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There are many ways to describe rain and this image tells why Singaporean calls it pouring!! The approaching storm clouds simply "dumps" its water onto that small area. If you are among those under, only one word to describe you after - drenched!
Pied Flycatcher (M) - Ficedula hypoleuca
The European pied flycatcher (Ficedula hypoleuca) is a small passerine bird in the Old World flycatcher family. One of the four species of Western Palearctic black-and-white flycatchers, it hybridizes to a limited extent with the collared flycatcher. It breeds in most of Europe and western Asia.
It is migratory, wintering mainly in tropical Africa.
It usually builds its nests in holes on oak trees. This species practices polygyny, usually bigamy, with the male travelling large distances to acquire a second mate. The male will mate with the secondary female and then return to the primary female in order to help with aspects of child rearing, such as feeding.
The European pied flycatcher is mainly insectivorous, although its diet also includes other arthropods. This species commonly feeds on spiders, ants, bees and similar prey.
The European pied flycatcher predominately practices a mixed mating system of monogamy and polygyny. Their mating system has also been described as successive polygyny. Within the latter system, the males leave their home territory once their primary mates lays their first eggs. Males then create a second territory, presumably in order to attract a secondary female to breed. Even when they succeed at acquiring a second mate, the males typically return to the first female to exclusively provide for her and her offspring.
Males will sometimes care for both mates if the nests of the primary and secondary female are close together. The male may also care for both mates once the offspring of the primary female have fledged. The male bird usually does not exceed two mates, practicing bigamy. Only two cases of trigyny had been observed.
Population:
UK breeding:
17,000-20,000 pairs
For some that phrase would describe their eyes after a late night of partying and ringing in the New Year. For me on this first morning of the 20s, it meant first-light reaching Towers of the Virgin in Zion National Park.
Being a native East-Coaster, who has transplanted to life on the West Coast, I still feel that the New Year occurs when the crystal ball drops in New York, and that's the end. So, with the aide of staid Springdale, Utah, it was easy to get an early bedtime on New Years Eve so we could begin the trek to the Canyon Overlook Trail at 6:00 AM to catch first-light and sunrise from this vantage.
The trail is a relatively flat mile hike with a few tricky spots where the ice and slickrock conspire to give even the most sure-footed concern in the dark. Once we reached the overlook, I was a little concerned that our cold trek may have been for naught, due to the heavy cloud cover. Though they were thick overhead, there still was some clearing to the East, along the sun on the horizon to light a narrow band, reflecting off the cloud bottoms and warming the sheer rocks faces of the Temple of the Virgin ahead. This image was captured about 10-15 minutes before the local sunrise time, and is considerably brighter than what we saw with our eyes, due to the 20-second exposure.
Once the actual sun rays reached the Temple directly, the light only lit the areas seen here in red for less than 5 minutes before disappearing above the clouds for the remainder of the day.
Recognition:
Merit, Nature/Landscape category - JAN 24 PPSDC Image Competition, San Diego
Selected for Display, Color Scenic Landscape: Winter - JUN-JUL 2023, International Exhibition of Photography, San Diego County Fair, Del Mar Racetrack and Fairgrounds, CA
The events of Pentecost are described in the second chapter of the Acts of the Apostles. After Jesus' ascension, the disciples gathered together with Mary, the mother of Jesus, in Jerusalem. Suddenly they heard a noise and flames appeared to them and descended on each one of them. This filled them with the Holy Spirit.
Maybe it even looked like that, maybe not...
Created with Midjourney Niji
Here is the prompt:
IMAGE: Circular object in a desert with a fire in front of mountains with a torch | GENRE: Biblical Drama | MOOD: Majestic, Mystical | COLOR: Warm and earthy tones with a hint of ethereal light | BACKGROUND: Vast desert with towering mountains in the distance | SCENE: A circular object placed in the desert, with a fire burning in front of the mountains and a torch illuminating the scene | DETAILS: Monumental figures surrounding the circular object, showcasing voluminous mass | RENDER: Grand and awe-inspiring | LIGHTING: Ethereal light casting a mystical glow | COMPOSITION: Harmonious and balanced | SHOT: Wide-angle shot capturing the magnitude of the scene | CAMERA: Aykut Aydogdu camera | LENS: Jeppe Hein lens | TAGS: Biblical drama, divine encounter, desert, fire, mountains, torch, monumental figures --ar 21:9 --niji 5 --s 750
Tinnenburg (also described as "Tynnenborch") is a fortified wall house built in the first city wall. Construction started around 1300, on the site of the first city wall. From this house, access to the city by water was monitored. On the other side of the water, also on the site of the first city wall, has stood a similar house, named "Rommelenburg". The two houses were connected by a kind of water gate. The start of the arch of that gate can still be seen on the side of Tinnenburg ("restored").
The Quran describes the oppressor or tyrant as "deaf, dumb and blind", which is essentially the spiritual reality of the tyrant. He cannot hear the cries of his victims; he cannot communicate with those he oppresses because he imperiously views them as representatives of a lower order of being than himself, and thus as mere commodities to be exploited or, even worse, as plagues to be cleansed; and he cannot see the harm he does. Aristotle (d. 322 BC) reminds us that all tyrants invariably surround themselves with sycophants because they cannot bear the truth. But the tyrant also needs these sycophants because he demands tacit approval of his beliefs and actions, and most of all he fears an honest and critical view of himself. The more the tyrant's power grows, the less he tolerates dissent. What is true of the tyrant is also true of the tyrannical nation. He demands that everyone agree with him and affirm his position because he cannot see, hear or speak to anyone but himself. He believes that his vision is clear, his understanding is unsurpassed, and his words, and only his words, are worthy of utterance or consideration. As human beings, only through others can we truly see ourselves, hear ourselves and talk to ourselves; but in his fixation on himself the tyrant is totally incapable of such reflection.
(Hamza Yusuf. Introduction to the "The prayer of the oppressed")
Eisschollen und kleinere Eisberge direkt vorm "Hotel Arctic".
Die AIDA CARA liegt auf Reede...die Sauberkeit
des Wassers ist hier klar zu erkennen...
(27.07.2017)
Ice floes and smaller icebergs directly in front of the "Hotel Arctic".
The AIDA cara is anchored in the harbor entrance ... you do not need to describe the cleanliness of the water ...
The tailed butterwort (Pinguicula moranensis) is a carnivorous plant from the genus of the butterwort in the Orcheosanthus section. It is native to Mexico and Guatemala and was first described in 1817 by Alexander von Humboldt, Aimé Bonpland and Karl Sigismund Kunth.
Das Geschwänzte Fettkraut (Pinguicula moranensis) ist eine fleischfressende Pflanze aus der Gattung der Fettkräuter in der Sektion Orcheosanthus. Es ist heimisch in Mexiko und Guatemala und wurde 1817 von Alexander von Humboldt, Aimé Bonpland und Karl Sigismund Kunth erstbeschrieben.
Charles Darwin described the Galapagos land iguana as "ugly animals, of a yellowish orange beneath, and of a brownish-red colour above: from their low facial angle they have a singularly stupid appearance." The Galapagos land iguana grows to a length of 0.9 to 1.5 m (3–5 ft) with a body weight of up to 11 kg (25 lb), depending upon which island they are from. Being cold-blooded, they absorb heat from the sun by basking on volcanic rock, and at night sleep in burrows to conserve their body heat. These iguanas also enjoy a symbiotic relationship with birds; the birds remove parasites and ticks, providing relief to the iguanas and food for the birds.
"Can words describe the fragrance of the very breath of spring?"
~ Neltje Blanchan
It is raining now, but I took this crocus shot and other photos this morning. Then turned the wee blossom black and white and inverted the photo.
Spring might arrive despite my doubts.
Described in 1880 as 'a palace of the modern magician', Cragside House, Gardens and Woodland is a truly unique visitor attraction in the heart of Northumberland. Situated near Rothbury, it was the family home of Lord Armstrong, Victorian inventor and industrialist. Cragside was the first building in the world to be lit by hydroelectricity and a walk around the National Trust property reveals a wealth of ingenious gadgetry including fire alarm buttons, telephones, a passenger lift and a Turkish bath suite.
"No Pen can describe it, no Tongue can express it, no Thought conceive it, unless [by] some of those who were in the Extremity of it."
Daniel Defoe's description of the great storm of 1703 in his book The Storm published the following year.
Thank you for your visit and taking time to comment, fave or invite my photo to your group. Your encouragement is really appreciated.
All photos and textures used are my own.
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way.
It was about to rain - some dark clouds were constantly flying around. There were those white ones that just slide over the mountain - creating amazing view. Autumn - this is the word to describe this weather. Soon the trees will get their new clothes and the rain will be constant comapnion.
Syzygium is a genus of flowering plants that belongs to the myrtle family, Myrtaceae. The genus comprises about 1200–1800 species, and has a native range that extends from Africa and Madagascar through southern Asia east through the Pacific. Its highest levels of diversity occur from Malaysia to northeastern Australia, where many species are very poorly known and many more have not been described taxonomically. Cascade is a beautiful mid sized shrub with mid-sized glossy apple green leaves with attractive red and pink new growth. Spectacular pink powder-puff flowers in summer are followed by pinkish fruits that are edible and attract birds. 19479
Originally described to me as Yosemite's smallest waterfall, Fern Spring is a favorite place to stop on the way into Yosemite Valley.
Hope you are enjoying a lovely weekend! Thank you all for your visits, comments, awards and faves -- I appreciate them all.
© Melissa Post 2016
916 years as church ,481 years as mosque and 80 years as museum : There are no words to describe its beauty
916 anni come chiesa ,481 anni come moschea e 80 anni come museo : non ci sono parole per descrivere la sua bellezza !
Colloquially described as The Egg, is an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass is surrounded by an artificial lake.
As I said, this is THE EGG, browse my previous upload to see The Nest.
The summer pasture system can be described as a form of small-scale farming, which means that the animals are taken on summer work to a summer pasture hut in the outback. The shack is only used during the summer period when there is plenty of grass and water. The shack culture has developed based on the conditions of nature and the landscape. This applies to knowledge about animals and nature, about forest grazing, buildings, food, stories, customs and usages, tools and music.
Each individual summer residence (often several gathered in one summer residence) consists of different smaller buildings, each of which has its own function. In addition to a residential house, there is also a cattle house for the animals, a house for the preparation of various dairy products, a house for storage of milk, cheese and butter, a woodshed and sometimes also stables, barns and shelters for storing feed and crops.
In the summer pasture, different products are prepared (butter and cheese as well as whey mesost and mess butter). The whey is boiled over an open fire and prepared for mass butter. After many hours of boiling, the milk sugar finally becomes saturated, which slowly cools down.
" Papilio dardanus, the African Swallowtail, Mocker Swallowtail or Flying Handkerchief, is a species of butterfly in the family Papilionidae (the swallowtails)...The species is broadly distributed throughout Sub-Saharan Africa...The British entomologist E. B. Poulton described it as "the most interesting butterfly in the world"..." ( Wiki )
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Copyright ©
All Of My Photographic Images Are Subject To Copyright ! Each Of My Photographs Remain My Intellectual Property ! All Rights Are Reserved And As Such, Do Not Use, Modify, Copy, Edit, Distribute Or Publish Any Of My Photographs ! If You Wish To Use Any Of My Photographs For Any Reproductive Purposes, Or Other Uses, My Written Permission Is Specifically Required, Contact Me Via Flickr Mail !
That's how Bill Bryson described this area in his book, "The Road to Little Dribbling" - a great read !
These fells may not be immense compared to many highland areas in our precious world, but they rise straight up - and if you've ever climbed a Lake District fell, you know it. Let me take you there now... this is from the banks of Derwentwater, my favourite view of the lake and fells surrounding it. The boats lie dormant, waiting for the chance to take another trip out. No fast boats here... it's so peaceful. Miss it a lot. Only a few hours' drive from home... it would be lovely to just GO there !
~ Edited in Topaz Studio ~
I hope you like my image. Thanks very much for every fave and comment... and just for looking and listening. I just love this music and this is my favourite version from Mark Knopfler.
Mark Knopfler - Going Home - live performance
All those of you who long to be somewhere else right now... this is for YOU. We are entitled to dream !
The Australian magpie (Gymnorhina tibicen) is a medium-sized black and white passerine bird native to Australia and southern New Guinea. Although once considered to be three separate species, it is now considered to be one, with nine recognised subspecies. A member of the Artamidae, the Australian magpie is placed in its own genus and is most closely related to the black butcherbird (Melloria quoyi). Currawongs have yellow eyes, whereas Magpies have red-brown eyes and Butcherbirds have very dark brown, almost black eyes. It is not, however, closely related to the European magpie, which is a corvid. The adult Australian magpie is a fairly robust bird ranging from 37 to 43 cm in length, with distinctive black and white plumage, gold brown eyes and a solid wedge-shaped bluish-white and black bill. The male and female are similar in appearance, and can be distinguished by differences in back markings. The male has pure white feathers on the back of the head and the female has white blending to grey feathers on the back of the head. With its long legs, the Australian magpie walks rather than waddles or hops and spends much time on the ground. Described as one of Australia's most accomplished songbirds, the Australian magpie has an array of complex vocalisations. It is omnivorous, with the bulk of its varied diet made up of invertebrates. It is generally sedentary and territorial throughout its range. Common and widespread, it has adapted well to human habitation and is a familiar bird of parks, gardens and farmland in Australia and New Guinea. This species is commonly fed by households around the country, but in spring (and occasionally in autumn) a small minority of breeding magpies (almost always males) become aggressive and swoop and attack those who approach their nests. 6966
Nonlocality describes the apparent ability of objects to instantaneously know about each other's state, even when separated by large distances (potentially even billions of light years)
almost as if the universe at large instantaneously arranges its particles in anticipation of future events.
For Manchester, one can not describe how such evil could be done to so young.
Our deepest sympathy.
More tears for our two Australian girls killed on London Bridge.
Topaz Glow.
Texture my own.
Master of Photography - Members Choice.
How to describe morning mist in forest? It is one of the best thing you can get for the forest photo. The colors drive themselves all over the place and every frame is perfect. What you can't see on the photo is the spirit of the place. The strange quiet and stillness. The weird smell. The different sound of your steps. Truly spooky!
""In Japan 'Grampus' is a common alternative way of describing a killer whale. The kanji character for grampus can be interpreted in two ways; one reading is “shachi,” which is the Japanese for grampus.
The other interpretation is 'Shachihoko', which represents a monster with the head of a tiger and the tail of a carp. A gold-plated pair of these beasts adorns the top of Nagoya Castle in Japan.""
info- www.cryptopia.us/site/2010/10/grampus-england/
Fumiaki Kawate created both interpretations: "Grampus", as shown above and also "Shachihoko", also shown in the first comment box.
I used a sheet of satogami-paper 35x35 to fold this origami "Grampus".
Final seize about 12cm tall and 12 cm width.
Name: Shachihoko (Grampus) without Explicit Scale Foldinq
Design: Fumiaki Kawahata
Diagrams in Tanteidan magazine #160
Someone described Iceland as the land of the waterfalls, and nothing more can be true than that. There are so many amazingly beautiful falls every day to be seen that it is difficult to say which one is the most beautiful. This one, the fall of the Gods is stunning, but in fact comparing them for that reason is crap!
You probably have seen Godafoss numerous times, and i an not having the ambition to present something real new, but I tried to catch its beauty, and I am on the edge of my handheld skills here. Enjoy!
How to describe captured moment? Me personally escape to places like this to not have to think in words. Atomic bases of my brain speaks in some other medium when being surrounded by these...what?
The platform indicator does a great job of describing both service and operator as BREL-built class 320, unit 320416, draws in to Paisley Gilmour Street station with a train to Gourock. If splitting hairs though the use of the past tense is questionable.
The Victorian architecture here is fabulous which the bright sunny day showing it off perfectly, even if there was a bit of a bracing wind coming off the coast.
For the record, the train is Scotrail's 2.25pm ex-Glasgow Central (1G49).
A shot taken almost two years ago to the day. How times have changed in the meantime.
2.33pm, 14th June 2019
The Sun Voyager is a sculpture by Jón Gunnar Árnason, located next to the Sæbraut road in Reykjavík, Iceland. Sun Voyager is described as a dreamboat, or an ode to the Sun. The artist intended it to convey the promise of undiscovered territory, a dream of hope, progress and freedom.
In 1986, the district association of the west part of the city funded a competition for a new outdoor sculpture to commemorate the 200th anniversary of the city of Reykjavík. Jón Gunnar's Sun Voyager won the competition, and the aluminium model was presented to the city for enlargement. The full-sized Sun Voyager was eventually unveiled on Sæbraut on the birthday of the city of Reykjavík, August 18, 1990.
The work is constructed of quality stainless steel and stands on a circle of granite slabs surrounded by so-called “town-hall concrete”. It was constructed in accordance with Jón Gunnar's enlarged full-scale drawing of Sun Voyager and was overseen by Jón Gunnar's assistant, the artist Kristinn E. Hrafnsson. The engineering of the sculpture was supervised by the technologist, Sigurjón Yngvason, in close cooperation with Jón Gunnar himself, the building itself was carried out by Reynir Hjálmtýsson and his assistant.
In an interview published in the newspaper Þjóðviljinn on 11 June 1987, Jón Gunnar describes the genesis of the work as being part of the Scandinavian art project, Experimental Environment, which conducted various artistic experiments in Iceland, Denmark and other places in the 1980s.
In May 1985, a group of artists, members of the Scandinavian art project, Experimental Environment, gathered to take part in the Saari-Vala Environmental Art Action in Bockholm, Finland. There I experienced a sense of the history of the origins of Icelanders, something which is also related in the present exhibition at the Nordic House in Reykjavík.
I had an uncanny feeling that I had been on this island before, when travelling on my way from Mongolia to Iceland, hundreds of years ago.
As you know, there have been speculations that the Icelanders as a race originated in Mongolia. I have discovered the history of their migration to Iceland, which runs as follows: Many centuries ago, a mighty warlord, let’s say it was Alexander the Great, was living in the centre of the known world. He dispatched his bravest and most experienced warriors, along with some women, scribes and other followers, on an exploratory expedition to the cardinal directions, the north, west, south, and east, in order to discover and conquer new, unknown territories. Those who headed east followed the rising sun until they reached the steppes of Mongolia. There they settled down and lived in comfort. Those scribes who accompanied the warriors were expected to document the expedition for the king. Several centuries later, when the documents written by the scribes eventually came to be examined, the people discovered that they had another fatherland in the west. They therefore decided to gather together their belongings and head back west towards the setting sun. We followed the sun for days and years, walking, riding and sailing. We enriched our experience and our determination grew in strength as our journey progressed, and we recorded everything that we saw and experienced. I remember endless pine forests, mountains and waterfalls, lakes, islands, rivers and seas before we eventually reached the ocean. We then constructed huge ships and sailed on westwards towards the setting sun.
As a result of this vivid experience of my participation in this expedition while on the island of Bockholm in the Finnish archipelago, I carved a picture of a sun ship into a granite rock by the sea. The sun ship symbolizes the promise of new, undiscovered territory. It is also being exhibited here at the Nordic House, made of aluminium.
There has been some dispute about the eventual location of Sun Voyager on Sæbraut in Reykjavík. Some people have complained that the ship does not face west, towards the setting Sun in accordance with the concept behind it. The original intention had been for Sun Voyager to be situated in the west part of Reykjavík, for obvious reasons. Jón Gunnar's original idea had been for the ship to be placed on Landakot hill, the prow facing the centre of Reykjavík and the stern to Christ the King Cathedral (Icelandic: Landakotskirkja). Another possibility was that it could be placed by the harbour in the centre of Reykjavík on a specially constructed base. The coastline by Ánanaust nonetheless eventually came to be Jón Gunnar's preferred location for the ship. Unfortunately, changes in the town planning for Reykjavík came to rule out this location. In the end, the final decision was taken (with Jón Gunnar's consent) that Sun Voyager should be located on Sæbraut on a small headland (which the artist jokingly called Jónsnes: Jón's Peninsula). Jón Gunnar was well aware that when bolted to its platform, Sun Voyager would be facing north, but felt that that made little difference when it came down to it.
Sun Voyager was built in accordance with the artist's hand-drawn full-scale plan. Its irregular form with the ever-flowing lines and poetic movement which are a distinctive feature of so many of his works make it seem as if the ship is floating on air. It reaches out into space in such a way that the sea, the sky and the mind of the observer become part of the work as a whole. As a result, Sun Voyager has the unique quality of being able to carry each and every observer to wherever his/her mind takes him/her. Few of Jón Gunnar's works have a simple obvious interpretation. As he stated himself, all works of art should convey a message that transcends the work itself. It is the observer who bears the eventual responsibility for interpreting the works in his/her own way, thus becoming a participant in the overall creation of the work. Jón Gunnar's works frequently make such demands on the observers, giving them the opportunity to discover new truths as a result of their experience.
First described scientifically in his Flora Indica (1768) as Mesembryanthemum bellidiforme by the director of the Hortus, Nicolaas Laurens Burman (1734-1793), our pretty South-African flower went by a whole variety of other names as well. Although not everyone today agrees, its scientific name since 1979 has been Cleretum bellidiforme. 'Cleretum' means something like 'Pebble Lover' and that's certainly more descriptive that Livingstone Daisy. But perhaps you don't want your flower names to be descriptive...
Often described as 'the finest gypsy jazz in the Cotswolds', Swing From Paris are a UK quartet of violin, guitars and double bass. Influenced by Django Reinhardt and Stephane Grappelli, they present their own versions of music from across Europe and beyond. Expect stylist jazz and vintage swing.
The fungus was first described in 1772 by Italian naturalist Giovanni Antonio Scopoli, who named it Agaricus procerus. Rolf Singer transferred it to the genus Macrolepiota in 1948.
The height and cap diameter of a mature specimen may both reach 30 - 40 (50) cm. The stipe is relatively thin and reaches full height before the cap has expanded. The stipe is very fibrous in texture which renders it inedible (unless dried and ground). The surface is characteristically wrapped in a snakeskin-like pattern of scaly growths (therefore, known in some parts of Europe as the "snake's hat" or "snake's sponge"). The immature cap is compact and egg-shaped, with the cap margin around the stipe, sealing a chamber inside the cap. As it matures, the margin breaks off, leaving a fleshy, movable ring around the stipe. At full maturity, the cap is more or less flat, with a chocolate-brown umbo in the centre that is leathery to touch. Dark and cap-coloured flakes remain on the upper surface of the cap and can be removed easily. The gills are crowded, free, and white with a pale pink tinge sometimes present. The spore print is white. It has a pleasant nutty smell. When sliced, the white flesh may turn a pale pink.
Very rare and very localized in the spiny forest, it was described for the first time in 1997.
It is classified as vulnerable
La Table - Toliara - Madagascar
La Ceja, Colombia; 2.300 meters above sea level.
Stilpnia heinei
(Black-capped Tanager / Tangara capirotada)
The black-capped tanager (Stilpnia heinei) is one of the many species of Neotropical bird in the family Thraupidae. It lives in mountains of Ecuador, Colombia and Venezuela year-round.
The black-capped tanager was described in 1851, from a type specimen collected in Colombia. It is a member of the genus Stilpnia, in the tanager family, Thraupidae.
The genus name Stilpnia was proposed in 2016 instead of Tangara for T. heinei in order to match the phylogenetic relationships among tanagers.
“You were the poem I never knew how to write because no words could describe the wind you cannot see, but feel.”
― Shannon L. Alder
Thats how you would describe the crops in the fields around here just now - just on the turn, some being harvested, others like this one with a pleasing stripe up the middle where the footpath goes- and of course my two hairy companions to enhance it! #FlickrFriday #Field
Hereabouts in Suffolk, the R tends to be left out of certain words, hence the wheat is on the 'tun' with the 'chuch' in the background!
That nobody can describe.
Now, let's listen.
---
Everything is always so distant
When everyone thinks that you're a miracle
Everything is always so cold
When you're busy keeping others warm
Galaxies, all around me
Galaxies, why don't you see?
26-February-2023
Describing the Bora, an orographic wind, therefore local, katabatic, therefore falling from areas at higher altitudes, ALWAYS coming from E/NE towards W/SW, would require a degree thesis and in any case would never be complete.
I've been traveling around all these areas for the past 40 years, but I always discover something new, so I won't go into the specifics of the area, which has so many variables and unknowns (within a very few kilometres, there are areas where it doesn't blow, despite being similar and contiguous to those around, where instead it even prevents standing), but a brief general description.
The Bora (international term in Italian), called Bura in Croatian and Burja in Slovenian, is considered the strongest and most frequent local/orographic wind in the Mediterranean (once there were dozens of episodes like this every winter and as many in the other seasons combined), but in some episodes, close to 200km/h, is probably one of the strongest orographic winds in the world at SEA LEVEL. It can be compared, at least isobarically, to the winds that are generated along the Atlantic coast of Greenland, which "fall" from the frozen plateau to the ocean, when the strong Greenlandic thermal anticyclone is present, in the heart of the island.
The Bora generally activates when a mass of cold and stable air, coming from the EAST or NORTH/EAST, tends to press on the Dinaric Alps and the eastern Julian Alps, seeking an outlet towards the sea where, in the meantime, a depression is generated.
Within a few hours between the Dinaric watershed and the coast (generally around 6-15km in northern Croatia and 20-25km for Trieste) a strong isobaric gradient is created between the high pressure in the 'danubian hinterland and low on the Adriatic, to the point of having a difference of 15hpas in a few kilometers of thickness.
This generates the wind, but then it is the orography that makes it gusty, violent, irregular; this happens because the colder air is denser than that which rises from the sea and tends to be channeled into the Dinaric gates (the first is actually in the Julian Pre-Alps, Cividale area) which are (at least) 9 from north to south, but the main ones are certainly the "Triestina" one (from Postojna-Ravbarkomanda), the one Podkraj-Col-Vipava (Vipavska dolina) the one from Gornje Jelenje towards Grobnik (Rijeka racetrack), the one from the Lić-Fužine plain towards Bakarac-Kraljevica and Most Krk and the Senj one, from above Vratnik pass.
Channeling itself and physically rolling down the mountains/reliefs, the wind strengthens by friction, turbulence and depressurization, thus becoming the Bora.
The best way to describe the shot and the feelings within it is sung by, Fleetwood Mac - Landslide
A quick shout out to Neel McCringleberry
- Thank you for letting me come over and work on this shot @ Sublimity, Oregon. ❤
The cat in the photo is similar to my RL kitty named, Nugget.
13 september 2020
Photos by Wicher Naberman with texts by Etty Hillesum
The photos of the series "The left bank of the IJssel river between Deventer and Zwolle" were taken between January 1979 and March 1987.
Esther "Etty" Hillesum (15 January 1914 – 30 November 1943) was the Dutch author of confessional letters and diaries which describe both her religious awakening and the persecutions of Jewish people in Amsterdam during the German occupation. In 1943 she was deported and killed in Auschwitz concentration camp.
When great Carolus Linnaeus described Doris Longwing in 1771 he refers to the painting engraved by François-Nicolas Martinet (1731-1790) in the magnificent Planches enluminées d'histoire naturelle edited by Edmé-Louis Daubenton (1730-1785) from 1765 onwards on the commission of that great French naturalist Georges-Louis Leclerc, Comte de Buffon (1707-1788). The book has more than a thousand plates of which 973 are of birds; the others picture insects and corals. Regrettably that volume does not specify who (of some 70 or more painters!) actually saw Doris whether mounted in Europe or alive in South America. And Daubenton does not give a Latin classificatory name - Linnaeus a bit later called it Papilio doris - but merely refers to it colorfully as 'Le Parasol de Surinam'.
The Bayon is a richly decorated Khmer temple at Angkor in Cambodia. Built in the late 12th or early 13th century as the state temple of the Mahayana Buddhist King Jayavarman VII, the Bayon stands at the center of Jayavarman's capital, Angkor Thom. Following Jayavarman's death, it was modified and augmented by later Hindu and Theravada Buddhist kings in accordance with their own religious preferences.
The Bayon's most distinctive feature is the multitude of serene and smiling stone faces on the many towers which jut out from the upper terrace and cluster around its central peak. The temple has two sets of bas-reliefs, which present a combination of mythological, historical, and mundane scenes. The main conservatory body, the Japanese Government Team for the Safeguarding of Angkor (the JSA) has described the temple as "the most striking expression of the baroque style" of Khmer architecture, as contrasted with the classical style of Angkor Wat. (en.wikipedia.org/wiki/Bayon)
Captain Davie described the configuration of the great banking room. "Before conversion, three sets of four teller stations were placed between the square pillars on the right side. Each station included the main parts of classical architecture in reduced size, the horizontal entablature resting on the two vertical columns and consisting of cornice, frieze, and architrave. Strong structures supported a bronze hinged wicket at each of the 16 positions. Some of these groupings have been rearranged to accommodate hotel design requirements."
Although the use of the San Diego Trust & Savings Bank building changed ten years ago, from a bank and offices to a hotel with 245 guest rooms, the original features of the structure remain remarkably intact. The Courtyard-Marriott Hotel, located in the heart of a vibrant downtown San Diego, is a spectacular example of successful readapted use. The hotel stands proud in the bank's place, as the sentinel of an important piece of San Diego history.
Courtyard by Marriott - This excellent example of adaptive reuse was a 1999 People In Preservation award winner. 224
Described by eBird as "Heard more often than seen" ...
The last time I photographed one was in 2019: flic.kr/p/2hqHvCs
Aymanam, Kottayam, Kerala, India
On previous photo I have described Domino as No.3 national sport. That is of course debatable. There are many snacks available (at least were pre-pandemic). I do not think any of the street snacks are doctor recommended. The snacks have local names, which are not in any dictionary. If you want them you just point. I tried few. Did not like any. It does not mean anything. If you like sweet, oily, fried, you may find them irresistible. The little worms the lady is eating were pretty bad, but I asked two kids if they want those and they happily took them. The murals in Habana Vieja are very good. This one is by Picasso from 1962. Just kidding. Beto and Vatica Betares from Argentina; January 2014.
En la foto anterior he descrito Domino como deporte nacional No.3. Eso es, por supuesto, discutible. Hay muchos bocadillos disponibles (al menos antes de la pandemia). No creo que ninguno de los bocadillos de la calle sea recomendado por un médico. Los antojitos tienen nombres locales, que no están en ningún diccionario. Si los quieres solo apuntas. Probé pocos. No me gustó ninguno. No significa nada. Si te gustan los dulces, los grasos, los fritos, puede que te resulten irresistibles. Los gusanitos que se está comiendo la señora estaban bastante malos, pero les pregunté a dos niños si los querían y se los llevaron felices. Los murales en la Habana Vieja son bastante buenos. Este es de Picasso de 1962. Es broma. Beto y Vatica Betares de Argentina; Enero 2014.
971. 2019-Nov 30; P1320004, Havana; Upload 2022-March 10. Lmx -ZS100