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The Mamiya RZ67 is a medium format single-lens reflex system camera manufactured by Mamiya. There are three successive models: the RZ67 Professional (first model released in 1982), RZ67 Professional II (released in 1995) and RZ67 Professional IID (released in 2004). RZ67 is a modular camera system, meaning lenses, viewfinders, ground glasses, film winders and film backs are all interchangeable. It is primarily designed for studio use, but can also be used in the field. The RZ67 Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a bellows on the body instead of the lenses.
The camera accepts 6×7, 6×6 and 6×4.5, 120 and 220 film magazines and Polaroid as well as Quadra 72 4×5 sheet film backs. Mamiya RB67 backs are also supported via the G-Adapter. The film speed is set on each RZ back via a dial. There are two versions of the 6×7 and 6×4.5 backs; the model II versions have a second film counter to always show the film count on the top. The RZ67 operates on one 6 V silver oxide 4SR44 battery, or 6 V 4LR44 alkaline battery. It can be used in emergency mode fully mechanically with a fixed 1/400 sec shutter speed. Multiple exposures are possible in the M-mode. Mirror flip up is supported. The body has one standard flash hot shoe on its left side, one plug for a standard remote shutter cable release, and a socket for an electronic shutter trigger. The RZ67 measures 104 mm (W) × 133.5 mm (H) × 211.5 mm (L) with the 110mm f/2.8 lens, and weighs approximately 2.4 kg (5.29 lbs). The flange distance is 105 mm.
Sony Alpha 6000, Systemkamera (mirrorless) mit 24 Megapixel APS-C-Sensor.
Mehr zur Kamera hier im Video:
www.youtube.com/watch?v=kzTCEkNiV_U&feature=youtu.be
Und auf Ralfs-Foto-Bude:
Seasonal occupies the back left corner of the store, and electronics has been in the front left location for the vast majority of the store's lifetime, if not from day one. (Doubtful it'll be remaining there however). I seem to remember very early models of computers more front and center within a Target, but this could very well be a memory from the old Hickory Hill location. No doubt though that computer software was (and I belive a small selection still is) in that more central location, evidenced by this photo of a directory from a much earlier time.
And unfortunately, I've had to color correct the green neon slightly as well, though it's nowhere near as far off as the red neon. Still not 100% happy with this result, so hoping my next view of it looks even better.
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Target, 1999-built (2023 remodeled), Interstate Blvd. near Goodman Rd., Horn Lake MS
The OM10 was the first consumer camera in the OM line. Its lines are not quite as ellegant as the classic OM1 but it's still an OK, inexpensive 35mm SLR.
WEEK 29 – Carrollton, GA, Target (II)
Panning to the left, we get a view of the sleek new electronics desk: a far cry not only from the bulky “boats” of old, but also even the more modern “Target Electronics” desks! I guess a bunch of hard edges, reflective white material, and a backlit front shelving space will do that for you… speaking of which, I actually think it’s quite clever how that space has been utilized for an all-in-one battery station, even if it does sacrifice having any true branding to help identify the desk’s purpose.
That arrowed remodel sign informs us that we will encounter the entertainment, sporting goods, toys and games, and auto and home improvement departments as we press forward toward the store’s left-side wall, and indeed we shall, as our stour continues two weeks from now. Stay tuned!
NEXT WEEK – more from the Oakland Kroger post-remodel…
(c) 2021 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
Sogenannte "Half Frame" Kamera, gebaut von Fuji 1964 zur Aufnahme von 72 Fotos im 18 x 12 mm Format auf einem Standard 35 mm Film mit 36 Bildern, motorisch transportiert durch einen unter der Kamera sitzenden Aufzug Federmotor. Man kann mit dem Gerät wahlweise vollautomatisch oder manuell belichten, die Messung durch eine Selen Zelle funktioniert ohne Batterie. Auch wenn die Kamera fast wie ein Messsuchergerät aussieht, die Entfernung muss geschätzt und auf einer Skala eingestellt werden. Das Objektiv ist ein Fujinon 28mm f/2.8, mit 5 Elementen, der Verschluss liefert vier Geschwindigkeiten und B. Ebenfalls vorhanden ist ein Selbstauslöser. Das Gerät wird relativ selten angeboten, die Preise für gut erhaltene Kameras schon nicht ganz ohne. Aufpassen muss man beim Belichtungsmesser: die Selen Zelle ist der Alterung unterworfen. Bei Kameras, die immer ungeschützt im Licht standen können die Zellen "ausgebrannt" und damit funktionslos sein.
Ich hatte das Glück, eine perfekt erhaltene Kamera in einer lichtdichten Ledertasche inklusive Bedienungsanleitung im Original zu finden, und das noch zu einem moderaten Preis!
The full metall camera is build in 1964 bei Fuji, it could be used in fully automatic or manual exposure with a Selenium cell meter. The camera has a spring-motor and captures up to 72 pictures with a normal 135 mm film cartridge. Picture size is 12 x 18 mm. The lens is Fujinon 28mm f/2.8, with 5 elements, it is coated, a filter is possible. Often old Selenium cells are broken, because of getting to much light for years. In this case metering is not possible, because the cam hasn't got a battery. It's a little rare and not really cheap.
I was lucky to find a payable camera in Mint condition, witch was hidden for 50 years in a light proof leather bag.
Charleston, WV. June 2016.
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This is the FED Micron (half-frame camera) in its full rame version, lol! You might be thinking that there is something wrong, either the Micron was a big camera for half-frame or this 35A is incredibly small. Well, both things, really! The camera is really small, but not record breaking. Probably the factory had a few leftover Micron bodies and recycled them as the FED 35 A. The nice thing is that it sports a rangefinder, has full auto exposure and partial manual exposure, partial because you have full access to the aperture settings, but only 5 speeds + B with the top speed being 1/60. Possibly these speeds were for flash sync purposes. The lens is the faithfull Industar in 38/2,8 guise. Aparently, about 25.000 cameras were made, which in the soviet multi million universe makes the FED 35 A look like a prototype!
I got to play (albeit briefly) with a Pentax 645D last Saturday.
I used toown a Pentax AF645N ii just before the deegeetal revolution hits. This new offerings by Pentax feels right at home...
(C) TED ADNAN PHOTOGRAPHY & DESIGN
Rehoboth Beach, DE. October 2018.
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Canon AV-1 35mm aperture priority SLR camera. Introduced in 1979.
photo-analogue.blogspot.co.uk/2015/10/a-minor-fix-for-can...
The PCB Group Order! Woo!
The full 22x16 panel, with a lot of empty space. I could've fit a bunch more boards.
Now here's more the sort of cab-shot I try to get wherever possible. Albeit wishing for far from the first time that I had a wider angle lens!
No, I wasn't tearing along at 80mph here either, for some reason the speedo was having a bit of a fit at the time and was convinced we were however. While I reckon 131 might actually be able to get to 80 given a long enough road, don't think it would do so in neutral...and I'd be rather more concentrating on where I was going than taking photos! Know there was a ground fault somewhere in the nearside rear corner causing issues for the tail lights, so if it's fed from an electronic pickup on the gearbox I guess these things could be related. Alternatively it might just need someone to give the instrument panel a firm thump in the right place...Finding gremlins in a car is bad enough...Hunting the suckers in a bus must be all manner of fun...I'll get my multimeter shall I?
131 is definitely one of my favourites of the collection up at Alford. I've always liked these Olympians, having grown up with them I guess. They look like a bus, they smell like a bus, they feel like a bus, and sound like a bus - in the case of Olympians like this with the Cummins L10 engine in particular have a hugely satisfying thunderous exhaust note.
Goes well this one too!
DENEB feat. GEOFF GOODMAN - live aus dem Jazzt Musik Club - vom 21.01.2016 - weitere Fotos unter:
www.jazzfoto.at/konzertfotos16/deneb/Index.htm
Besetzung:
Georg Degenhardt: ney, fula, perc, loops
Gudrun Raber-Plaichinger: voc, vln, loops
Tobias Ott: beats, live-mix
Thomas Kleinschmitt: synth, beats
Geoff Goodman: guitar, loops
The technic works very well after all this years! We heard radio messages from all over the world there...That made real fun!
Die Technik funktioniert noch hervorragend nach all den Jahren! Wir haben dort Funksprüche aus der ganzen Welt empfangen...Das hat richtig spass gemacht...
1957 Canon L2 with my Nikkor-HC 5cm 1:2 lens from 1954. Working perfectly on all speeds, I recently removed the top plate and cleaned the RF optics.
New toy: a 105mm macro lens. Not the Nikkor, but I think I'll have fun with this one. Playing around for a few minutes here, learning to find the sweet spot for focusing...
A computer circuit board.
Photographer: Harland Quarrington
Image 45153621.jpg from www.defenceimages.mod.uk
For latest news visit: www.mod.uk
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Tabb, VA. September 2018.
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Believe it or not, I've never had one of these before. I found this one, cosmetically mint and with a very sluggish but not jammed shutter, for $6 (body only, the lens is from my dad's Nikkormat) at an antique shop in Nacogdoches, Texas on the way home from Houston.
The Nikkorex F was made by Mamiya with a Nikon lens mount, and sold as a Ricoh as well.
Some day I'll open it up, clean up the shutter, and add it to the sketches on my Tech Notes CD.... but that's some time off, I have a lot of projects ahead of it.
Not normally one for gear fetish but I got this little black spotmatic a while ago to use with my (M42) Helios 44-2 and it's a lovely machine. Though I probably should have taken the nikon lens cap off before taking the shot...
The combination (sp and helios) probably cost me about €25.
portra 400 | 150mm s
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📷 Event | 2008 ENNSTAL-CLASSIC - technic check
1955 Porsche 550 RS Spyder cockpit :: rumoto image # 3020
An overview of the electronics desk (still rocking P97 style!), which is the centerpiece of the section itself. You'll note that this store has electronics and entertainment, while nearby, still technically separated. The departments are separated in new stores as well, I suppose, but they're right beside each other rather than across an aisle and oriented in a different direction.
(c) 2016 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
Manufactured by Voigtländer & Sohn AG, Braunschweig, West Germany
Model: c.1965, De Luxe version, third model, (Produced between 1963-1968)
35 mm film Rangefinder camera
Lens: Voigtländer Lanthar 50mm f/2.8, coated, (Lanthar 50mm f/2.8 lens was on early model CLRs, thus with this middle/late model camera is unusual)
Aperture: f/2.8 - f/22, setting: ring and scale on the lens-shutter barrel
Focusing: , matching rangefinder images in the finder via manual front element focusing, ring and scale on the lens, w/ DOF scale
Focus range: 1-20m +inf
Shutter: Gauthier Prontor 500 LK central leaf shutter, speeds: 1/15-1/500 + B
setting: ring and scale on the lens-shutter barrel
Shutter release: on front of the camera, beside the lens, w/ cable release socket
Cocking lever: short stroke, also winds the film, on the right back side of the camera,
double exposure prevention
Frame counter: window on the bottom plate, manual reset, decreasing type, w/ setting button beside it
Viewfinder: Coupled rangefinder / viewfinder, bright crystall frame for parallax correction, meter needle set is visible in the finder
Exposure meter: TTL (coupled to the lens) Selenium cell
ASA/DIN setting scale: on the shutter speed ring, w/ Uncoupling lever: disengages shutter speed ring when setting film speed, on the lens-shutter barrel
Exposure setting: after setting the speed, turn the aperture ring till two needles match in the window, on the top plate,
w/ Translucent plastic part reflects the meter needle set to the viewfinder
Re-winding: via a knob, on the left of the top plate, pops up via pushing the lever on the back of the top-plate
Back cover: Hinged, opens with latches on the left side of the camera
Flash PC socket: on the front of the camera, sync: X all speeds, bulb 1/30
Hot-shoe
Self timer: lever on the shutter, do not use in B
Memory dial: on the re-wind knob
Tripod socket: 1/4''
Serial no. 8503932
+ever ready case
A brief info for Vito C series cameras:
Vito C wo/ light meter and rangefinder, 1960-67
Vito CD w/ uncoupled light meter, 1961-66
Vito CL w/ a coupled light meter, 1961-67
Vito CLR w/ coupled light meter and coupled rangefinder, 1963-68
Vito CS w/ CdS light meter, 1968-71
Vito CSR w/ CdS lighmeter and rangefinder, 1968-71
All of the cameras, except CS and CSR, were sold as Standard or Deluxe models.
Differences between standard and de luxe models are cosmetic, like leatherette covered lens barrel, black shutter release, raised chrome name, film reminder disc with leather in the center. The light meter window is different in the deluxe third model of CLR .
Lanthar 50mm f/2.8 lens was on early model CLRs. The later model CLRs were offered with Color Lanthar or Skopar 50mm f/ 2.8 lenses. There were Pronto LK shutters also.
more info: Voigtländer Camera Collection, Doppeld by Dietrich Drescher, Orphan Camera manuals by M Butkus, ukcamera
I've had this Minolta 9000 for some time but without a suitable lens to go with with it. This Sunday I was at an antique fair and I managed to pick up a 50mm f1.7 lens for the bargain price of £18! Yay!
Unfortunately something isn't quite right :-( The lens isn't shutting down to the taking aperture properly, and I can't tell if it is the camera or the lens to blame. I have a freind with a Sony DSLR which I thinbk I will have to borrow to find out!
The Minolta 9000 was launched in 1985 and it was Minolta's second auto focus SLR camera after the 7000 launched just a few months earlier.
The 9000 provided a more professional feature set with a tough metal body, fast 1/4000 sec top shutter speed and an optional 5fps motor drive. Without the optional motor drive, and unlike the earlier 7000, power for the film advance is provided solely by the photographers thumb. Interesting factoid: the Minolta 9000 was the only AF SLR ever made with a manual film advance!
But despite the professional feature set, the AF was painfully slow… professional photographers would have to wait a couple more years before autofocus systems developed to a point that could really satisfy their needs.