View allAll Photos Tagged Database,
Sentia Australia Pty Ltd
Level 4, Suite 4, 300 George Street, Sydney NSW 2000
(02) 8003 5216 (02) 9223 5451 (Fax) 0403 526 226 (Mobile)
sentia.com.au
Full details for this model, including creator, folder and where diagrams may be found can be found on The Origami Database. The number at the start of the photo name (before the first _ ) is the model id which can be used in the database.
Santiago Morilla, New Financial Power Temple Pediment #1, marmo bianco Carrara, 100x60 cm, site-specific per DATABASE, 2013. Courtesy Stefano Lanzardo
From a helpful flickr member..
assiflora foetida (common names: wild maracuja, bush passion fruit,[1] marya-marya, wild water lemon,[2] stinking passionflower,[2] love-in-a-mist or running pop[2]) is a species of passion flower that is native to the southwestern United States (southern Texas and Arizona), Mexico, the Caribbean, Central America, and much of South America. It has been introduced to tropical regions around the world,[2] such as Southeast Asia and Hawaii.[3] It is a creeping vine like other members of the genus, and yields an edible fruit.[4] The specific epithet, foetida, means "stinking" in Latin and refers to the strong aroma emitted by damaged foliage...
JIRCAS Photo Archive
www.jircas.go.jp/ja/database/photoarchive
Author: Fukuda Tokuji
福田徳治 (TARC)
Date: 1988.02.04
Country: ペルー (Peru)
Place: Lima (リマ)
Keywords: ペルー,リマ,植生
Slide no. 03-189-06
-----
本コンテンツは、政府標準利用規約第2.0版(クリエイティブ・コモンズ 表示 4.0 国際 ライセンス（CC BY）互換)に基づき、出典を明記の上で利用できます。利用条件の内容については「JIRCAS Webサイトの利用について」をご参照ください。
印刷物、調査研究等でご利用頂いた場合は、お問い合わせフォームにてお知らせ頂ければ幸いです（任意）
This content is provided under the terms and conditions of the JIRCAS Website Terms of Use or Creative Commons Attribution 4.0 International (CC BY 4.0) license.
Well, you can go through the CC100 Research Guide. Or, you can go to the Articles and More section of the library website.
The workshop aimed at ensuring improved knowledge of SADC countries on database management with regards to diagnostic protocols, pests and natural enemies’ data sets, treatment schedules of the commodity value chain, and national/ international standards obligations and compliance.
Copyright ©FAO. Editorial use only. Photo credit must be given: ©FAO/Precious N. Chitembwe
Photos from the inaugural Neo4J User Group meeting at the Skills Matter eXchange on the 29th April 2011.
Fabrizio Prevedello, S.t. (64), marmo nero Marquina conchigliato, marmo Verde Alpi, ferro, 43,5 x 29 x 23,52 cm, 2011
Septenary/Octonary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database
Nutritive values of tribal beverages and its use with Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
The Soma Plant as important ingredient in Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
The edible cultivated and semi-cultivated leaves of Asia used in Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Traditional attitudes towards measles and its management through Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Relapsing fever and Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Waterlilies as Food and Medicine and as important ingredients in Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
World-wide care of the mother and newborn child: Role of Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Supplementary and emergency food plants used in Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Edible, medicinal and toxic plants used in Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Healing water of medicinal springs, forest herbs and Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Indian medicinal flowers, fruits and seeds used in Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Medicinal plants used in elixirs and tonics with Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
Powdered vegetable drugs used for cancer with Indigenous Medicinal Rice Formulations. Research Document by Pankaj Oudhia.
This picture is a part of Compilation of Pankaj Oudhia’s Research Works at Indira Gandhi Agricultural University, Raipur, India (1990-2001),
server design. It does not scale to shared- memory symmetric multiprocessors because the single operating-system process uses a single processor. Other processors just sit idle. If that single operating-system process faults or waits in any way, the entire server stalls. Even worse, the pro-cess-per-server design does not scale to clusters of servers.
Beyond these scalability problems, the process-per-server model has a manageability problem. The design creates a monolithic process that collapses all applications into one address space. A bug in any application can crash the server. Changing any application can impact all others.
These scaling and management problems obviously suggest the idea of a pro-cess-per-application-server partition (see the figure "Process per Partition: X+1 Connections per Server"). The idea is to specialize a process or processor to service a particular application function. You scale the system by adding servers for each application. If an application saturates a single server, you partition the application data and dedicate a server to each partition.
The process-per-application-server-par-tition technique is widely used to scale up CICS, NetWare, Sybase, and Oracle ap-plications. The difficulty is that it reintroduces the polynomial explosion problem. The clients must connect to each applica-tion-server partition, log on to it, and maintain a connection with it. The client code needs to route requests to the appropriate partition.
It is not easy to partition most applications. A particular request may touch many partitions. There are often central files or resources that all partitions or applications (e.g., the customer list, the price list, and the bindery) use. Partitioning such re-sources is not possible, so they must be replicated or managed by a shared server. Nonetheless, process-per-application partition is the most widely used scalability technique today.
All the solutions described so far involve two kinds of processes: clients or servers. These are generically called two- ball designs. All the two-ball designs expect the client to find the servers and route requests to the appropriate server. Each server authenticates the client and manages the connection to the client.
Routers: A More Scalable Design
The three-ball model introduces a router function (see the figure "Three-Ball Model: Routers Have X+A Connections"). The client connects to a router, and the router brokers client requests to servers. The client is authenticated once and sends all its requests through a single connection to its router. This design scales by adding more routers as the number of clients grows.
Routers typically create and manage pools of application-server processes. All members of a process pool provide identical services. A pool can be distributed across the several nodes of a cluster; the routers balance the load. Each application can have a separate server pool. The router can run different pools (applications) at different priorities to optimize response time for simple requests. If a server fails, the router redirects the request to another member of the pool. This arrangement provides load-balancing and transparent server fail-over for clients.
IBM's IMS, built in 1970, was the first three-ball system. It had a single router process. With time, Tandem (Pathway, 1979), Digital Equipment (ACMS, 1981 and RTR, 1987), AT&T (Tuxedo, 1985 and Topend, 1991), and Transarc (Encina, 1993) generalized the ideas to provide many additional features.
The process-per-client model had the virtue of implementation simplicity, and each client benefitted by having its own server process. However, the design did not scale up because of the percentage problem and the polynomial explosion problem. The two-ball model collapsed all the applications together, thereby solving
I planted two plants about 16 years ago in my front planter on the north side of my house. It thrives there and has spread to the entire planter. It is a lovely plant to have in a shady spot where it cannot spread uncontrollably. It looks beautiful especially in the early summer. Often by August it has been beaten a bit by heavy rains, hail and wind.
ARTbabyeggdonor provides services like IVF, surrogacy to singles, couples, LGBTQ who are not able to conceive a child on its own.
Photos from the inaugural Neo4J User Group meeting at the Skills Matter eXchange on the 29th April 2011.
Septenary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database
Medicinal Rice of India with reference to Healing Flora of Andhra Pradesh, Assam, Karnataka, Kerala, Chhattisgarh, Gujarat, Jharkhand, Madhya Pradesh, Maharashtra, Meghalaya, Sikkim, Arunachal Pradesh, Orissa, Rajasthan, Tamilnadu, Punjab, Haryana, West Bengal, Uttarakhand and Uttar Pradesh.
-This picture is a part of Compilation of Pankaj Oudhia’s Research Works at Indira Gandhi Agricultural University, Raipur, India (1990-2001),
-This picture is a part of Pankaj Oudhia’s report on Indigenous Medicinal Rice for Diabetes Complications.
-This picture is a part of Pankaj Oudhia’s report on Forgotten Indigenous Rice Formulations for Vitamin A deficiency.
-This picture is a part of Pankaj Oudhia’s report on Ancient Rice Njavara in Indian Traditional Herbal Formulations with other potential Desi Medicinal Rice.
-This picture is a part of Pankaj Oudhia’s Traditional Knowledge Database on Medicinal Rice based Herbal Formulations.
-This picture is a part of Pankaj Oudhia’s Dream Project to Establish International Medicinal Rice Research Institute (IMRRI) in India.
ALL PHOTOS WERE TAKEN BY ME/TODAS AS FOTOGRAFIAS FORAM TIRADAS POR MIM
FAMILIY PORTRAITS IN MY DATABASE/RETRATOS DE FAMILIA NA MINHA BASE DE DADOS: Nº 2/9
AUTHOR/AUTOR:
GRUNE, JOHANN SAMUEL BENEDIKTUS (1783-1848)
NAME OF WORK/NOME DO TRABALHO:
FAMILY PORTRAIT/RETRATO DE FAMILIA
TECNIQUES/TÉCNICAS:
OIL ON CANVAS/ÓLEO SOBRE TELA
YEAR/ANO:
1820
DIMENSIONS/DIMENSÕES:
87X102CM
COUNTRY/PAÍS:
LATIVJAS/LATVIA/LETÓNIA
CITY/CIDADE:
RIGA
WHERE I TOOK THE PHOTO/ONDE TIREI A FOTO:
LATVIJAS NACIONALAIS MAKSLAS MUZEJS/LATVIAN NATIONAL MUSEUM OF ART/MUSEU NACIONAL DA ARTE LETÃ
THE YEAR WHEN I TOOK THE PHOTO/ANO QUE TIREI A FOTO:
2019
LINK INFO OF THE AUTHOR/LIGAÇÃO PARA O AUTOR:
peoplepill.com/people/johann-samuel-benedict-grune/
LINK THE WORK/LIGAÇÃO PARA O TRABALHO:
SEM DADOS
LINK TO THE MUSEUM OR OTHER PLACE/LIGAÇÃO PARA O MUSEU OU OUTRO LUGAR:
LINK INFO ABOUT THE PHOTOGRAPHED/INFORMAÇÃO SOBRE O FOTOGRAFADO:
SEM DADOS
ALREADY WORKED IN / JÁ TRABALHEI EM:
1 – PHOTOS OF RELIGIOUS ART OR MOTIFS/FOTOS DE ARTE OU MOTIVOS RELIGIOSOS: 1133 WORKS/TRABALHOS.
2 – SELF-PORTRAIT PHOTOGRAPHS OF PAINTERS/FOTOS DE AUTORRETRATOS DE PINTORES: 38 WORKS/TRABALHOS.
3 – PAINTERS AND PATRONS OF THE ARTS PHOTOGRAPHS/FOTOS DE PINTORES E PATRONOS DE ARTE: 33 WORKS/TRABALHOS.
4 – PORTRAITS OF THE EUROPEAN ARISTOCRACY. NOBILITY AND ROYALTY/FOTOS DA ARISTOCRACIA, NOBREZA E REALEZA EUROPEIA: 186 WORKS/TRABALHOS.
5 – PORTRAITS OF PEOPLE FROM SOCIETY/RETRATOS DE PESSOAS DA SOCIEDADE: 141 WORKS/TRABALHOS
JIRCAS Photo Archive
www.jircas.go.jp/ja/database/photoarchive
Author: Kosugi Sho
小杉正 (JIRCAS)
Date: 1994.04.
Description: 取水口から見た四角農法圃場。土手近くは深めの溝が掘られ、水稲は作付けられていない。農薬散布、施肥の時、圃場内の魚がその溝に退避する。
Project: 地域別農業への特性解明(複合農業)
Country: ベトナム (Vietnam)
Place: Mekong Delta (メコンデルタ)
Keywords: 地域別農業への特性解明(複合農業),ベトナム,メコンデルタ,稲作,農業経済,Combined Farming System, Square Farming
Slide no. 02-171-15
-----
本コンテンツは、政府標準利用規約第2.0版(クリエイティブ・コモンズ 表示 4.0 国際 ライセンス（CC BY）互換)に基づき、出典を明記の上で利用できます。利用条件の内容については「JIRCAS Webサイトの利用について」をご参照ください。
印刷物、調査研究等でご利用頂いた場合は、お問い合わせフォームにてお知らせ頂ければ幸いです（任意）
This content is provided under the terms and conditions of the JIRCAS Website Terms of Use or Creative Commons Attribution 4.0 International (CC BY 4.0) license.
ALL PHOTOS WERE TAKEN BY ME/TODAS AS FOTOGRAFIAS FORAM TIRADAS POR MIM
89 – PHOTOS OF NUDITY IN MY DATABASE/FOTOS “O NÚ” NA MINHA BASE DE DADOS: 56/57
AUTHOR/AUTOR:
ZORN, ANDERS (1860-1920)
NAME OF WORK/NOME DO TRABALHO:
ON THE ROCK
TECNIQUES/TÉCNICAS:
OIL ON CANVAS/ÓLEO SOBRE TELA
YEAR/ANO:
1904
DIMENSIONS/DIMENSÕES:
85X59CM
COUNTRY/PAÍS:
SVERIGE/SWEDEN/SUÉCIA
CITY/CIDADE:
STOCKHOLM/ESTOCOLMO
WHERE I TOOK THE PHOTO/ONDE TIREI A FOTO:
THIELSKA GALLERIET/GALLERY THIEL/GALERIA THIEL
THE YEAR WHEN I TOOK THE PHOTO/ANO QUE TIREI A FOTO:
2023
LINK INFO OF THE AUTHOR/LIGAÇÃO PARA O AUTOR:
pt.wikipedia.org/wiki/Anders_Zorn
LINK THE WORK/LIGAÇÃO PARA O TRABALHO:
thielska.zetcom.net/en/collection/item/668/
LINK TO THE MUSEUM OR OTHER PLACE/LIGAÇÃO PARA O MUSEU OU OUTRO LUGAR:
LINK INFO ABOUT THE PHOTOGRAPHED/INFORMAÇÃO SOBRE O FOTOGRAFADO:
SEM DADOS
ALREADY WORKED IN / JÁ TRABALHEI EM:
1 – GENERAL COUNT OF WORKS PRESENT IN THE DATABASE/CONTAGEM GERAL DOS TRABALHOS PRESENTES NA BASE DE DADOS – WORKING IN PROGRESS/A SER TRABALHADO
2 – SELF-PORTRAIT PHOTOGRAPHS OF PAINTERS/FOTOS DE AUTORRETRATOS DE PINTORES: 38 WORKS/TRABALHOS.
3 – PAINTERS AND PATRONS OF THE ARTS PHOTOGRAPHS/FOTOS DE PINTORES E PATRONOS DE ARTE: 36 WORKS/TRABALHOS.
4 – PORTRAITS OF THE EUROPEAN ARISTOCRACY. NOBILITY AND ROYALTY/FOTOS DA ARISTOCRACIA, NOBREZA E REALEZA EUROPEIA: 169 WORKS/TRABALHOS.
5 – PORTRAITS OF IDENTIFIED PEOPLE/RETRATOS DE PESSOAS IDENTIFICADAS: 46 WORKS/TRABALHOS
6 – FIGURATIVE ART/ARTE FIGURATIVA: 39 WORKS/TRABALHOS.
7 – PEOPLE’S MISCELLANEOUS PROFESSIONS/PROFISSÕES DIVERSAS: 16 WORKS/TRABALHOS.
8 – SCULPTORS/ESCULTORES: 9 WORKS/TRABALHOS.
9 – POETS/POETAS: 8 WORKS/TRABALHOS.
10 – PHILOSOPHERS/FILÓSOFOS: 3 WORKS/TRABALHOS
11 – WRITERS/ESCRITORES: 10 WORKS/TRABALHOS
12 – LAW AND JUSTICE/LEI E JUSTIÇA: 1 WORK/TRABALHO.
13 – TRADERS AND MERCHANTS/COMERCIANTES E TRABALHADORES: 5 WORKS/TRABALHOS.
14 – ENGRAVOURS/GRAVADORES: 1 WORK/TRABALHO
15 – EDUCATION/ENSINO: 4 WORKS/TRABALHOS.
16 – WORLD OF ARTS/MUNDO DAS ARTES: 3 WORKS/TRABALHOS.
17 – WORLD OF MUSIC/MUNDO DA MÚSICA: 9 WORKS/TRABALHOS.
18 – WORLD OF POLITICS/MUNDO DA POLíTICA: 14 WORKS/TRABALHOS.
19 – WORLD OF ACTING/MUNDO DA REPRESENTAÇÃO: 9 WORKS/TRABALHOS.
20 – FAMILY PORTRAITS/RETRATOS DE FAMILIA: 17 WORKS/TRABALHOS.
21 – AGE OF INNOCENCE/FOTOS DA IDADE DA INOCÊNICA: 51 WORKS/TRABALHOS
22 – PHOTOS OF YOUTH/FOTOS DA JUVENTUDE: 14 WORKS/TRABALHOS.
23 – PHOTOS OF ADULT AGE/FOTOS DA IDADE ADULTA: 7 WORKS/TRABALHOS.
24 – PHOTOS OF ELDERLY PEOPLE/FOTOS DA 3ª E 4ª IDADE: 17 WORKS/TRABALHOS
25 – PHOTOS OF THE END OF LIFE/ FOTOS DO FIM DE VIDA: 30 WORKS/TRABALHOS
26 – PHOTOS OF ANNIVERSARIES/FOTOS DE ANIVERSÁRIOS: 1 WORK/TRABALHO.
27 – PHOTOS OF BAPTISMS/FOTOS DE BAPTISMOS: 0 WORKS/TRABALHOS
28 – PHOTOS OF WEDDINGS/FOTOS DE CASAMENTOS: 5 WORKS/TRABALHOS
29 – PHOTOS OF HONEYMOONS/FOTOS DE LUAS-DE-MEL: 1 WORK/TRABALHO
30 – PHOTOS OF VARIOUS PARTIES/FOTOS DE FESTAS DIVERSAS: 2 WORKS/TRABALHOS.
31 – PHOTOS OF THE STATES OF THE SOUL/FOTOS DOS ESTADOS DA ALMA: 16 WORKS/TRABALHOS.
32 – PHOTOS OF POVERTY/FOTOS DE POBREZA: 3 WORKS/TRABALHOS
33 – PHOTOS OF FAMINE/FOTOS DA FOME: 2 WORK/WORKS
34 – PHOTOS OF MILITARY ART: WARS AND BATTLES IN LAND/FOTOS DE ARTE MILITAR: GUERRAS E BATALHAS: 10 WORKS/TRABALHOS
35 – PHOTOS OF MILITARY ART: MILITARY/FOTOS DE ARTE MILITAR: MILITARES: 4 WORKS/TRABALHOS
36 – PHOTOS OF CONSPIRACIES, PRISIONERS AND REBELLIONS/FOTOS DE CONSPIRAÇÕES, PRISIONEIROS E REBELIÕES: 5 WORKS/TRABALHOS
37 – PHOTOS OF NAVAL BATTLES/FOTOS DE BATALHAS NAVAIS: 4 WORKS/TRABALHOS
38 – PHOTOS OF NAVAL FLEETS, GALLEONS AND LARGE SHIPS/FOTOS DE FROTAS NAVAIS, GALEÕES E NAVIOS DE GRANDES DIMENSÕES: 13 WORKS/TRABALHOS
39 – PHOTOS OF MEDIUM AND SMALL BOATS/FOTOS DE BARCOS DE MÉDIA E PEQUENA DIMENSÕES: 10 WORKS/TRABALHOS
40 – PHOTOS OF FISHERMEN/FOTOS DE PESCADORES: 11 WORKS/TRABALHOS
41 – PHOTOS OF PEOPLE/FOTOS DE PESSOAS EM BARCOS: 5 WORKS/TRABALHOS
42 – PHOTOS OF SAILORS AND NAVAL EXPLORERS/FOTOS DE NAVEGADORES E EXPLORADORES: 7 WORKS/TRABALHOS
43 – PHOTOS OF WRECKS/FOTOS DE NAUFRÁGIOS: 10 WORKS/TRABALHOS
44 – PHOTOS OF STORMS AND FLOODS/FOTOS DE TEMPESTADES E CHEIAS: 1 WORK/TRABALHO
45 – PHOTOS OF ALLEGORIES/FOTOS DE ALEGORIAS: 34 WORKS/TRABALHOS.
46 – PHOTOS OF MITOLOGY/FOTOS DE MITOLOGIA: 80 WORKS/TRABALHOS
47 – PHOTOS OF STILL-FIFE/FOTOS DE NATUREZA-MORTA: 20 WORKS/TRABALHOS
48 – PHOTOS WITH ANIMALS/FOTOS COM ANIMAIS: 16 WORKS/TRABALHOS
49 – PHOTOS WITH LAND HUNTING SCENES/FOTOS COM CENAS DE CAÇA EM TERRA: 6 WORKS/TRABALHOS
50 – PHOTOS WITH SEA HUNTING SCENES/FOTOS COM CENAS DE CAÇA NO MAR: 0 WORKS/TRABALHOS
51 – PHOTOS WITH PANORAMIC LANDSCAPES/FOTOS COM PAISAGENS PANORÂMICAS: 13 WORKS/TRABALHOS
52 – PHOTOS WITH PLAIN LANDSCAPES/FOTOS COM PAISAGENS DE PLANICIES: 2 WORKS/TRABALHOS
53 – PHOTOS WITH MOUNTAINOUS LANDSCAPES/FOTOS COM PAISAGENS DE MONTANHA: 3 WORKS/TRABALHOS
54 – PHOTOS WITH COASTAL LANDSCAPES IN MY DATABASE/FOTOS COM PAISAGENS COSTEIRAS: 15 WORKS/TRABALHOS
55 – PHOTOS WITH CREEKS, STREAMS AND RIVERS/FOTOS COM RIACHOS, RIBEIRAS E RIOS: 7 WORKS/TRABALHOS
56 – PHOTOS WITH PUDDLES AND SWAMPS/FOTOS COM CHARCOS E PANTANOS: 2 WORKS/TRABALHOS
57 – PHOTOS WITH LAGOONS, LAKES AND PONDS/FOTOS COM LAGOAS E LAGOS: 2 WORKS/TRABALHOS
58 – PHOTOS WITH WATERFALLS/FOTOS COM CATARATAS: 9 WORKS/TRABALHOS
59 – PHOTOS WITH FORESTRY LANDSCAPES/FOTOS COM PAISAGENS FLORESTAIS 12 WORKS/TRABALHOS
60 – PHOTOS WITH FLOWERS AND GARDENS/FOTOS COM FLORES E JARDINS: 18 WORKS/TRABALHOS
61 – PHOTOS WITH DESERTS AND SAVANNAS/FOTOS COM DESERTOS E SAVANAS: 1 WORKS/TRABALHOS
62 – PHOTOS WITH FROZEN AND SNOWY LANDSCAPES/FOTOS COM PAISAGENS GÉLIDAS E COM NEVE: 2 WORKS/TRABALHOS
63 – PHOTOS OF NORDIC LANDSCAPES/FOTOS COM PAISAGENS NÓRDICAS: 16 WORKS/TRABALHOS
64 – PHOTOS WITH DEEP SEA/FOTOS COM FUNDOS MARINHOS: 0 WORKS/TRABALHOS
65 – PHOTOS OF LANDSCAPES WITH BRIDGES/FOTOS COM PAISAGENS DE PONTES: 9 WORKS/TRABALHOS
66 – PHOTOS OF WATER CANALS IN MY DATABASE/FOTOS DE CANAIS NAVEGÁVEIS:
67 – PHOTOS OF THE FOUR SEASONS - SPRING IN/FOTOS DAS QUATRO ESTAÇÕES - PRIMAVERA: 2 WORKS/TRABALHOS
68 – PHOTOS OF THE FOUR SEASONS - SUMMER/FOTOS DAS QUATRO ESTAÇÕES - VERÃO: 6 WORKS/TRABALHOS
69 – PHOTOS OF THE FOUR SEASONS - AUTUMN/FOTOS DAS QUATRO ESTAÇÕES - OUTONO: 6 WORKS/TRABALHOS
70 – PHOTOS OF THE FOUR SEASONS - WINTER/FOTOS DAS QUATRO ESTAÇÕES - INVERNO: 5 WORKS/TRABALHOS
71 – PHOTOS OF SUNRISES/FOTOS DE NASCERES-DO-SOL: 0 WORKS/TRABALHOS
72 – PHOTOS OF MORNINGS/FOTOS DAS MANHÃS: 4 WORKS/TRABALHOS
73 – PHOTOS OF AFTERNOONS/FOTOS DAS TARDES: 0 WORKS/TRABALHOS
74 – PHOTOS OF SUNSETS/FOTOS DE PÔRES-DO-SOL: 4 WORKS/TRABALHOS
75 – PHOTOS OF THE NIGHTS IN MY DATABASE/FOTOS DA NOITE NA MINHA BASE DE DADOS: 8 WORKS/TRABALHOS
76 – PHOTOS OF THE RAINBOW AND SUN/FOTOS DA ARCO-ÍRIS E SOL: 2 WORKS/TRABALHOS
77 – PHOTOS OF THE RURAL WORLD – DAILY LIFE/FOTOS DO MUNDO RURAL – VIDA QUOTIDIANA: 21 WORKS/TRABALHOS
78 – PHOTOS OF THE RURAL WORLD – FARMS AND HOUSES/FOTOS DO MUNDO RURAL – VIDA CASAS E QUINTAS: 16 WORKS/TRABALHOS
79 – PHOTOS OF THE RURAL WORLD – RURAL PATHS IN/FOTOS DO MUNDO RURAL – CAMINHOS RURAIS: 6 WORKS/TRABALHOS
80 – PHOTOS OF THE RURAL WORLD – AGRICULTURE/FOTOS DO MUNDO RURAL – AGRICULTURA: 18 WORKS/TRABALHOS
81 – PHOTOS OF THE RURAL WORLD – CATTLE/FOTOS DO MUNDO RURAL – GADO: 6 WORKS/TRABALHOS
82 – PHOTOS OF THE RURAL AND URBAN WORLD – FOUNTAINS/FOTOS DO MUNDO RURAL – FONTES E FONTANÁRIOS: 3 WORKS/TRABALHOS
83 – PHOTOS OF THE RURAL AND URBAN WORLD – COMMERCE/FOTOS DO MUNDO RURAL – CENAS DE INTERIOR DE COMÉRCIO: 4 WORKS/TRABALHOS
84 – PHOTOS OF THE RURAL AND URBAN WORLD – IN DOOR SCENES/FOTOS DO MUNDO RURAL E URBANO – CENAS DE INTERIOR CASEIRAS: 13 WORKS/TRABALHOS
85 – PHOTOS OF THE RURAL AND URBAN WORLD – AT THE TABLE AND MEALS/FOTOS DO MUNDO RURAL E URBANO – CENAS À MESA E REFEIÇÕES: 5 WORKS/TRABALHOS
86 – PHOTOS OF THE RURAL AND URBAN WORLD – POPULAR FESTIVITIES/FOTOS DO MUNDO RURAL – FESTAS POPULARES: 2 WORKS/TRABALHOS
87 – PHOTOS OF THE URBAN WORLD – CITY STREETS/FOTOS DO MUNDO – CIDADES: 2 WORKS/TRABALHOS
88 – PHOTOS OF THE URBAN AND RURAL WORLD – WINDMILLS/FOTOS DO MUNDO URBANO E RURAL - MOINHOS: 2 WORKS/TRABALHOS
Lost & Found™ , Embroidery, Art + Craft, Fibre Optics, Paisley Motif, Wire, Nail, Abandoned Objects, Desk, White Paint, Tools, Punched Pattern, Thread, Experiment, Work In Progress, Tangible Interfaces Project, Eleanor-Jayne Browne, The D/sign Lounge, Prototype, R+D, Detailing, Experiment Database, Conceptual Thinking