Institute of Technology, collaborated to develop three different types of passport for under–12s, under–18s and seniors.
The passport challenges the holder to follow in Sam Maguire’s steps by visiting the different locations in Dunmanway he frequented including his home and school. They will collect stamps along the way as a reward for a number of challenges which will help them to fulfil the criteria of the passport’s purpose.
On completion the passport holder will be entitled to attend one of the four celebrations planned over the summer where they will get their own personal All–Ireland winning experience with the trophy replica presented to them by one of a number of different former GAA presidents, including Sean Kelly MEP. Mr Kelly was GAA President in 2002 when he officially unveiled the Sam Maguire statue in Dunmanway.
The project is yet another collaboration between the Reverend Cliff Jeffers, Rector of the Fanlobbus Union of Parishes, and Brendan Hayes. Last year, Brendan worked on www.visitdunmanway.ie and the Sam Maguire Community Bells documentary, which is now the audio visual component of the Sam Maguire Visitor Experience.
The Reverend Cliff Jeffers said: 'In life Sam was Protestant by creed and Nationalist by conviction and this project encourages unity and reconciliation among the people and the community from all traditions in his hometown
'The Sam Maguire Passport Trail can be undertaken at any time, with external story boards at each location providing the information for the answers to be discovered and spare ‘visa stamps’ at St Mary’s Church and Dunmanway Swimming Pool. Opening times are given in the passport, with the majority of the locations giving priority to being open for July and August when Sam’s story can be comprehensively discovered. Special opening times can be arranged for groups who wish to visit at any time of year.'
The Sam Maguire Passport is best experienced by visiting Sam Maguire’s hometown of Dunmanway in West Cork. The Sam Maguire Passport also can be completed with an online version of the passport and going on a virtual tour of the locations on our website www.visitdunmanway.ie
Dunmanway town looks forward to welcoming everyone in their quest to follow Sam’s steps using the Sam Maguire Passport.
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
UUSC's JustWorks programming includes a service-learning trip entitled "Freedom Summer: A Civil Rights Journey." This inter-generational experience visits important historical locations from the Civil Rights movement and participants hear firsthand accounts from activists who took a stand for social justice.
uusc.org
The exhibition, entitled Montezuma’s Breakfast, was part of an ensemble that included the installation space, a catalogue, an artist’s book, an invitation card, and artwork titles; Nonas intended them to form a seamless but mysterious whole that would “create small, ongoing intrusions into the expectations of the audience.”
Nonas, Richard. Montezuma's Breakfast. New York: SZ Press, 1977.
See MCAD Library's catalog record for this book.
Original poster entitled “Uncle Sam Calls You,” promoting a week-long meeting from September 15-21 of an unspecified year with a local Office of Civilian Defense block leader for local civilians to be involved in local Civilian Defense wartime services. The female block leader would explain how households could participate in community wartime programs such as child care, home nursing, salvage of materials, and the WACCS. The poster was created by B. E. Moore. This poster was believed to have been used in Wake County, NC, during World War II [1940s].
From North Carolina WWII Home Front Posters, WWII 11, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.
Author Steven Johnson delivers the opening keynote entitled "From Idea to Innovation" during CITE Conference + Expo Monday April 28, 2014 at the Hilton Union Square in San Francisco.
Consumerization of IT in the Enterprise Conference + Expo brings together the buyers and sellers of consumerized IT solutions to drive adoption and deployment in the enterprise. CITE Conference gives IT and business executives, venture capitalists and a wide array of business technology decision-makers, a holistic view of how personal technology is changing and infusing the workplace -- with the ability to drive innovation and productivity to new heights. Embracing this trend is critical not only for attracting and empowering the next generation workforce but for retaining customers and creating business advantage.
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From my set entitled “Heuchera”
www.flickr.com/photos/21861018@N00/sets/72157607185356154/
In my collection entitled “The Garden”
www.flickr.com/photos/21861018@N00/collections/7215760718...
From Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/HeucheraThe genus Heuchera includes at least 50 species of herbaceous perennial plants in the family Saxifragaceae, all native to North America. Common names include alumroot and coral bells. They have palmately lobed leaves on long petioles, and a thick, woody rootstock. The genus was named after Johann Heinrich von Heucher (1677–1746), an 18th century German physician.
Alumroot species grow in varied habitats, so some species look quite different from one another, and have varying preferences regarding temperature, soil, and other natural factors. H. maxima is found on the Channel Islands of California, where it grows on rocky, windy, saline-washed ocean shores. H. sanguinea, called coral bells because of its terra cotta-colored flowers, can be found in the warm, dry canyons of Arizona. Gardeners and horticulturists have developed a multitude of hybrids between various Heuchera species. There is an extensive array of blossom sizes, shapes, and colors, foliage types, and geographic tolerances.
Though tangy and slightly astringent, the leaves may be used to liven up bland greens.
Natives of the Northwest U.S. have used tonic derived of Alumroot roots to aid digestive difficulties, but extractions from the root can also be used to stop minor bleeding, reduce inflammation, and otherwise shrink moist tissues after swelling.
The sculpture entitled Thumbs Up is a focal point of his the home studio of Lewis Van DerCar in Wesley Chapel. The sculpture honors the eleven athletes who lost their lives in 1972 Munich Olympic Games. Bobby Ebie Van Dercar explained that his grandfather Lewis was touched and wanted to symbolically memorialize the tragedy. The Thumbs-Up statue is surrounded by numerous works of modern artist Van Dercar, who died in 1988. Photo courtesy of Ernest Wise, from Images of America: Wesley Chapel, by Madonna Jervis Wise. (e2750)
Formerly entitled "Juxtaposition... jux positioned on the ground."
View of the soon-to-be-razed landmark, The Parliament House Hotel, 420, 20th Street South, Birmingham, AL as seen from the circular driveway entrance.
Built in 1964 by investors which included actress Doris Day, University of Alabama at Birmingham, purchased the now-dilapidated 11-story, 223-room hotel in 2006 for $3.7 million property to expand their facilities.
President Nixon gave a speech there. Other luminaries whom stayed there include Bob Hope and his wife, whom stayed in the Presidential Suite, former New York Jets Quarterback Joe Namath, famed University of Alabama Head Coach Paul "Bear" Bryant and others.
Go to Page 17 in the Internet Archive
Title: On the use of an artificial membrana tympani in cases of deafness [electronic resource] : dependent upon perforation or destruction of the natural organ : to which is added a paper entitled Ought the tonsils or uvula to be excised in the treatment of deafness?
Creator: Toynbee, Joseph, 1815-1866
Creator: Toynbee, Joseph, 1815-1866 former owner
Creator: St. Thomas's Hospital. Medical School Library former owner
Creator: King's College London
Publisher: London : John Churchill,..
Sponsor: Jisc and Wellcome Library
Contributor: King's College London, Foyle Special Collections Library
Date: 1853
Language: eng
Description: Cover and half-title page: "Mr. Toynbee on an artificial membrana timpani"
Includes bibliographical references
This material has been provided by King’s College London. The original may be consulted at King’s College London
King’s College London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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