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Backround made of fabric. Butterfly and text cut out from magazine/newspaper .

 

O niinku seitsemännessä taivaassa (dialectical proverb) means

 

it is as in seventh heaven.

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correcting him. The Chief Minister had, however, lost faith in his Cabinet colleagues and .

they did not trust him either, Chennithala said. .

Mr. Achuthanandan should think whether he should have such Ministers in his Cabinet, .

he added. .

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Gulfnews.com .

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Published: 04/01/2007 12:00 AM .

(UAE) .

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Kerala alliance to launch agitations.

By Akhel Mathew, Correspondent .

Thiruvananthapuram: The opposition United Democratic Front (UDF) in Kerala yesterday decided to launch a series of agitations against "the inept and lifeless" Left Democratic Front (LDF) government. The decision coincides with a number of recent developments that have adversely affected the image of the ruling LDF. They include group war in the Communist Party of India-Marxist that leads the LDF, the SNC Lavalin graft scam and the furore over a loan agreement with Asian Development Bank. Soon after the UDF meeting, its convener P. P. Thankachan said serious internal conflicts within the CPI-M and the ineptitude of ministers handling important portfolios had effectively brought the government to a standstill. Chief Minister V. S. Achuthanandan and his party leaders were speaking in different voices about the decision on the ADB loan. He also observed that 56 farmers had committed suicide since the LDF came to power and the ministry was doing little to address the issue. Three farmers had ended their life on Tuesday. .

ADB issue sets in motion a public battle within Kerala CPI(M) .

Financial Express, AJAYAN Posted online: Tuesday, January 02, 2007 at 0000 hours IST KOCHI: The controversy kicked up by the Rs 1,607-crore Asian Development Bank loan for sustainable urban development has put at stake the very sustainability of the seven-month old VS Achuthadanandan-led Left Democratic Front (LDF) government in Kerala. .

The babel talk on the loan by two groups in the Communist Party of India (Marxist) and claims of the chief minister not knowing how the deal was struck has literally seen ADB spread a death bed for the government. The dialectics have been inexplicable for the CPI(M) that led the campaign against ADBs entry into the state. More than the theoretical issues, it is the game of one-upmanship in the party that has come to the fore, with the chief minister being nudged to a corner by his own party and cabinet colleagues. .

While the loan move was initiated by the erstwhile Congress-led United Democratic Front government, the LDF, led by the CPI(M), had taken the issue to the streets. The ADB team that arrived in the state for discussions had to face violent agitation from the party and its youth wing. VS had then said that ADB would be swept away from the state. .

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Recently, I have been attracted to the third dimension of painting. Through the process, I have explored ways of combining painting and installation together. A dialectic of 'inside' and 'outside' a painting in my mind or even the very notion of continuity between them, I have made various painting installation models in which I have experimented the idea of canvas coming out of its frame and its potential of being a spatial object. For example, 'Extended painting' is a study model of a large-scale painting installation of a huge canvas taking over the surrounding space from a traditional stretcher frame. For me, a painting does not necessarily have to be restricted to a flat surface. By permitting it to appear in a three-dimensional form in space, I am able to explore the possibilities of painting in space.

Counselors in Nasha Mukti Kendra in Raikot use a range of evidence-based therapeutic techniques such as cognitive-behavioral therapy (CBT), dialectical behavior therapy (DBT), and motivational interviewing to help patients recover from addiction. They also educate patients and their families about addiction and recovery, providing them with the tools and resources to navigate the journey towards sobriety.

Leopold Oudry, chimiste ; en 1854 il créée un atelier électrochimique à Auteuil qui permet de cuivrer de grandes pièces de métal ; il obtient le cuivrage de tous les objets et monuments en fonte de la ville de Paris, dont les fontaines de Vénus, de Diane et des Quatre-Saisons sur les Champs-Elysées, ainsi que les 2 fontaines monumentales de la place de la Concorde ; la ville de Paris lui commande alors tous les candélabres pour l'éclairage au gaz de la ville ; il avait mis au point une peinture spéciale, à base de sulfate de zinc, permettant de réaliser la galvanisation et qui donnait un aspect émaillé au plâtre.

Stalin, J. V. Dialectical and historical materialism (September 1938). Moscow : Foreign Languages Publishing House. 1951, [56] p. Series titel: Library of Marxist-Leninist classics

The Education Relief Foundation, ERF, Dec 7-8, 2017, A two days event in Geneva on Balanced and Inclusive Education.

ERF's Mission is to deliver, promote and embed a new, inclusive balanced education that enables young people to learn from the contributions of diverse civilisations and cultures.

ERF's balanced and Inclusive Education is based on four foci: intraculturalism, transdisciplinarity, dialecticism, and contextuality.

SPECIAL GUEST E. MORIN AND J. LANG

photo credit: ERF/PM VIROT

This engraving is part of the group “C” named <em>Liberal Arts</em>. Conceptually, the liberal arts descended from classical antiquity, and were divided into the <em>Trivium </em>(Grammar, Rhetoric, and Dialectic or Logic) and the <em>Quadrivium </em>(Music, Geometry, Arithmetic, and Astronomy). In the Tarocchi set the total number was risen to ten, with the addition of the three disciplines (Poetry, Philosophy, and Theology). The liberal arts denoted knowledge or skills considered necessary to participate in a free society. By the late Middle Ages, they began to be represented in the visual arts as womanlike allegories. <br><br>Here, <em>Poesia </em>(Poetry) is personified as as a young female figure crowned with a laurel wreath. She is seated in front of Mount Parnassus, next to a fountain. This latter exemplifies the Greek Castalian font, believed by poets to be a source of inspiration. While playing the flute—a symbol of eloquence—Poetry irrigates the earth with inspirational waters taken from the Castalian spring.

Italy, Ferrara, 15th century

 

engraving, hand-colored with gold

 

Dudley P. Allen Fund

clevelandart.org/art/1924.432.27

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“Reality is a legal fiction,” says Bataille; however, according to Drucker[1] , it is not so much reality that is a legal fiction, but rather the economy, and hence the dialectic, of reality. The subject is contextualised into a neodeconstructivist material theory that includes consciousness as a paradox. Therefore, Foucault’s model of poststructural rationalism implies that the collective is part of the stasis of truth.

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Check ProQuest www.csa.com/discoveryguides/fanon/abstracts-f.php.

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Revolutionary Fanonism: on Frantz Fanon's modification of marxism and.

decolonization of democratic socialism.

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Reiland Rabaka..

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Socialism and democracy, Vol. 25, No. 1, Mar 2011, pp. 126-145..

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Revolutionary Fanonism: On Frantz.

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Fanon's Modification of Marxism and.

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Decolonization of Democratic Socialism.

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Posted on May 20, 2012 by sdonline.

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The Riddles of Revolutionary Fanonism - Much More Than Marxism in Blackface: Fanon's.

Critical Modification of Marxism in the Anti-Imperialist Interests of Africa and Africans,.

Among the Other Wretched of the Earth.

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It is important, at the outset, for us not to confuse what I am calling "revolutionary.

Fanonism" with Henry Louis Gates Jr.'s conception of "critical Fanonism." For Gates.

"critical Fanonism" entails, not reading Frantz Fanon to ascertain what his lifework and.

legacy offers to the ongoing struggle against imperialism, but an intertextual exercise that.

critiques others' interpretations of Fanon, especially if the interpreters attempt to connect.

Fanon's critical thought to radical political practice. Gates, in "Critical Fanonism" (1999),.

sternly states: "My intent is not to offer a reading of Fanon to supplant these others, but to.

read, even if summarily, some of these readings of Fanon" (252). Ultimately what Gates.

provides is a part poststructuralist, part postmodernist, and part postcolonialist read of Fanon.

that surreptitiously serves as a theoretical substitute for the Frantz Fanon who decidedly.

committed himself to: revolutionary decolonization; the Algerian revolution; revolutionary.

Pan-Africanism; revolutionary humanism; and, a distinct African-centered brand of.

democratic socialism with serious implications for revolutionary re-Africanization. That.

Fanon, which is to say, the Fanon who revealingly wrote A Dying Colonialism, Toward the.

African Revolution and, of course, The Wretched of the Earth, is tellingly absent from Gates's.

Black Skin, White Masks-based read (or, rather, misread) of Fanon. In Gates's own words:.

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Fanon's current fascination for us has something to do with the convergence of the.

problematic of colonialism with that of subject-formation. As a psychoanalyst of culture, as a.

champion of the wretched of the earth, he is an almost irresistible figure for a criticism that.

sees itself as both oppositional and postmodern. And yet there's something Rashomon-like.

about his contemporary guises. It may be a matter of judgment whether his writings are rife.

with contradiction or richly dialectical, polyvocal, and multivalent; they are in any event.

highly porous, that is, wide open to interpretation, and the readings they elicit are, as a result,.

of unfailing symptomatic interest: Frantz Fanon, not to put too fine a point on it, is a.

Rorschach blot with legs. (252).

..

 

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8.

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The overarching purpose of all this analysis is supposed to be justice, an end to the.

oppression Fanon is experiencing and telling us about. In describing the ways that all blacks are.

not free, Fanon is demanding a change: freedom for everyone. My concern is that a misreading.

of Fanon, an attempt to achieve justice via an already worked out concept of race, will fail to.

liberate. Joy James ends one important anthology of Fanon studies by reminding us of the.

importance of first seeing Fanon as a liberation theorist and second understanding what it takes.

to actually do liberatory work. In "`Bread and Land': Frantz Fanon's `Native Intellectual'" James.

reminds us that Fanon is always.

.

reminding intellectuals that radical liberatory theory serves those lacking.

sufficient land and bread. ... Fanon warns us not only of intellectual concealment,.

but against an intellectualism that distances itself from the specificity of justice.

struggles in order to offer truncated concepts of liberation and a myopic view of.

repression.32.

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Similarly Kruks' most basic concern is reinvigorating a notion of identity politics that neither.

oversteps its bounds by requiring inaccessible abstract universals or a subjective solipsism and.

that can also return to its earlier invocations which called not only for recognition but for a.

redistribution of material goods.33 Bernasconi is also focused on Fanon's liberatory struggles..

The general purpose of the essay "Casting the Slough: Fanon's New Humanism for a New.

Humanity" is to defend and encourage Fanon's work toward justice. Bernasconi concludes with.

a warning that "theoreticians should avoid trying to disarm [the old order] ahead of time by.

presuming that they always know where it will lead."34 Of course, that final remark is meant to.

claim that the end of racialism may not be the end of the dialectic of identity. So, there is an.

appropriate openness, but it is limited by first assuming the end of racial categories. And, what.

we find in common with all these readers of Fanon, along with Lewis Gordon, is their.

commitment to understand him as an existential phenomenologist. So what might go wrong.

when we do not leave the end open and are not committed to a phenomenological analysis of.

experience? We close off possibilities, and areas of study and activism fail to fulfill their.

missions. A quick look at three ostensibly liberatory projects, Critical Whiteness Studies,.

Indigenous Studies, and Development Studies, will show that the endeavors of many.

practitioners who claim to already know what various identities will (should) or will not (should.

not) mean for us truncates the projects..

.

Critical Whiteness Studies, insofar as it is almost exclusively undertaken by.

"abolitionists,"35 often fails to see what other kinds of experiences it is missing out on and how it.

alienates, rather than informs, many white folk. Surely, important work is being done by.

exposing whiteness as the norm for human being and by revealing the many (invisible) privileges.

afforded to whites. We need to understand that "Whiteness is parasitic on Blackness" and other.

.

32 Joy James, ""Bread and Land": Frantz Fanon's "Native Intellectual,"" in Fanon: A Critical Reader, eds. Lewis R..

Gordon, T. Denean Sharpley-Whiting, and Renee T. White, (Cambridge, Blackwell, 1996). 309..

33 See Kruks 2001, especially pp. 86-8 and pp. 105-110..

34 Robert Bernasconi, "Casting the Slough: Fanon's New Humanism for a New Humanity," in Fanon: A Critical.

Reader, eds. Lewis R. Gordon, T. Denean Sharpley-Whiting, and Renee T. White, (Cambridge, Blackwell, 1996)..

121..

35 Here I am invoking David Rodger's phrase for the effort to eliminate all racial categories as meaningful..

..

 

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Jesus Christ...

Dialectical behavior therapy (DBT) is an effective method of treating many conditions, but most people do not know what it is or how it works, so they may have many questions about it—whether they have had this treatment option recommended to them or they are looking into options for themselves. DBT helps contribute to the overall success of a healthier lifestyle by modifying and developing new ways to cope with stress, regulate emotions, and improve broad perspectives and reactions with others.

 

Link: www.northstartransitions.com/post/things-to-know-before-s...

"The Fontana Maggiore, a masterpiece of medieval sculpture, placed in the centre of Piazza IV Novembre (formerly Piazza Grande), is the monument symbol of the city of Perugia.

 

The fountain was prepared in a workshop and then assembled in the centre of the square; it was made of stone from Assisi. The fountain consists of two concentric polygonal marble basins, on top a bronze cup (by the artisan Rosso Padellaio from Perugia) decorated with a coloured bronze group of feminine figures (perhaps nymphs) out of which comes the water.

 

The lower basin is made up of 25 mirrors, each divided into 2 tiles that describe the 12 months of the year, each of which is related to a zodiac symbol. Each month is connected to scenes of daily life and the characteristic farming work. As in other contemporary sculptures from Europe, in which the months are represented, here the manual work obtains dignity.[5] In this basin manual labour is in fact represented together with the arti liberali (liberal arts), with philosophy, with characters from the Bible and the history of Rome; in this specific order:

 

• The month of January (a gentleman and his wife at the hearth – Aquarius)

• The month of February (two fishermen - Pisces)

• The month of March (the "spinario" and the pruning of the vineyard - Aries)

• The month of April (two allegories of spring - Taurus)

• The month of May (two Knights on Falconry - Gemini)

• The month of June (the harvest and flailing - Cancer)

• The month of July (the threshing and the division of wheat - Lion)

• The month of August (the fig harvest - Virgo)

• The month of September (the crushing of must - Libra and the grape harvest)

• The month of October (the filling up of casks - Scorpion and the construction of casks)

• The month of November (the ploughing - Sagittarius and the sowing)

• The month of December (the slaughter of the pork - Capricorn)

• The Lion Guelph and the Griffin of Perugia

• Grammar and Dialectic

• Rhetoric and Arithmetic

• Geometry and Music

• Astronomy and Philosophy

Two eagles, on the right one the signature of Giovanni Pisano

• The Original Sin and the expulsion from Eden

• Samson kills the Lion and Samson and Dalila

• David triumphant and Goliath defeated

• Romulus and Remus (represented as two falconers)

• The she-wolf that fed Romulus, Remus and their mother Rea Silvia

• Two of Aesop's fables (the fox and the crane and the wolf and the lamb)"

 

Source: Wikipedia

"The Fontana Maggiore, a masterpiece of medieval sculpture, placed in the centre of Piazza IV Novembre (formerly Piazza Grande), is the monument symbol of the city of Perugia.

 

The fountain was prepared in a workshop and then assembled in the centre of the square; it was made of stone from Assisi. The fountain consists of two concentric polygonal marble basins, on top a bronze cup (by the artisan Rosso Padellaio from Perugia) decorated with a coloured bronze group of feminine figures (perhaps nymphs) out of which comes the water.

 

The lower basin is made up of 25 mirrors, each divided into 2 tiles that describe the 12 months of the year, each of which is related to a zodiac symbol. Each month is connected to scenes of daily life and the characteristic farming work. As in other contemporary sculptures from Europe, in which the months are represented, here the manual work obtains dignity.[5] In this basin manual labour is in fact represented together with the arti liberali (liberal arts), with philosophy, with characters from the Bible and the history of Rome; in this specific order:

 

• The month of January (a gentleman and his wife at the hearth – Aquarius)

• The month of February (two fishermen - Pisces)

• The month of March (the "spinario" and the pruning of the vineyard - Aries)

• The month of April (two allegories of spring - Taurus)

• The month of May (two Knights on Falconry - Gemini)

• The month of June (the harvest and flailing - Cancer)

• The month of July (the threshing and the division of wheat - Lion)

• The month of August (the fig harvest - Virgo)

• The month of September (the crushing of must - Libra and the grape harvest)

• The month of October (the filling up of casks - Scorpion and the construction of casks)

• The month of November (the ploughing - Sagittarius and the sowing)

• The month of December (the slaughter of the pork - Capricorn)

• The Lion Guelph and the Griffin of Perugia

• Grammar and Dialectic

• Rhetoric and Arithmetic

• Geometry and Music

• Astronomy and Philosophy

Two eagles, on the right one the signature of Giovanni Pisano

• The Original Sin and the expulsion from Eden

• Samson kills the Lion and Samson and Dalila

• David triumphant and Goliath defeated

• Romulus and Remus (represented as two falconers)

• The she-wolf that fed Romulus, Remus and their mother Rea Silvia

• Two of Aesop's fables (the fox and the crane and the wolf and the lamb)"

 

Source: Wikipedia

Illustrated model of a tower created in April 2009

Media: Card and black ink

Dimensions: 50/20/20 cm

This work is a good example of a dialectic between illustration and model making.

 

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