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DigitalGlobe’s WorldView-4 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop United Launch Atlas V rocket from Space Launch Complex-3 at Vandenberg Air Force Base, California. Photo credit: United Launch Alliance
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission arrives at the Vertical Integration Facility at Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 is lifted to be mated atop a United Launch Alliance Atlas V rocket in the Vertical Integration Facility at Launch Complex-41 at Cape Canaveral Air Force Station. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
The encapsulation process followed another critical milestone, that of mating the Sentinel-1B to the Fregat upper stage.
Credits: ESA – Manuel Pedoussaut, 2016
"Viking Lander 1’s instrumentation and parachute pack are exposed after removal of its aeroshell cover in the KSC Spacecraft Assembly and Encapsulation Facility 2 (SAEF-2) today. The Lander is undergoing inspection, then will be thoroughly checked out prior to mating with an Orbiter that will arrive at KSC later. The first of the two Viking missions to Mars is scheduled for launch from KSC’s Complex 41, Cape Canaveral, no earlier than August 11. The second Viking will be launched no earlier than August 21.”
airandspace.si.edu/collection-objects/camera-imager-vikin...
Credit: NASM website
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 is prepared for lifting to be mated atop a United Launch Alliance Atlas V rocket in the Vertical Integration Facility at Launch Complex-41 at Cape Canaveral Air Force Station. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
After removing the protective covers, called ‘red tag items’, Sentinel-2A is ready for encapsulation.
Credits: ESA–M. Pedoussaut, 2015
"Faster, Better, Cheaper" in its heyday: Mars Pathfinder rover 'Sojourner' being prepared for its amazing mission.
And/or:
"In KSC's Spacecraft Assembly and Encapsulation Facility-2 (SAEF-2), Jet Propulsion Laboratory workers are mating the Mars Pathfinder small rover to one of the lander's three petals. When the lander touches down on the surface of Mars next year, the three petals of the lander -- closed for the six to seven month journey to the Red Planet -- will open like a flower to allow the rover to begin its quest to explore the Martian surface. The Mars Pathfinder is set for launch aboard a Delta II expendable launch vehicle on Dec. 2, the beginning of a 24-day launch period. The Jet Propulsion Laboratory is managing the Mars Pathfinder project for NASA."
science.ksc.nasa.gov/gallery/photos/1996/high/KSC-96PC-10...
Nearly 1,000 Students to Participate in WSSU Commencement on May 15
WINSTON-SALEM, NC -- Christina Wareâs story is one of the many inspiring testimonials of the nearly 1,000 undergraduate and graduate students from near and afar who are expected to participate in Winston-Salem State Universityâs commencement ceremony on Friday, May 15, at 9:45 a.m., at Bowman Gray Stadium, 1250 South Martin Luther King, Jr. Drive.
Academy Award-winning recording artist, activist and actor Common will be the keynote speaker. There are no guest limits or ticket requirements for the ceremony.
It is conceivable that Wareâs story of work ethic, undeniable spirit and enthusiasm encapsulates the sentiment of her graduating 2015 classmates.
Ware, 43, of Winston-Salem, is quite active on and off campus as a mentor to other students, a member of the non-traditional student organization, the first president of Epsilon Chapter 130 of Tau Sigma National Honor Society at WSSU, a wife and proud mother of two. She is also legally blind. She wants to blaze trails, set examples and raise the bar for others with disabilities.
âIn 2007, I lost my eyesight. After a six-month pity party, I decided to continue my education and make a difference for others. Since 2008, I have spent every day of my life proving to society that having a disability does not mean we are weak. I am now an advocate for persons with disabilities,â Ware, a business major, said, "We are not handicapped, we are handy capable!"
Ware, who can be described as always pleasant and having an unlimited enthusiasm for life, says every day alive is like Christmas. She demands to be treated like everyone else and has been noted to say, âI may physically fall, but mentally I can get back up and pull a 4.0 semester.â After graduation she wants to start a Kosher/Halal foods business and become active on community boards.
The China Connection
From the City of Harbin, the capital and largest city of the Heilongjiang province of the People's Republic of China, WSSU Master of Arts in the Teaching of English as a Second Language and Applied Linguistics students Yaowen Xing and Chunling Zhang have found a second home at WSSU and in Winston-Salem. They perhaps have come the farthest distance attend the university.
With a population of more than five million people, Harbin is situated in the northeast region of China so close to Russia that only the Songhua River separates the two countries. Nicknamed the Ice City, the average winter temperature is -3.5 °F with annual lows hitting -31.0 °F. Itâs no wonder the students say the warmer weather here in the Piedmont Triad has not been lost in translation with them and itâs one of the things they enjoy.
âWe really love the weather in North Carolina, especially the long summer time, since our hometown is so cold with snow for almost 6 months of the year,â Xing, 30, noted. âWe also love the people at WSSU and the faculty who all are nice and it has been a really good experience.â
Xing and Zhang, 35, are in America as part of a Chinese education immersion program to help exchange the cultures between China and America. They enjoy working as cultural ambassadors to students in both the cultures. The two came to the U.S. in 2013 and have been teaching at Konnoak Elementary school during the early hours and studying and researching later in the day. âComing to America was a dream for me after learning about it through books, movies and music, and my time here it has been amazing,â Xing said.
Zhang, said she didnât know much about WSSU or Historically Black Colleges or Universities (HBCUâs), but after a short time here she knew WSSU would be was special part of life. âI have met many African- Americans who have been friendly and helpful. I now can say I truly have many black friends,â Zhang said. She and Xing have taken advantage of the HBCU experience. They have been often seen attending evening lectures and presentations, sports events, musical and visual arts events. With their WSSU master degrees they will return to China one day in the future to make an impact on teaching and the quality of education there.
The All-In Approach
Olivia N. Sedwick, 21, a political science major from Indianapolis, has taken âthe all-in approach" to her WSSU experience. The current WSSU student government president (SGA), honorâs student and champion athlete, chose WSSU over other schools she could have attended.
Featured in a USA Today article highlighting the HBCU experience released last June, Sedwick is quoted as saying about WSSU, âI fell in love with the school.â She says, âWe talked about things that I had never had the chance to before coming from a predominantly white high school.â
Liking the intellectual and social environment, she was comfortable becoming involved around campus. In her first year, a walk-on athlete for the womenâs track and field team, she was a 2013 CIAA Indoor Womenâs Track and Field All-Conference competitor and the WSSU womenâs shot put record holder until earlier this year, although she never competed in the throws until coming to college. In her second year she served as the sophomore class vice president while also being appointed to serve on many committees throughout the university. In that same year, she was a delegate to the UNC Association of Student Governments (UNCASG), representing WSSU students on a state-wide level. At the end of that year, she became the first African-American female elected senior vice president of UNCASG and served in that capacity for the entirety of her third year while being active as the chief of staff for the WSSU student government association that year also. Toward the end of her term in UNCASG, she decided to run for student body president and has served as the voice of the students for the duration of her last year. With all of her activities, she has maintained a 3.95 GPA throughout her time in college.
Sedwick has been selected as a UNC General Administration Presidential Intern, which begins in July. Upon completion of the prestigious one-year appointment, Sedwick plans to attend Howard University School of Law.
A Drum Major who will March for a Noble Cause
Willie Davis, 22, a social work major from Fayetteville, N.C., who has led WSSUâs Red Sea of Sound Marching Band as a drum major for his senior year, will now march to lead the charge for helping veterans and their families cope with typical and unique challenges of serving in military. Davis will be one of four Cadets with the distinct honor of being commissioned as a 2nd Lieutenant U.S. in the U.S. Army during this yearâs commencement ceremony. Despite that professionally Davis will help vets, military and families with things like dealing with emotions, he said, âI donât think I will be ready for the commissioning part (of commencement) emotionally.â
Readiness for Davis is an understatement. The youngest of three siblings, who was age 10 when his father died, Davis has been an A average student throughout life. He was in the top ten of his high school class and the first generation in his family to attend college. At WSSU, besides maintaining high academic achievement and serving in the U.S. Army ROTC, Davis has been active with the WSSU Band, the University Choir, a Campus Ambassador, a mentor to freshmen students, vice president of the WSSU chapter of Kappa Kappa Psi National Honorary Band Fraternity, a Veterans Helping Veterans Heal intern and a member of Galilee Missionary Baptist Church in Winston-Salem.
After graduation, Davis is going to graduate school at the University of South Carolina. He plans to complete that program in one year and begin his military duties. As a clinical social worker, his responsibilities may range from clinical counseling, crisis intervention, disaster relief, critical event debriefing, teaching and training, supervision, research, administration, consultation and policy development in various military settings. He wants to specialize in helping military veterans who suffer from different traumas such as Post Traumatic Stress Disorder (PTSD), paranoid schizophrenia and other conditions.
Vega's payload and final stage is encapsulated in the fairing in preparation for launch.
Vega flight VV01 is set to lift off on 13 February.
ESA’s new, small launcher will carry nine satellites into orbit on its very first flight: Italian space agency’s LARES and ALMASat-1 with seven CubeSats from European universities.
For further information please visit:
Go to the Book with image in the Internet Archive
Title: United States Naval Medical Bulletin Vol. XI No. 2, April 1917
Creator: U.S. Navy. Bureau of Medicine and Surgery
Publisher:
Sponsor:
Contributor:
Date: 1917-04
Language: eng
PREFACE.... .................... . .................... ............ ..... vii<br /><br />FRONTISPIECE - PORTRAIT OF JAMES MARKHAM AMBLER, PASSED ASSISTANT SURGEON, U.S. NAVY, MEDICAL OFFICER OF THE "JEANNETTE."<br /><br />SPECIAL ARTICLES:<br />THE INTRAVENOUS ADMINISTRATION OF CONCENTRATED SOLUTIONS OF SOLUBLE QUININ IN MALARIA AND HEMOGLOBINURIC FEVER.<br />By Surgeon A. D. McLean......................................... 135<br />REPORT OF CASES OF HEMOGLOBINURIA IN HAITI.<br />By Assistant Surgeons R. A. Torrance and F. H. Bowman. ... ....... 141<br />QUININ AND MALARIA.<br />By Assistant Surgeon W. H . Michael...... ........ ..... ............. 150<br />MECHANICAL DEVICES FOR VENTILATION AND AIR RENEWAL ON SUBMARINE "BALILLA."<br />Translated by Surgeon J. S. Taylor. . . . . . . . . . . . . . . . . . . . . . . . 156<br />A COMPLEMENT-FIXATION TEST FOR SYPHILIS USING HUMAN COMPLEMENT.<br />By Chief Nurse Sara B. Myer ............... 175<br />THE ADVISABILITY OF A MORE GENERAL USE OF THE WASSERMANN TEST IN THE SERVICE.<br />By Passed Assistant Surgeon G. F. Clark........ .. 177<br />WRIGHT'S SOLUTION IN CONJUNCTION WITH ARGYROL IN TREATMENT OF GONORRHEA.<br />By Passed Assistant Surgeon C. H. Dragoo...... . . . . . . . . . . . . . 179<br />THE INTRAVASCULAR INJECTION OF OXYGEN.<br />By Passed Assistant Surgeon J.J. A. McMullin..... .. . . . . . . . . .. . . . . . 181<br /><br />HISTORICAL:<br />THE PRIVATE JOURNAL OF JAMES MARKHAM AMBLER, M. D., PASSED ASSISTANT SURGEON, UNITED STATES NAVY, AND MEDICAL OFFICER OF THE ARCTIC EXPLORING STEAMER "JEANNETTE."<br />By Medical Director J. D. Gatewood.. . ............................ 183<br /><br />SUGGESTED DEVICES:<br />IODIZED CATGUT; DRYING, STERILIZING AND STORING.<br />By Nurse Mary M. Robinson..................... . .. ............... 219<br />A SIMPLE METHOD FOR FIXATION OF THE THORAX.<br />By Assistant Surgeon W. A. Brams... .............................. 220<br />AN ADJUSTABLE HEAD REST.<br />By Passed Assistant Surgeon C. B. Camerer.. ... . ............ ....... 221<br /><br />CLINICAL NOTES:<br />A CASE OF MEGACOLON.<br />By Passed Assistant Surgeon L. W. Johnson and Assistant Surgeon<br />C. B. Depping................................................. 223<br />THE ACCIDENTAL EXPLOSION OF A 6-POUNDER PROJECTILE WHILE HELD IN THE HAND.<br />By Passed Assistant Surgeon E. P. Huff.............. ..... . ........ 224<br />A CASE OF BICHLORIOD OF' MERCURY POISONING WITH SUICIDAL INTENT.<br />By Medical Director F. W. F. Wieber........... ...... ... .. ...... .. . 226<br />GONORRHEAL PROCTITIS. A REPORT OF TWO CASES.<br />By Assistant Surgeon W. W. Cress.............. ........ ............ 228<br /><br />PROGRESS IN MEDICAL SCIENCES:<br />GENERAL MEDICINE - Epidemiology of lobar pneumonia. by R. H. Laning. Local serumtherapy in suppurative serous sacs. Report of 75<br />cases of scabies cured with Ehlers' method. By J.A. Biello. Eczema of external origin and its relationship to dermatitis. The pathology and pathogenesis of eczema and dermatitis. By W. E. Eaton. Renal glycosuria.<br />By W. S. Pugh. The Sippy treatment of gastric and duodenal ulcer,<br />with report of case. A treatment for pruritus ani. Acute syphilitic meningitis.<br />A clinical consideration of migraine. Chronic duodenal indigestion in children. By E. Thompson and J. A. Randall. ......... 231<br />MENTAL AND NERVOUS DISEASES.-The psychology of malingering and<br />functional neuroses in peace and war. Dementia precox studies. By<br />D. G. Button. A contribution to the etiology of shell shock. The spinal<br />fluid syndromes of Nonne and Froin and their diagnostic significance.<br />Psychopathic laboratory, the Municipal Court of Chicago. By R.<br />Sheehan .......................................... ....... .... ... ... . 241<br />SURGERY. A battleship in action. By J. C. Pryor. A simple apparatus<br />for the use or iodin vapors in the treatment of gunshot wounds. By J. A.<br />Biello. The treatment of wounds in war by magnesium sulphate. By R. H. Laning. Differential roentgen diagnoses in bone diseases. By H. L. Gall. The mechanics of the stomach after gastroenterostomy. Indications and contraindications for cholecystectomy. Indications for cholecystectomy. Hemostasis by interposition of muscle, fat, and fascia in parenchymatous organs. The Carrel method of wound sterilization. Surgical experiences with encapsulated empyema and abscess of the lung; a plea for exploratory thoracotomy. By H.F. Strine ......... 246<br />HYGIENE AND SANITATION. - A. new method for the destruction of bacteria in large volumes of milk by means or electricity. The bacterial infection of fresh eggs. The velocity of the staling of bread. The staling of<br />bread from the physiological-chemical standpoint. The use of box rations by the French troops. By E.W. Brown. Comparison of methods for disinfecting swimming pools. By R. H. Laning.................. 255<br />TROPICAL MEDICINE. - A case of amebic abscess of the liver occurring 20<br />years after the original attack of dysentery. A note on the treatment of lamblia infections. Disappearance of malignant tertian crescents from the blood following the intravenous injection of tartar emetic. By E. R.Stitt...................................... .. . . . .. . . . . . . . . . . 259<br />PATHOLOGY, BACTERIOLOGY, AND ANIMAL PARASITOLOGY - Easy method of doing Widal's reaction for typhoid. Mixed infection. By E. P. Huff. <br />Experimental observations on the pathogenesis of gallbladder infections in typhoid, cholera, and dysentery. A report on the use or stock vaccine in infection by the bacillus typhosis, with an analysis of 230 cases. The<br />bacteriology of pemphigus neonatorum. The etiology of acute epidemic<br />poliomyelitis. The numeric relationship of infection to the chemotherapy<br />of experimental trypanosomiasis. A study of experimental nonhemolytic streptococcus lesions in vitally stained rabbits. By C. S. Butler and R. H. Laning............................ . ............... 260<br />EYE, EAR, NOSE, AND THROAT . -Ocular anaphylaxis. Present status of<br />the operation for the extraction of cataract in the capsule. The relations of obstruction of the eustachian tube to local and systemic conditions and to prognosis regarding restoration or hearing. Relaitions of tonsillar and nasopharyngeal infections to general disorders. A resume of my year's work with suspension laryngoscopy. Nasal infection and deafness. The possibilities and limitations of nomsurgical bronchoscopic treatment. By E. J. Grow and G. B. Trible...... ... . .......... 266<br /><br />REPORTS:<br />THE USE OF PROPHYLACTIC SERA IN THE TURKISH ARMY.<br />By Passed Assistant Surgeon E. P. Huff.. . . . .. . . . .............. .. 271<br />OBSERVATIONS ON NAVAL AVIATION.<br />By Passed Assistant Surgeon G. F. Cottle..................... ..... 273<br />SANITARY NOTES FROM THE U.S.S. "HANNIBAL."<br />By Assistant Surgeon W.W. Hargrave............................ 274
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Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission arrives at the Vertical Integration Facility at Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission moves past the Vehicle Assembly Building at NASA's Kennedy Space Center in Florida. Mounted atop a KAMAG transporter, Cygnus is being moved to Space Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
The U.S. Navy’s third Mobile User Objective System (MUOS-3) satellite is encapsulated inside a 5-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance
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The U.S. Navy’s third Mobile User Objective System (MUOS-3) satellite is encapsulated inside a 5-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance
Oh the possibilities, sadly missed through poor design and negligence! You cannot deny then that it's a British Leyland product, taking a car with a fantastic premise, but through sloppy workmanship make it something of nightmares! No car seems to encapsulate the problems with the nationalised company more than the humble Triumph Stag.
To compete with the likes of the Mercedes-Benz SL, British Leyland started work on a luxury Grand Tourer, styled by the world renowned Giovanni Michelotti, who had previously designed the Triumph 2000, the Triumph Herald and the Triumph TR6, and would later go on to design the ambiguous Austin Apache and the Leyland National bus. But either way his styling was sensational, but at the same time the car had substance too. In the late 1960's America was on the verge of banning convertible cars to increase safety. So the engineers at Triumph designed what was a very clever T-Bar rollcage over the passenger cabin, meaning the car was not only safe, but also allowed the owners to enjoy what was craved most in a Grand Tourer, drop-top open-air fun! This was complimented by a selection of cars with removable Hard-Tops, although not as popular due to being slightly more complicated. The name was great too, sounding very manly with a hint of beast-like qualities, which for the most part helps to form the image, a strong and noble creature of the wild stood proud amongst its peers...
...only without the antlers!
In 1970 the car was launched to the motoring press with some very favourable initial reviews, admiring the styling, the firm suspension that resulted in a smooth ride and the well-balanced handling. The car was immediately an image setter for the new-money, like the Mercedes it was competing with it had the image of being something for those who had made their money through more underhanded methods, a cads car if you will. But we've all got to make our money somehow I guess!
However, lest we forget that this was a British Leyland product, so of course trouble was brewing. Very quickly the car gained a reputation for unreliability, which can be traced back to that all important piece of machinery known simply as the engine. In 1969 whilst the Triumph Stag was in development, Rover began using their new license built V8 engine derived from an American Buick 215 3L powerplant. Originally this was installed into the Rover P5, but a 3.5L version was installed as standard to the Rover P6 and the later SD1, as well as becoming the motive power behind the almighty Range Rover. The Rover V8 was an incredibly reliable and endlessly tunable engine, making it one of the most popular and successful powerplants in automotive history. It made its way into the TVR Chimera, the Morgan Plus 8, the TVR 350i, the Land Rover Defender, the Land Rover Discovery, the Sisu Nasu All-Terrain Military Transport, the MG RV8, the MGB GT, the TVR Griffith, the TVR S-Series, the Leyland P76, the Triumph TR8 and so on! It was eventually removed from production in 2006, being replaced in the Range Rover it had served so well by a BMW powerplant.
But back to the Stag, and seeing as Triumph and Rover belonged to the same parent company, you'd think that their first instinct would be to place this heavenly engine into the Stag. Apparently that was too much to ask for, and so Triumph, still thinking they were Triumph, decided to develop their own engine because apparently the Rover V8 wouldn't fit in the engine bay of the Stag. Rather than doing the simple task of redesigning the engine bay to accommodate the new engine, Triumph developed their own ragtag V8 by welding together two of the Straight-4 engines you'd find in a Triumph Dolomite. Chucked together at the last minute, the new Twin Dolomite V8 was not a stellar piece of engineering like the Rover variant, its main downfall being the failure to install a proper cooling system. This illogical oversight of something so obvious meant that the engine would heat up easily, and result in the cylinder heads warping, rendering the engine totally useless. The engine was also prone to corrosion and roller link chains that would fail before 25,000 miles causing expensive damage.
As a result of the bad press of the engine, mixed with the terrible build quality that we'd all come to expect from British Leyland, the Stag was removed from the American market in 1973, and finished off here in 1977 by its spiritual replacement, the Triumph TR7, an equally as flawed concept that chose not to learn its lesson and use exactly the same flawed engine, dashing that car's hopes of success too whilst adding a less than stellar body design to its troubles. Eventually the Stag slipped quietly away after 25,000 examples were built, although one did feature in the James Bond film 'Diamonds are Forever', being driven to Amsterdam by Bond after half-inching it from Diamond Smuggler Peter Franks.
This particular story maddens me because I consider the Triumph Stag my favourite of the British Leyland range as it really is a beautiful car and performs very well. Like I said, it's very smooth to ride in and very easy to drive, but the sheer lack of communication and cooperation between two parts of the same company resulted in it being one of the biggest flops in motoring history, and has often been cited as one of the worst cars ever.
Today however there is still quite a sizeable fanbase for this car, with 9,000 Stags still registered as roadworthy, making it one of the most numerous British Leyland products to remain in ongoing use, especially when you compare it to the Austin Allegro's 291 survivors, Morris Marina's 674, and the Rover SD1's 310. The surviving Stags are mostly made up of cars that have had their original Triumph engines replaced by the Rover V8 to improve the performance and reliability. With a Rover V8 under the hood, this car is simply one of the best classic cars ever in my mind, a mixture of style, speed, performance and that wonderful rumble from under the bonnet. For the remainder still with the Twin Dolomite V8, most have been fixed by installing a proper cooling system and solving the corrosion issues. Today the Stags enjoy the popular life that British Leyland had envisaged for their luxury machines way back in 1970, 45 years late mind you but I suppose you can't have everything first time round!
JSC2013-E-088066 (19 Sept. 2013) --- In the Integration Facility at the Baikonur Cosmodrome in Kazakhstan, the Soyuz TMA-10M spacecraft is prepared for encapsulation into the third stage of a Soyuz booster rocket Sept. 19. The Soyuz spacecraft will move to its launch pad Sept. 23 for final preparations for launch Sept. 26, Kazakh time, to carry Expedition 37/38 Flight Engineer Michael Hopkins of NASA, Soyuz Commander Oleg Kotov and Flight Engineer Sergey Ryazanskiy, both with Russia's Federal Space Agency, into orbit for the start of a five and a half month mission on the International Space Station. Photo credit: NASA/Victor Zelentsov
Technicians at Astrotech Space Operations Facility near NASA’s Kennedy Space Center in Florida encapsulate NASA’s IMAP (Interstellar Mapping and Acceleration Probe), along with the agency’s Carruthers Geocorona Observatory and National Oceanic and Atmospheric Administration’s (NOAA) Space Weather Follow On–Lagrange 1 (SWFO-L1) spacecraft on Tuesday, Sept. 16, 2025, inside a SpaceX Falcon 9 payload fairing. The missions will each focus on different effects of the solar wind — the continuous stream of particles emitted by the Sun — and space weather — the changing conditions in space driven by the Sun — from their origins at the Sun to their farthest reaches billions of miles away at the edge of our solar system. Liftoff of the missions on a SpaceX Falcon 9 rocket is targeted for 7:32 a.m. EDT, Tuesday, Sept. 23, from Launch Complex 39A at NASA Kennedy. Photo credit: NASA/Kim Shiflett
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The U.S. Air Force’s sixth Wideband Global SATCOM (WGS-6) spacecraft is encapsulated inside a 5-meter-diameter payload fairing in preparation for launch aboard a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
Vega flight VV01 is set to lift off on 13 February.
ESA’s new, small launcher will carry nine satellites into orbit on its very first flight: Italian space agency’s LARES and ALMASat-1 with seven CubeSats from European universities.
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This shot encapsulates everything a road trip is supposed to be. Beautiful, fresh scenery being captured while you zoom past at 110km/hr in the car.
And, you've guessed right, I finally figured out how to get around the RAW conversion and am ready to start putting my shots up!!! whoopee!!!
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission departs the Payload Hazardous Servicing Facility at NASA's Kennedy Space Center in Florida. Mounted atop a KAMAG transporter, Cygnus is being moved to Space Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
Special Trip to Paro Festival(The most popular religious festival in Bhutan)
PARO (altitude. 2,200m).
The beautiful valley of Paro encapsulates within itself a rich culture, scenic beauty and hundreds of myths and legends. It is home to many of Bhutan’s oldest temples and monasteries, National Museum and country’s only airport. Mount. Jhomolhari (7,314m) reigns in white glory at the northern end of the valley and its glacial water plunge through deep gorges to form Pa Chhu (Paro River). Paro is also one of the most fertile valleys in the Kingdom producing a bulk of the locally famous red rice from its terraced fields.
BHUTAN PARO FESTIVAL TOURS
Paro Festival is one of the crowded festivals in Bhutan. The unfolding of the silk Thangka - which is so large that it covers the face of the building -is considered one of the most sacred blessings in the whole of Bhutan. The 'Thangka' is a religious picture scroll known as a Thongdroel and it is exhibited for a few hours, at day break of the final day of the festival, enabling the people to obtain its blessing. This holy scroll 'confers liberation by the mere sight of it' (the meaning of the word 'thongdroel' in Bhutanese). This festival is held once a year so it is also the time to for Bhutanese to celebrate with their relatives and friends.
TRIP LENGTH: 8 DAYS 7NIGHTS.
FESTIVAL DATES: 15th to 19th MARCH 2011
Day 1: Arrive Paro International Airport and will be Receive by Tashi Gongphel Tours Representatives. Check in at Olathang Hotel. After an early tea visit: Kichu Lhakhang (Temple),Paro dzong,Taa Dzong(Watch tower) overnight at hotel Olathang.
Day 2: Full day at Paro Festival
Day 3: Full day at Paro festival.
Day 4: After breakfast drive to Thimphu and visit the King's Memorial Chorten, Changangkha Monastery,Nunnery temple, National Library, National Institute of Traditional Medicine, Trashicho Dzong, Jungshi Handmade Paper Factory, Textile museum and Folk Heritage Museum.
Day 5: After early breakfast, drive to Punakha via Dochula Pass, where you can see 108 Bhutanese Stupas. If the weather is clear you can see all Himalayas Ranges with all snow covered. Further drive to Punakha and visit Punakha Dzong.In the evening short hike to Chimi Lhakhang(Temple).It is a gentle walk through beautiful farm houses and vast plains of rice fields, for about half an hour.
Day 6: After breakfast, drive to Wangdue and visit Wangdue Dzong .Enroute stop for a lunch at Thimphu and drive to Paro.
Day 7: Day Hike or Mule ride to Tigers Nest Monastery. One of the most venerated places precariously perched on the side of a cliff 900m above the Paro valley floor. From the road point the hike up to Taktshang, on a well maintained path, is up hills takes around 2-3 hours at an average walking speed. On a sunny day please do remember to carry sunscreen, water, walking stick and a hat.
Day 8: Departures
Most of our Paro hotels are within 15 minutes drive to the airport. Transfer to Paro Airport. Check in two hours prior to flight departure to ensure the best seats on board Druk Air.
Thimphu Festival Tours,Bhutan Thimphu Festival Tour Guide,Bhutan Festival Tour
Thimphu is the capital of Bhutan and it is the centre of government. The broad Thimphu valley represents mostly urban way of life. Just like any other place in Bhutan. This valley is clothed with beautiful trees from valleys to the hill top and with beautiful buildings built and maintained with traditional Bhutanese architecture.
Thimphu means "sinking” derived from a legend and today one can still see a rock covered with silk and offerings in front of Dechenphu temple. Before the arrival of the great Shabdrung Rinpoche in Bhutan 1616, the valley of Thimphu came to exist after the arrival of the great Boddhisatawa Phajo Drukgum Shipo, who married to a local girl and settled in Thimphu valley. Almost all the historical sites as well as temples in Thimphu are connected to Phajo Drukgum Shipo family. During the festival period, many religious mask dances and dramas are performed based on the visions of various Buddhist saints.
Trip Length: 8 Days 7Nights.
Festival dates: 6th to 8th OCTOBER 2011
Day 1: Arrive Paro International Airport and will be Receive by Tashi Gongphel Tours Representatives. Check in at Olathang Hotel. After an early tea visit: Kichu Lhakhang (Temple),Paro dzong,Taa Dzong(Watch tower) overnight at hotel Olathang.
Day 2: After breakfast drive to Thimphu and visit the King's Memorial Chorten, Changangkha Monastery,Nunnery temple, National Library, National Institute of Traditional Medicine, Trashicho Dzong, Jungshi Handmade Paper Factory, Textile museum and Folk Heritage Museum.
Day 3: Full day at Thimphu festival.
Day 4: Full day at Thimphu festival.
Day 5: After early breakfast, drive to Punakha via Dochula Pass, where you can see 108 Bhutanese Stupas. If the weather is clear you can see all Himalays Ranges with all snow covered. Further drive to Punakha and visit Punakha Dzong.In the evening short hike to Chimi Lhakhang(Temple).It is a gentle walk through beautiful farm houses and vast plains of rice fields, for about half an hour.
Day 6: After breakfast, drive to Wangdue and visit Wangdue Dzong .Enroute stop for a lunch at Thimphu and drive to Paro.
Day 7: Day Hike or Mule ride to Tigers Nest Monastery. One of the most venerated places precariously perched on the side of a cliff 900m above the Paro valley floor. From the road point the hike up to Taktshang, on a well maintained path, is up hills takes around 2-3 hours at an average walking speed. On a sunny day please do remember to carry sunscreen, water, walking stick and a hat.
Day 8: Departure
Most of our Paro hotels are within 15 minutes drive to the airport. Transfer to Paro Airport. Check in two hours prior to flight departure to ensure the best seats on board Druk Air.
Nearly 1,000 Students to Participate in WSSU Commencement on May 15
WINSTON-SALEM, NC -- Christina Wareâs story is one of the many inspiring testimonials of the nearly 1,000 undergraduate and graduate students from near and afar who are expected to participate in Winston-Salem State Universityâs commencement ceremony on Friday, May 15, at 9:45 a.m., at Bowman Gray Stadium, 1250 South Martin Luther King, Jr. Drive.
Academy Award-winning recording artist, activist and actor Common will be the keynote speaker. There are no guest limits or ticket requirements for the ceremony.
It is conceivable that Wareâs story of work ethic, undeniable spirit and enthusiasm encapsulates the sentiment of her graduating 2015 classmates.
Ware, 43, of Winston-Salem, is quite active on and off campus as a mentor to other students, a member of the non-traditional student organization, the first president of Epsilon Chapter 130 of Tau Sigma National Honor Society at WSSU, a wife and proud mother of two. She is also legally blind. She wants to blaze trails, set examples and raise the bar for others with disabilities.
âIn 2007, I lost my eyesight. After a six-month pity party, I decided to continue my education and make a difference for others. Since 2008, I have spent every day of my life proving to society that having a disability does not mean we are weak. I am now an advocate for persons with disabilities,â Ware, a business major, said, "We are not handicapped, we are handy capable!"
Ware, who can be described as always pleasant and having an unlimited enthusiasm for life, says every day alive is like Christmas. She demands to be treated like everyone else and has been noted to say, âI may physically fall, but mentally I can get back up and pull a 4.0 semester.â After graduation she wants to start a Kosher/Halal foods business and become active on community boards.
The China Connection
From the City of Harbin, the capital and largest city of the Heilongjiang province of the People's Republic of China, WSSU Master of Arts in the Teaching of English as a Second Language and Applied Linguistics students Yaowen Xing and Chunling Zhang have found a second home at WSSU and in Winston-Salem. They perhaps have come the farthest distance attend the university.
With a population of more than five million people, Harbin is situated in the northeast region of China so close to Russia that only the Songhua River separates the two countries. Nicknamed the Ice City, the average winter temperature is -3.5 °F with annual lows hitting -31.0 °F. Itâs no wonder the students say the warmer weather here in the Piedmont Triad has not been lost in translation with them and itâs one of the things they enjoy.
âWe really love the weather in North Carolina, especially the long summer time, since our hometown is so cold with snow for almost 6 months of the year,â Xing, 30, noted. âWe also love the people at WSSU and the faculty who all are nice and it has been a really good experience.â
Xing and Zhang, 35, are in America as part of a Chinese education immersion program to help exchange the cultures between China and America. They enjoy working as cultural ambassadors to students in both the cultures. The two came to the U.S. in 2013 and have been teaching at Konnoak Elementary school during the early hours and studying and researching later in the day. âComing to America was a dream for me after learning about it through books, movies and music, and my time here it has been amazing,â Xing said.
Zhang, said she didnât know much about WSSU or Historically Black Colleges or Universities (HBCUâs), but after a short time here she knew WSSU would be was special part of life. âI have met many African- Americans who have been friendly and helpful. I now can say I truly have many black friends,â Zhang said. She and Xing have taken advantage of the HBCU experience. They have been often seen attending evening lectures and presentations, sports events, musical and visual arts events. With their WSSU master degrees they will return to China one day in the future to make an impact on teaching and the quality of education there.
The All-In Approach
Olivia N. Sedwick, 21, a political science major from Indianapolis, has taken âthe all-in approach" to her WSSU experience. The current WSSU student government president (SGA), honorâs student and champion athlete, chose WSSU over other schools she could have attended.
Featured in a USA Today article highlighting the HBCU experience released last June, Sedwick is quoted as saying about WSSU, âI fell in love with the school.â She says, âWe talked about things that I had never had the chance to before coming from a predominantly white high school.â
Liking the intellectual and social environment, she was comfortable becoming involved around campus. In her first year, a walk-on athlete for the womenâs track and field team, she was a 2013 CIAA Indoor Womenâs Track and Field All-Conference competitor and the WSSU womenâs shot put record holder until earlier this year, although she never competed in the throws until coming to college. In her second year she served as the sophomore class vice president while also being appointed to serve on many committees throughout the university. In that same year, she was a delegate to the UNC Association of Student Governments (UNCASG), representing WSSU students on a state-wide level. At the end of that year, she became the first African-American female elected senior vice president of UNCASG and served in that capacity for the entirety of her third year while being active as the chief of staff for the WSSU student government association that year also. Toward the end of her term in UNCASG, she decided to run for student body president and has served as the voice of the students for the duration of her last year. With all of her activities, she has maintained a 3.95 GPA throughout her time in college.
Sedwick has been selected as a UNC General Administration Presidential Intern, which begins in July. Upon completion of the prestigious one-year appointment, Sedwick plans to attend Howard University School of Law.
A Drum Major who will March for a Noble Cause
Willie Davis, 22, a social work major from Fayetteville, N.C., who has led WSSUâs Red Sea of Sound Marching Band as a drum major for his senior year, will now march to lead the charge for helping veterans and their families cope with typical and unique challenges of serving in military. Davis will be one of four Cadets with the distinct honor of being commissioned as a 2nd Lieutenant U.S. in the U.S. Army during this yearâs commencement ceremony. Despite that professionally Davis will help vets, military and families with things like dealing with emotions, he said, âI donât think I will be ready for the commissioning part (of commencement) emotionally.â
Readiness for Davis is an understatement. The youngest of three siblings, who was age 10 when his father died, Davis has been an A average student throughout life. He was in the top ten of his high school class and the first generation in his family to attend college. At WSSU, besides maintaining high academic achievement and serving in the U.S. Army ROTC, Davis has been active with the WSSU Band, the University Choir, a Campus Ambassador, a mentor to freshmen students, vice president of the WSSU chapter of Kappa Kappa Psi National Honorary Band Fraternity, a Veterans Helping Veterans Heal intern and a member of Galilee Missionary Baptist Church in Winston-Salem.
After graduation, Davis is going to graduate school at the University of South Carolina. He plans to complete that program in one year and begin his military duties. As a clinical social worker, his responsibilities may range from clinical counseling, crisis intervention, disaster relief, critical event debriefing, teaching and training, supervision, research, administration, consultation and policy development in various military settings. He wants to specialize in helping military veterans who suffer from different traumas such as Post Traumatic Stress Disorder (PTSD), paranoid schizophrenia and other conditions.
This badge encapsulates the very essence of Art Deco styling. The three dimensional raised profile of the 'Mayfair Belle' against a sea of blue is visually stunning - the blue enamelling gives a strong representation of water . The compositional elements work in harmony as the geometric arrangement of the various planes give a strong visual dynamic.
The badge dates to the 1930s and promotes the Mayfair Hotel in St Helier, Jersey. An early holiday guide described the hotel as 'The House of Sports'. Additional information included 'For young society and enjoyment we strongly recommend the 'Mayfair Hotel', to those who require a really carefree holiday full of amusements and beach sports'. The guide also showed photograps of the 'Mayfair Bathing Belles', diving and gymnastics activities.
Photography, layout and design: Argy58
(This image also exists as a high resolution jpeg and tiff - ideal for a variety of print sizes
e.g. A4, A3, A2 and A1. The current uploaded format is for screen based viewing only: 72pi)
The U.S. Air Force’s sixth Wideband Global SATCOM (WGS-6) spacecraft is encapsulated inside a 5-meter-diameter payload fairing in preparation for launch aboard a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
Technicians at Astrotech Space Operations Facility near NASA’s Kennedy Space Center in Florida encapsulate NASA’s IMAP (Interstellar Mapping and Acceleration Probe), along with the agency’s Carruthers Geocorona Observatory and National Oceanic and Atmospheric Administration’s (NOAA) Space Weather Follow On–Lagrange 1 (SWFO-L1) spacecraft on Tuesday, Sept. 16, 2025, inside a SpaceX Falcon 9 payload fairing. The missions will each focus on different effects of the solar wind — the continuous stream of particles emitted by the Sun — and space weather — the changing conditions in space driven by the Sun — from their origins at the Sun to their farthest reaches billions of miles away at the edge of our solar system. Liftoff of the missions on a SpaceX Falcon 9 rocket is targeted for 7:32 a.m. EDT, Tuesday, Sept. 23, from Launch Complex 39A at NASA Kennedy. Photo credit: NASA/Kim Shiflett
NASA image use policy.
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission departs the Payload Hazardous Servicing Facility at NASA's Kennedy Space Center in Florida. Mounted atop a KAMAG transporter, Cygnus is being moved to Space Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission departs the Payload Hazardous Servicing Facility at NASA's Kennedy Space Center in Florida. Mounted atop a KAMAG transporter, Cygnus is being moved to Space Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
In a clean room at Astrotech Space Operations in Titusville, Florida, NOAA's GOES-S is being prepared for encapsulation in its payload fairing. After encapsulation, the satellite will be moved to Space Launch Complex-41 at Cape Canaveral Air Force Station. GOES-S is slated to launch March 1, 2018, aboard a United Launch Alliance Atlas V rocket.
Photo credit: NASA/Kim Shiflett
Encapsulated inside its payload fairing, the Cygnus spacecraft for the upcoming Orbital ATK Commercial Resupply Services-6 mission departs the Payload Hazardous Servicing Facility at NASA's Kennedy Space Center in Florida. Mounted atop a KAMAG transporter, Cygnus is being moved to Space Launch Complex-41 at Cape Canaveral Air Force Station where it will be mounted atop a United Launch Alliance Atlas V rocket. The Cygnus is scheduled to lift off atop a United Launch Alliance Atlas V rocket on March 22 to deliver hardware and supplies to the International Space Station.
Photo credit: NASA/Dimitrios Gerondidakis
2012 was a very tough year. Various health issues, a real fight with a relapse into depression and anxiety and then to top it off we lost our best friend, Pilchard. 2013 will be a better year!
Price AU $159,000
Details Arguably one of, if not the best Salar 40, this vessel has recently undergone a major refit and presents in excellent condition inside and out. Recently back from a Whitsunday Cruise, she is truly a blue water ready cruising vessel that can handle the toughest conditions. Her wheelhouse with opening windows and sunroof provide great protection from sun or rain whilst her spacious lounge and 2 cabin, 2 head layout mean spending time aboard is easy and comfortable with plenty of space and stowage.
Region Queensland
Location Brisbane QLD
Usage Family, Leisure, Cruising
Reference MS1375
Year 1976
Rego Number IL292Q
Rego Expiry 1976
Designer Laurent Giles
Builder Levy Bros (VICTORIA) full fit out by Salthouse NZ.
Length 39' 0" - 11.89m
Beam 3.43m
Draft 1.6m
Displacement 12.36t
Keel / Ballast Full keel with forefoot cutaway with 3630kg of encapsulated lead.
Hull Material Fibreglass/GRP solid fiberglass
Deck Material Laid beach over fiberglass
Engine MD31A 85hp 4 cylinder diesel (installed NEW in 1992) 3 blade fixed prop
Engine Make Volvo Penta
Fuel Type Diesel
Fuel Consumption 3 litres per hour
Max Speed 8 knots
Cruise Speed 7 knots
Genset 2 x alternators
Fuel 800 litres
Water Approx 800 litres
Galley Marine Princess 2 burner stove w/grill
Refrigeration 1 x chest freezer / drinks fridge in the wheel house (under STBD seat), 1 x front opening large fridge by companionway in galley.
Hot Water System Yes
Accommodation Beautifully finished in teak with fantastic carpentry throughout. All port lights and hatches (NEW 2016) open giving great ventilation and light.
Cabins Starting FWD the focsile cabin has 2 x large single bunks with a large cupboard, chest of drawers and hanging locker. A large hatch above and 2 opening portlights.
Moving aft you'll find the head/shower room which is very generous in proportions. Here is an electric toilet which runs through to a NEW saniloo system. S/S sink with hot & cold water and a large vanity cupboard behind the mirror.
The main saloon has a large leather U shaped dinette to port that can convert to make a large single or double. Opposite the linear galley is sensibly fitted with S/S work surfaces, lots of stowage and work top space. A recessed S/S sink with hot & cold water, also a dual carbon filtered drinking water system. At the aft end are 2 x QTR berths.
Moving through the wheelhouse to the aft cabin - here you'll find a single berth to STBD and a double to PORT, there is a large chest of drawers with a fold out bureau / navstation & 2nd head.
Berths 9
Shower Hot & cold
Toilet Electric with Saniloo system (2017)
Entertainment TV DVD system with electric antenna and FUSION stereo with speakers in saloon and wheelhouse (all new 2017)
Covers Tropical covers front and aft (beige). Full boat covers (white) for all hatches, wheel house windows, windscreen etc.
Ground Tackle 1 x Excel anchor to 60m of chain then rode. Maxwell 2200 electric anchor windlass with foot controls. Deck wash on bow.
Safety Gear VESPER AIS transponder (send and receive) with wifi, 2 x liferings.
Bilge Pumps 2 x manual and 1 x auto
Life Raft Yes 4 man (not in current certification)
Epirb 406 EPIRB
Life Jackets Six
Flares Yes
Fire Protection Three
Electrics 4 x 200ah 12v batteries, 2 x NEW (alternators).
Electronics Electronic suite by Raymarine incl wind, clause haul wind, depth, speed and VHF. WAGNER HF radio. TMQ AP4 autopilot.
Sail Inventory Mainsail (2017) in cruise laminate, Genoa (2017) cruise laminate. 2 x spinnakers both in good condition
Mast / Rigging Alloy mast, boom, spinnaker pole and jockey pole. Mast has steps all the way to top. S/S rigging replaced 2007, removed and inspected in 2016.
Deck Gear S/S swim ladder, large teak rear seat on pushpit, solid S/S dorade vents, all exterior portlights re chromed 2016, all hatches replaced in 2016.2 x clear-view window wipers in wheelhouse.
Remarks A remarkable vessel that is both a good sailing and motoring boat with added benefit of the enclosed wheelhouse. A delight to spend time aboard and the best Salar 40 we have seen.
January 2018
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
In a clean room at Astrotech Space Operations in Titusville, Florida, NOAA's GOES-S is being prepared for encapsulation in its payload fairing. After encapsulation, the satellite will be moved to Space Launch Complex-41 at Cape Canaveral Air Force Station. GOES-S is slated to launch March 1, 2018, aboard a United Launch Alliance Atlas V rocket.
Photo credit: NASA/Kim Shiflett
Fonte Official Skindred web page :
The music world may be in a permanent state of panic and flux, but one basic principle of rock’n’roll remains true: the key to longevity is to always deliver the goods. No band has better encapsulated this ethos of integrity and determination over the last decade than Skindred.
Widely acknowledged as one of the most devastating and enthralling live bands on the planet, the Newport destroyers have been a perennial force for musical invention and remorseless positivity since emerging from the ashes of frontman Benji Webbe’s former band Dub War back in 1998. Over the course of four universally praised studio albums – Babylon (2002), Roots Rock Riot (2007), Shark Bites And Dog Fights (2009) and Union Black (2011) – Skindred’s reputation for producing the ultimate spark-spraying state-of-the-art soundclash, combining all manner of seemingly disparate musical elements into an irresistibly exhilarating explosion of energy and cross-pollinated cultural fervour has rightly earned them a reputation as a band capable of uniting people from all corners of the globe and making every last one of them tear up the dancefloor with a giant shit-eating grin plastered across their faces.
With the toughest and most infectious metal riffs colliding with the biggest, phattest hip hop and reggae grooves, cutting edge electronics and a razor-sharp pop sensibility guaranteed to encourage even the most curmudgeonly music fans bellow along with rabid enthusiasm, Skindred are both the ultimate thinking man’s party band. And now, with the release of their fifth studio album Kill The Power, Benji Webbe and his loyal henchmen – bassist Dan Pugsley, guitarist Mikey Demus and drummer Arya Goggins – are poised to spread their gospel of good times and badass tunes to an even bigger global audience.
“We know that everyone recognises us as one of the best live bands around,” says Arya. “We’re really proud of all of the albums we’ve made, but we all felt that we needed to make an album that would be as powerful and effective as the live show. That’s what Kill The Power is all about. This time, we want everyone to sit up and listen and join in the party.”
“I started DJ-ing a little while ago and it’s taught me a lot,” adds Benji. “Now I feel like I wanted to make an album where every intro to every song makes kids think ‘Fucking hell, they’re playing that song!’ Every middle eight on this album is a banger. Every chorus is massive. On this album, the lyrics are deep and the songs are just bigger than ever.”
In keeping with their tradition of making people move while singing about universal issues and spreading a message of positive action and social unity, Kill The Power is an album bulging with fury at the state of the modern world. Never afraid to tackle important topics head on, while never forgetting his band’s mission to entertain and leave the world in a sweaty, sated heap, Benji’s notoriously insane energy levels seem to be creeping up with every album and Kill The Power showcases his most furious and impactful performances to date.
“The world’s getting worse so how can I get more mellow?” he laughs. “Of course I’m getting angrier! People normally stay in a bag when it comes to lyrics. Stephen King stays with horror and he’s brilliant at it, you know? With Skindred, it’s always about encouraging an uplift. It’s about a sense of unity. Lyrics can change people’s lives, you know? You can be going down one road and hear a song and have a Road To Damascus experience and become someone else.”
On an album that has no shortage of invigorating highlights, Kill The Power takes Skindred to new extremes at both ends of the lyrical spectrum, reaching a new level of fiery intensity on the lethal cautionary tale of “Playin’ With The Devil” and the euphoric end-of-the-working-week celebration of “Saturday”: both songs proving that this band’s ability to touch the heart and fire the blood remains as incisive and potent as ever. As if to enhance their songwriting chops more than ever, Kill The Power also features several songs written in collaboration with legendary songwriting guru Russ Ballard, the man behind such immortal rock staples as Since You’ve Been Gone and God Gave Rock & Roll To You, and this seemingly perverse team-up has led to Skindred’s finest set of lyrics and melodies to date.
“Basically, I try to write songs that people can interpret however they like,” says Benji. “When I wrote ‘Playin’ With The Devil’, I originally wrote some words down on a piece of paper thinking about friends I’ve had who smoke crack and live on the pipe, you know? I wrote the song about that kind of thing, but then a couple of days later the riots happened in London and so it became about that as well. When you shit on your own doorstep, your house is going to smell of shit. You’ve got to clean that up! With ‘Saturday’, it’s not a typical Skindred song; it’s a big celebration. We got Russ Ballard involved on that one and he helped me structure the lyrics in the right way so when the chorus hits, it hits like a hammer. It’s an upbeat song but when you listen to the lyrics it goes on about how people all have different reasons to be out and partying. Some people are celebrating, some people are drowning their sorrows, and we all come together on a Saturday. When this record comes out and people go to a club on a Saturday, that’s when it’s gonna go off! The chorus is huge!”
While Skindred’s previous album Union Black was dominated by the bleeps, booms and squelches of British electronic dance music, albeit balanced out by Mikey Demus’ trademark riffs, the new album sees the band return to a more organic sound that amounts to the most accurate representation of the Skindred live experience yet committed to tape. From the huge beats and stuttering samples of the opening title track and the laudably demented Ninja through to the insistent melodies and rampaging choruses of “The Kids Are Right Now” and “Saturday” and on to the thunderous, metallic throwdowns of “Proceed With Caution” and “Ruling Force” and the cool acoustic breeze of the closing More Fire, Kill The Power is Skindred cranked up to full throttle and revelling in their own febrile creativity like never before.
“It’s all about making an album that moves people in the same way that our live shows do,” says Arya. “We love what we achieved on Union Black and we still used a lot of those basic ideas on Kill The Power, but this time it’s a more organic sound. All the drum loops you hear were originally played by me before we started chopping them up, and there are a lot more guitars on this record too. We love combining all the music that we love in Skindred but we all love heavy music and we’re a rock band at heart and that really comes across this time.”
“We’ve delivered an album that’s gonna make people rock for the next few years,” states Benji. “You know what? I can’t do anything about record sales, but if people come to a Skindred show they’re gonna know they’ve been there, you know? Ha ha! The music we make is not about Christians or Muslims, straight people or gay people, black or white or any of that shit. When people are in that room together it’s just Skindred, one unity and one strength!”
Having conquered numerous countries around the world, Skindred could easily be taking a breather and resting on their laurels at this point. Instead, this most dedicated and hard-working of modern bands are preparing to launch their most exuberant assault on the world ever when Kill The Power hits the streets. Anyone that has ever seen the band live before will confirm that it is impossible not to get fired up and drawn into the joyous abandon of a Skindred show and with their greatest album to date primed and ready to explode, the best live band on the planet simply cannot fail to conquer the entire world this time round. Wherever and whoever you are, Skindred are coming. Open your ears and get your dancing feet ready…
“There’s nothing better than being on stage with these guys,” says Arya. “Skindred is my favourite band and I’m so lucky to be part of this thing we’ve created. We’ve been all over the world but there are always new places to visit and new crowds to play for. We just want to keep getting bigger and better.”
“We’re a global band. We’ve played in Colombia and India and everywhere and it’s the same energy,” Benji concludes. “I get letters from people in Hawaii and people in Turkey. It’s all the same. We resonate globally and it’s the greatest thing ever. It seems funny to us sometimes because we’re always kicking each other’s heads in and saying ‘You’re a wanker!’ to each other before we go on stage, but as soon as it’s time to play the show the oneness this band creates together and the unity we bring is unique. I’ve never experienced anything like it and we can’t wait to get back on the road and do it all again.”
VANDENBERG AIR FORCE BASE, Calif. – Preparations are underway to complete the encapsulation of NASA's Orbiting Carbon Observatory-2, or OCO-2, into the Delta II payload fairing in the mobile service tower at Space Launch Complex 2 on Vandenberg Air Force Base in California. The fairing will protect OCO-2 during launch aboard a United Launch Alliance Delta II rocket, scheduled for 5:56 a.m. EDT on July 1. OCO-2 is NASA’s first mission dedicated to studying atmospheric carbon dioxide, the leading human-produced greenhouse gas driving changes in Earth’s climate. OCO-2 will provide a new tool for understanding the human and natural sources of carbon dioxide emissions and the natural "sinks" that absorb carbon dioxide and help control its buildup. The observatory will measure the global geographic distribution of these sources and sinks and study their changes over time. To learn more about OCO-2, visit oco.jpl.nasa.gov. Photo credit: NASA/30th Space Wing, U.S. Air Force