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"The lady's hand was on his arm. She spoke rapidly.
"Mark, are you hungry? Did I ask you?"
slow down, lady, is what I say.
This practical and cute case will keep out of scratch your agenda or notebook. It has a very handy closure with an elastic band, and a happy green polka dots ribbon in the cover.
Measures:
7 x 5 x 1.5 inches
18cm. x 12.5cm. x 2cm.
This practical and cute case will keep out of scratch your agenda or notebook. It has a very handy closure with an elastic band, and a happy green polka dots ribbon in the cover.
Measures:
7 x 5 x 1.5 inches
18cm. x 12.5cm. x 2cm.
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
All of these mooks' dustjackets unfold into posters and come with postcards. All really well done and fasKinatin'!
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
by R.Murray Schafer.
[unstated 3rd edition. Bancroft, Arcana Editions, 1985]. issued in 2 variants:
a) 6-1/16 x 8-3/4, 2o sheets ivory zephyr antique laid folded to 5 signatures of 4 sheets each sewn pearl ivory in 5 double-stitches & glued into white strathmore card wrappers, all except inside covers & 4 pp (1st leaf, 6, 1o) printed offset, black interiors in slate blue covers;
b) 5-15/16 x 8-11/16, as (a) but glued into black kraft endpapers & 6-1/8 x 9-1/16 grey-painted cloth-covered boards printed black letterpress spine only, interiors all except 4 pp (as (a)) printed black offset, in 6-3/16 x 9-1/16 white coarsewove dustjacket printed slate blue offset recto only.
cover by Schafer.
___________________________
• a reprint of SMOKE, a portion of which 1st edition was released as grOnk Intermediate Series 16
• 2nd edition, Exile Editions, 1977
Nigel Beale is a freelance writer/broadcaster who specializes in literary journalism. He likes to take photographs of books, and bookshops, and the occasional cat.
He has interviewed many well known authors, publishers and antiquarian booksellers. To listen, visit www.nigelbeale.com
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
These plain blue wrappers conceal the beautiful and elaborate designs on the Darro Edition of Washington Irving's Alhambra, a design featured in the 1891 Architectural League of New York exhibit and the World's Columbian Exposition of 1893 (Chicago World's Fair).
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
Frontcover of the historic crime novel "Strömkarlen" by Limme & Palmqvist. Published by Kabusa Böcker (www.kabusabocker.se). Hardcover edition. Book numer two in the historic mystery series about reverend Simon Eldfeldt.
1st ed. 1947, Hodder and Stoughton.
A war story concerning a group of people caught up in the bombardment of Monte Cassino.
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
One of the many weird books that I've picked up at the Lancaster County Library Book Sale. No better place to buy books.
The book in it's tray, with the flap open. The gold ribbon for helping to get it out the box is the strip lying across the book dustjacket from the right.
"With 'Moving' Pictures of the Author". Hardback, 1937. I love this book; the outer corners of each page have a photograph, making up four flick-book 'films'. They show Nichols bowling in four styles - fast, off-break, leg-break and slow left-arm.
The career of M.S. Nichols:
[by Nicky Drumbolis].
[Toronto], Ecs, 15 july 1999. 15 copies numbered in red marker.
2-13/16 x 4-1/4, 12 sheets ivory zephyr antique laid folded to 48 pp in 3 signatures sewn cream in 2 stitches & glued into plain zephyr endpapers & plain white card wrappers in ivory zephyr antique laid dustjacket with 2-9/16" flaps, all except dustjacket verso & 5 pp printed black photocopy with red rubberstamp addition to title page, last 2 leaves unopened, concealing the colophon.
includes (all prose correspondences to Derek Beaulieu):
i) 2 FEBRUARY 99 (with passing reference to Ganglia)
ii) 8 FEBRUARY 99 (with reference to Drumbolis's involvements in producing bpNichol's work)
iii) 12 FEBRUARY 99 (on Nicol's "lane poem")
iv) 2 MARCH 99 (with passing reference to Nichol's Journeying & the returns)
v) 11 JUNE 99 (with passing reference to Nichol's back lane letters)
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
Nigel Beale is a freelance writer/broadcaster who specializes in literary journalism. He likes to take photographs of books, and bookshops, and the occasional cat.
He has interviewed many well known authors, publishers and antiquarian booksellers. To listen, visit www.nigelbeale.com
this is the authorized edition. in the unauthorized edition, it was a poodle on the front, and they were at a pool party, although the enigma was less blatant.
Fré Dommisse, Opdat er kieme.. Beschouwingen over de gestichtsverpleging van geesteszieken. Rotterdam, Brusse, 1939.
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
The Story of CanLit.
by Nick Mount.
[Toronto?], House Of Anansi Press Incorporated, [2 september] 2o17.
ISBN 978-1-77o89-221-7.
5-15/16 x 9, 188 sheets ivory bond & 16 white chromecoat (8 between pp.134/135, 8 between pp.278/279) perfectbound in ivory bond endpapers & 6-3/16 x 9-1/4 black bond-covered boards, all except covers, endleaf versos & 12 pp printed black offset with 3-colour process offset additions to endleaves, dull silver letterpress to spine, in 6-3/8 x 9-1/4 matte PVC white kraft dustjacket with 3-7/8" flaps printed 4-colour process offset recto only.
cover design by Alysia Shewchuk.
cover photography by (left to right, top to bottom:
unID'd, unID'd, Duncan Cameron, Réal Filion, Duncan Cameron, Sheldon Grimson, Sheldon Grimson, Graeme Gibson, unID'd, Horst Ehricht, Duncan Cameron.
author photograph by N.Maxwell Lander.
rear blurbs by: Charles Foran, Robert Fulford, Roy MacSkimming, Rosemary Sullivan.
interior photography by:
Rosemary Gilliat Eaton, Horst Ehrict, Réal Filion, M.Fish, Graeme Gibson, Sheldon Grimson, Duncan Horner, F.Roy Kemp, Roy Kiyooka, André Le Coz, Kenneth McAllister, Jean Gainfort Merrill, Jim Munro, John Reeves, Sam Tata.
Nichol inclusion:
i) "THE CAPTAIN POETRY POEMS by bpNichol" (in both endpaper covers collage, severely reduced (poems unreadable but the graphic fully visible), also in inset, p.2oo))
also includes:
ii) "bp Nichol", by Barbara Caruso (in both endpapers cover collage, Caruso's cover graphic for The True Eventual Story Of Billy The Kid, severely reduced & slightly cropped at right)
iii) Surfacing (chapter 1, pp.3-16; in 6 parts, including part
–2. HAROLD LADOO WAS (pp.5-6; passing reference to Nichol p.5))
iv) Beautiful Losers (chapter 2, pp.17-31; in 5 parts, inluding part
–5. MORDECAI RICHLER SAID (pp.27-31; reference to "...bpNichol's martyred saints..." p.29))
v) THE MARTYROLOGY BOOKS 1 & 2 (1972) BPNICHOL (p.24, inset with reduced cover; prose with quote by Nichol from
–1. "as there are words i haven't written" (part of line 16))
vi) THE TRUE EVENTUAL STORY OF BILLY THE KID (1970) bpNichol (p.52, inset with reduced cover graphic by Barbara Caruso; prose with quote by Thomas McCutcheon from
–1. Grant To Author Of "The True Eventual Story Of Billy The Kid"–Request For Unanimous Consent To Move Motion Under S.O. 43 (very slightly misquoted))
vii) The Double Hook (chapter 6, pp.77-91; in 4 parts, including part
–3. IN NOT MORE (pp.82-89; references to Village Book Store: "...bpNichol used it as a mailing address.", p.85; "In July 1967, Marty bought five copies of bpNichol's first Canadian publication.", p.86))
viii) Understanding Media (chapter 8, pp.1o9-127; in 4 parts, including part
–2. THE COUNTRY THAT (pp.112-116; reference to Phyllis Webb's CBC interview with Nichol, p.115))
ix) Procedures for Underground (chpter 9, pp.129-145; in 5 parts, including parts
–1. BARRIE NICHOL'S FATHER (pp.129-132; with quotes from
––a. Miss Neithrent, "second term report card, February 1958" (p.13o; churchill Junior High, grade 8, "needs to try harder in language")
––b. Interview with bpNichol, Feb. 18, 1878, by Ken Norris (Nichol quoted twice, p.131)
––c. "this is the death of the poem", bpNichol (line 1, p.132))
–2. BEFORE THE 1960S (pp.132-134; with passing reference to Nichol's Ganglia magazine, p.132, his use of the photocopier at U of T, p.133, & "...the way grOnk linkd Canadian with European and South American cocrete poets...", p.134))
–3. OF ALL THE (pp.134-138; references Nichol contributing to blew ointment, pp.136, 137, with quote by Nichol from
––a. Introduction (to The Last Blewointment Anthology Vol.II?, p.138)))
x) New Wave Canada (chapter 1o, pp.147-162; in 5 parts, including parts
–3. STAN CAME FROM EDMONTON (pp.151-156; passing reference to Nichol's the martyrology p.156)
–5. IN THE MID-SIXTIES (pp.161-162; Nichol referenced p.161 in quote from
––a. Stan Bevington, "cornerstone of the press))
xi) "bp", by Andy Phillips (inset p.131; severely reduced cover portrait from bp)
xii) BP (1967) bpNichol (inset p.131; with quote from
–1. Marilyn Beker, Concrete poetry ("poetry kit"))
xiii) THE COLLECTED WORKS OF BILLY THE KID: LEFT HANDED POEMS (1970) Michael Ondaatje (inset p.137; with spurious comment about Nichol's The True Eventual Story Of Billy The Kid, "...(likely written as a joking response to his friend's book).")
xiv) THE CAPTAIN POETRY POEMS (1971) bpNichol (inset p.2oo, with quotes by Nichol from
–1. "blossom tight had (line 2)
–2. some words on all these words
–3. "finall the ryme ends or" (lines 6-9))
xv) George, Vancouver (chapter 14, pp.211-225; in 4 parts including parts
–1. IRVING LAYTON SAYS (pp.211-214; passing reference to Nichol p.214)
–3. FOUR OF THE (pp.22o-224; reference to the Black Spot jazz club in Vancouver: "bpNichol went there in his last year of high school."))
xvi) bpNichol, early 1970s, photographer unknown (1st glossy page following p.278; portrait with cup, pooching his lips at camera)
xvii) Civil Elegies (chapter 18, pp.281-294; in 4 parts includng part
–2. AT LEAST SO FAR (pp.283-288; reference to "...bpNichol's Ganglia as model...")
the face of a child on the spines of three books on a bookshelf. i don't remember the title of the book.
Reprisal. Ethel Vance. Little, Brown and Company, Boston. 1943. Book Club Edition
Author of "Escape"
Book Books Buch Bücher Read Reading Literature Literatur Lesen- (C) Fully copyrighted. No use of any image whatsoever without written royalty agreement. No answer = no permission at all. - (C) Verwendung generell nur nach schriftl. Honorarvereinbg. Keine Antwort = keine Freigabe.
Still messing around with that concertina and cross-stitched design. First and fifth signatures are joined by the 'x'es; third signature sewing loops over the center of each 'x'. Second and fourth are shortened and sewn through concertina folds.
W.M. Kruseman, Nieuwere inzichten in het leven. Rotterdam, Brusse, 1948. Halflinnen met gedecoreerde platten. 1e en enige druk.
Waldemar Hansson for Kurv Magazine via dustjacket attic; Coriander Girl via With This Ring; Lula Aldante via design*sponge;