Made in Yeovil in 1972 by Normalair-Garrett Ltd. Lots of discrete transistors and TTL chips: 7490 counters and 74141 nixie drivers.

I am sure that the title really got your attention, well, those of you, who are math geeks that is. For some reason, I think Rachel is going to say, "I knew that".

Walking around Senoia, GA this weekend I came across this doorway, which was just screaming "shoot me".

Happy Blue Monday y'all!

A discrete spot amongst the sandy cliffsides that tumble into the Pacific, laying diagonally with my feet still sticking out of my Chinese tent that is quite shit, staring at the southern cross through the mesh, the Atacama lulls me to sleep.

I was shooting some street discrete photos of people wearing masks and socializing in a different world in New York City both in the subways and the city streets. It is necessary to wear masks to lower the chances of spreading the Coronavirus. I was shooting with my Fujifilm XT-10 attached with a Nikon 50mm F1.8 AIS E Series Lens. All of these photos were shot in Black and White JPEG/RAW with a digital Yellow Filter.

'Farewell (or about the discrete oversights of the limbic system)!' by Farid Fairuz (Romania), performed by Maria Baroncea, Carmen Cotofana, Alexandra Pirici, Magdalena Dan and Iuliana Stoianescu during the 1st European Festival of Contemporary Dance - Kraków/Bytom. Teatr PWST, Kraków, Poland

They're still maintaining a discrete distance...but I got a bit closer today...

Watermead

Leica LIIF RD, FED50 3.5, Polypan F. Toronto. 2013.

If someone will tell you about Leica RF as discrete camera, show them this picture :)

golden agers

Surveillance des enfants...

Hooded Merganser female - she was discretely herding her brood through the weeds. Huntley Meadows Park

Wi-Fi enabled Nixie clock using ESP8266 for NTP synchronisation and IN-12b tubes with discrete control

La charbo

via Instagram ift.tt/1raKfaP

Church of St Mary

Tomb of Baron William Bardolf and Lady Joan. Alabaster. Chapel of St Margaet, South aisle. Commissioned by Baron William around 1437, probably completed by 1447

Condition: the figures have suffered minor vandalism, but the colour of their robes has been restored discretely; figures have been removed from the now empty niches of the tomb chest

The tomb is set in St Margaret’s chapel, striking for its richly decorated parclose screen, mirrored in that of the chapel dedicated to the Virgin to the north. In 1437 Baron William established a chantry in the chapel, and in his will of 1438 arranged for his burial there. The tomb may have been in place by 1447, the date of Lady Joan’s will, in which she also arranged to be buried in the chapel.

The effigies are the best preserved of the pre-Reformation alabaster tombs in East Anglia

Baron William and Lady Joan recline with their hands clasped in prayer, looking up to heaven. Baron William rests his feet on the wings of an improbably duck-like eagle, while Lady Joan’s feet touch a fierce dragon, the emblem of St Margaret, to whom the chapel is dedicated. Baron William’s head is crowned by a chaplet and rests on his tilting helmet, while Lady Joan’s is on a pillow accompanied by two smaller angels. The effigies are well handled; the flow of her robes and tassels for the cloak are contrasted with the detail of his armour and gloves and both wear the SS livery collar, while he has the garter with the inscription ‘HONI SOIT QUI MAL Y PENSE’ on a blue ribbon on his left leg. The SS livery collar was not an insignia but a popular sign of allegiance, associated during the early fifteenth century with the House of Lancaster.

The splendour of the tomb reflects Baron Bardolf’s position; born William Phelip in 1383/4, on his mother’s side he was the grandson of the most powerful figure in East Anglia, Sir Thomas Erpingham, which, in the account in the ODNB, shaped his career.

Baron William had been lord of Dennington manor, which by the sixteenth century had passed to Sir Richard Wingfield, who sold it to Anthony Rous in 1538. There is a wall monument to Sir Thomas Rous (d.1619) kneeling in prayer opposite his wife on the south wall of the chapel, but by the mid seventeenth century Dennington Manor had been destroyed and Henham Hall, a large Tudor house built in 1538, which Anthony Rous had bought in 1548, became the seat of the Rous family (later ennobled as Earls of Stradbroke).

Richard and Sarah Cocke, The Public Sculpture of Norfolk and Suffolk, Liverpool University Press for the Public Monuments and Sculpture Association, 2013, pp.258-259

Madame colvert. Plus discrète que monsieur, mais tellement jolie.

Mrs mallard. More discreet than mister, but pretty though

I can't remember that I have experienced a November like the one this year before. Very gentle and "discrete", hardly any wind or rain, wonderful sunny days mixed with days with low stratus clouds and this view may represent all what November has been so far the year of 2011.

Advertising - discrete shipping Dresden;

Publicité - expédition discrète Dresde

La femelle est plus discrète : dessus de la tête brun, joues blanc grisâtre, dos brun, dessous plus clair.

The female is more discreet: brown top of the head, grayish white cheeks, brown back, lighter underside.

Cleaned up for those who might be offended by Jack's lack of propriety! I wish I were a dog sometimes.

Juchée sur un promontoire dont le décor se décline soit en jaune soja ou en vert d'une moisson en devenir, cette petite église est l'amante favorite de tous les photographes de la région...

Chacun croit la posséder, mais personne ne peut en prendre la substance, intouchable qu'elle est...

En voilà l'esquisse, de ce qu'elle m'a permis d'emprunter.

Fond noir clérical

"Panic attacks are sudden, discrete periods of intense anxiety, mounting physiological arousal, fear, stomach problems and discomfort that are associated with a variety of somatic and cognitive symptoms.

The onset of these episodes is typically abrupt, and may have no obvious triggers. Although these episodes may appear random, they are a subset of an evolutionary response commonly referred to as fight or flight that occur out of context.

This response floods the body with hormones, particularly epinephrine (adrenaline), that aid in defending itself from harm.

Experiencing a panic attack is said to be one of the most intensely frightening, upsetting and uncomfortable experiences of a person's life."

Wikipedia

via Instagram ift.tt/1jVWlRm

predator

An alternative view offered by Richard Dawkins is of predation as a form of competition.

-

Zusammen mit der Norwegischen Waldkatze und der Sibirischen Katze zählt sie zur Gruppe der sogenannten Waldkatzen, welche wiederum zu den Naturrassen zählen.

-

working cat

Die Maine Coon ist als ursprüngliche working cat ein begabter Jäger, auch sind sie im Allgemeinen intelligente und verspielte Tiere. Sie benutzen mit Vorliebe ihre Pfoten, was dazu führt, dass sie problemlos Türen und Wasserhähne öffnen und kleine Objekte aufnehmen können. Maine Coons sind auch begabte „Apportierer“.

de.wikipedia.org/wiki/Maine-Coon-Katze

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"Nutzkatze" - "Handwerker-Katze" „Bauernhofkatze“ „Rassekatze“

Familien-Katze Schmusekatze

Soziale Katze

Empathische Hauskatze

●

The Maine Coon is among the largest domesticated breeds of cat. It has a distinctive physical appearance and valuable hunting skills. It is one of the oldest natural breeds in North America, specifically native to the state of Maine,

where it is the official state cat.

Alternative names

Coon Cat

Maine Cat

Maine Shag

Snowshoe Cat

American Longhair

en.wikipedia.org/wiki/Maine_Coon

Le maine coon est une race de chat à poil mi-long originaire de l'État du Maine aux États-Unis. Ce chat au physique rustique est caractérisé par sa grande taille, son museau carré, ses oreilles avec plumets et son poil mi-long. Il est à ce jour l'une des plus grandes races de chat domestique, avec le savannah, une race originaire des États-Unis issue du croisement avec un serval, un félin sauvage africain. Le maine coon est également la plus ancienne race naturelle nord-américaine.

Les femelles ont des chaleurs plutôt discrètes

Weiblich Tiere haben eher eine diskrete Hitze.

fr.wikipedia.org/wiki/Maine_coon

Charakter Umfrage

und Kastrationen (etwa 60%)

942 Gesamt

414 Katzen (davon 233 kastriert)

501 Kater (davon 356 kastriert)

baseportal.de/cgi-bin/baseportal.pl?htx=/mcats/Umfrageaus...

passt:

Sie ist eine Königin und Empfangs-chefin!

Die beste Katze der Welt !!!

Eine Seele wohnt dieser Katze inne, welche einem Engel gleich ist!

Zart und einfach nur lieb!!!

Sie liebt "ihre" Menschen abgöttisch und hat ein riesiges Vertrauen.

Sie liegt neben dem Menschen.

Auch manchmal mit einem Körperteil auf dem Schoss oder Oberschenkel.

Oder zwischen den Beinen

oder angekuschelt.

Auch Kopf an Kopf mag sie.

Selten liegt auf dem Oberkörper des Menschen.

---------

Exif data

Camera

Canon PowerShot SX60 HS

Aperture

f/5.0

Focal Length

11.9 mm aka 65 mm

www.mcats.de/

#

Discussion:

However, it can be debated whether or not harvesting livestock fits strictly in the definition of predation.

... the feeding of and caring for animals, followed by their being slaughtered with an appropriate tool, cutting up, and cooking.

In many cultures, animals are hunted or farmed by specialists (such as ranchers or fishermen), brought to a marketplace, and sold in pieces to the people who actually consume the meat.

All Hallows London Wall, London

Also known as All Hallows on the Wall, this little church sits discretely with its back turned near Liverpool Street station. The medieval church it replaced was actually built into the wall, but was demolished for road-widening. Simon Bradley points out that the 18th Century replacement by George Dance uses part of the wall for its foundation on the north side. As at Dance's other church nearby, St Botolph Aldgate, there is a trim liveliness to the exterior which is confident without being prim. Dance knew what worked best for Wren, what worked best for Hawksmoor, and he was no iconoclast.

All Hallows is somewhat overshadowed by its monstrous neighbours, but nevertheless gives them a run for their money. It sits like a small bastion, a gatehouse if you like, guarding the financial citadels of Bishopsgate - or perhaps, warning you off of them. The interior is said to be lovely, but I have yet to see inside, as like most of the other churches in this group on and around Bishopsgate* it is hardly ever open.

*Don't let this comment put you off of St Botolph Bishopsgate, which is open every day, Monday to Friday. Unfortunately, St Helen Bishopsgate, St Ethelburga Bishopsgate, St Peter Cornhill, St Katherine Cree and St Andrew Undershaft are not.

The photograph describes the use of two optical technologies for monitoring brick masonry vaults during the redevelopment of London Bridge Station. The monitoring of the movement of these structures during construction is critical for the active train platforms and underground tunnels below. While the automatic total station tracks the position of a few targets attached to the structure slowly, laser scanners gather millions of data points of millimetric accuracy within a matter of minutes. The point cloud data provides precise information on structural geometry and movements. New sensing technologies provide unprecedented opportunities to observe structural response and improve our understanding of structural performance.

NOTE: Some photographic effects were applied to the photograph.

I have started experimenting with a discrete small number of states system which produces Turing patterns. This one is a 3 state system. I'm thinking if I can get good designs they would be printable with old school rotary screen print fabric printing technology, because of the limited number of colours.

At each time step each pixel counts the numbers of pixels in each state within circles of various size around itself, and decides what state to transition to. So if there are a lot of blue pixels nearby the pixel would decide to become blue state but blue pixels further away inhibit it, for example.

Discrete

case discrete a porto cervo.

Listera cordata - Listère cordée

P.O.

Wi-Fi enabled Nixie clock using ESP8266 for NTP synchronisation and IN-12b tubes with discrete control

Tigre de Sibérie, Safari de Peaugres (Ardèche)

A simple two light studio shot. Finished discretely in Photoshop and Portrait Pro.

More can be seen at www.stproc.co.uk

Display rack of novelty pencil cases in art supply store.

This cracked me up.

Shortly after first light at Pennington Flash, Leigh Lancashire. Low level discrete photography. (actual site sensitive)

If it's worth a fave, then surely a comment too

LE COEUR AU VENTRE

EXTENDED UNTIL 11 OCTOBER 2020

Art et Marges Museum: An outsider art museum, challenges art and its boundaries.

Passionate collectors, talent scouts and big hearted gallerists, Marion and L. Oster live amidst a fascinating torrent of outsider and expressionist art. This exhibition offers an unprecedented immersion into the world of these discrete collectors, by giving new life to this intriguing residence with a thousand inhabitants.

The art et marges musée museum contains a collection, compiled since the 1980s, outside the beaten tracks of the art world, among self-taught artists, art studios for persons with a mental disability or from psychiatric institutions.

The art et marges musée museum mounts exhibitions featuring artists from both sides of the margin.

The art et marges musée museum falls under what is known as outsider art

with a in situ artwork by Caroline Dahyot, and works by A.C.M, Abadne, Adam Sabhan, Aïni Philippe, Albasser Pierre, Amar Paul, Amourette Pierre, Angkasapura Noviadi, Armstrong Zebedee, Avril Armand, Azema Philippe, Babahoum, Badia, Barbarit Béatrice, Barbe-Hatuel Nicole, Barrameda, Baudelere Karl, Bauman Manuel, Beaver Larry, Ben Ali, Berquin Patricia, Birobent Martine, Blot Olivier, Bosco Giovanni, Branciard Jean, Brunet Guy, Burland Francois, Cadoré Delphine, Cahoreau Gustave, Cerredo Fabian, Chanut Danielle-Marie, Chauvet François, Chomette Virginie, Cluzel Nicolas, Comte Robin, Cooper Ronald, Corentin Sylvain, Cumingham Richard, D'antuono Barbara, Dahyot Caroline, De Sagazan Olivier, Dellschau Charles, Demelis Eric, Dereux Philippe, Dominici Véronique, Doñate Pepe, Doué Eric, Dubréus Lhérisson, Duclos Hélène, Dugnoille Myla, Duprilot Hubert, El Syrio Josvedi, Fillaudeau Noël, Finster Howard, Fleury Yves-Jules, Gallieni Jill, Gillet Lionel, Glamocak Zlatko, Golz Michael, Gordon Ted, Gougelin Eric, Goulet Marie-Thérèse, Goux Claudine, Greiner Thierry, Grunenwaldt Martha, Hinojosa Aaron, Hofer Josef, Jaber, Jacqui Danielle, Jagiello George, Jorgensen Hans, Joss, Kapela Paulo, Knopf Solange, Kumar Pradeep, La Pinturitas, Labrie Karine, Lacoste Alain, Lagnieu Hélène, Lambert Thierry, Laure Isabelle, Laurent Henri, Le Carré-Galimard Simone, Lefèvre Pierre, Liberman Cirléne, Lippstreu Alexis, Manca Bonaria, Marie Florence, Mariette, Margot Margot, Marshall Francis, Marte Daldo, Mecalco David, Michaels Damian, Mister Imagination, Monchatre François, Mond Mina, Montpied Bruno, Morel Marie, Mouly Gaston, Mustafa, Nadau Jean-Pierre, Nedjar Michel, Nitkowski Stani, Obata Masao, Oster Marion, Palmer Andrei, Park Chong-Ran, Patba58, Pelligand Bernard, Philippi Jean-Christophe, Pietquin Dimitri, Pietri Josselin, Pignat Armande, Plaza Amadeo, Plny Lubos, Podesta Giovanni Battista, Postic Evelyne, Raâk, Rae Helen, Rieux Jean-Francois, Rigal Antoine, Robert Yvonne, Robertson Royal, Robillard André, Rosset Jean, Saban Ody, Sablon Françoise, Sanders Jim, Schwanse Petra, Sendrey Gérard, Sesow Matt, Sharlhorne Welmon, St John Christopher, Staelens Ghyslaine Et Sylvain, Stroff Denis, Tanjung Ni, Tirilly Jean, Tourlonias Jean, Ughetto Henri, Ursin Catherine, Valois Marie-Françoise, Van Acker Jacqueline, Vigneau Monique, Vinsard Marcel, Vladimir, Webster Dereck, Wilson Ben, Zanon Juliette.

On the first floor, discover a selection of works from the museum's permanent collection, with: Inès Andouche, Jan Bedinsky, Georges Cauchy, Aloïse Corbaz, François De Jonge, Isabelle Denayer, Johan Geenens, Madge Gill, Martha Grunenwaldt, David Houis, Anne N’Dayiziga, Jean-Marie Mortier, André Prues, Nouzha Serroukh, Anny Servais, Jacques Trovic, André Wostijn.

Featured on my Blog at www.brusselspictures.com

Breathless my heart is building a magic, a discrete tower of love...

Modelo: Gusy Bello

Franco Petrini Photography © 2010

Discrete C(P) surface. Paper Model

... mais j'ai tout vu.

BODY

Manufactured by Nippon Kogaku K. K., Tokyo, Japan, (Nikon Corporation since 1988)

Model: 1984 (produced between 1984-1986)

35mm film SLR camera

Lenses: More than 70 Nikkor and Nikon Series E lenses available

Lens release: by button on the left of the lens flange

Focusing: Matte/Fresnel focusing screen with central split-image rangefinder spot and microprism collar (Nikon Type K clear-matte screen), ring and dial on the lens

Shutter: Electronically-controlled vertical-travel, metal focal plane shutter

speeds: automatic exposure mode Stepless speeds 1-1/1000

manual mode discrete speeds 1-1/1000

mechanically controlled 1/90 sec. at M90 setting and B setting

setting : by mode selector and speed dial, ring and dial on the bottom of the winding lever, locks on auto mode, unlocks by a small rectangular knob beside the dial

Shutter release: on the winding lever, w/ cable release socket

Cocking lever: also winds the film, short stroke with 144° winding angle, retractable

Automatic film advance: Possible with optional Motor Drive MD-14 or MD-E auto winder

Frame counter: Additive type, self-resetting, window on the far right of the top plate

Viewfinder: Fixed eyelevel pentaprism type, meter needle and scale, manuel setting's indication M red led and flash ready signals on the left side of the finder

Exposure control system: Aperture-priority automatic exposure with manual override and backup mechanical control; through-the-lens full aperture center-weighted metering

Audible warning: works in Auto mode, when speed dial set on green sound icon, "beep-beep" warning sound activated as soon as shutter release button is depressed halfway when shutter speed is below approx. 1/30 sec. or above 1/1000 sec.

If speed dial is on green A (Auto), warning signal does not work

Metering range: EV 1 to EV 18 at ASA/ISO 100 with f/1.4 lens

Film speed range: ASA/ISO 25 to 3200

setting: dial and ring on the bottom of the re-wind knob, lift and turn

Exposure setting: needle and speed dial in the viewfinder, if necessary turn speed dial or aperture ring to the disared speed, black numbers=hand shot, red=flash shot,

Exposure compensation button: for approx. +2 EV compensation, simply keep pressed when taking picture, on the left of the front cover

Re-wind lever: folding crank type, on the left of the top plate

Re-wind release: by a small knob, on the bottom plate

Flash PC socket: none

Hot-shoe

Flash synchronization: Speeds of 1/90 sec. or slower with electronic flash; with Nikon dedicated flash unit, flash sync automatically set to 1/90 sec. when camera is set at either automatic exposure mode or when shutter speed/mode selector dial is set at 1/125 or higher in manual mode; at slower speeds on manual, shutter fires at speed set

Flash ready-light: Viewfinder thunderbolt mark lights up when Nikon dedicated flash unit is completely recycled

Dedicated flash unit is Nikon SB-19

Memo holder: on the back cover, serial no.is in this holder

Self-timer: Approx. 10-sec. shutter release delay; cancellable after setting, push and turn lever on the right front side of the camera

Back cover: Hinged, opens by lifting re-wind lever

Engraving on the bottom plate : Made In Japan

Tripod socket: 1/4''

Strap lugs

Motor drive couplings on the bottom plate

Meter ON/OFF switch: Exposure meter is turned on when shutter release button is depressed halfway; stays on for approx. 20 sec. after finger is removed from button, then automatically turns off

Battery check: When pressing half way to shutter release, the meter needle in the viewfinder must be above the index scale's bottom red zone, if the battery is insufficient the needle stays in the bottom red zone.

Battery chamber: on the bottom plate

Batteries: One 3V lithium battery or 1.55V silver-oxide batteries (SR44) or two 1.5V alkaline-manganese batteries (LR-44)

Body: metal, Weight: 440g (body only)

serial no.3026452

+Nikon ever eady case, Nikon strap, Nikon L37c UV filter

LENS

Nikon Zoom-Nikkor 35-70mm f/3.5-f/4.8

Mount: Nikon bayonet, filter thread: 52mm , serial no.6088753 (a late Ai-S lens)

Lens coupling: AI

Lens made by Cosina for Nikon FM10

Aperture: f/3.5-f/22, setting: ring and dial on the lens, w/DOF scale

Focus range: 0.5-5m +inf w/ macro facility

Engravings on the lens barrel: Made In Japan (black), and serial no.

Lens info is as to Rolands Nikon Pages

The Nikon FG-20 was released in 1984 by Nippon Kogaku K. K. (now the Nikon Corporation) as the successor to the earlier EM and FG cameras. It is actually a downgrade from its most direct predecessor, the FG, lacking the FG's program auto exposure mode. It uses the same vertical-travel metal focal-plane shutter as the FG, with electronically timed speeds from 1 to 1/1000 second as well as bulb and a mechanically-timed 1/90th second speed. The FG-20 could be considered a variant of the FG, as the only differences between the two is the omission of program mode and TTL (through the lens) flash metering from the FG.

more info: Nikon FG-20

Discrete

Alap: fehér francia, körömágyhosszabbítás nélkül

Díszítés: fehér + lila egymozdulat virág, fehér levelek

Láttad már a honlapomat? kormonfont.hu

--- English ---

Base: white french manicure without nail bed extension

Decoration: white and purple one-stroke flower with white leaves.

Did you see my website? kormonfont.com