View allAll Photos Tagged Decode
Decode.
The last few months have been extremely busy, I have been trying to establish myself as a diabetes specialist in Chittagong, and then had to shoot 30 odd weddings in the past month or so.
Also shot a bit of non-wedding photos, but was thinking not to share them right away.
But then I have never been much succesful to keep my photos locked away in my archives.
Leica M2
Leica Summilux 35mm f/1.4 II
Fuji Neopan Acros II
Zero Imaging 510-Pyro (1+100)
7 min 45 sec 20°C
Scan from negative film
Based on a picture I did to the eye of my friend Antonello in Chiusi (Italy - november 2007). This picture is the follow of "the Silent Of Memory". Digital elaboration with Micrografx and Photoshop
Poor bird was harassed by dog walkers and cyclist and walkers so it tended to keep out in the open water rather too far for the lens but as I was there decoded to have a couple of clicks just for the hell of it
We soon left as this country is already over populated and it can only get worse.
Why do politicians look the other way when these looming problems are staring so may people in the eye.?
Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Ultramax 400
Bellini Foto C-41
Scan from negative film
But is your life the one that feels like a ticking clock? - TFL
Thanks to:
JEI www.facebook.com/Letterjei for posing for me
Like our page!:
Hasselblad 500 C/M
Carl Zeiss Distagon 50mm f/4 C T*
Fuji Pro 160 NS
Tetenal Colortec C-41
Scan from negative film
MAS BLENDS & DISEÑOS NUEVOS!, EN MI SITIO /// BLENDS & MORE NEW DESIGNS! IN MY SITE:
Cuando vi el video dios quería morir, me fascino tiene todo el concepto de la película de verdad muy bueno y pues no me podía permitir no hacer nada sobre el Tema, Twilight y Paramore.
Enjoy!, Y por todos sus comentarios gracias.
Victoria Lindsay Coutts @ Gingersnap
Make up by Rebecca Butterworth
White dots arranged in five clusters against a black background. This is the simulated extraterrestrial signal transmitted from Mars and deciphered by a father and a daughter on Earth after a year-long decoding effort.
On 7 June 2024, media artist Daniela de Paulis received this simple, retro-looking image depicting five amino acids in her inbox. It was the solution to a cosmic puzzle beamed from ESA’s ExoMars Trace Gas Orbiter (TGO) in May 2023, when the European spacecraft played alien as part of the multidisciplinary art project ‘A Sign in Space’.
After three radio astronomy observatories on Earth intercepted the signal, the challenge was first to extract the message from the raw data of the radio signal, and secondly to decode it. In just 10 days, a community of 5000 citizen scientists gathered online and managed to extract the signal. The second task took longer and required some visionary minds.
US citizens Ken and Keli Chaffin cracked the code following their intuition and running simulations for hours and days on end. The father and daughter team discovered that the message contained movement, suggesting some sort of cellular formation and life forms. Amino acids and proteins are the building blocks of life.
Now that the cryptic signal has been deciphered, the quest for meaning begins. The interpretation of the message, like any art piece, remains open.
Daniela crafted the message with a small group of astronomers and computer scientists, with support from ESA, the SETI Institute and the Green Bank Observatory. The artist and collaborators behind the project are now taking a step back and witnessing how citizen scientists are shaping the challenge on their own.
Could this sign of extraterrestrial intelligence be a recipe for destruction or a peaceful message? Are we ready for a first contact with an alien civilisation?
Join the community and contribute your ideas on the online Discord platform.
Credits: Ken and Keli Chaffin
Frieder Nake, Hommage à Paul Klee 13/9/65 No. 2, 1965, screenprint after a computer-generated drawing. Given by the American Friends of the V&A through the generosity of Patric Prince. © artist. Photo: V&A Images.
Intrigued by the confluence of shapes and colours at the Louvre. There's a Da Vinci in here somewhere.
so , como me contaba el pendejo de Santi , la foto seria parte de la grabacion del nuevo video de paramore por la cancion "Decode" que saldria el 4 de noviembre <33 creo q nunca habia visto que una banda hisiera algun video para un Soundtrack ._. , anyway , la cancion es genial <33.
Jeffrey M. Drazen, Editor-in-Chief, The New England Journal of Medicine, USA, Cao Xuetao, President, Chinese Academy of Medical Sciences, People's Republic of China, Katrine Bosley, Chief Executive Officer, Editas Medicine, USA and Lydia Sohn, Professor, Mechanical Engineering, University of California, Berkeley, USA at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Lydia Sohn, Professor, Mechanical Engineering, University of California, Berkeley, USA at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Sergiu Pasca arrived at his Stanford lab on October 28, 2025, dressed like a scientist from another era. The navy suit, the precisely knotted tie, the substantial black frames all evoked that postwar period when researchers believed they could decode the fundamental mysteries of life itself. But the work happening in his laboratory at the Clark Center represents something thoroughly contemporary: growing human brain tissue in dishes to understand psychiatric disease.
The photograph captures him surrounded by the tools of his trade. Molecular models sit on the desk before him, physical representations of the chemical architecture underlying consciousness itself. Framed certificates hang shadowed on the wall behind. Everything arranged with precision, yet something in his expression suggests the restless intelligence that drives breakthrough science.
Pasca has accomplished what many thought impossible. His assembloids, organized clusters of human brain cells that recapitulate specific regions and their connections, have fundamentally altered how neuroscience approaches mental illness. These aren't merely collections of neurons floating in culture medium. They're structured tissues that develop recognizable features of cortex, striatum, thalamus. More remarkably, when fused together, they form connections that mimic how different brain regions communicate in living humans.
The implications ripple outward. For the first time, researchers can watch human brain development unfold in real time, introduce genetic variations linked to autism or schizophrenia, and observe the cellular consequences. No need for autopsy tissue or animal models that approximate but never fully capture human neurobiology. The actual substrate of human thought, grown from stem cells, available for study.
He came to this work through an unusual path. Born in Romania, trained in medicine before turning to research, Pasca brought a clinician's attention to human suffering alongside a scientist's appetite for mechanism. His early papers on Timothy syndrome, a rare genetic condition causing autism and heart defects, revealed how calcium channel mutations disrupted cortical development. But it was the assembloid work that established him as a pioneer.
By his late thirties, he was directing his own center, publishing in Science and Nature, being recognized with awards typically reserved for researchers decades older. The compression of achievement suggests not just talent but a particular kind of obsessive focus. He had found his problem: how brains build themselves and what goes wrong in psychiatric disease.
The assembloid studies have yielded concrete insights. In certain forms of autism, the difficulty lies not in individual neurons but in how brain regions communicate. His team fused cortical and striatal organoids and watched the connections form aberrantly in tissue carrying autism-associated mutations. Other work revealed how neural stem cells in schizophrenia patients show accelerated maturation, potentially explaining the timing of symptom onset.
This represents detective work at the cellular scale, tracking developmental divergences that manifest years later as a child who cannot speak or an adult who experiences psychosis. The molecular models on his desk aren't decorative but essential: they represent the chemical reality underlying every thought, every perception, every psychiatric symptom.
What makes Pasca's approach distinctive is its philosophical grounding in experimental rigor. By creating these miniature brain circuits, he's solved one of neuroscience's oldest problems: access to living human tissue during the critical period when circuits form. The assembloids provide a window into processes previously hidden, happening in utero or early childhood, long before symptoms appear.
The work has practical applications. Pharmaceutical companies use assembloids to test drug candidates on actual human brain tissue. Clinicians may eventually use patient-derived organoids to predict treatment response. But the deeper contribution is conceptual: a new way to think about brain development and its vulnerabilities.
That October afternoon, photographed in his laboratory, Pasca embodied a particular type of scientist. The formal attire speaks to seriousness of purpose. The molecular models and certificates frame achievement already substantial. But the eyes suggest someone still engaged with fundamental questions, still building toward insights not yet realized. He's made brains in dishes not as spectacle but as tool, a means toward helping people whose brains diverged from typical developmental trajectories.
His career will likely be defined by this work. The questions he's pursuing couldn't be more urgent: What causes autism? Why does schizophrenia emerge in early adulthood? Can we intervene earlier, more precisely? The answers are taking shape in his lab, one assembloid at a time, grown from stem cells into structures that think but cannot yet speak.
Machine used to decrypt Japanese "Purple" enciphered messages. This device solved the famous fourteen-part message telling the Japanese ambassador to break relations with the United States on December 7th, 1941. On the same day, Japan attacked Pearl Harbor with 353 planes, signaling the U.S. entry into World War II.
Die VIN Nummer ist die Fahrgestellnummer eines Tesla und identifiziert ein Fahrzeug weltweit eindeutig.
LRW = Tesla Inc. in Shanghai, China
3 = Tesla Model 3
E = Limousine 4 Türen (Linkslenker) Sedan
7 = Manuelle Sicherheitsgurte Typ 2 (vordere Reihe, zweite Reihe*3) mit Frontairbags, aufblasbaren seitlichen Rückhaltesystemen und aktivem Verdeck
F = LFP (Antriebsart)
J = Ein Motor (Standard)
1 bis 9 (Prüfziffer)
M = Modelljahr 2021
C = Shanghai, China (Ort der Herstellung)
Ziffer 12: Erste Ziffer der eindeutigen Seriennummer des Fahrzeugs
Ziffer 13-17: Restliche Ziffern der eindeutigen Seriennummer des Fahrzeugs
The VIN number is the chassis number of a Tesla and uniquely identifies a vehicle worldwide.
LRW = Tesla Inc. in Shanghai, China
3 = Tesla Model 3
E = sedan 4 doors (left-hand drive) sedan
7 = Type 2 manual seat belts (front row, second row * 3) with front airbags, inflatable side restraint systems and an active hood
F = LFP (drive type)
J = one motor (standard)
1 to 9 (check digit)
M = model year 2021
C = Shanghai, China (place of manufacture)
Digit 12: First digit of the vehicle's unique serial number
Numbers 13-17: Remaining digits of the unique serial number of the vehicle
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
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this is from the first day i worked the tour, kinda simplistic really dark
taken with them coming directly from stage.
view ORIGINAL size for best quality
Strobist
-ab1600 thru octabox boomed directly above extremely high
-ab800 back left thru beauty dish boomed above
5d mrk ii
50mm f1.4 usm
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ALL IMAGES ©OPYWRITTEN BY Evan Dell Photography NONE ARE TO BE USED/POSTED/DUPLICATED ETC. WITHOUT OUR PERMISSION