View allAll Photos Tagged DX
Yashica Yashinon 45mmF1.7 mounted on Fuji X-Pro2. The Yashica lens is from a Yashica Electro 35 rangefinder camera.
FOTOGRAFARE CON "THE SNIPER"
foto eseguita da barca/capanno galleggiante privato
Info e contatti con Flickrmail
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Abandoned Abused Street Dogs.
Wildlife Photography, Jungle.
Nikon D300 DX Camera.
Nikkor 17-55 2.8 Lens.
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Mama and Mr Brown were both waiting for me just outside the rusty old gate at The Dog Palace.
After the three of us were all done with our greetings we headed to their dinning area where breakfast was served.
30 minutes later Mama and I took off through The DMZ.
Mr B decided to stay behind in order to guard his food tray.
At the boundary line Tuff Guy and Girl Friend took up the job of escort while Mama went back to check on Mr Brown, fair enough.
Tuff Guy was leaping about while Girl Friend was singing her morning melodies. When we reached the big drum their breakfast was also served. Circled around an found Honey , gave her the required quota of attention then headed back to find Mama waiting at the entrance into The DMZ.
OK now for this photo.......................................
We were no more then 20 meters into The DMZ when this monkey started acting silly, well not really silly but more like an a-hole ! Mama chased him up the nearest tree. Monkey came right back down and challenged her. Mama was not impressed !
I walked up to said monkey an shoved a camera lens into his mug an shot him, he was not impressed either !
Found Mr Brown standing in a nearby bush, placed my hand on his big scared up head, then the 3 of us went back to
The Dog Palace........ Today was a good one .......... ;-)
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Thank You.
Jon&Crew.
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FOTOGRAFARE CON "THE SNIPER"
foto eseguita da barca/capanno galleggiante privato
Info e contatti con Flickrmail
Van's US Open 2014 Huntington Beach with pro surfers Alana Blanhard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
The Royal Tiger!
No wonder they call it as the Royal Tiger....you can feel it when it walks...especially when it walks so close by.
This is the season for Tigers. Ranthambhore and Bandhavgarh are rocking and the sightings have been excellent. To see Tigers, you need good amount of planning and need to study the park and get inputs from the locals.
I plan all my Tiger workshops in such a way that the participants get maximum opportunities to photograph them. Though everyone expects to see Tigers in all Safaris, it hardly happens. But when it happens, you need to be ready to make the best use of it.
I mainly target two kind of Tiger Photography. Close-ups like this one, and showing the habitat like the previous image of T19 crossing the lake with its sub. Of course the 3rd type is the action type where you need lick, planning and skills to capture.
Anyways, enjoy this pic and feel free to share.
Canon 1DX + Canon EF 400mm f2.8 L ISII, ISO 250, f5.6 @ 1/1250, Evaluative Metering -2/3 Stop, WB at 5400K.
A couple of gas station signs found along 66. Old soldiers still standing proud before things long gone.
Nikon F80
Nikkor 35mm f/1.8G DX
Ilford HP5+
Ilfotec DD-X 1+4 9mins @ 20°
Shot with my 35mm DX format lens.
The Grand Canyon (South Rim) - Rainbow after the storm moved through. Photo taken with a Nikon D70s DSLR camera using a Nikon 18-70mm f/3.5-4.5 AF-S DX lens.
Nikon DSLRs come in two sensor sizes, FX and DX. FX is Nikon's new moniker for a sensor approximately the same size as old 35mm film which is technically called 135-format. DX is a smaller sensor also referred to as APS-C size. Note that APS-C sensors actually exist in a range of sizes and thus is not an exact size but they're all pretty close. For instance, Canon APS-C sensors are slightly smaller than Nikon's. Even amongst Nikon cameras, DX sensor sizes sometimes vary slightly (by a couple of tenths of a millimeter) depending on the specific model of sensor used in that specific model of camera. The above diagram shows the relationship between FX and DX.
Lenses project an image circle of a certain size. Nikon has a line of lenses which will only project an image circle big enough to cover DX. If the lens does not have a DX notation then it will cover FX (also covering DX).
But what about focal length? For any given lens focal length, the following axioms hold true:
[0] Focal length does not change with sensor size. Apparent focal length as it pertains to Angle-of-View (AOV) or Field-of-View (FOV) however will differ. This is merely an effect of how much of the actual image can be seen combined with normalisation of the final output image to a specific physical size. This is also known as the crop-effect.
[1] That lens on a DX sensor will provide a tighter AOV than on FX thus giving an apparently longer focal-length than 135-format.
[2] That lens on an FX sensor will provide a wider AOV than on DX thus giving an apparently shorter focal-length than APS-C DX-format.
Nikon FX cameras feature an autodetection mechanism for DX in that they will automatically crop into the DX size when a DX lens is attached. This auto-DX feature can be disabled and overridden however.
So what does the auto-crop do? Well currently with the 12MP FX sensors in the D3 and D700, you'll get an image comparable to that from a 5MP DX camera. As newer sensors with higher resolutions come out, the resolution of the auto-cropped DX portion will also increase.
Now since in auto-crop mode, the sensor is basically "throttled down" to DX size, it again means your crop-factour will come back into play and reduce your AOV. It will make pictures taken with say a 200mm DX lens appear to have the same AOV as pictures taken with a 300mm FX-compatible lens.
But what about lens choices, you ask... One thing to keep in mind is that DX lenses are generally smaller, lighter and cheaper. They are also usually available in focal lengths that "make more sense" with regards to AOV and FOV given the crop-factour. Personally, I don't pay much attention as to what's considered an appropriate focal length for a given sensor size. I pick my lenses based on what I think I want in terms of actual AOV. For instance, I primarily use a 24-70mm zoom as my midrange zoom lens but others will tell you that it's "inappropriate" and you should pick the 17-55mm lens range instead. Choose whatever feels comfortable for you and how you shoot.
There are some advantages to using lenses made to cover FX on a DX sensor camera. Because you are only using the DX portion of the image circle, you are taking advantage of the higher quality section of optics nearer the center which some people refer to as the lens' "sweet-spot". This tends to mean better edge-to-edge sharpness and less possibilities for vignetting.