View allAll Photos Tagged Destroy
With this picture; I took five images bracketed in 1 stop increments. I used Photomatix Pro 6.3, to layer them. In Photomatix, it only takes a few minutes to do so. I then, took that layered image, did my final edit in Lightroom CC. I bumped the Clarity up 20, Dehaze 10, added a medium Vignette, and my Logo. The whole process took about 25 minutes, once I had the 5 images selected. Koda the Magnificent, stood in place, given the wait command. He’s quite the trooper and truly Magnificent.
Now, to the title. I informed the Grand Junction, VA staff; that I would be sticking around until mid November. They, in turn, must have informed the local Bottom Feeders Association. We couldn’t make it out of the hospital; without being mobbed and blocked.
Koda, and I went to the local Zoo (Walmart), shortly after. I must have mentioned the Grand Junction, Walmart, too many times in my last post. Yep, some of the locals in Grand Junction, Colorado, have a problem with the truth. It seems, many in the Republican Party do too. The Democrats, aren’t any better. I’ll get to those Monsters later, but now; its the Bottom Feeders, of Mesa County, Colorado.
Koda, and I made a couple trips to the Zoo (Grand Junction Walmart), since my last post. The locals, were having hissy-fits. They were mainly using couples, those trips. We had the smoker standing at the door, and the couples blocking at designated areas (items I purchase frequently). We even had couples pulling the; Flailing and Pointing Arms Skits. I told Koda, that’s what hate looks like. One, turned Devil Red. We were no where near the Red Hot sauce, when he flamed. We made it out, without being spit on, or murdered. I think one woman did fart. But, seriously, Gang Stalking is nothing to laugh about. Is it; Mr FBI Director, that does nothing to stop it.
When we got back to camp that Friday; the Bottom Feeders had set up around us. More come rolling in Friday night, as we lay in bed. Saturday morning; Koda’s first trip out to pee; a Black SUV stops right behind our motorhome and watches. Then, the Convoy of Hate. The crowd, from the local BP, were zooming back and forth, burning up gallons of gas. They must be getting, the Village Idiot’s Discount. You think I have them pissed off yet? All it really takes; is a Targeted Individual, moving into their area. While Koda, was looking for the perfect bush to pee on; I noticed how beautiful the sky was. We went back to the motorhome, and stepped out with the Nikon and tripod. A plane came across my composition, then banks right towards us, as I take sets of pictures. Shortly after, another plane comes from Grand Junction, buzzed the top of our motorhome. Following that, the gunfire begins. The Bottom Feeder Blitz, begins. I’m waiting for a Tank, or an APC, to show up next. No National Guard Jets this time.
Who do you think is financing and coordinating, all of this? As hundreds of billions, goes to Defense Contractors. In turn; they flip hundreds of millions, into our legislator’s campaigns. Meanwhile; small crumbs, are tossed to the lower classes. As they continue to struggle, never to see their benefits.
One of the local Bottom Feeders from before; came back, set up close, so he could see each time we stepped out. Others, just over the hill to our west, set up, firing off high powered rifles, each time we do, and when we came back towards our motorhome. Koda, and I, stood our ground, and took several more sets of pictures. He even squeezed out a poo. That, set the Poo Perps off. They brought out the Big Billy-Bob trucks. Accelerating, up and down the highway, just to our east. Two, set up on hilltops, just to our south. Could this be Overwatch? My head hurts now.
I was feeling better, so after breakfast; I decided to slay a few of these Monsters. I strapped on the Nikon, let Koda be a dog; and walk without being leashed. We walked pass the Spotter, camped in the creepy Astro Van, just behind us. Koda, wanted to rush over and pee on his tires, but I said “Leave it”, so he did. What a champ, Koda. We walked pass the Buckeyes; with the Big Orange Tent. They zoomed off, just as we were stepping out, to go for our walk. Once, pass them, here comes Billy-Bob and his Cousin/Brother; Billy-Bobless. They were in their Big Black Billy-Bob, truck. Black vehicles, are the theme out here, in Half-wit Land. Ooooh, they’re so intimidating; I’m shaking in my slip-on shoes. They give me the smirky smile. Letting me know; they are true Wannabes. They give Koda, the stern stare of stupidly. I took a few pics; documenting the same repeated acts of hate and ignorance, year after year.
Koda, and I, made the small loop, and headed back towards camp. By this time, the Buckeyes were back. One in a tube top, putting on a show to draw attention. Even Koda ignored her. As we got closer to our camp; here comes another airplane, the gunfire, just like in Arizona, and Wyoming. Koda, has to stop and scratch, where he’s probably had something inserted just under his skin. Once we’re established at a new camp, this scratch is repeated, each time we return close to camp. Just like the airplane fly over. I’ve documented it repeatedly, for almost two years now. Maybe, this is why he refuses, to return to certain day care and boarding facilities?
Once settled back in the motorhome; here comes the motorcycle. Zooming beside, behind, then around the motorhome. The rest of the day, was a real Stupid Fest. Koda and I pretty much ignored it, had a nice dinner, settled in for a couple of movies. Once in bed, we had the Bottom Feeders stopping right behind the motorhome. Maybe, I have an admirer?
We, supposedly being one of the richest Nations in the world, lowering our education standards, even lower. Many states, reducing their teaching standards. When our children are so far behind the curve, as it is. Is it, to better control the Half-wits mentioned above? Or, is it to hide our repulsive history? Or, both?
This Wednesday, I have angiogram scheduled for my blocked carotid artery. The vascular surgeon said, he usually see this type of severe blockage, in trauma patients. I haven’t had any trauma to that area, but have had many years of Direct Energy Weapons Attacks. Maybe, that’s why the VA, has not made a diagnosis, or prognosis; on my neurological problems, showing on my MRI? I’ve addressed the symptoms, for over two years. The same symptoms seen; in the many US officials, suffering from Direct Energy Weapons Attacks. As seen on 60 Minutes, CBS. We can see beyond our CIA Directors eyes, as he tells the interviewer; he doesn’t know how, or who is using Direct Energy Weapons, on US Citizens. While veterans and unknowing citizens, are being used as test subjects.
Maybe, that’s what some of our hundreds of billions, in Defense Spending, is spent on? Could it be, why possibly millions have been spent; over the years, trying to overwhelm, intimidate, and bully me into submission? Or, having the Hal-wits from hell, descend upon us. Its not me I’m worried about. Its my family! Its you! Its our future! Its me, having to board Koda overnight, for my procedures!
I don’t want your sympathy, your money or fame. I want the World to know the Truth, about the United States of America. I know my words can be harsh; the truth often is.
All photos, and content of my photostream, are free to download, copy, print and share. All I ask, is that they maintain my logos and copyright info; on all prints. Help me Destroy These Monsteers! Knowledge, Truth and Exposure, are powerful tools. We don’t need violence.
Thanks for visiting our photostream.
"Access; Superman. Command; Eradicate Kryptonion."
Based on the Young Justice and classic Brave and The Bold comic designs of Professor Ivo's Amazing Android, I present to you, Amazo!
The power absorbing super-foe created for science faces off against Supes over the city of Metropolis
I've really wanted to showcase Amazo for a while now. He's been built and sitting with other Legion of Doom members amongst my collection for months now, so I'm glad he gets to finally see the light of day.
Yay! Finally got this build up! It is my biggest build ever at 80x64 studs. I used almost all my collection of gray bricks on it and lots of foliage. Hope you enjoy the build and be sure to read the story.
Lots of inspiration from Albatross Viking and Mark of Falworth with their entries into an earlier GC. Thanks guys! :)
Sir Valiant~
A random shoe that a ran across at the Trans-Jordan landfill. The landfill takes usually toxic methane gas produced by organic garbage and turns it into energy for 4500 homes #Audi project #energy
Fleshing out a new shape. I will make some changes; widen the neck, alter the wing-shapes but I'm feeling this more than the trans-yellow version. Also the engine section needs more experimentation.
What I am Wearing!
⊱ 2PERcent - Black Bloody Nose
⊱2PERcent - Bloody Lip Smears
Get Them Here!http://maps.secondlife.com/secondlife/Lawaii%20Myst/196/140/4002
remorse
⊱Full Body Tattoo remorse / bite me: male fit fresh
Get it Here!http://maps.secondlife.com/secondlife/Graveyard/226/124/1188
[GHB]
Dropped Earrings [GHB] SCHAEDEL DROPPED MALE (BIG)
Get These Here!http://maps.secondlife.com/secondlife/Filhomes/17/181/3532
España - Ciudad Real - Viso del Marqués - Palacio del Marqués de Santa Cruz
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ENGLISH:
It was built at the end of the 16th century by Álvaro de Bazán, first Marquis of Santa Cruz. It is currently the headquarters of the General Archive of the Navy.
It is one of the two palaces built by this sailor, knight of the Order of Santiago, captain of the Ocean Sea and admiral of the Spanish Navy. It is located next to the church of Nuestra Señora de la Asunción, and since 1948 it has been rented by its owners, the Marquises of Santa Cruz, to the Spanish Navy, who first used it as a Museum of the Spanish Navy and later expanded its functions by also establishing the General Archive of the Navy.
The building was frequented by the first marquis thanks to its location, halfway between Madrid, where the Court was, and Seville, whose port he often went to as the Spanish Navy was anchored there, of which he was admiral during the reign of Philip II.
The palace was nearly destroyed by the Austrian troops of Edward Hamilton during the War of the Spanish Succession at the beginning of the 18th century, but was saved by the actions of the Marquis's chaplain, the poet Carlos de Praves, thanks to whom we can admire it today. It suffered some damage due to the Lisbon earthquake in 1755, which collapsed the ceiling of the hall of honour, where the great fresco depicting the Battle of Lepanto had been painted, and toppled the four corner towers, which the chronicles of Philip II described as magnificent.
In it we can find maritime objects from the period. A figurehead belonging to a ship commanded by the Marquis is noteworthy. During the War of Independence, the French razed it, and by the time the Civil War came it had served as a granary, school, stable, prison and hospital, until in 1948 and at the request of Julio Guillén Tato, director of the Naval Museum, Mrs. Casilda de Silva Fdez. de Henestrosa, descendant of Álvaro de Bazán, rented it to the Navy for 90 years as a museum-archive, which is its current function. Also, in the adjoining parish church there is a 4m long stuffed crocodile attached to one of the vaults, which was offered by the Marquis as a votive offering upon his return from one of his voyages.
Between March and April 1823, King Ferdinand VII spent the night there, after leaving Madrid for Seville, before the entry of the French contingent called the Hundred Thousand Sons of Saint Louis, about whose stay Ferdinand VII did not write a word in his travel diary. The palace was declared a National Monument in 1931 and was restored from 1948 by the Navy under the direction of Admiral Guillén.
The palace was built between 1564 and 1586 with subsequent modifications. It is a square-shaped building in the Renaissance style, built around a Renaissance atrium with a recumbent tomb. The walls and ceilings are covered with frescoes with two themes: mythological scenes on the one hand and naval battles and Italian cities related to the military career of the Marquis and his family on the other. The frescoes are by Italian Mannerist painters, the Péroli family. Upon seeing them, Philip II commissioned them to do work for El Escorial and the Alcázar of Toledo.
For its construction, the Marquis hired a team of architects, painters and decorators who worked on the building from 1564 to 1586. For some, the design of the building was due to the Italian Giovanni Battista Castello, known as the Bergamasco, who later worked in El Escorial; for others, it was designed, at least in its original plan, by Enrique Egas el Mozo.
The architecture is perceived as typically Spanish, without Italian arches, with smooth walls and square towers at the corners, influenced by the austerity of El Escorial and the Alcázar of Toledo, within the harmonious relationships characteristic of the Renaissance. The central space is occupied by a porticoed courtyard that, together with the staircase, forms a typically mannerist ensemble understood as an elegant and courtly style that goes beyond the merely architectural framework.
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ESPAÑOL:
Fue construido a finales del siglo XVI por Álvaro de Bazán, primer marqués de Santa Cruz. Actualmente es la sede del Archivo General de la Marina.
Se trata de uno de los dos palacios construidos este marino, caballero de la Orden de Santiago, capitán del Mar Océano y almirante de la Marina española. Está situado al lado de la iglesia de Nuestra Señora de la Asunción, y desde el año 1948 es alquilado por parte de sus propietarios, los marqueses de Santa Cruz, a la Armada Española, quien primero lo destinó a Museo de la Marina Española y más tarde amplió sus funciones estableciendo también el Archivo General de la Marina.
El edificio era frecuentado por el primer marqués gracias a su ubicación, a medio camino entre Madrid, donde estaba la Corte, y Sevilla, a cuyo puerto acudía a menudo al mantener allí anclada la Armada Española, de la cual fue almirante durante el reinado de Felipe II.
El palacio estuvo a punto de ser destruido por las tropas austracistas de Edward Hamilton durante la Guerra de Sucesión Española a principios del siglo XVIII, salvándose por la actuación del capellán del marqués, el poeta Carlos de Praves, gracias a lo cual hoy podemos admirarlo. Sufrió algunos daños a causa del terremoto de Lisboa en 1755: el cual hundió el techo del salón de honor, donde se había pintado el gran fresco que representaba la batalla de Lepanto, y desmochó las cuatro torres de las esquinas, que las crónicas de Felipe II describían como magníficas.
En él podemos encontrar objetos marineros de la época. Llama la atención un mascarón de proa perteneciente a una nave que dirigió el marqués. Durante la Guerra de la Independencia, los franceses lo arrasaron, y para cuando llegó la Guerra Civil había servido de granero, colegio, establo, cárcel y hospital, hasta que en 1948 y a instancias de Julio Guillén Tato, director del Museo Naval, doña Casilda de Silva Fdez. de Henestrosa, descendiente de Álvaro de Bazán se lo rentó a la Armada por 90 años como museo-archivo, que es en la actualidad su función. Asimismo, en la iglesia parroquial aledaña hay un cocodrilo disecado de 4m de largo adosado a una de las bóvedas, que fue ofrecido por el marqués como exvoto al regreso de uno de sus viajes.
Entre marzo y abril de 1823, el rey Fernando VII pernoctó allí, tras abandonar Madrid rumbo a Sevilla, ante la entrada del contingente francés llamado los Cien Mil Hijos de San Luis, de cuya estancia Fernando VII no escribió ni una palabra en su diario del viaje. El palacio fue declarado Monumento Nacional en 1931 siendo restaurado a partir de 1948 por la Armada bajo la dirección del Almirante Guillén.
El palacio fue construido entre 1564 y 1586 con modificaciones posteriores, y se trata de un edificio de planta cuadrada y estilo renacentista articulado en torno a un atrio renacentista con una tumba yacente. Los muros y techos se hallan cubiertos de frescos de doble temática: por un lado, escenas mitológicas y, por otro, batallas navales y ciudades italianas relacionadas con la trayectoria militar del marqués y de sus familiares. Los frescos se deben a unos pintores manieristas italianos, los Péroli. Al verlos, Felipe II les encargaría trabajos para El Escorial y el Alcázar de Toledo.
Para su construcción, el marqués contrató a un equipo de arquitectos, pintores y decoradores que trabajaron en la obra desde 1564 hasta 1586. Para algunos, el diseño del edificio se debió al italiano Giovanni Battista Castello, conocido como el Bergamasco, que más tarde trabajó en El Escorial; para otros lo trazó, al menos en su plan original, Enrique Egas el Mozo.
La arquitectura se percibe como típica española, sin las arquerías italianas, con paramentos lisos y torres cuadradas en las esquinas, influidos por la austeridad de El Escorial y el Alcázar de Toledo, dentro de las relaciones armónicas características del Renacimiento. El espacio central está ocupado por un patio porticado que junto con la escalera forma un conjunto típicamente manierista entendido como estilo elegante y cortesano que desborda el marco meramente arquitectónico.
Eine Fotoausstellung zum Thema häusliche Gewalt am Wiener Burgring wurde mutwillig zerstört – das Motiv vermutlich Misogynie – die Displays wurden wieder zusammengeklebt – ein trauriger Anblick ... | A photo exhibition on the subject of domestic violence at Vienna's Burgring was deliberately destroyed – the motive was probably misogyny – the displays were glued back together – a sad sight ...
Created for Its An Addiction group using tutorial: www.photoshoptutorials.ws/photoshop-tutorials/photo-manip...
Shakespeare's Globe is the complex housing a reconstruction of the Globe Theatre, an Elizabethan playhouse.
The modern Globe Theatre reconstruction is an academic approximation based on available evidence of the 1599 and 1614 buildings. It is considered quite realistic, though contemporary safety requirements mean that it accommodates only 1400 spectators compared to the original theatre’s 3000.
The original Globe Theatre was built in 1599 by the playing company, Lord Chamberlain's Men, to which Shakespeare belonged, and was destroyed by fire on 29 June 1613. The fire was caused by an accident with a cannon during a production of Henry VIII. The theatre was rebuilt by June 1614 (the exact opening date is not known), but was officially closed by pressure of Puritan opinion in 1642 and demolished in 1644
2015 05 29 092114 London 1HDR
Destroyed film, South Coast of France, 35mm film soaked in boiling water mixed with lemon juice and vodka
The Destroyed City (Dutch: De verwoeste stad) is a bronze memorial sculpture in the Dutch city of Rotterdam. It commemorates the German bombing of Rotterdam on 14 May 1940, which destroyed the medieval centre of the city. Unveiled in 1953, it was designated as a Dutch national monument (Rijksmonument) in 2010. It is the largest sculpture by the Russian-born French sculptor Ossip Zadkine, his best known work and the best known sculpture in Rotterdam.
The 6.5 m (21 ft) high sculpture depicts an stylized human figure leaning against a tree stump. The figure holds both hands aloft, with its head thrown back as if crying in grief, and a gaping hole in its chest and abdomen. The absence of a heart is said to symbolise the destruction of the centre of Rotterdam. Zadkine described it as "A cry of horror against the inhuman brutality of this act of tyranny". The sculpture has been compared to the figure with arms raised in terror on the far right of Picasso's painting Guernica. It stands on a tapering 2 m (6 ft 7 in) high plinth of Labrador granite blocks (reportedly, the stone had been intended for a sculpture of Adolf Hitler in Berlin). It is sited on the north side of the early 17th century dock basin of Leuvehaven [nl] in the centre of Rotterdam.
**Please press "L" | Bitte "L" drücken**
Photo was taken by using a Leica M9 and Leica Elmar-M 50mm f/2.8.
Von mir aus könnte immer Vollmond sein. Ich würde sagen ein Stunde bei offenem Fenster im Auto sitzen und etwas frieren hat sich gelohnt :-)
Wünsche eine geruhsame Nacht.
Foto und Bea: www.waahnsinnsgestaltungen.de