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Old Church
The earliest traces of inhabitation in Borne are archeological finds at the "Stroom Esch" and "Zuid Esch" of substantial settlements dating from the late Iron Age and the Roman period. Finds from around 800 CE.,the remains of two farmhouses and the grave of a man buried with his armour, a sword, lance and 16 silver denarii coined by Charlemagne near two farmhouses of the same age suggest inhabitation in the ninth century. The first historical mention of Borne, under the name Borghende dates from 1206 in a document which transfers churches in Steenwijk and Borne and their possessions by Fredericus, the abbot of the monastery in Ruinen to the bishop of Utrecht,
the Old Church of Borne was founded about the year 1000 by the Dominican monks
or an entertainment, and who were often unaware of each other’s work... Some of these pictures were the product of knowledge and skill and sensibility and invention; many were the product of accident, improvisation, misunderstanding, and empirical experiment. But whether produced by art or by luck, each picture was part of a massive assault on our traditional habits of seeing :-)
John Szarkowski
HMM! Character Matters!
ladyslipper orchid, denver botanic garden, colorado
Since my earliest childhood, I have been fascinated by nature. For me, the diverse country of Central Utah is my cathedral,
Simply by walking and observing nature, you can find solitude or clarity at any time. Sitting outside with nature and being present is like meditating.
The earliest existing historical records of the church date back to 1308, but the church was not new that year. The first church in Oppstryn was located at Nesje, about 2 kilometres (1.2 mi) northwest of the present location of the church. The medieval stave church was located at Nesje until the winter of 1662-1663 when an avalanche off the nearby mountain pushed part of the church down the hill into the lake Oppstrynsvatnet.[3]
The following spring, a new church was constructed at Fosnes in the village of Oppstryn to the southeast. The new building was a timber-framed long church. In 1863, this church was torn down and replaced with a new church that was consecrated on 1 November 1863
Texture's and Effect's by William Walton & Topaz.
Information from Wikipedia
The earliest known record of the Church of England parish church of St. Peter ad Vincula dates from 1291.[ Early English style features that survive from this time include the tower arch, a doorway and several windows, including two in the nave. The bell tower was built after a gift of £10 for the purpose in 1412.
The earliest record of the church's dedication to St. Peter ad Vincula ("St Peter in Chains") dates from 1469. It is one of only 15 churches in England with this dedication, which is after the Basilica of San Pietro in Vincoli in Rome.
Late in the 15th and early in the 16th centuries extensive Perpendicular Gothic alterations were made to the church. The tower was rebuilt and the south porch and three-bay north aisle were added and the nave was increased in height.
A west gallery was added in 1714 and later removed, probably during rebuilding work in the 1850s. The works included rebuilding the north aisle, removing the chancel arch and blocking up the east window, causing Pevsner to describe the church as "much renewed". In 1966 the church was designated as Grade II* listed. Today the parish is part of the Chase Benefice, a group of nine on both sides of the Dorset/Wiltshire border.
The earliest known record of the Church of England parish church of St. Peter ad Vincula dates from 1291.[ Early English style features that survive from this time include the tower arch, a doorway and several windows, including two in the nave. The bell tower was built after a gift of £10 for the purpose in 1412.
The earliest record of the church's dedication to St. Peter ad Vincula ("St Peter in Chains") dates from 1469. It is one of only 15 churches in England with this dedication, which is after the Basilica of San Pietro in Vincoli in Rome.
Late in the 15th and early in the 16th centuries extensive Perpendicular Gothic alterations were made to the church. The tower was rebuilt and the south porch and three-bay north aisle were added and the nave was increased in height.
A west gallery was added in 1714 and later removed, probably during rebuilding work in the 1850s. The works included rebuilding the north aisle, removing the chancel arch and blocking up the east window, causing Pevsner to describe the church as "much renewed". In 1966 the church was designated as Grade II* listed. Today the parish is part of the Chase Benefice, a group of nine on both sides of the Dorset/Wiltshire border.
This species is one of our earliest spring migrants showing up as early as late March and is also a late migrant in the fall so is often still seen in our area in late October. The results of tests done has proven that they do return to previously used nesting sites. Since they are early arrivals in spring their territorial defense system is already in place when other species start to arrive as well as having their nest building well under way.
At one time they nested solely midst rocky outcroppings but when man started constructing buildings and bridges they quickly accepted these structures when they found how easily they could build their mud nests in eaves and rafters. The benefits turned out to be twofold since man learned that his new tenant was a good source of pesky insect control.
They are heavy feeders of flying beetles, flies, wasps, grasshoppers. mayflies, etc and on occasion will pluck aquatic invertebrates and small fish off the surface of the water.
Fall and winter pretty much dictates a diet of small fruits.
This adult bird is perched on a small branch where it is watching very diligently for a passing insect to dart out and snatch out of the air.
Late March is the earliest we can hope for dragonflies again. Always hoping for overwintering butterflies in the next couple of months on warm days.
>> male Ashy clubtail @ the wetlands, N. Georgia, March 30th ... a sprinkle of pine pollen
Happy Dragonfly Thursday!
The earliest I've ever seen skunk cabbage blooming in Winneshiek County before today was February 28. The historical average first blooming date is March 21, based on 30 years of phenological notes that I started keeping back in the 1970s. These flowers are a full month ahead of schedule. A major problem they will face is a total lack of potential pollinators that are likely still stuck in pupal stages for good reason. No pollinators - no reproduction - no future.
From Williamsville’s earliest days, a farmer's elevator, feed store and stockyards were built alongside the railroad to support the local livestock and farming industry to get goods to and from market. While the stockyards are no more, the grain elevators and storage silos are still here and are now operated by the Farmers Co-Op Grain Company.
On the right side of the tracks is the historic Williamsville Depot. When passenger service ended a half century ago, this circa 1900 depot began a new mission as the village library until 2016.
The Village of Williamsville was established in 1853. Located just 17 miles (27 km) north of the state capitol in Springfield, this central Illinois community had a population of 1,467 at the 2020 census.
The earliest existing record of a telescope was a 1608 patent submitted to the government in the Netherlands by Middelburg spectacle maker Hans Lippershey for a refracting telescope. The actual inventor is unknown but word of it spread through Europe. Galileo heard about it and, in 1609, built his own version, and made his telescopic observations of celestial objects.
I have a trip along the West coast of France starting tomorrow, so will be absent for a few weeks.
I went back to my earliest digital photos. In 2005, I got my first digital point-and-shoot, a Canon Ixus 50 with a whopping 5 megapixels. I bought it specifically for the vacation this image is one of the first ones from. I used it until 2013 as it was so convenient to put it into my trouser pockets. Unluckily, it slipped from my pocket in that year on another vacation, never to be found again.
Seeing those images on a full HD screen with 1920 x 1080 pixels, they are fine. You just shouldn't zoom in more.
A few of my Flickr friends should recognize this place. If you do, please post in the comments, where exactly I was because I can't remember the locations anymore after all this years.
Buy this photo on Getty Images : Getty Images
St Saba Church dominates the town of Bcharre, which was the hometown of the famous Lebanese poet Gibran Khalil. Bcharre is a town in the Kadisha Valley (Qadisha Valley) of north Lebanon, a UNESCO World Heritage Site home to some of the earliest Christian monasteries in the world.
Submitted: 29/10/2017
Accepted: 07/11/2017
My earliest sighting, mild temps. He'll return to his burrow for several weeks yet....although I suspect this is a female from last year. She's very shy.
texture: Jai Johnson
As always many THANKS to all who choose to award/comment/invite.
PLEASE! Do not fav without a comment/award.
Por favor, no favorecer sin un comentario
S'il vous plaît ne pas fav sans un commentaire
Schönbusch Park is one of the earliest landscape gardens in Germany. From 1775, the Archbishop of Mainz, Friedrich Carl von Erthal, had his game park redesigned in the English landscape style. The first building in the park, designed by the architect Emanuel Joseph von Herigoyen, was the Electoral Pavilion. It was built from 1778 to 1782 as a small neo-classical summer palace with exquisite furnishings in the Louis-seize style and is today called "Schönbusch Palace".
Der Park Schönbusch ist einer der frühesten Landschaftsgärten Deutschlands. Ab 1775 ließ der Mainzer Erzbischof Friedrich Carl von Erthal seinen Wildpark im englischen Landschaftsstil umgestalten. Als erstes Bauwerk im Park, entworfen von dem Architekten Emanuel Joseph von Herigoyen, entstand der Kurfürstliche Pavillon. Er wurde von 1778 bis 1782 als kleines klassizistisches Sommerschlösschen mit erlesener Ausstattung im Stil Louis-seize errichtet und wird heute "Schloss Schönbusch" genannt.
My earliest photo on bee was taken many month ago. At that time I still have no idea how to focus, follow or keep it in good composition. But I spend more time to learn its behavior later and know much more.
14th to 17th centuries Castle Wijchen is first mentioned in a written source in 1392. The earliest castle probably dates from the middle of the 14th century.
The castle has passed through the hands of many different families. In the middle of the 14th century it belonged to the family Van Galen, in 1536 it passed into the ownership of the lords of Batenburg. By then the castle had been thoroughly sacked at least once. The rebuilding is likely to have been the initiative of one of the lords of the manor of Batenburg (the Bronkhorst family), but the castle was only completed at the beginning of the 17th century. The responsibility for the completion of the current castle lies with the royal couple Princess Emilia van Nassau en Don Emanuel van Portugal.
17th to 20th centuries: In 1609 Emila, daughter of Prince Willem of Orange, bought the castle. It was some time before she moved in. First she had the castle extensively renovated. The money for this enterprise came partly from the sale of an extremely valuable pearl necklace. Emanuel was without prospects and a catholic. Because of this he and Emila had not received permission to marry from the government or Prince Maurits. They had eloped together, and thus had a long and rather difficult love story behind them by the time they came to Wijchen. Many of the decorations on the building are references to their struggle to be united together in marriage, such as the beam fixings in the form of a closed ‘S’ which stand for the French ‘fermesse’ – fidelity.
Emilia died in 1629 and the castle was eventually sold by her children to Philips van Nassau, lord of Grimhuizen near Breda. Having passed through the hands of a further thee families, the castle and estate came into the possession of the Osy family in 1771
The heirs of Baron J.J.R. d’Osy put the castle up for sale in the summer of 1903. It was bought by the honourable A.W. van Andringa de Kempenaer from Den Haag for 26,850 guilders.
As a result of a fire in one of the chimneys on the evening of December 5th 1906 the castle was gutted. Only the walls remained – the entire interior, furniture, books and works of art fell victim to the flames. However in a very short time the castle was completely restored under guidance of the Nijmeegse architect F.A. Ludewig. By 1908 Castle Wijchen had risen phoenix like from the ashes.
After the death of Miss van Andringa de Kempenaer in 1926 the castle passed to her nephews. They tried to sell it in 1932, but their were no buyers because of the economic crisis of the time. Spurred on by the mayor, the municipality of Wijchen bought the castle for the sum of 32,000 guilders. Since that time the castle has been the official meeting house for the council, and every resident of Wijchen is also ‘owner’.
21st century: The future looks rosy for the castle. Renovated in the 1990s the castle has housed, since 1996, Museum Castle Wijchen and the chief meeting room and wedding salon of the municipality of Wijchen. The Museum is situated on the second floor of the castle, and also makes use of a part of the castle gardens. The museum has collections of archaeology and modern art, with both permanent and temporary exhibitions as well as a regional history exhibit about the five castles within the parish. In the garden of the castle is Museum Garden ‘De Tuun’ with historic crops and herbs.
The earliest existing historical records of the church date back to the year 1416, but the church was likely old by then. The first church on the site was likely a Romanesque stone church that was built around the year 1100. The church was about 10 metres (33 ft) long at the time of its construction.
In 1767, the church was enlarged by adding on to the east and west ends of the building, about doubling the length of the building. In 1828, the church was renovated and enlarged by adding a wing to the north which became the main nave for the church, with cross-arms going to the east and west.
The new design of the building then had the choir located in the intersection of the three wings of the T-shaped church. At the same time, a sacristy was also added along the south side of the building. In 1831, the church was enlarged again to the west, by adding a wooden structure with a tower and steeple on top.
Around 1900, the church received a new entry porch at the end of the northern cross arm. This small addition was described in 1912 as tacky and dilapidated, and in 1913 it was torn down and rebuilt. The interior was significantly changed around 1900. In 1960, the addition from 1831 (under the tower) was converted into meeting rooms and a baptismal sacristy. In 1998, there was a bathroom built along the south side. wikipedia
One of the earliest candelabra primroses to bloom, award-winning Primula japonica 'Postford White' (Japanese Primrose) is a robust, deciduous perennial with attractive whorls of glistening white flowers ..
From it's most earliest days in the early 1900's to it's sad end in the mid 1950's Packard maintained a signature design element on their grill surrounds. Starting lower on the sides the grill surrounds would bump up and raise in the center, and you will find versions of this on every model of every Packard for every year of Packard's existence. When I first came upon the Reo in the photo the first thing I noticed was the Packard like grill surround, and thinking, in fact, that it was indeed a Packard. Well, that was only true until I noticed the emblem in the center with the letters R E O emblazoned on it. Like Packard in their day, Reo was considered somewhat of a luxury automobile, and as such, they were priced accordingly. I suspect, however, that they didn't have the same panache that Packard enjoyed. So, was the Packard like grill surround on this 1930 Reo a design coincidence, or could you say that "imitation is the sincerest form of flattery?" REO, the company, was founded by the former founder and owner of the Oldsmobile company, Ransom E. Olds (Notice the first letters in his name REO.) The company started in Lansing, Michigan, and had a long and somewhat successful history producing cars and trucks from 1905 to 1975. In 1936, Reo stopped producing cars in favor of devoting it's time to the end in 1975 to producing trucks.
Vince M
Although truck orders during World War II enabled it to revive somewhat, the company remained unstable in the postwar era, resulting in a bankruptcy reorganization. In 1954, the company was still underperforming, and sold its vehicle manufacturing operations (the primary asset of the company) to the Bohn Aluminum and Brass Corporation of Detroit. Three years later, in 1957, Reo's vehicle manufacturing operation became a subsidiary of the White Motor Company. White then merged REO with Diamond T Trucks in 1967 to form Diamond Reo Trucks. In 1975, this company filed for bankruptcy and most of its assets were liquidated. Volvo later took over White and thus currently owns the rights to the REO brand name.
Wiki
The earliest existing historical records of the church date back to the year 1329, but it was built before that time, likely during the 1200s. It was probably a stave church that stood about 2 kilometres (1.2 mi) southeast of the present church.
There is a plaque where the previous church once stood. The church was demolished in the early 1600s and replaced by a wooden church.
The wooden church was sold to private owners Arne Olsen Øvre Totland and Lars Olsen Øvre Birkeland in 1724. In 1839, the church was bought back by the parish.
Due to maintenance issues and population growth, that church was torn down in 1877 and replaced in 1878 with a larger stone church located about 2 kilometres (1.2 mi) away in Nesttun. The new (present) church was consecrated on 21 November 1878.wikipedia
Colors of dawn this Friday, one of the earliest of the year in Madrid. From June 9 to 20, the sun rises in Madrid at 06:43.
Photo taken at 06:26 am, just when leaving home to go to work.
It wasn't a very colorful sunrise, but I liked witnessing the variety of tonalities.
For tomorrow, Madrid expects a maximum of 95ºF (35ºC). It will be the first day of intense heat in the city. Patience!
Press "L" to enlarge the image.
Have a good start to the weekend!
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Amanecer del viernes, Madrid, España
Colores del amanecer de este viernes, uno de los más tempranos del año en Madrid. Del 9 al 20 de junio el sol sale en Madrid a las 06:43 de la mañana.
Foto tomada a las 06:26 am, justo en el momento de salir de casa para ir al trabajo.
No fue un amanecer muy colorido, pero me gustó presenciar la variedad de tonalidades.
Para mañana, Madrid espera una máxima de 35ºC. Será el primer día de intenso calor en la ciudad. ¡Paciencia!
Pulsa "L" para ampliar la imagen.
¡Que tengas un buen comienzo de fin de semana!
14th to 17th centuries Castle Wijchen is first mentioned in a written source in 1392. The earliest castle probably dates from the middle of the 14th century.
The castle has passed through the hands of many different families. In the middle of the 14th century it belonged to the family Van Galen, in 1536 it passed into the ownership of the lords of Batenburg. By then the castle had been thoroughly sacked at least once. The rebuilding is likely to have been the initiative of one of the lords of the manor of Batenburg (the Bronkhorst family), but the castle was only completed at the beginning of the 17th century. The responsibility for the completion of the current castle lies with the royal couple Princess Emilia van Nassau en Don Emanuel van Portugal.
17th to 20th centuries: In 1609 Emila, daughter of Prince Willem of Orange, bought the castle. It was some time before she moved in. First she had the castle extensively renovated. The money for this enterprise came partly from the sale of an extremely valuable pearl necklace. Emanuel was without prospects and a catholic. Because of this he and Emila had not received permission to marry from the government or Prince Maurits. They had eloped together, and thus had a long and rather difficult love story behind them by the time they came to Wijchen. Many of the decorations on the building are references to their struggle to be united together in marriage, such as the beam fixings in the form of a closed ‘S’ which stand for the French ‘fermesse’ – fidelity.
Emilia died in 1629 and the castle was eventually sold by her children to Philips van Nassau, lord of Grimhuizen near Breda. Having passed through the hands of a further thee families, the castle and estate came into the possession of the Osy family in 1771
The heirs of Baron J.J.R. d’Osy put the castle up for sale in the summer of 1903. It was bought by the honourable A.W. van Andringa de Kempenaer from Den Haag for 26,850 guilders.
As a result of a fire in one of the chimneys on the evening of December 5th 1906 the castle was gutted. Only the walls remained – the entire interior, furniture, books and works of art fell victim to the flames. However in a very short time the castle was completely restored under guidance of the Nijmeegse architect F.A. Ludewig. By 1908 Castle Wijchen had risen phoenix like from the ashes.
After the death of Miss van Andringa de Kempenaer in 1926 the castle passed to her nephews. They tried to sell it in 1932, but their were no buyers because of the economic crisis of the time. Spurred on by the mayor, the municipality of Wijchen bought the castle for the sum of 32,000 guilders. Since that time the castle has been the official meeting house for the council, and every resident of Wijchen is also ‘owner’.
21st century: The future looks rosy for the castle. Renovated in the 1990s the castle has housed, since 1996, Museum Castle Wijchen and the chief meeting room and wedding salon of the municipality of Wijchen. The Museum is situated on the second floor of the castle, and also makes use of a part of the castle gardens. The museum has collections of archaeology and modern art, with both permanent and temporary exhibitions as well as a regional history exhibit about the five castles within the parish. In the garden of the castle is Museum Garden ‘De Tuun’ with historic crops and herbs.
The earliest parts of this church date from the 13th century and include the south doorway and piscina in the chancel. However, the church was heavily restored in the 19th century with the tower being rebuilt in 1852 and more general work being carried out in 1862.
The earliest walls of this church are from the beginning of the 12th century. The present building then is not more than about 900 years old. About 1100 years before that the Romans came to what they were to name “Calleva Atrebatum”, later called “Silchester” by the Saxons Among the early Roman residents there would have been Christians who initially may have had to be secret about their faith. Some consider that the excavated remains of one building in the old Roman Town may be interpreted as a place for Christian worship dating from about 340AD, though this cannot be certain.
From its earliest days, Launceston was a river port city. Right up until the early 1960s small vessels would make their way up the Tamar estuary bringing in cargo and passengers. On the outward journey these ships would take on mainly wool, but also grain.
Now this is all that remains of what was once a massive wharf. In the 19th century the lighter wooden ships also used a wharf complex along the Esplanade on the North Esk River - where the Boag's Brewery sits today (see below).
Kali's earliest appearance is when she emerged from Shiva. She is regarded as the ultimate manifestation of Shakti, and the mother of all living beings. The goddess is stated to destroy evil in order to protect the innocent. Over time, Kali has been worshipped by devotional movements and Tàntric sects variously as the Divine Mother, Mother of the Universe, Principal energy Adi Shakti.
In this tradition, she is considered as a ferocious form of goddess Mahadevi, the supreme of all powers, or the ultimate reality. She is the first of the ten Mahavidyas in the Hindu tantric tradition
Camera obscura (plural camera obscura or camerae obscurae from Latin, meaning "dark room": camera "(vaulted) chamber or room," and obscura "darkened, dark"), also referred to as pinhole image, is the natural optical phenomenon that occurs when an image of a scene at the other side of a screen (or for instance a wall) is projected through a small hole in that screen, as a reversed and inverted image (left to right and upside down) on a surface opposite to the opening. The surroundings of the projected image have to be relatively dark for the image to be clear, so many historical camera obscura experiments were performed in dark rooms.
The term "camera obscura" also refers to constructions or devices that make use of the principle within a box, tent or room. Camerae obscurae with a lens in the opening have been used since the second half of the 16th century and became popular as an aid for drawing and painting. The camera obscura box was developed further into the photographic camera in the first half of the 19th century when camera obscura boxes were used to expose light-sensitive materials to the projected image.
The camera obscura was used as a means to study eclipses, without the risk of damaging the eyes by looking into the sun directly. As a drawing aid, the camera obscura allowed tracing the projected image to produce a highly accurate representation, especially appreciated as an easy way to achieve a proper graphical perspective.
A camera obscura device without a lens but with a very small hole is sometimes referred to as a "pinhole camera", although this more often refers to simple (home-made) lens-less cameras in which photographic film or photographic paper is used.
The earliest known written record of the camera obscura is to be found in Chinese writings called Mozi and dated to the 4th century BCE, traditionally ascribed to and named for Mozi (circa 470 BCE-circa 391 BCE), a Han Chinese philosopher and the founder of Mohist School of Logic. In these writings it is explained how the inverted image in a "collecting-point" or "treasure house" is inverted by an intersecting point (a pinhole) that collected the (rays of) light.
The Greek philosopher Aristotle (384-322 BCE), or possibly a follower of his ideas, touched upon the subject in the work Problems - Book XV, asking:
"Why is it that when the sun passes through quadri-laterals, as for instance in wickerwork, it does not produce a figure rectangular in shape but circular?”
and further on:
“Why is it that an eclipse of the sun, if one looks at it through a sieve or through leaves, such as a plane-tree or other broadleaved tree, or if one joins the fingers of one hand over the fingers of the other, the rays are crescent-shaped where they reach the earth? Is it for the same reason as that when light shines through a rectangular peep-hole, it appears circular in the form of a cone?"
Many philosophers and scientists of the Western world would ponder this question before it became accepted that the circular and crescent-shapes described in this "problem" were actually pinhole image projections of the sun. Although a projected image will have the shape of the aperture when the light source, aperture and projection plane are close together, the projected image will have the shape of the light source when they are further apart.
The medieval castle on a cliff rising on the eastern side of the valley of the Hernád River, in the immediate vicinity of Boldogkőváralja. The Miocene andesite tuff Bodókő Hill, on which the castle stands, is part of the Zemplén Landscape Protection Area. Due to the beauty of the landscape and the relatively good condition of the castle, it is a popular hiking destination, which is one of the stops of the National Blue Tour.
The earliest part of the castle (an old tower surrounded by a fortification) was probably built after the Tartar invasion and was erected either by Ispán Tyba, son of Jaak of the tribe of Tomaj, or by Judge Aba Amadé. When Károly Róbert Anjou chased the Aba, the castle came to the Drugeth family, which was loyal to him, and later to Péter Czudar. In the 15th century, it became the property of Serbian princes István and György, and then of the Szapolyai family. In Turkish times, he often changed hands as one of the venues for the intense battles between the emperor and the king. It was acquired by the conquering György Rákóczi in 1666, later it became important several times in the Kuruc times, but even before the Rákóczi War of Independence, in 1701, it was made uninhabitable by the emperors. The ruin was taken possession of by the Jesuits in the 18th century, who used it as a grain warehouse. Later it became the property of the Péchy and then the Zichy family, who, however, no longer lived in the uncomfortable fortress, instead using a baroque castle built in the area of the serf village. Despite the bombing of imperial soldiers and the devastating centuries that followed, it is one of our best-preserved medieval castles.
Urban exploration finds us capturing the day moon at sunrise when it's most vivid due to the dawns earliest lighting.
The earliest existing historical records of the church date back to the early 12th century when King Øystein Magnusson (c. 1088– 1123) ordered that a church be built in Vågan to serve the Lofoten area. The first church was likely a stave church and it was located about 200 metres (660 ft) west of the present site of the church. In the mid-1600s, the old church was enlarged and renovated, giving the building a cruciform design. After centuries of use, the old church deteriorated and in 1712 or 1713 the old church began to collapse and so it was torn down. A new church was built on the same site in 1713-1714. It was a timber-framed long church design with a tower on the roof and a cemetery surrounding the church. This church was in use for nearly a century when in 1798, it was disassembled and moved to the nearby island of Værøya where it was rebuilt as the Værøy Church. A new church was built in Vågan to replace the one that was moved away. The new church was a timber building in a cruciform design.
In 1814, this church served as an election church (Norwegian: valgkirke).Together with more than 300 other parish churches across Norway, it was a polling station for elections to the 1814 Norwegian Constituent Assembly which wrote the Constitution of Norway. This was Norway's first national elections. Each church parish was a constituency that elected people called "electors" who later met together in each county to elect the representatives for the assembly that was to meet in Eidsvoll later that year.
By the late 1800s, the Kabelvåg area had seen a lot of population growth due to the tremendous fishing opportunities each season. In 1898, a new church was built about 200 metres (660 ft) to the east of the old church. It was designed to be large enough to accommodate all the fishermen who came to Kabelvåg each season. It was nicknamed the "Lofoten Cathedral" (Lofotkatedralen) by Eivind Berggrav, the Bishop of the Diocese of Oslo in 1929. The church was designed in Gothic revival style by the architect Carl Julius Bergstrøm (1828-1898). The new church was consecrated on 9 October 1898. After the new church was completed, the "old church" was still located just across the road for a couple of years until it was demolished in the summer of 1900.
One of our earliest spring migrants to arrive and most of our Wheatears are now on their territories and beginning their nesting operations.
I encountered several pairs on a visit to Dartmoor yesterday .
This male was singing its short sweet little song,interspersed with a sharp 'Chack..Chack' call to ward of interlopers.
I have seen them singing before but mainly when they are in flight as they then parachute down to the ground.
Taken in Devon.
Eight "Brocades" were created in the earliest part of 2018. Five have been posted to Flickr up to this point. Number 6 here picks up where 1 - 5 left off.
In direct contrast to the 14 previous "straight" Pano-Sabotage images, the "Brocades" are at the further end of the Pano spectrum for their intense complexity both in terms of the image and the complicated layers that were build up to compose them. These images ARE heavily processed and are an exploration of how far the Pano-Sabotage medium might be pushed and still retain it's identification as a "Pano" piece. Each plane or facet in the larger image was a Pano-Sabotage piece subjected to extreme, stellated mirroring and processing.
These last "Brocades were brought out to be part of the "PANO-Vision" group's "The PANO to the Metal" Contest", where members are asked to experiment with the medium to the furthest extremes that they could muster while retaining some identification with Pano-Sabotage imagery. The contest ran from June 5 to June 31, 2018.
Image created Feb. 20, 2018.
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© Richard S Warner ( Visionheart ) - 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
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I am VERY proud to announce that I was chosen to be the feature artist of the "Kreative People" Group's Spring Gallery - Running until the end of June. I really must thank both abstractartangel77 and Xandram for bestowing me with this great honour. The link to the gallery appears below:
Please visit my Kreative People Highlight Gallery HERE
Cjherry Blossoms..
Last Thursday we went for a walk to Joyce Archdekin Park to get a few shots of the Japanese Sakura cherry trees which are in bloom. This is the earliest I can remember that they are blooming, usually we have to wait till the second or third week of May.
It started reining the next day and since then the constant rain has taken all the blooms off of the trees. Luckily we took that opportunity to get those shots.
Thank you for visiting for marking my photo as a favourite and for the kind comments,
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© NICK MUNROE (MUNROE PHOTOGRAPHY)
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My relatives for multiple generations rest here.
The earliest existing historical records of the church date back to the year 1320, but the church was not new that year. The first church at Fjære was likely a wooden church with a stone altar. That church was taken down at some point an replaced with the present church, likely around the year 1150, but the old stone altar from the old church was left in place and a new stone church was constructed on the same site surrounding the existing altar. The new church had a 18-by-12-metre (59 ft × 39 ft) rectangular nave with an 8-by-10-metre (26 ft × 33 ft) rectangular choir on the east end. There was a semi-circular apse built on the eastern end of the choir as well. The church was constructed with a basement crypt underneath it. (The crypt contains 26 bodies, mainly important people from the community during the 17th century. The basement was formally closed to visitors in 1997 to give respect to the dead.)[
The church was essentially the same from the early 1300s until the 1600s when changes were undertaken. First, the roof structure was changed, and the church got a flat ceiling and a new attic floor. Since then, the number of seats has been increased by adding balcony seating areas. During the 18th century, the apse had settlement damage, and the roof there was torn down and the apse was rebuilt along with a wooden sacristy on the east side of it. Around 1745 the gallery along the north wall was extended to the choir. In 1827, a large wooden tower was built on the west end of the building. In 1898, the west gallery was expanded to accommodate the organ. In the 1930s, plans were made to renovate and restore the old church. These got interrupted by the German invasion of Norway and the ensuing period of war. The restoration was finished during the 1950s and 1960s. When it was all finished, they had removed the old sacristy in the east and a larger sacristy was built on the north side of the nave. The foundations were all fixed to correct the sagging and skewed walls within the building. Frescoes were uncovered on the walls at this time as well.
29th of October 2021, the church was broken into and vandalised. Amongst other things, the offenders had entered into the 17th century crypt and damaged various artifacts such as the 13th century baptismal font
The earliest record of explorers in the New World hinted that songbirds must migrate over water, at lest when close to land. In 1492, after sailing from Spain across the Atlantic for more than a month, Christopher Columbus noted many birds that stopped to rest on the ships or that passed overhead. On September 20, he recorded three pelicans, with he took as a sign of nearby land. Two or three landlords also appeared near nightfall, sang aboard the ship, and disappeared before sunrise. On October 7, when flocks of birds passed overhead to the southwest, the restless crew changed course to follow the birds, hoping to find the shore. On October 9 they heard calls of birds form above all night long, and on October 12, they finally sighted land.
Songbird Journeys, Miyoko Chu.
Avebury Manor
The earliest parts of the present house were probably built after Sir William Dunch of Little Wittenham in Berkshire (now Oxfordshire) purchased the estate in 1551. It was some way from most of his lands which centred on Wittenham, but he appears to have purchased it because of an interest in ancient monuments such as the Avebury Stone Circles. In the 1580s, he passed it on to his younger son, Walter Dunch. The latter's daughter, Deborah, Lady Moody, grew up at the manor before emigrating to America and founding Gravesend in Brooklyn in 1645. In 1787 Sir William Hallett of Morning Walk fame, bought the estate along with Faringdon House Berkshire. The house has had many extensions and changes over the centuries, the final addition to the manor is the West Library. The library was added by the Jenner family who occupied the house in the early 20th Century.
One of the earliest spring butterflies to take wing, this beautiful male was resting on some bluebells in my local woodland last evening.I waited nearly an hour for the breeze to drop before I could get this shot.
Taken in Devon.
Possibly the earliest domed garden building in England, the summerhouse dates from around 1635 and has been used as a banqueting house and a dovecote. Designed by John Webb and built in the shape of a Greek cross, it is one of two originally built.
Ralph Hunt built the earliest section of this Mill to process wool sometime around 1810. Future owners continued in the woolen business but they also diversified by grinding feed, flour and stone plaster. In later years, the mill ground graphite, then talc before ceasing operation in 1928. It now houses a museum.
one of my earliest memories was sitting here with my family and having an ice cream in the cafe, moving on 30 years and the budget for this beautiful place has been cut leaving the building go into disrepair. such a shame.
Blackpool has been home to the mill that shares its name since the 17th century. The present building has stood at this site since 1813. The mill was used as an iron furnace through to the 19th century. The mill continued in use right up until 1945 for grinding corn. Blackpool Mill was once open to the public but, as of summer 2013, the site remains shut until further notice.
Blackpool Bridge, to the east of the mill, is a Grade II listed bridge contructed around 1825 to cross the River Cleddau.
Bloodroot (Sanguinaria Canadensis) is one of the earliest flowering plants to show up in forests and damp rich soil in my region.
This fragile spring flower develops and rises from the center of its curled leaf, opening in full sun, and closing at night. Like most members of the Poppy Family, it lasts for a relatively short time. The red juice from the underground stem was used by Native Americans as a dye for baskets, clothing, and war paint, as well as for insect repellent. The generic name, from the Latin sanguinarius, means "bleeding."
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Bloodroot (Sanguinaria canadensis) est l'une des premières plantes à fleurs à apparaître dans les forêts et les sols humides et riches de ma région.
Cette fleur printanière fragile se développe et s'élève du centre de sa feuille enroulée, s'ouvrant en plein soleil et se fermant la nuit. Comme la plupart des membres de la famille du coquelicot, il dure relativement peu de temps. Le jus rouge de la tige souterraine était utilisé par les Amérindiens comme colorant pour les paniers, les vêtements et la peinture de guerre, ainsi que comme insectifuge. Le nom générique, du latin sanguinarius, signifie «saignement».
At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.
He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind."
- Wallace Stevens
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This was one of the earliest Romanic churches in Germany.
The church was built in 1020–30 along the lines of the Aachen Palatinate Chapel of Karl dem Großen (now part of the Aachen Cathedral) and, like this, dedicated to the Virgin Mary. At the beginning of the 13th century, the western porch was increased to the tower and parts of the outer walls were restored. The church was in the 14th/15th century completely frescoed and was now under the patronal feast of St. Peter.
The description of this church in Ottmarsheim is ridiculous as nowhere is mentioned, that it belonged continuously to the German Reich for more than 1000 years until Elsass ("Alsace" in the French version) was annexed by Louis 14th during an offensive war, which was the starting point of several wars between France and Germany. Elsass was forced back and forth between Germany and France no less than 7 times.
Keeping peace between France and Germany was the main reason why I believed the EU was something valuable.
(Description mainly from German Wikipedia article.)
BTW I installed Windows 10 on my main computer, where I store my pictures and do the PS with Lightroom.
It was not possible to upload new pictures to my storage directory. I did one version windows suggested for upload. I can not find any pictures anywhere. Lightroom is reacting in a strange way. Word is no longer starting.
My computer shop is not available until end of january. Hence this will be my last upload for some time. Or I find some previous stuff.
God punish Microsoft.
One of my earliest railway photos, and it occupies a special memory for me: I had the slide printed to 12x8 and it was one of very few that adorned the wall of my student digs until I graduated.
This is 47270 leaving Southampton Bevois Park at the start of its journey to Willesden Brent, running as 6M93, the 1455 from Bevois Park.
The consist appears to be solely Renault cars and vans which would have been imported through the docks, but the yard also contains oil tanks from Fawley, cement tanks from Halling in Kent and steel sections from South Wales. The traffic was significant enough to justify the use of a class 08 or 09 shunter here as can been south to the right of the departing train.
The lead wagon is part of a CARTIC-4 set: a semi-permanently coupled set of double-decker, articulated car carrying wagons. Renault cars occupy the decks of the CARTIC-4 whereas vans which would not fit within a CARTIC wagon’s restrictive height are loaded on flats at the rear of the train.
My earliest memories of Monument Valley were from John ford western movies over 60 years ago. It is impossible to visit Monument Valley without thinking of John Ford, John Wayne and LOL Forest Gump.
Saint Nestor the Chronicler c. 1056 – c. 1114, in Principality of Kyiv, Kyivan Rus') was the reputed author of the Primary Chronicle (the earliest East Slavic letopis) Life of the Venerable Theodosius of the Kyiv Caves, and Account about the Life and Martyrdom of the Blessed Passion Bearers Boris and Gleb.
In 1073 CE, Nestor became a monk of the Monastery of the Caves in Kyiv. The only other detail of his life that is reliably known is that he was commissioned with two other monks to find the relics of St. Theodosius of Kyiv, a mission which he fulfilled successfully. It is also speculated that he supported the reigning prince Svyatopolk II, and his pro-Slavic party disliked Greek influence in Kyiv.
Нестор Летописец, также Нестор Печерский, Нестор Киевский (ок. 1056—1114) — древнерусский летописец, агиограф конца XI — начала XII веков, монах Киево-Печерского монастыря.
My earliest memory of the Navratri AKA Garba AKA Dandiya season is that of adorning the best of chaniya choli, ornaments and everything Festive. Come evening time and I would be dancing and twirling to Falguni Pathak's Pari hoon main and all other fun numbers!
I am happy to say, you and I can do it on SL too!
The latest from Glitterati ; Beautiful "Aarya Chaniya Choli" by Sapphire Teebrook sets the perfect mood for this season.
From Fesitive Colours like Red, Blue, Green, Pink ,Yellow to Multicolred version, Aarya Chaniya Choli is perfect for all Nine days of dancing and celebrations.
Comes with back clasps and hangings for the top
Get yours
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(Continuation. Please see the texts of the earliest images of this series – my “letters from the other side”).
I keep working on my own freedom and inner peace. Doing the 1st from the early childhood and the 2nd at least from my hippie years (in which I didn’t considered myself as a hippie, more rather as a human being, but others did), and it’s still not enough. Meantime, freedom, peace, creativity, artful life and sharp sense of humour & self-irony seems must-have for me to return my human life. Which is currently stolen by my state and wanted. Deeply.
Also, I feel closer bond with the great American beatnik culture, that I grew up on (and still growing). It was beat the disgraceful Vietnam war, we’re now trying to beat the disgraceful Ukrainian war.
And also, sometimes I couldn’t keep up with your beautiful comments and drop by every page, when you’re faving my humble art. Though I really need them to keep going. I feel guilty about that. I’m doing it, backwards, to the deeper past, but sometimes too slow… Really don’t know what to do about that. What you could tell me about that?
The same thing with arts. My beautiful friend Irinka, when I posted the previous photo on insta, asked me, could I make some more from this photo-series. Which I did, and I’m glad. And joy is one more must-have ingredient in this quest. We mustn’t let them rob us of our joy and taste of life.
To be continued…