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I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Camera: Mamiya C22
Lens: Mamiya-Sekor 105mm F/3.5
Film: Ilford HP5+ @ 400 ISO
Developer: Rodinal 1+25
Scanner: Epson V850 Pro
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P33
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.
Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
Event: NEC Classic Motor Show
Location: National Exhibition Centre (NEC), Birmingham, UK
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Ilford HP5+
Shot ISO: 400
Exposure: f/2.8 or f/2 - 1/60 mostly
Light Meter: Camera
Lighting: Overhead LED
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 10 mins
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
An American Hornbeam (Carpinus caroliniana) in early spring green leans out between two Sycamores (Planatus occidentalis), Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Cullasaja Gorge, Nantahala National Forest
Pentax K-1
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.
The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.
For developer detaiols ee The Film Developing Cookbook Pg 85
Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.
Film camera Minolta 507si, Minolta 24-50/4, film Svema 100, double exposure, dark room, enlarger Meopta Magnifax 2, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1, scanner Epson 3200
Mamiya 645 Super, 80/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200
Project 366 (one photo per day for 2020 taken on 35mm film)
Event: Project 366
Location: Garden at home
Camera: Canon AT-1
Lens(s): Canon FD 50mm f/1.8 + Vivitar 2x Macro converter
Film: Fujifilm C200
Shot ISO: 200
Light Meter: Camera
Exposure: 1/15 @ f/8
Lighting: Natural Sunny
Mounting: Tripod - Manfrotto
Firing: Self timer
Developer: AG Photographic
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Event: MMOC National Rally
Location: Chateau Impney, Droitwich, Worcestershire
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7
Film: Adox HR-50
Shot ISO: 50
Light Meter: Camera
Lighting: Overcast/Mixed
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4)
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Before we went to France for our autumn break, we looked at possible days out. JJ found some colourful photos of a town close by called Menton. I must admit I'd never heard of it before, but the photos were beautiful and I agreed immediately that we had to fit it in to our trip! It was very different to Antibes, but equally beautiful, with an Italian feel (not that I've been to Italy - yet!). Understandable, given its close proximity to Italy and its history!
This is when we got off at Menton railway station - very different to Nice!
Last stop on the Côte d’Azur before Italy, the seaside town of Menton offers a glimpse of what the high life on the Riviera must have been like before the developers moved in. With its sunny climate, shady streets and pastel mansions – not to mention a lovely old port – it’s one of the most attractive towns on the entire coast. Menton’s old town is a cascade of pastel-coloured buildings. Add a fantastic museum dedicated to the great artist and film director Jean Cocteau, as well as several excellent restaurants, and Menton really is a must. (From lonely planet.com)
The Menton area has been inhabited since the palaeolithic era. The first major settlement was built in the XI century when the Count of Ventimiglia constructed the Château de Puypin. During the XIII century, the seigneur of Puypin fell to the Vento family of Genoa. Menton was thus incorporated into the Republic of Genoa. Then the town was mentioned in the peace treaty between Provence and the Republic of Genoa. The treatment stabilized that Menton became a part of Liguria. However, in the XIV century the town was acquired by the Lords of Monaco and again became a part of France. It remained French until the XIX century. Then, together with the Republic of Genoa became a part of the Kingdom of Sardinia. However, in 1860 France called for the annexation of Menton and the whole County of Nice to France. For this reason, a plebiscite was organized and as its result, Menton and County of Nice became a part of France. (From thatsliguria.com)
Camera: Leica M5
Lens: Cosina Voigtlander 40mm f1.4 Nokton SC
Film: Fuji Neopan 400 (Legacy Pro)
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Project 365 (one photo per day for 2022 taken on 5x4 large format film)
Event: Project 365
Location: Deep Hayes Country Park, Nr Leek, Staffordshire
Camera: Wista 45VX
Lens(s): Schneider-Kreuznach Apo-Symmar 210mm f/5.6
Film: Ilford Delta 100
Shot ISO: 80
Light Meter: Weston Master II
Movements: None
Bellows: 210mm (+0)
Exposure: 1/30 @ f/8
Lighting: Sunny - 2pm
Mounting: Tripod - Manfrotto
Firing: Cable release
Developer: Ilford DD-X(1+4)
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200
Pentax ME Super (S/N:3168177)
SMC Pentax-A 1:1.7 50mm (S/N:1259800)
Foma Fomapan 100 at 200 ISO
Foma Fomadon Excel 1:1 for 13:30 min (20C)
This is a scan of a 120 film negative that was shot with a Mamiya C220 on Kodak Tr-X 400. I was developed with Rodinal R09 OneShot developer and Film Photography Project Fixer in a Paterson Tank. Scanned on a Epson V600 scanner with a custom made masks to include the film edges.
This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.
Fuji Neopan Acros 100, 4" x 5", 80 iso, N+1/2 development in Rodinal developer, 1:50, 11:00 minutes, 24C. Taken May 2021, Ebony SV45TE 4" x 5" Field Camera. Fujinon W 250mm Lens.
This is the underside of the Stripping Shovel at the Diplomat Mine Historic Site, Flagstaff County, Alberta. The Bucket image that I previously posted belongs to the same machine.
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Rome, wooden toys shop near the Pantheon.
April 2017.
Shot with a Minolta TC-1 35mm film camera, Kodak Tri-X 400 in Diafine, exposed here at ISO 1250.
Developed 5min+5min with 10 sec. agitation every minute, to reduce bromide drag.
Scanned at an equivalent 8000 dpi with a stitching/macro setup and resized to 16 Mpxls.
This was my first test roll with this legendary film/developer combo, I shot this scene straight into the light to test the dynamic range and compensating effect of the two bath developer.
Highlight control is superb but shadows are very thin as expected for such an high ISO setting.
Nikon F90x
Nikon AF NIKKOR 50mm 1:1.4 D
Ilford HP5 400, expired 1984
Adonal 1:25 6min @ 20℃
Canon CanoScan 9000F Mark II
01_20190708_013-2
Shot with:
Canon P Rangefinder
Canon 50mm f1.4 LTM
Canon Auto-Up 450
Kodak High Contrast 5363 at ISO 35
Silvermax Developer at 1:29 for 11 minutes at 68F
30 seconds initial agitation & 1 inversion every 30 seconds
TF-4 Fixer for 5 minutes
Scanned with:
Olympus EM5II at 1/160 sec
Minolta MC Macro Rokkor-QF 50mm f3.5 at f8
Minolta Slide Copier
External Flash at 1/16 power with Paper Diffuser 12 inches from Copier
Berlin, Tegel Airport
Welta Weltax, Bergger Pancro 400 @ 800 ISO in Adox Atomal 49 1+2, light yellow filter
Hasselblad X-Pan, 45mm lens, Ilford HP5+, Multigrade IV, scanned silver gelatin print, Venice 2019, Fotospeed Warmtone developer,
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!