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Contemporary dance, Entropy.

This dance is about the hazards of plastic pollution in the ocean. Every piece of discarded plastic is a silent ecological violence, and every indulgence will be a harm to yourself. This dance explores howto choreograph with lightweight and soft props while maintaining the full range of movement exploration.

 

Choreographers/ Dancers: Cheng Xi, Gong Shengjiao, Liu Shujun, Ruan Ziyun, Song Taotao

Abandoned home in Macon County, Missouri by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF24-70mm F2.8 L IS USM lens at ƒ/5.0 with a 283-second exposure at ISO 100. Processed with Adobe Lightroom CC.

 

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©Notley Hawkins. All rights reserved.

Mill Valley, CA

Entropic home in Macon County, Missouri by Notley Hawkins. Taken with a Sony ILCE-7RM2 camera with a Sony FE 24-105mm F4 G OSS lens at ƒ/8.0 with a 1-second exposure at ISO 400. Processed with Adobe Lightroom CC.

 

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Having some fun with a glass jar, water, food coloring and my flash.

 

Strobist: SB600, TTL, directly above the jar, bounced behind jar.

 

*Explored -- May 7, 2010

Entropy is the general trend of the universe toward death and disorder. (Entropía es la tendencia general del universo hacia la muerte y el desorden) James R. Newman

  

Como entropía se conoce la tendencia natural a la pérdida de orden en un sistema. La palabra, como tal, proviene del griego ἐντροπία (entropía), que literalmente significa ‘vuelta’, aunque hoy en día es empleada en varios sentidos figurados.

El término entropía fue inicialmente acuñado por el físico alemán Rudolf Clausius al observar que, en cualquier proceso irreversible, siempre se iba una pequeña cantidad de energía térmica fuera de la frontera del sistema. A partir de entonces, el término ha sido utilizado en las más variadas disciplinas de conocimiento, como la física, la química, las matemáticas, la astrofísica, la lingüística, la computación o la ecología, para hacer referencia a la medida de desorden a que tiende un sistema.

Así, por ejemplo, en Física, la entropía se refiere al grado de irreversibilidad que, en un sistema termodinámico, es alcanzado después de un proceso que implique la transformación de energía. En Química, por su lado, hace referencia a la entropía observada en la formación de un compuesto químico. En Astrofísica, alude a la entropía observada en los agujeros negros. En teorías de la información, la entropía es el grado de incertidumbre que se tiene en relación con un conjunto de datos. Mientras que, en Informática, hace referencia a la aleatoriedad recogida por un sistema operativo o una aplicación para su uso en criptografía.

 

www.significados.com/entropia/

 

La entropía puede interpretarse como una medida de la distribución aleatoria de un sistema. Se dice que un sistema altamente distribuido al azar tiene alta entropía. Un sistema en una condición improbable tendrá una tendencia natural a reorganizarse a una condición más probable (similar a una distribución al azar), reorganización que dará como resultado un aumento de la entropía. La entropía alcanzará un máximo cuando el sistema se acerque al equilibrio, y entonces se alcanzará la configuración de mayor probabilidad.

Una magnitud es una función de estado si, y sólo si, su cambio de valor entre dos estados es independiente del proceso seguido para llegar de un estado a otro. Esa caracterización de función de estado es fundamental a la hora de definir la variación de entropía.

La variación de entropía nos muestra la variación del orden molecular ocurrido en una reacción química. Si el incremento de entropía es positivo, los productos presentan un mayor desorden molecular (mayor entropía) que los reactivos. En cambio, cuando el incremento es negativo, los productos son más ordenados. Hay una relación entre la entropía y la espontaneidad de una reacción química, que viene dada por la energía de Gibbs.

 

es.wikipedia.org/wiki/Entropía

 

The second law of thermodynamics states that the entropy of an isolated system never decreases. Such systems spontaneously evolve towards thermodynamic equilibrium, the state with maximum entropy. Non-isolated systems may lose entropy, provided their environment's entropy increases by at least that amount so that the total entropy increases. Entropy is a function of the state of the system, so the change in entropy of a system is determined by its initial and final states. In the idealization that a process is reversible, the entropy does not change, while irreversible processes always increase the total entropy.

Because it is determined by the number of random microstates, entropy is related to the amount of additional information needed to specify the exact physical state of a system, given its macroscopic specification. For this reason, it is often said that entropy is an expression of the disorder, or randomness of a system, or of the lack of information about it. The concept of entropy plays a central role in information theory.

en.wikipedia.org/wiki/Entropy

 

The degradation of the matter and energy in the universe to an ultimate state of inert uniformity.

 

A process of degradation or running down or a trend to disorder

 

www.merriam-webster.com/dictionary/entropy

 

Settled on this for now. I fixed the waist, added some bushings to the upper arms, and changed up the modes a bit, though I'll show those at a later point.

Polaroid SX-70

"Everything that comes together falls apart. Everything. The chair I'm sitting on. It was built, and so it will fall apart. I'm gonna fall apart, probably before this chair. And you're gonna fall apart. The cells and organs and systems that make you you-they came together, and so must fall apart. The Buddha knew one thing science didn't prove for millenia after his death: Entropy increases. Things fall apart." John Green, Looking for Alaska

It's an old negative I scanned and then put a bit of processing in.

Minolta CLE, Fuji pro 160S.

Copyright © 2018 by Mansoor Bashir

 

No part of this picture may be reproduced or transmitted in any form or by any means (on websites, blogs) without prior permission.

Straight from the camera.

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(en) : What is gigantic seems as distant as unknowable, what is knowable seems as tiny as close . .

 

__________________________________________________

Outlining a Theory of General Creativity . .

. . on a 'Pataphysical projectory

 

Entropy ≥ Memory ● Creativity ²

__________________________________________________

 

Etudes du jour :

 

"C'est la manière dont une matière se plie qui constitue sa texture: elle se définit moins par ses parties hétérogènes et réellement distinctes que par la manière dont celles-ci deviennent inséparables en vertu de plis particuliers."

 

"This is how a material creases which constitutes its texture: it is defined less by its heterogeneous parts and really distinct than by the manner of which they become inseparable under particular folds."

 

( Gilles Deleuze - Le Pli, Leibniz et le baroque )

  

"(...) le chaos serait les ténèbres sans fond, mais le crible en extrait le sombre fond, le fuscum subnigrum qui, si peu qu'il diffère du noir, contient pourtant toutes les couleurs : le crible est comme la machine infiniment machinée qui constitue la Nature. (...) Si le chaos n'existe pas, c'est parce qu'il est seulement l'envers du grand crible, et que celui-ci compose à l'infini des séries de tout et de parties, qui ne nous paraissent chaotiques (suites aléatoires) que par notre impuissance à les suivre, ou par l'insuffisance de nos cribles personnels."

 

" (...) chaos would amount to depthless shadows, but the screen disengages its dark backdrop, the fuscum subnigrum that, however little it differs from black, nonetheless contains all colors: the screen is like the infinitely refined machine that is the basis of Nature. (...) If chaos does not exist, it is because it is merely the bottom side of the screen, and because the latter composes infinite series of wholes and parts, which appear chaotic to us (as aleatory developments) only because we are incapable of following them, or because of the insufficiency of our own screens."

 

( Gille Deleuze - Le Pli, Leibniz et le baroque )

 

__________________________________________________

rectO-persO | E ≥ m.C² | co~errAnce | TiLt

2016 PHOTOCHALLENGE, WEEK 9: B&W – ENTROPY

Abandoned home in Macon County, Missouri by Notley Hawkins. Taken with a Sony ILCE-7RM4 camera with a Sony FE 24-105mm F4 G OSS lens at ƒ/5.0 with a 365-second exposure at ISO 100. Processed with Adobe Lightroom CC.

 

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Model: Armgard Mortensen

Abandoned farmhouse near Chamois, Missouri by Notley Hawkins. Taken with a Sony ILCE-7RM3 camera with a Sony FE 16-35mm F2.8 GM lens at ƒ/2.8 with a 30-second exposure at ISO 400. Processed with Adobe Lightroom CC.

 

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www.notleyhawkins.com/

 

©Notley Hawkins. All rights reserved.

Or: The inevitable and steady deterioration of a system or society.

 

It’s now been more than two years since I photographed this once proud boat at its resting place along the river Glomma, and the years have not been kind to the wreck.

 

More sunken, more ready to disappear into mother Earth than I had expected, this time.

 

Link to the 2016 shot, above.

 

The 2015 shot is here.

 

And the 2014 shot, my first of this once proud boat, is here.

Europe, The Netherlands, Zuid Holland, Rotterdam, Hoek van Holland, North Sea, Beach, Shells, Razor shells (uncut)

 

The elongated shells on display here (shot during low tide) are razor shells (Ensis magnus). They are obviously empty.

 

The razor shells live under the sand, using their powerful feet to dig to a safe depth. Its digging activity comprises six stages, repeated cyclically. A digging cycle involves the integration of the muscular foot (which takes up a large part of the body) with the opening and closing of the valve and one end. The foot is inflated hydraulically, extending into the sand and anchoring the animal. Deflation of the foot then draws the shell down. The razor shell also squirts water into the sand, removing loose sand from its path. The foot is thought to exert a pressure of about 196 kilopascals (2.00 kgf/cm2; 28.4 psi).

The presence of a razor shell is revealed by a keyhole-shaped hole in the sand, made by its siphons during suspension feeding for plankton.

 

Razor clams can grow up to eight inches long, but are typically only four to six inches. Razor clams are filter feeders - they strain food particles from the water around them. They primarily eat microscopic algae but can also consume small crustaceans and other organic matter. (Wiki)

 

This is number 96 of the Adventures in Chaos album and 128 of Beaches.

"Disorder is not a mistake; it is our default. Order is always artificial and temporary."

fs.blog/entropy/

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