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FP4 N+1 Tanol,

Kallitype onto Arches Platine,

Sodium acetate developer,

MT3 Vario toner: bleach 1+75 45 secs, toner setting c

Rolleiflex T, Tri-x in Finol,

Kallitype (ferric oxalate 4) on HPR,

Potassium citrate developer.

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

Horton Grove Nature Preserve

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

16:9 panorama crop

Iridient Developer

Queen Branch, Mainspring Conservation Trust, Macon County NC

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Brumley Preserve, Orange County NC

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

A few hints of remaining fall color, along the upper reaches of the Waccamaw River, just below its origin at the outlet from

Lake Waccamaw.

 

Pentax K-1

SMC Pentax 1:1.8 55mm

2:1 panorama crop

Iridient Developer

Only just taller than a tree ...

 

El Capitan in afternoon light (and forced perspective).

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

The upper part of Quarry Falls, Cullasaja Gorge, Nantahala National Forest

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Little River Regional Park

 

590nm IR-converted Pentax K-5

Lensbaby Sol 45

Iridient Developer

Park Boulevard, Joshua Tree National Park. A snowy San Gorgonio Mountain (“Old Grayback”) framed by the park's namesake plants, Yucca brevifolia.

 

590nm IR-converted Pentax K-5

SMC Pentax 1:3.5 35mm

Iridient Developer

Morning light on the Sydney coast, November 2020.

 

In Flickr Explore March 10, 2021.

 

Camera: Leica CL

Lens: Cosina-Voigtlander Ultron 35mm f/2 Vintage Line

Film: Ilford FP4+ @ISO400

Developer: Microphen 1+1

Scan: Epson V700

Postprocessing: Lightroom 6

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

Asahi Pentax MX

SMC Pentax, 2.5 135mm

Fomapan 100@100 ISO

Moersch Eco Developer

Semi-stand developing 50 min.

DSLR scan

Zenza Bronica ETRS

Ilford Delta400

Moersch ECO developer

 

Bald Head Island

 

Pentax K-1

SMC Pentax 1:3.5 28mm

Iridient Developer

en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery

 

Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)

Agfa APX 400 @400ISO

Fomadon Excel 1+1 for 12 min. (20C)

developer: gearbox software

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

Fifeshire Rock, Nelson, New Zealand

 

Pentax K-1

SMC Pentax-FA 1:1.4 50mm

Iridient Developer

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania Orto

Rollei Supergrain Developer (1+12)

7 min 20°C

Scan from negative film

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Hasselblad 500CM + 150mm Sonnar T* f4 Lens

 

Ilford FP4 Film + Perceptol Developer

Zenza Bronica ETRS

Rollei RPX400

Moersch ECO developer

 

Leica M2

Leica Summilux 35mm f/1.4 II

Ferrania P30

Adox Silvermax Developer (1+29)

11 min 20°C

Scan from negative film

Website | Twitter | 500px | Facebook | Instagram | Getty

 

They're windows developers, but not the Win32 kind!

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

The Point, Oak Island

 

Pentax K-1

Lensbaby Velvet 56mm

Iridient Developer

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Camera: Chamonix 8x20

Lens: Schneider 355mm G-Claron

Film: Kodak TXT (2003)

Developer: Pyrocat-MC

Development: Brush

Contact Print: Ilford Galerie G3

Print Developer: PF130

Toner: Selenium

developer: gearbox software

Nikon FM2

Zeiss 50mm f1.4 ZF

TRi-X @ ISO 1250

Diafine Developer

South Philly - Pandemic Times / Nikon F100 Ilford HP5

Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.

 

Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.

 

© copyright 2020 Lynn Burdekin. All Rights Reserved.

From a guided walk in the longleaf pine forests of the North Carolina Sandhills region.

 

Gentiana autumnalis, the Pine Barrens Gentian.

 

Pentax K-1

SMC Pentax-A Macro 1:2.8 50mm

Iridient Developer

Camera: Nikon L35F

Lens: Nikkor 35mm f2.8

Film: Kentmere 400

Developer: Rodinal

Minolta Dynax 505si Super

Carl Zeiss Jena Flektogon 35mm/f2.4

Ilford HP5+ @1600

Foma Fomadon Excel (stock, 20C for 13min)

Pentax SP500, Pentacon 29mm f2.8 - Ilford FP4Plus -

Fomadon P developer 1+1, 15'

Berlin-Charlottenburg

 

KW Patent Etui, Schneider Xenar 13,5cm f/4.5, Ilford HP5 in Foma Retro Special developer

 

Development details on FilmDev

Sydney wetlands sunset, 2018. Voigtlander Bessa II Color-Skopar, Kodak TMAX100 in TMAX developer. V700 scan.

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