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Mid 19c stained glass window by Wailes - Zechariah & the angel / BVM & St Elizabeth - Church of St John the Baptist & St Lawrence, Weston Sub Edge, Gloucestershire.
Five valleys has taken over the contracts of a company which has closed down in Wotton under Edge, We have also purchased several coaches from them to be used on the contracts immediately. These coaches won’t last long with us as the contracts are needed to be PSVAR compliant come September. With the Coronavirus situation it is unknown wether the coaches will be used again if the schools don’t return. The old companies large depot has also been purchased and the entire Gloucestershire bus preservation side project has moved to the site saving money on the old land which we rented.
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■とくみつ録:LenovoのCULVノートPC「ThinkPad Edge 13」をお借りしました（３）キーボード周辺をチェック
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The Edge
Hudson Yards
Manhattan, New York City
This is a rear view of the Edge at Hudson Yards, which boasts the highest outdoor sky deck in the Western Hemisphere--100 stories.
Obrigado pelo apoio dos meus Amigos, clientes e as pessoas que gostam do meu trabalho, e obrigado pelos comentarios também!
Te amo Me"Nynna" linda!
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Avenida dos Andradas 2287, sala 1305, Floresta, esquina com Contorno, ponto de referência Frigorífico Perrella...
E fica a dois quarteirões do Boulevard Shopping
HORÁRIO DE FUNCIONAMENTO TERÇA A SEXTA DE 10H AS 20H. SÁBADO DE 10H AS 17H.
AGENDAMENTOS POR TELEFONE (31) 2531-2809
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I've gone whole winters without once seeing ice settle on the saltwater shore. Usually, it's confined to the cliffsides, frozen falls and towering icicles, melted the moment they reach the tideline. But this season, a sustained shiver has filled the shallow coves and inlets with thousands of baby burgs, spread out randomly in a sort of obstacle course underfoot. Here, it's been helped a little with freshwater from Fraser Brook, turning things a bit more brackish. This was an afternoon of sleepy sunlight, and I felt like a cat curled up wherever I went, moving slower with a gentle edge against the ever-intrusive cold. It's still so far from any actual break, anything that could be mistaken for spring — but lazily lengthening days shine up so dramatically when the sun shows. You think we'd've lost patience by now, start telling that ball of fire to get lost if it keeps insisting on hiding for weeks at a time. Guess we're just eternally forgiving when it comes to seeing the light.
February 13, 2026
Baxter's Harbour, Nova Scotia
Year 19, Day 6669 of my daily journal.
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On Thursday 14 September 2017, UCL Urban Laboratory and Folkestone Triennial 2017 launched the EDGE symposium series, exploring the concept of situated practice in contemporary art, architecture and urbanism. The events bring together practitioners and thinkers at three ‘edge’ locations connected by the High Speed 1 railway, which acts a geographical link and embodies ideas associated with community, connectivity and escapism.
In framing these events, we have considered 'edge' as: 'Where an area that is known or privileged meets another that is unknown or ignored; a point of balance between contrary or diverse phenomena; a place of connectivity and interaction.'
'Gateway' was a day of enquiry on Bloomsbury and King's Cross as 'edge' locations through a mix of artist masterclasses and an evening conference. The Gower Street campus of UCL was planned and built on the urban/rural edge of nineteenth-century London, a ‘learning’ gateway through which generations of students have now passed, and one which now runs up against the King’s Cross development, conceived as a mix of ‘knowledge’ and ‘transport’ gateways.
Keynote: Jeremy Deller
Speakers: Marjetica Potrč and OOZE, Aidan Andrew Dun, Matthew Beaumont, Jan Kattein, and Rebecca Ross
Masterclasses: Samson Kambalu, Gary Woodley, Florian Roithmayr, Leah Lovett, and Katy Beinart
The series is organised by the UCL Urban Laboratory and Folkestone Triennial 2017, with additional support from the Slade School of Fine Art, UCL and The Bartlett School of Architecture, UCL.
#EdgeGateway
Taken during Wetlands Workshop: Looking to the Past
Taken at the Walthamstow Wetlands
Walthamstow Wetlands is a fully operational 211 hectare Thames Water reservoir site which is the main source of water supply for 3.5 million people...In October 2017, Walthamstow Wetlands opened to the wider public for the first time in 150 years...
In 1852, the East London Waterworks Company (ELWC) was granted permission to develop land at Walthamstow for reservoirs and by 1863, the first stage of the reservoirs development was completed with the construction of Reservoir Nos. 1, 2 and 3. Collectively they occupied just under 18 hectares of land and were all laboriously hand-dug by teams of ‘navvies’. In 1866, a drought in London and serious problems with water quality resulting in a cholera epidemic, drove the second phase of construction - Reservoir Nos. 4 and 5 were now added. With London’s fast growing populating, the High and Low Maynard Reservoirs were completed in 1870 for additional water storage whilst in 1887, a Davy compound engine (a new and powerful type of steam engine used widely for pumping at waterworks and mines during the late Victorian era) was installed at the Coppermill for use in the fast-expanding reservoirs system.
In 1894, the Engine House was built and remained in service until the 1980s - known initially as Ferry Lane Pumping Station, and later, the Marine Engine House, it was designed by ELWC’s architect H. Tooley under the watchful eye of Chief Engineer W. B. Bryan. Underneath the building was a network of underground reservoirs, chambers and pipes that linked the reservoirs and reached as far as Stoke Newington. In 1895, the East and West Warwick Reservoirs were completed and named after the Countess of Warwick, heiress of the local Maynard family, who sold the land to ELWC.
In 1897, Lockwood was the last reservoir to be created and also the largest – covering 30 hectares and excavated to a depth of around 8 metres. Named after one of the ELWC’s directors, it was a major engineering feat for its day - requiring a huge labour force of 1,250 men. Unlike the first reservoirs, which were dug mainly by hand, Lockwood was constructed with plenty of steam-powered pumps, engines and cranes - as well as a team of 50 horses!
In 1904, the Metropolitan Water Board became the new owner of Walthamstow Reservoirs following a series of mergers and nationalisation. In 1940, Walthamstow was hit by the first of many German bombs during the Blitz in World War II and several of the reservoirs were damaged whilst Lockwood’s water level was lowered to limit potential flooding during the war years. In 1951, the Ferry Boat Inn and Coppermill were designated Grade II Listed Buildings for their architectural features and unique place in local history.
In 1973, the Thames Water Authority became site manager following the creation of new regional water authorities, public bodies responsible for water supply, navigation, land drainage, sewage treatment and fisheries. A few years later in 1975, Walthamstow Reservoirs’ important status for London’s wildlife was officially recognised for the first time with its designation as a Site of Special Scientific Interest. In the 1980s, the Marine Engine House was decommissioned and as a result, was used mainly as a storage space until it was redeveloped as part of the new Walthamstow Wetlands over 30 years later.
In 1989, the water supply and sewage treatment aspects of the Thames Water Authority were privatised, leading to the company of today and in 2000, the site was designated part of the Lea Valley Special Protection Area for wildlife - also gaining international ‘Ramsar’ status as a major part of the valley’s internationally important wetland habitat.
[WalthamstowWetlands.com]
Catalog no. 18.
Artist: S. E. Stevens
Date of painting: Between 1941 and the 1950s
Painted on: Thomas Chandler Haliburton, The Attaché, or, Sam Slick in England. New ed. (London: Richard Bentley, 1853)
Binding: Bound in red leather stamped in gold; yellow coated endpapers
Binder: Unknown
Physical description: [2], xi, [1], 395, [3] p. ; 18 cm.
Other edge treatments: All edges gilt
Inscriptions, etc.: Presentation inscription, written by the author in ink on the front paste-down endpaper and dated Feb. 26, 1867. Inscription written in pencil (possibly by Stevens?) on the front free endpaper (verso) includes: “With double fore-edge paintings of Racing & Duck Shooting.”
Condition: Good with some very minor rubbing
Shelf location: Kent State University Libraries, Special Collections PR4735.H25 A84 1853
Provenance: Kent State University Libraries accession number 136648
Notes: Double fore-edge painting (see Catalog no. 17)
The Edge Dance Company Presents: Breaking Bounds 2019, a benefit for the Dizzy Feet Foundation.
Saturday, February 23, 2019. Tsai Performance Center.
The Edge Dance Company Presents: Breaking Bounds 2019, a benefit for the Dizzy Feet Foundation.
Saturday, February 23, 2019. Tsai Performance Center.
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■とくみつ録:ThinkPad Edge 13"をお借りしました。 ファーストインプレッション
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Brushed stainless steel letters are mounted to clear acrylic push through letters, the acrylic letters have additional offset to enhance edge lit/halo effect. Letters are illuminated through an internal translucent blue acrylic mounting panel by white led modules. Tray is manufactured from satin black aluminium composite.