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Copyright © John G. Lidstone, all rights reserved.
I hope you enjoy my work but, you are both requested warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence, under law, if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
Katy Perry's LED dress @ Barbican's "Digital Revolution" exhibition.
French techno-fashion house Cutecircuit has designed togs for Katy Perry and Bono, among other famous bods, but by far its most blogged-about creation is the fully functioning Twitter Dress. This heady collision of hashtags and haute couture displays 140-character messages tagged with #tweetthedress on a shimmering LED display embedded in the fabric, albeit via a brief vetting process to make sure that nobody says mean things. Things like ‘Your bum looks so big in that dress it’s on the global trending list’, for example.
(www.timeout.com/london/art/five-things-not-to-miss-at-dig...)
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"Digital Revolution explores and celebrates the transformation of the arts through digital technology since the 1970s. The exhibition brings together for the first time a range of artists, filmmakers, architects, designers, musicians and game developers, who are using digital media to push the boundaries of their fields. The show also looks to the future and considers the impact of creative coding, DIY and maker-culture, digital communities and the creative possibilities offered by augmented reality, artificial intelligence, wearable technologies and 3D printing.
The exhibition includes new commissions from design studios Umbrellium (Usman Haque and Nitipak 'Dot' Samsen), Universal Everything and Minimaforms (Theodore and Stephen Spyropoulos); global music artist and entrepreneur will.i.am, Yuri Suzuki, Pasha Shapiro and Ernst Weber; and a range of artists and performers including Rafael Lozano-Hemmer, Chris Milk, Aaron Koblin, Björk, Amon Tobin, CuteCircuit and work by Oscar®-winning visual effects (VFX) Supervisor Paul Franklin and his team at Double Negative for Christopher Nolan’s groundbreaking film Inception (2010). The Barbican have collaborated with Google on a new project called DevArt and presents four new gallery commissions by Karsten Schmidt, Zach Lieberman, Varvara Guljajeva and Mar Canet, as well as competition winners Cyril Diagne and Beatrice Lartigue.
Digital Revolution presents a number of impressive new installations, featuring interactive art works and exhibition-based displays. Umbrellium, best known for their large-scale and mass-participatory outdoor events, have produced their first work within a theatre setting. This immersive piece fills the space with a series of magical interactive laser sculptures, set within an otherworldly audio environment. Universal Everything, one of the UK's leading media art studios, have developed a piece for the Barbican's Silk Street entrance allowing visitors to submit a hand-drawn animated artwork that features within the gallery. The exhibition also includes the filmmaker and artist Chris Milk with his major shadow play work The Treachery of Sanctuary, presented in the UK for the first time.
Our Digital Futures section explores artists’ use of recently possible and emerging technologies with London based Studio XO for TechHaus, the technical division of Lady Gaga's Haus of Gaga, wearable technology by Pauline van Dongen and a robotic installation by Minimaforms (Theodore Spyropoulos and Stephen Spyropoulos) .
Digital Revolution was a festival-style exhibition and the most comprehensive presentation of digital creativity ever in the UK. Taking place across the Barbican with ticketed and non-ticketed elements and incorporating an offsite commission. It was accompanied by a talks and events programme and a dedicated publication."
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Although I've been using texture layers for years, it was only a few months ago that I learned about "luminosity masks." Rather than the texture layer appearing to lay flat on top of the background image (even with different layer blending modes), a luminosity mask helps embed it into the background image by varying the strength of the texture according to the tones of the background. The difference is quite significant. In this case, there are two layers embedded into the background - a texture layer and the yin/yang symbol layer.
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Resin embedded cutlery in Fonda Lola's back bar. Really interesting list of mixed drinks that mixes kombucha with tequila, etc. Lots of eclectic, worn and
Fonda Lola
942 Queen St. West
Toronto, ON
(647) 706-9105
fondalola.ca
Twitter @FondaLola
Owners: Ernesto Rodriguez, Howard Dubrowsky and Andrés Márquez
Chef: Howard Dubrowsky
Fotos Nuevas 2012
www.facebook.com/catedraleseiglesias
© Album 2200
By Cathedrals and Churches
Cathedrals and Churches By
Dióceis of Ciudad Valles
Immaculate Conception Parish
Address: Peter A. Santos # 62
Central Zone
C.P.: 79200
Phone: 01 (489) 388 0360
Location: Tamuin
San Luis Potosi, Mexico
At its center, the Plaza of friendship, adorned with a beautiful kiosk built in 1952, opposite is the Immaculate Conception Parish of the old building, and steps away is the city hall, which initially was a hospital built in wood and becoming the town hall was remodeled to its current architecture.
Other attractions are its beautiful lakes, such as Ducks, Lizards and Tansey. The window of the boar, is a mouth embedded in the Sierra de Tanchipa presenting different microclimates and where it is possible to observe the departure of thousands of bats. This cave has a drop of 150 meters makes it ideal for cavers.
Within the Regional Fair held in May, performing a series of exhibitions relating to culture, cuisine, crafts and livestock.
En su centro destaca la Plaza de la amistad, adornada con un bello quisco construido en 1952, enfrente se encuentra la Parroquia de la inmaculada concepción de construcción antigua, y a unos pasos está el Palacio Municipal, que en sus inicios fue un hospital construido en madera y al convertirse en sede del ayuntamiento fue remodelado a su actual arquitectura.
Otros atractivos son sus bellas lagunas, como la de Patitos, Lagarto y Tansey. La ventana del jabalí, es una boca incrustada en la Sierra de Tanchipa que presenta diversos microclimas y donde es posible observar la salida de miles de murciélagos. Esta cueva tiene una caída de 150 metros que la vuelve ideal para los espeleólogos.
Dentro de la Feria Regional que se celebra en Mayo, se realiza una serie de exposiciones referentes a cultura, la gastronomía, la artesania y la ganadería.
This is a photograph from the 2013 running of the Clonakilty Waterfront Marathon, Half Marathon, and 10KM which were held in the town of Clonakilty, West Cork, Ireland on Saturday 7th December 2013 from 09:00. This year the marathon events return back to their spiritual home with all events starting and finishing in Clonakilty town on the Inchydoney road. Clonakilty is a bustling picturesque town in the heart of West Cork, and lies approximately 50 km west of Cork city. This is the fourth running of the event which started in 2010. The event has grown from strength to strength and has gained a reputation of being one of Ireland's friendliest marathons. The marathon takes in some breathtaking coastal scenery along a testing course. The route descriptions are available from the official website. The marathon event has now firmly embedded itself in the Irish marathon running calendar. It marks the de-facto end of the large city/large town marathons for the year and places the event at the begining of the Christmas season in Ireland.
The race events were electronically timed by Precision Timing (see their website: http://www.precisiontiming.net/)
There is a larger set of photographs from the events on our Flickr photostream. Please use this link to go directly to the Flickr set for Clonakilty 2013: www.flickr.com/photos/peterm7/sets/72157638437661153/
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some useful Website Links and Internet Sites
Clonakilty Waterfront Full Marathon Route 2013: www.runclon.ie/html/course/full_route.html
Clonakilty Waterfront Half Marathon Route 2013: www.runclon.ie/html/course/half_route.html
Clonakilty Waterfront 10KM Route 2013: www.runclon.ie/html/course/10k_route.html
The Race HQ 2013 at the Waterfront: goo.gl/maps/sFGV2 (Google Streetview Imagery)
The Quality Inn Clonakilty where the Marathon Expo and Number Collection 2013 was held: goo.gl/maps/huhWl (Google Streetview Imagery) - Hotel Website: www.qualityclonakiltyhotel.com/
Clonakilty "Run Clon" Waterfront Marathon 2013: www.facebook.com/runclon (Requires Facebook Access)
Results will be initially available on Precision Timing's Website: www.precisiontiming.net/result/racetimer
John Desmond's Running in Cork Blog will have some post-marathon reactions and posts: corkrunning.blogspot.ie/ as will munsterrunning.blogspot.ie/
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Copyright © John G. Lidstone, all rights reserved.
I hope you enjoy my work and thanks for viewing.
NO use of this image is allowed without my express prior permission and subject to compensation/payment.
I do not want my images linked in Facebook groups.
It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.
If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.
The same applies to all of my images.
My ownership & copyright is also embedded in the image metadata.
This ring is from my Embedded series. It is a one-of-a-kind production. The ring was cast in fine silver using the lost wax technique. A volcanic beach pebble is embedded in the silver of the ring.
Probably every person who has worked with stones and metal has longed for the possibility to inset the stone directly into the metal without the obtrusive interference of prongs and bezels. Embedded is my personal fulfillment of this longing. The resulting jewelry gives me great satisfaction
Sydney’s tallest building, Sydney Tower, gets reflected in 20 level office tower. Walking along the Pitt Street at one time I was stunned by clear and almost full size reflection of Sydney Tower in one of the glass buildings nearby. I observed it for a while moving around and noticing how reflection is changing and disappearing at some spots. After that I started to think about capturing the view noticing when would be the best light and the best time. Sometime later with Tower glowing in yellow light of setting sun and sky deeply blue I took around 27 shots handheld from different places to select just a few for further processing.
For this image I chose 9 shots (3 vertical AEB sets with three -2,0,+2EV photos in each). 3 HDR files came out of those 9 images and finally they were stitched into one big HDR panorama. I then tonemapped it lightly and processed to enhance the contrast, color and few minor things like noise and shadows.
Location: Pitt Street, Sydney, New South Wales, Australia
From my photoblog at www.bouncedphoton.com
Copyright © John G. Lidstone, all rights reserved.
You are warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
Out on the plains, severe weather usually takes on one of two forms -- a supercell (a rotating, isolated thunderstorm) or a squall line (a long line of very strong storms). Generally, supercells are the tornado-machines of the sky; while not every supercell will produce a tornado, most tornadoes dance their way down from a supercell. Squall lines, on the other hand, are more often responsible for powerful non-tornadic winds. They're so huge -- many stretch on for hundreds of miles -- that they can cause quite a bit of wind damage over a very large area.
Occasionally, you get the worst of both worlds -- a squall line with "embedded supercells". These are some of the most difficult to safely chase. What usually happens is this: supercells form along a boundary of some sort (a boundary is a place in the atmosphere where two different airmasses collide). Because the atmosphere is so "primed" for storm formation, a line of storms quickly forms to fill in the gaps between the supercells. Usually this is the end of the supercells, because the storms of the squall line compete with the supercells, causing them to grow less intense, stop spinning, and line up with the rest of the squall line. However, sometimes the atmosphere has so much spin in it that even within the squall line, you find pockets of rotating storms -- supercells. Thus the term "embedded supercells".
Now this can be a problem because embedded supercells can be very hard to pick out of the sky with your eyes -- they tend to want to blend in with all the rest of the squall line. Sometimes, the only way to figure out where the heck they are is to look at a certain mode of radar called "Velocity Scan", which gives you a peek into what the winds are doing inside the storm. Even this isn't perfect for finding embedded supercells -- and that kind of situation is where National Weather Service meteorologists really earn their pay. And since not all tornadoes have a visible funnel cloud, you can suddenly find yourself going from being in a windy squall line to watching the beautiful prairie roll by a thousand feet beneath you as your pickup truck violates FAA airspace.
This is a picture of part of a squall line which contained embedded supercells. (I can't tell if this particular part of the storm is an embedded supercell, though a large wall cloud snuck up on me about 4 minutes after I shot this.) This is the June 11, 2008 squall line that struck eastern Nebraska and western Iowa -- and ended up tragically killing four boy scouts in western Iowa. It also ended up catching a group of storm chasers off guard -- they ended up filming themselves being struck by a weak tornado. (Like I said, embedded supercells are extremely hard to safely chase, especially when you have storms sliding north-east at almost 60 miles per hour as the whole line moves east at around 20 miles per hour, as this storm system did.)
About 10 minutes after I shot this I ended up fleeing east towards Omaha.
Found a washed up log with some rusted hardware embedded in it at New Brighton Park, Vancouver. I suspect the log might have been part of a log boom at some point.
Copyright © John G. Lidstone, all rights reserved.
I hope you enjoy my work and thanks for viewing.
NO use of this image is allowed without my express prior permission and subject to compensation/payment.
I do not want my images linked in Facebook groups.
It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.
If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.
The same applies to all of my images.
My ownership & copyright is also embedded in the image metadata.
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Cadet Caleb Longley, from Truman State University, conducts a movement during the Grizzly FTX (Field Training Exercise) at Fort Knox, Ky., August 9, 2019. | Photo by Cadet Kyle Gallagher, Oklahoma State University
en.wikipedia.org/wiki/Osaka_castle
Osaka Castle (大坂城・大阪城 ,Ōsaka-jō?) is a Japanese castle in Chūō-ku, Osaka, Osaka Prefecture, Japan.
Copyright © John G. Lidstone, all rights reserved.
You are warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
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