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A photo of Prn yr Ole Wen, taken on the 70 - 200 @ about 190mm to give that compressed view and feel. Little post processing was needed on this, just a touch of doge and burn and a crop.
Composed of about 24 images (though I ended up cropping away some of that). The original stitch was 196 Mp, and the crop is about 155 Mp.
As a sidenote: Lightroom cannot handle images this big. It's dog slow. *Especially* if you start doing cloning or healing (as I had to, to get rid of a bit of tree that crept into the bottom of the frame).
Five different samples of the base frame archway previously posted with details that can suit your needs depending on how imaginative you'd want to be. Choose wisely...
Detailed view of my Phantom fig.
If you haven't seen it check it out!
My photography account: www.flickr.com/photos/dekofphotography/
My gaming channel: www.youtube.com/user/DancyBoe/feed?filter=2
Depending on the view you have on things - the whole world may look totally different! :) --
This is a part of the Townhall of Hamburg.
© All rights reserved .
"Views of Hamburg" 23
Holly Springs, MS
George Poteet holds the world’s record for the fastest piston engine car. He’s broken that record more than once racing across the Salt Flats in Utah. Why is his vintage car collection in a Mississippi town of roughly 8,000 people? Because he likes it that way. The car portraits in “Detailed” were shot during a visit to Poteet’s farm, and are one of several quiet, yet surprising, stories hiding out in Holly Springs, Mississippi.
Another tilt shift experiment, the a bit too close to the subject to really get the miniaturised effect but I like it. Photoshop was particularly handy in removing detailing and weathering, should have this cracked in the next shot or two.
The loco is 50015 Valiant at Arley station, visiting the Severn Valley Railway for their Class 50 Golden Jubilee event.
The atlas moth (Attacus atlas) is a truly spectacular species.
This one however isn't that species, but instead the closely related Philippine Attacus moth (Attacus lorquinii).
The way to distinguish the two species is that A. atlas has an additional small white marking above the upper white triangles, like this: www.flickr.com/photos/tinyturtle/52779769278/
Mr. Moth here and a couple of his buddies were asleep hanging from their coccoons waiting for night to fall before flying on an early November (of 2024) visit.
PENTAX K-1 • FF Pixel Shift Mode • 100 ISO • Irix Blackstone 15mm F2.4
Gips Veier
Steesel • Luxembourg
Detailed interior with lighting from LifeLites, Rob is the best, he always comes through to make my builds just POP!!!
something i don't do often. put the camera on a tripod and shoot a long shutter speed shot for full depth of field.
A pair of satellites criss-cross Aquila in this 92 second exposure at f/3.2 using the Pentax K-5 and 16mm f/2 Samyang lens.
A detailed description of this unique YT-series light freighter.
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Let me know what you think. And, head over to Eurobricks to read the back story: www.eurobricks.com/forum/index.php?/forums/topic/179902-f...
Avenlith Stomps
Detailed chunky platforms with double socks and laced up legwarmer
Available in 8 individual variations. Fatpack includes exclusive textures and full HUD
Rigged for Legacy/Legacy Maze, Reborn/Reborn Maze, Lara X/Lara X Maze
Event opens today
Demo available
TP: maps.secondlife.com/secondlife/Sweet%20Daydream/76/166/27
Mainstore: maps.secondlife.com/secondlife/Baja%20Sands/199/127/25
It’s hard to beat dark, clear nights and a sharp lens for capturing the non-starry details of the Milky Way’s dust lanes and dark nebulae. The night that I photographed this scene, in late July of this year, was one of those times, and the Sigma 35 mm lens that I had mounted on my camera was the perfect tool to make the most of it.
Of course, the brightness of the massive conglomeration of stars that makes up the Milky Way’s galactic core shows up well in such a photo, but that’s not what my eyes were first drawn to when I saw this image come together. Those dark features hide estimated millions of stars (billions?), which makes me wonder how bright the sky would look should the dust and gas somehow drift off into the wider universe.
The planets Jupiter and Saturn are glowing to the upper-left of the Milky Way, and I caught the Southern Cross and several other familiar features in the lower half of the image. The lights on the horizon are those of coastal towns that are over 30 km distant from the rocky beach and headland at Gerroa, Australia, the location where I captured this scene.
This style of image is a called a vertical panorama (or “vertical pano”) that I created by shooting twenty single frames, in two columns that each contain ten photos. These individual images were then blended–“stitched”–to make the final image. I captured each of the twenty single shots using my Canon EOS 6D Mk II camera, a Sigma 35mm f/1.4 Art lens @ f/2.8, using an exposure time of 13 seconds @ ISO 6400.
This finely detailed image shows the heart of NGC 1097, a barred spiral galaxy that lies about 48 million light-years from Earth in the constellation Fornax. This picture reveals the intricacy of the web of stars and dust at NGC 1097’s center, with the long tendrils of dust seen in a dark red hue. We can see this intricate structure thanks to two instruments on the NASA/ESA Hubble Space Telescope: the Wide Field Camera 3 (WFC3) and the Advanced Camera for Surveys (ACS).
The idea that two different cameras can take a single image is not very intuitive. However, it makes far more sense after delving into how beautiful astronomical images like this are composed. Our eyes can detect light waves at optical wavelengths between roughly 380 and 750 nanometers, using three types of receptors, each of which is sensitive to just a slice of that range. Our brain interprets these specific wavelengths as colors. By contrast, a telescope camera like the WFC3 or ACS is sensitive to a single, broad range of wavelengths to maximize the amount of light collected. Raw images from telescopes are always in grayscale, only showing the amount of the light captured across all those wavelengths.
Color images from telescopes are created with the help of filters. By sliding a filter over the aperture of an instrument like the WFC3 or ACS, only light from a very specific wavelength range passes through. One such filter used in this image is for green light around 555 nanometers. This yields a grayscale image showing only the amount of light with that wavelength, allowing astronomers to add color when processing the image. This multicolor image of NGC 1097 is composed of images using seven different filters in total.
Text credit: European Space Agency (ESA)
Image credit: ESA/Hubble & NASA, D. Sand, K. Sheth
For more information: www.nasa.gov/image-feature/goddard/2002/hubble-sees-the-e...
A detailed view of the salt marshes at Guérande by night.
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Une vue sur les marais salants de Guérande a la tombée de la nuit..