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far in the almost known, tief luft holen und durchatmen ohne den zwischenraum zu durchqueren zu viele worte begreifen noch immer nichts, far in the almost known
#draw365 #lugano #artjournal by @peter_seelig
my summer paradise in elvezia al lago between lugano and gandria und wie man sieht sind die dinge im leben immer schöner als man glaubt and every time here i'm fascinated by the beauty and the colors fasziniert von den immer anderen farben
#draw365 #lugano #artjournal by @peter_seelig
what am I doing hin und her gehen her und hin denken what am i doing kann ich dich ein stück begleiten let us sit down somewhere wovon sprach ich gerade let us rise and go wie gesagt ich höre zum vierten mal zu rauchen auf you have a cigarette
#draw365 #lugano #artjournal by @peter_seelig
drawing music nach der musik zwischen moll nach allegro vivante das leise geräusch durch vier kurze lange vokale ich rauche auch gar nicht die linien entstehen aus der musik
#draw365 #artjournal by @peter_seelig
Alice and the Kid
#art #kunst #paintiing by @peter_seelig
oil on canvas 60x50 cm
Coffee Art and Cigarettes - Peter Seelig - NoLIMITs - exhibition 09.12.2012 - 19-01.2013
I want a chocolate truffle - je veux une truffe
#drawing #draw365 #oilpastel #painting #kunst #artjournal by @peter_seelig
©2012 Julia Forsyth, RED HOT RAVEN, 5" x 8", block printing ink on paper plus acrylic paint on primed section of the mulberry paper (did someone say bonus?)
Well, as anyone doing an edition of linocuts knows, not every print comes out how you intended it to. This one is a little under-printed, so that made it the perfect candidate for testing out painting color on there. (I think that the under-printing gives it a certain old-timey charm, but I wouldn't want a collector to think that I thought it was printed well, if that makes any sense...)
So, warm-up painting to work out any kinks before the real painting on the next well-printed print...and go! I wasn't sure how the acrylic painting onto paper would go, so I primed it twice with white acrylic then painted two layers of alizarine crimson red over the white layers. I didn't paint any of the raven section - just the background.
The 4 layers of acrylic seemed a little too weighty for the mulberry paper, so for the "real" version that is hopefully headed to a gallery soon for a show, I primed that section of the paper on a new print (#draw365.145) with gesso. Not sure why I opted out of that the first time - ha. But that seemed to flatten out the paper more than the acrylic on acrylic did for this one.
The color versions of this print edition are all one-of-a-kind, so they're each considered an Artist Proof.
Come join me if you haven't already - I'd love to connect with you!
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...and now, YouTube! www.youtube.com/user/JuliaForsythArt Get your hot-off-the-presses linocut tutorials!
imagine... imagine the possibility... the impossibility unmöglich... stell dir vor es wäre möglich
#draw365 #lugano #artjournal by @peter_seelig
©2014 Julia Forsyth, Red Hot Wyandotte, block printing ink on paper, 5" x 5"
This drawing was inspired by the gorgeous pic taken by Christine Majul of a silver laced wyandotte at the Puyallup Fair.
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Gonna let it rest overnight just to make sure that I'm officially done before I print, but I think I did my final carving edits today - woohoo!
If I wake up happy with it, then somebody's gonna be printing tomorrow afternoon.
This drawing was inspired by the gorgeous pic taken by Christine Majul of a silver laced wyandotte at the Puyallup Fair.
www.facebook.com/juliaforsythart
#draw365.346.2
©2013 Julia Forsyth, Why Did The Chicken Cross The Road, Akua intaglio ink and watercolor on copied map, 8" x 10"
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