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Rolleiflex T, Tri-x in Finol,

Kallitype (ferric oxalate 4) on HPR,

Potassium citrate developer.

Rolleiflex T, Delta 400 @ISO800 in Finol,

Kallitype onto Hahnemühle Platinum Rag,

developer Rochelle salt, MT10 Gold Toner 2 minutes after fixing.

Django Reinhardt, Stephane Grapelli, J'Attendrai

youtu.be/Qj8lhweSIM8

 

TD : Ilford HP5 35mm film, developer ID-11 25' at 20°C. Exposure ISO 1000 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

Trying out Silvermax in the dedicated developer…

 

Leica M5

50mm Summilux

Adox Silvermax 100

Adox Silvermax developer

happy sunday

and

for C# developers :))

Holga 120N Tri-x in efd.

Kallitype 18x18cm onto Hahnemühle Platinum Rag,

Potassium citrate developer.

Typical Appalachian cove forest with Rhododendron maximum in bloom, Chinquapin Mountain Trail, Nantahala National Forest.

 

Name suggested by a comment from Cadeyrn Drust: these cove forests can be heavenly, until you have to bushwhack through the Rhododendron understory (whence the name "Rhododendron hell" to describe an Appalachian heath bald).

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

From Wikipedia: Arctium is a genus of biennial plants commonly known as burdock, family Asteraceae. Native to Europe and Asia, several species have been widely introduced worldwide. Burdock's clinging properties, in addition to providing an excellent mechanism for seed dispersal, led to the invention of the hook and loop fastener. (That's Velcro to you and me!)

 

Arctium species generally flower from July through October. Burdock flowers provide essential pollen and nectar for honeybees around August, when clover is on the wane and before the goldenrod starts to bloom.

 

*** So as these have yet to turn into their summer green a monochrome treatment seemed appropriate. ***

From Scaly Mountain

 

Pentax K-1

SMC Pentax 1:1.8 85mm (panorama crop)

Iridient Developer

Affinity Photo

Only just taller than a tree ...

 

El Capitan in afternoon light (and forced perspective).

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Konica Auto-Reflex 60's SLR camera

Hexanon lens 57mm 1:1.4

Ilford Fp4+ Film

f 5.6 at 1/250

Home Developed by www.flickr.com/photos/ukke_photo/

Rodinal Developer 1+25

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

Death Valley (from 2014)

 

Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Syringes are use to inject and suction developing chemicals in this pinhole camera. PinstaGo 4X5 camera with Harman Direct Positive Paper and Ilford Direct Positive developer. 3.5 minute exposure.

Inman, Georgia

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.

 

I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.

 

Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

 

-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg

-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography

Paine’s Bridge, Chatsworth, Derbyshire, England.

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Bern, Switzerland

Bessa R3M, Zeiss Biogon

Kodak TriX400, Ars Imago Developer 5:30@20C

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania P30

Adox Silvermax Developer (1+29)

11 min 20°C

Scan from negative film

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

Studio. Film camera 6х6 Kiev 6C, fisheye lens Zodiak-8 (3,5/30). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. Scanner Epson 3200

PinstaGo 4X5 pinhole camera, in-camera developed with syringes. Left the developer syringe in the sun a few minutes and it turned brown. Stained the print, too. Inman, Georgia

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.

 

Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.

 

© copyright 2020 Lynn Burdekin. All Rights Reserved.

Beach volleyball on Manly beach, Sydney, spring 2018. The heavy grain was quite a surprise - I expected grain but not this much. Reminded me of Seurat and Pointillism.

 

Camera: Olympus XA4

Lens: Zuiko 28mm f/3.5 macro Film: Kodak TMAX P3200 (old version)

Developer: Kodak TMAX.

Scan: Epson V700 @4800dpi

Postprocessing: Lightroom 6

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.

Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200

Give me a Mouse,not a touchscreen.

Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200

developer: gearbox software

Developer: Kodak T-Max 1+4 8' 18C

Zenza Bronica ETRS

Adox Pan 25

Moersch ECO developer

Louisville, Colorado I'm sure various developers are trying to tear this farm away and replace it with homes or stores. Shame.

Leica-M6 TTL 0.72. Elmarit 1:2.8/21mm ASPH. FP 4 Plus Ilford.

Developer Ilford ID-11 1+1 20º 11 min.

Nikon Super Coolscan 5000 ED. Film Scanner.

 

Mural Heerlen. Nederland The Netherlands.

  

🔴Leica my point of view.

Wetzlar, Deutschland.

 

Leica-CL 1974 Rangefinder

 

Leica-M 6 TTL 0.72 1998 Rangefinder

 

Leica-M6 TTL 0.85 2001 Rangefinder

 

We have finally released the Developer Kit for our mesh heads!

 

Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/

Minolta XD-11 with MD 50 mm f/1.4 lens. Adox Silvermax 100 film with Silvermax developer.

A less traditional view of Battersea Power Station. It won't look like this for much longer...

Painted Trillium (Trillium undulatum), Cullasaja Gorge, Nantahala National Forest

 

Pentax K-1

SMC Pentax-A Macro 1:2.8 50mm

Iridient Developer

As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....

 

Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!

UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale

1/6

Annually developer cooking session of 5 1/2 liters

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