Church with dome and belfry with 2 bells, Paros, Greece

July 1975

4800 dpi scan of a Kodachrome slide, Pentax Spotmatic

Affinity Photo

Staircase, Skyros town,

May 1976

photo by Mary Lou

en.wikipedia.org/wiki/Skyros

2400 dpi scan of a 6x6 cm Kodak VP120 negative taken with a Mamiya C220 TLR w/80 mm lens

cleaned up in Affinity Photo

4800 dpi scans of Kodak PlusX

Since these pictures were taken, much restoration work has been done on the Propylaea (especially in the years immediately prior to the 2004 Olympics) and it still serves as the entrance to the Acropolis of Athens, used by thousands of tourists every year.

I have no recollection of what led us to visit this particular church, although it seems a classic example of a small Greek Orthodox church. . Geocoords: 38.05487, 23.86983 (as near as I can tell from Google Maps)

4800 dpi scan of Kodak PlusX negative

4800 dpi scan of Ilford Pan-F

Visiting the site with my brother

Streetscape with cat, stone arch and clouds, Naxos

July1975

2400 dpi scan of a 6x6 cm Kodak VP120 negative

Mamiya C220 TLR, 80 mm lens Affinity Photo

4800 dpi scan of a Kodak Panatomic X ASA 32 negative develped with Acufine

cleaned up in Affinity Photo, otherwise pretty much SOOC

Back on the road, tour guiding for my brother

4800 dpi scan of Kodak PlusX

Tomb of Zecharias (1st century AD), Kidron Valley, Jerusalem

April 1975

2400 dpi scan of a 6x6 cm VP-120 negative, Mamiya C220 TLR, 80 mm lens

DPI

Test flight with the DJI off Brockton on a beautiful winter's morning on Mt. Seymour.

grantmatticephoto

2018

PRAKTICA MTL 5 B

obiettivo ZENIT HELIOS 44 M-6 58mm f 2,0

innesto a vite M 42

Pellicola: KODAK Color Plus 200 ASA

Scanner EPSON V600 - 2400 dpi

Morning warm-up session for the season ending race. Big Red was raring to go and went-on to become the overall race winner.

2019 - IMSA WeatherTech Sportscar Championship

Motul Petit Le Mans, Michelin Raceway Road Atlanta.

4800 dpi scan of Kodak PlusX film

Vivitar V2000

35/70mm K mount

Fuji G 100

Scanned on Epson V750 Pro color 24 bits Tiff @ 6400 dpi

Photoshop CS6 Portable to clean the dust and increase the contrast a lil more, and try get good colour since is an old negative.

This is a re-process of an image, originally taken in Kenya two years ago, which was 'Highly Commended' in the DPI section of the Open Competition at Harpenden Photographic Society on 16 September 2014.

Nikon F eyefinder (@1973)

Ilford Film FP4+ 200 ISO

Ilford Microphen Dev.

Scan: 1200 DPI

Hand Held photo

underexposed in advance

photographed dec. 2023

Monastery church of Panagia Peribleptos (Μονή Παναγίας Περιβλέπτου), Mystras. Note the square bell tower which makes this a 'Mystras style' Byzantine church.

July 1974

2400 dpi scan of VP-120 6x6 cm negative, Mamiya C220 TLR, 80 mm lens

Vicinanze di Nizza Monferrato, 16-07-2017

ZENIT 12 xp matr. 91141793

made in URSS - 1983 circa

esposimetro: Cds con lettura TTL

obiettivo ZENIT HELIOS 44 M-6 58mm f 2,0

innesto a vite M 42

Pellicola: KODAK Color Plus 200 ASA

Scanner EPSON V600 - 2400 dpi

Beautiful blue waters of the Saronic Gulf seen from the Corinth to Athens stretch of the National Road looking to the island of Salamina. On the way back to Glyfada from a long road trip in the Peloponnese.

July 1974

photo by Susan

4800 dpi scan of Kadachrome slide shot with Yashica TL 35mm SLR with Yashinon 50mm f/2.0 lens

Our Daily Challenge: Illustrate a technical Term

DPI (Dots per Inch)

Thank you so much for your views, comments and favs. I really do appreciate every one!

My images are posted here for your enjoyment only. All rights are reserved. Please contact me through flickr if you are interested in using one of my images for any reason.

Abandoned windmills and agricultural terraces outside Pyrgos, Tinos

July 1974

photo by Mary Lou

4800 dpi scan Ilford Pan-F Pentax Spotmatic

are there 245 dots on it - !?

The #31 is leaving in a plume of tire smoke as the #5 crew gets to work on the second Action Express Cadillac.

#5 Mustang Sampling Racing Cadillac DPi, DPi: Joao Barbosa, Filipe Albuquerque

IMSA WeatherTech SportsCar Championship

IMSA Road Race Showcase

Road America, Elkhart Lake, WI USA

Sunday August 4, 2019

World Copyright: Peter Burke

LAT Images

Old house, Chania, Crete

April 1976

photo by Mary Lou

2400 dpi scan of a 6x6 cm Kodak VP120 negative from a Mamiya C220 TLR w/80 mm lens

cleaned up in Affinity Photo

(Image taken with a roll film camera). (Press "L" for Large View).

Went this weekend to my new favorite Florida park and spent the whole morning shooting with my analog Nikon cameras. Really love the grain and flat colors of most color negative films.

(Spanish: Fui este fin de semana a mi nuevo parque favorito y pasé toda la mañana retratando con mis cámaras Nikon análogas. Me encanta el grano y el color de la mayoría de los rollos a color).

Analog Camera: Nikon N90s, Tamron SP 80-210mm f3.8/4

Process: Fujicolor Superria X-tra 400 film develop at home with CinesStill CS41 then scan on Epson V600 @ 2,400 dpi. Some contrast adjustment on Nik Color Efex4 and Photoshop CC.

This image belong to my Album: Landscapes and Cityscapes..

13-11-2025 - ARONA - (NO)

Lago Maggiore

PRAKTICA MTL 5 B

obiettivo PENTACON auto 50 MM - f 1,8 - Multi Coating

innesto a vite M 42

Pellicola: AGFA APX 100 ASA @ 200

Sviluppo: KODAK D-76 15:30 20°

Fissaggio: ADOX - 1+4 - 5':00'' - 20°

Scanner EPSON V600 - 2400 dpi

Wildflowers on a church courtyard wall, Paleoochora, Aegina

March 1975

2400 dpi scan of 6x6 cm VP-120 negative, Mamiya C220 TLR 80 mm lens

My lockdown snaps of late are reminiscent of Tommy Cooper; "bottle glass, glass bottle. Ha ha".

This is a simple glass of water on an LED lightbox (set on low) in front of three pieces of coloured card.

{Thurrock Camera Club 2020-21 DPI league 1 round 5 - 8/10}

_FX67000px

All Rights Reserved © 2021 Frederick Roll

Please do not use this image without prior permission

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Dati Tecnici

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a) Nikon D800E + Nikon MB-12 Battery Pack Impugnatura con impostazione live View;

b) Sigma 150mm f/2.8G APO-Macro DG HSM (impostazione fuoco a Infinito fisso) + filtro Canon Close-Up Lens 500D 72mm + paraluce;

c) Formato “24:36” – Dimensione Immagine Originale“L-7360x4912 Dpi” – Dimensione Originale File Mb 98,8 – Qualità “Raw” – Espsizione “Media a Prevalenza Centrale” – I. Dinamico “HIGH” – Spazio Colore “S-RGB” – Stabilizzazione “No” – Messa a Fuoco “Manuale” – Impostazione Iso “100” – Bilanciamento del Bianco “Auto 1” – Regolazione Immagine Colore “0-0-0-0” – NR su ISO Elevati (Moderata - Bassa);

d) Focale impiegata 150mm;

e) Rapporto di Riproduzione Ingrandimento 0,86/1,00;

f) Esposizione Tempo 1/200s con apertura a f.4,5;

g) Stativo Manfrotto Professional Tripod 144 + Testa Manfrotto 322RC2;

h) Cavetto Elettonic Nikon MC-36 (per evitare le vibrazioni);

I) Sono stati impiegati due Flash e un Faretto Led Manfrotto: il primo Flash di schiarita Nikon SB-900 Wireless (sistemato su zoccolo) posizionato in alto a sinistra con parabola direzionata verso il gruppo dei fiori a circa 130cm programmato sul “Canale A” con riduzione del lampo di 1/3 di stop + diffusore a cupola SW-13H (Nikon) + il secondo Flash Gruppo Nikon Kit Macro RiC1 con 4 Speedlight SB-200 pilotate in Wireless (I due superiori con applicato il Filtro diffusore Nikon SW-11a quelli inferiori a schermo libero) + (riduzione del lampo delle lampade superiori di – 1 stop, aumento della potenza del lampo delle lampade inferiori di +2/3 ) + Nikon Wireless Speedlight Commander SU-800 montato sulla slitta della macchina:

L) Lettura Esposimetrica Media a Prevalenza Centrale (campo di lettura effettuata fra le ali delle due farfalle e porzione del fondo ”porzione a destra” e successivo riinquadramento) con impostazione del tempo e dei diaframmi in manuale;

l) E’ stato utilizzato il Faretto Manfrotto ML240 regolato ad 1/3 della potenza (luce 1900°Kelvin) posizionato in alto sopra la scena (leggermente a sinistra) ed all’altezza delle farfalle in modo da correggere le lievi ombre azzurre e abbassare la temperatura cromatica della scena per vivacizzare i colori pastello dei fiori e delle striature giallo ocra delle ali delle farfalle. Tutto il lavoro è stato effettuato verso le ore 8,30 del mattino (luce laterale diretta del sole);

m) Impostazione Asa 100/Asa;

n) Conversione del File Raw in Tiff con Nikon Capture NX2;

o) Prima Post-Produzione con Corel Photo-Paint X5 e Nikon Capture NX2;

p) Seconda Post-Produzione con Adobe Photoshop CS6;

q) Post-Produzione di completamento con Nikon Capture NX2.

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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:

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 Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord

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Tutti i diritti riservati © 2014 da ArchiMlFotoWord/Luigi Mirto/Photography

Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.

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All rights reserved © 2014 by ArchiMlFotoWord/Luigi Mirto/Photography

No images or part thereof may be reproduced or transmitted in any form or by any means without prior permission.

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Coppia di [Aporia Crataegi]

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“Coppia di [Aporia Crataegi]”

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“Coppia di [Aporia crataegi]”

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Cadillac vs Acura - who can still see the road ahead?

#10 Konica Minolta Cadillac DPi-V.R. Cadillac DPi, DPi: Renger Van Der Zande, Ryan Briscoe, #7 Acura Team Penske Acura DPi, DPi: Helio Castroneves, Ricky Taylor

IMSA SportsCar Weekend

IMSA WeatherTech SportsCar Championship

Road America, Elkhart Lake, WI USA

Sunday August 2, 2020

World Copyright: Peter Burke

4800 dpi scan of Kodak PlusX

From the Wikipedia: Tiryns was a hill fort with occupation ranging back seven thousand years, from before the beginning of the Bronze Age. It reached its height between 1400 and 1200 BC, when it was one of the most important centers of the Mycenaean world, and in particular in Argolis. Its most notable features were its palace, its Cyclopean tunnels and especially its walls, which gave the city its Homeric epithet of "mighty walled Tiryns". Tiryns is linked with the myths surrounding Heracles, as the city was the residence of the hero during his labors, and some sources even cite it as his birthplace.

Contrary to their old tagline, the Mazda's had a bit of a rough time of it... again :-/

2018 Rolex 24 -

Mazda Team Joest

Mazda DPi

P1 pretty early in the race, and they held on to it.

#55 Mazda Team Joest Mazda DPi, DPi: Jonathan Bomarito, Harry Tincknell

IMSA WeatherTech SportsCar Championship

IMSA Road Race Showcase

Road America, Elkhart Lake, WI USA

Sunday August 4, 2019

World Copyright: Peter Burke

LAT Images

4800 dpi scan of Kodak PlusX

edited in Affinity Photo

Me and JD Klee (the downstairs neighbor's kid) looking at rocks, Vouliagmeni Point, Attica, Greece (photo by Mary Lou)

December 1975

2400 dpi scan of a 6x6 cm Kodak VP120 negative from a Mamiya C220 TLR w/80 mm lens

cleaned up in Affinty Photo

Skyline of Manhattan from Liberty Park

this panorama was made with 16 photos taken with a hasselblad H4D 40 with exposure of 16 sec, f / 16 ISO 100, 80mm HC lens. In post production I worked in LAB mode, applying sharpening only the luminance channel in the following section mixing channels. For converting to black and white used NIK SilverEfex Pro 2, creating two layers with masks edited. For blue toning used a ColorLookup layer in Blue Tone. The High Resolution Image has 16246x400px at 300 dpi.

And photo editing: Jackson Carvalho

www.artedigitalstudio.com.br

© 2015 All Rights Reserved

best viewed in black

OLYMPUS OM-2n

ZUIKO 50mm f 1,8

KODAK COLORPLUS - 200

Scanner EPSON V600 - 2400 dpi

Sunny day (!!) at the Nekromanteion (Νεκρομαντεῖον, Oracle of the Dead) on the banks of the Acheron River in Epirus, northern Greece We made a quick stop to check it out on our way home to Glyfada after getting off the ferry in Igoumenitsa. We're not in gray cold continental Europe any more. :-)

October 1974

Unfortunately, this is probably NOT the real Nekromanteion, but rather a fortified farm house from the 2nd century BC.

As always, the Wiki knows all: en.wikipedia.org/wiki/Necromanteion_of_Acheron

2400 dpi scan of a6x6xm VP-120 negative, Mamiya C220 TLR

View across the bay, Porto Rafti

Aug 1975

This is a nothing special image, but documentarian in me can't resist putting it up as part of the archive, since this area has undergone so much development in the 45 years since this picture was taken. So it's not here for its artistic merit, just as an illustration of how things have changed.

2400 dpi scan of a 6x6 cm Kodak VP120 negative

Mamiya C220 TLR, 80 mm lens

Affinity Photo

Scan mit 1200 dpi vom Original-Diapositiv

walking through Monodendri headed for the Vikos Gorge trail.

A big European chestnut (Castanea) tree on the left, I think.

4800 dpi scan of Kodal Plus X

16 - 01 - 2021

ZENIT 12 xp matr. 91141793

made in URSS - 1991

esposimetro: Cds con lettura TTL

obiettivo ZENIT HELIOS 44 M-6 58mm f 2,0

innesto a vite M 42

Pellicola: AGFA APX 100 (100 ASA)

Sviluppo KODAK D-76 1+1 20° 11":30"

Scanner EPSON V600 - 2400 dpi

SONY DSC

dpi scan of Kodak PlusX

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Dati Tecnici

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a) Canon EOS 5D Mark II + Canon Battery Grip BG-E6 Impugnatura con impostazione live View;

b) Sigma OS 70/200 f/2,8 Apo DC HSM Stabilizer + Anello Canon Extension Tube EF25 II + filtro Hoya Pro1 Digital 72mm MC Protector + Paraluce Sigma;

c) Formato “24:36” – Dimensione Immagine Originale“L-5616x3744 Dpi” – Dimensione Originale File Mb 24,2 – Qualità “Raw” – Espsizione “Media a Prevalenza Centrale” – I. Dinamico “HIGH” – Spazio Colore “S-RGB” – Stabilizzazione “MODE 1” – Messa a Fuoco “Auto” – Impostazione Iso “400” – Bilanciamento del Bianco “Auto 1” – Regolazione Immagine Colore “0-0-0-0” – NR su ISO Elevati (Moderata- Bassa);

d) Focale impiegata 200mm;

e) Rapporto di Riproduzione Ingrandimento 0,94/1,00;

f) Esposizione Tempo 1/80s con apertura a f.5,6 a Mano Libera;

g) Sono stati impiegati due Flash: Un primo di schiarita lo Speedlite Canon 580EXII Wireless montato sul supporto mobile (su piedino) posizionato leggermente a sinistra sopra la farfalla a circa 120cm con la parabola rivolta verso il soggetto (programmato sul “CanaleA”) con aumento di 1 di stop del lampo + diffusore a cupola SW-13H (Nikon) + il secondo Metz Flash Anulare Macro 15 MS-1 Digital + Diffusore Metz + (diminuzione del lampo delle lampade di - 1/3 stop + Canon Speedlite Trasmitter Commander ST-E2 montato sulla slitta della macchina:

h) Lettura Esposimetrica Media a Prevalenza Centrale con impostazione a priorità dei diaframmi;

I) Impostazione Asa 400/Asa;

l) Conversione del File Raw in Tiff con Canon Digital Photo Professional;

m) Prima Post-Produzione Corel Photo-Paint X5 e Nikon Capture NX 2;

n) Seconda Post-Produzione con Adobe Photoshop CS6;

o) Post-Produzione di completamento con Nikon Capture NX 2.

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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:

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 Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord

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Tutti i diritti riservati © 2013 da ArchiMlFotoWord/Luigi Mirto/Photography

Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.

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All rights reserved © 2013 by ArchiMlFotoWord/Luigi Mirto/Photography

No images or part thereof may be reproduced or transmitted in any form or by any means without prior permission.

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Foglia secca di Pianta Grassa o Succulenta e Farfalla - “Goliath Birdwing Butterfly”

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“Goliath Birdwing Butterfly Diet””

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“Farfalle e Falene””

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