View allAll Photos Tagged Cutter
Slate cutter at the bottom of the incline to Maenofferen quarry, 13 October 1977
Pentax SP1000/50mm
Ilford FP4 rated @ 200 ASA
A commercial fishing vessel is seen through the fog in the waters of the northern Atlantic Ocean, July 30, 2022. The fishing vessel was one of many boarded by qualified personnel aboard USCGC Bear (WMEC 901).
I was relabeling my cookie cutter bins and thought I'd take a quick picture and share. (sorry for the poor photo) I don't have nearly the amount of cutters some have, but I still wanted to be able to store them so I could find what I needed.
These are individual clear scrapbook cases that store 12x12 inch paper. I bought them on sale at Michaels. Joanne's also carries them.
The top right box shows how I can easily see all my cutters through the lid. That box has two layers of cutters with a piece of black poster board between the layers so I can just flip the closed box over to see the cutters on the other side without them getting jumbled up. I can find the cutter I need without having to rummage though all the cutters. Saves me time and frustration, and helps to keep the cutters from getting too banged up.
As you can see in the bottom photo I can stack them, and you can also see the 2 layers of cutters in the Xmas ones.
Petty Officer 3rd Class Kirstye Sorensen and her sister Petty Officer 3rd Class Gwendolyn Olsen of Tucson, Ariz., are both boatswain's mates in the U.S. Coast Guard. Sorensen, who is currently stationed on the recently decommissioned Cutter Rush, was stationed on Coast Guard Cutter Sherman when the ship made the trip across the Pacific Ocean to its new home port in Honolulu.
A long exposure photograph shows lightning in the back of crew members aboard the U.S. Coast Guard Cutter Bear (WMEC 901) as they await the command of the landing signal officer to clear away from the side of a Coast Guard MH-65 Dolphin, an asset from Coast Guard’s Helicopter Interdiction Tactical Squadron (HITRON), to the deck of the ship during deck landing qualification exercises, Atlantic Ocean, July 12, 2022. Deck landing qualifications allow for both the boat and air crews to successfully train personnel in landing a helicopter on board a vessel. (U.S. Coast Guard photo by Petty Officer 3rd Class Matthew Abban)
A helicopter crew from Coast Guard Air Station Cape Cod, in Massachusetts, lands on the deck of the Coast Guard Cutter Forward, homeported in Portsmouth, Virginia, while training underway about five miles north of Gloucester, Massachusetts, Thursday, Jan. 25, 2018. The 270-foot medium endurance cutter’s primary missions normally consist of counter-drug and migrant interdiction, enforcing federal fishery laws, and search and rescue. U.S. Coast Guard photo by Petty Officer 1st Class John Luck.
My new cutter reminds me of a tattoo - I wanted to play so I made cookies for my son's preschool teachers - don't love the writing marker but liked how the cookies came out
I made our own cookie cutters for Halloween. The gingerbread zombie-man is my personal favorite... yummm!!!
blogged:
happyfind.typepad.com/happy_find/2011/09/halloween-cookie...
A sailboat (DECISION) is seen in Clearwater Pass as it heads into the Intracoastal Waterway at Clearwater, Florida, 1975. This photo was taken from the highway bridge that connects Clearwater Beach to Sand Key while it pass over the Clearwater Pass Channel. The sailboat is registered in Tampa, Florida. This sailboat either appears to be rigged as a sloop or as a cutter, however, it is a fine looking boat with much cabin area being provided. Would estimate that this boat is approximately 32 feet in length. Seen in the background, the large white building to the right is Morton Plant Hospital. In the background there are some expensive and large homes that are located along the shore. Clearwater Pass leads out to the Gulf Of Mexico.
USCGC Sturgeon Bay upbound on the Hudson River during an Ice Patrol near Newburgh, NY
STURGEON BAY (WTGB-109)
The 140-foot Bay-class Cutters are state of the art icebreakers used primarily for domestic ice breaking duties. They are named after American Bays and are stationed mainly in Northeast U.S. and Great Lakes. WTGBs use a low-pressure-air hull lubrication or bubbler system that forces air and water between the hull and ice. This system improves icebreaking capabilities by reducing resistance against the hull, reducing horsepower requirements
They can proceed through fresh water ice up to 20 inches (51 cm) thick, and break ice up to 3 feet (0.91 m) thick, through ramming. These vessels are equipped with a system to lubricate their progress through the ice, by bubbling air through the hull.
Length: 140 feet
Beam: 37.5 feet
Displacement: 662 tons
Power plant: Two diesel engines
Builder: Bay City Marine, Inc.
Launched: 1987
Commissioned: 1988
My latest buy to help with cutting up tiles. l saw this advertised for just $50 at the local Aldi store. l thought it would save me time and effort from cutting with the manual tile cutter. Just plug in and off you go.
vintage cutter quilt I am making a book cover for a Quilter's Journal. The quilt was completely hand sewn and I re-inforced the aged stitching with herringbone embroidery.
I love to make cookies and cutters are one thing I love to collect because they're inexpenisve and useful. I have a few hundred cutters so far, but always looking for more!
1984 Bayfield Cutter 29'. Boat is in great condition with a beautiful hull design that only draws 3.5' She sports a cutter rig and a classic clipper bow. She is powered by a Yanmar 2GM that runs great. She sports stainless lewmar winches, roller furling yankee and roller furling staysail, A/C, Garmin GPS, and VHF. Everything on this boat operates as it should. She has an intelligent layout that gives her interior the feel of a much larger boat. She has engine access from down below, as well as in the cockpit making engine maintenance a breeze. All lines run aft to the cockpit so she is easily singlehanded. Her yankee and staysail are like new, and the main is in excellent condition. Asking $12,500
Drawing Contemporaries, curated by Eyebeam senior fellow Michael Mandiberg, is an exhibition of work on paper made by a peer group of new media artists who all create drawings, both as a primary object and as an experimental process. The exhibition includes work from Darren Kraft, Steve Lambert & Julia Schwadron, Michael Mandiberg, Marisa Olson, and Lee Walton. For many of the artists, the use of computers and algorithms are the focus in their work. While a number of the artists are Eyebeam affiliated, all are contemporaries whose influences upon each other can be traced in this exhibition. Drawing Contemporaries will remain on exhibit through June 9, 2009.
Darren Kraft uses powdered graphite to photorealistically reproduce icons and logos associated with consumer and political culture; Eyebeam senior fellow Steve Lambert and Julia Schwadron write personal and poetic messages of hope which they leave taped up in public places; Michael Mandiberg uses the laser cutter to etch and carve works on paper that incorporate text, history and design; Marisa Olson performs Google image searches for obsolete technologies, and traces their contours directly off her laptop screen with a mechanical pencil; and Lee Walton creates elaborate indexes of possible graphic marks which are algorithmically used to document events as they occur. His subjects range from from pedestrian traffic to sports games.
Drawing Contemporaries was on view through June 9, 2009
These three vintage jigsaws came from the same seller and are likely to be made by the same cutter, presumably KMH. This is the cutter I was confusing KH with (on British Jigsaw Library box that I think was by Ada Dinn).
Top Left (& Lower Left): Vintage 309pc Pears 1920 Annual Paolo & Francesca by GP Jacomb, 1pcmiss. The 1920 Pears print has an arched top, but is not signed with logo or logotype.
The pushfit jigsaw has some line cutting in the floor area, with a mix of both straight and wavy cutting lines. It also includes the letters KLM, presumably the cutter or original owner. The back of the jigsaw is signed 'Miss Hyde, 2 ?Forgate? St'. There is no branded original box - it is housed in a plain vintage metal tin, with a makeshift label stating a piece missing (with rough replacemate template), with initials MEH & SD, - members of the seller's family. They have more jigsaws from the same cutter with KLM figurals.
Top Centre & Lower Centre-Left: Vintage 178pc Hushed Up History, the Virgin Queen Forgets Herself by Will Owen, 25x18cm, 1 broken, KMH letters, house in a 1930s stamped package sent to Letchworth. The letters look slightly different to those in the other examples.
Right and Lower Centre-Right: Vintage 307pc Lady of Leisure by WH Margetson. I was offered this but bargained too hard for it, having bought the Pears jigsaw. The title of the watercolour painting is 'Awaiting His Return'.
Suffolk Artists' Site
suffolkartists.co.uk/index.cgi?choice=painter&pid=1597
William Henry MARGETSON, 1861 - 1940
William Henry Margetson, was born at Denmark Hill, Camberwell, Surrey on 1 December 1861, son of Edward Margetson (28 July 1834-2 April 1885), a commission merchant, and his wife Eleanor Bradshaw (1835-5 May 1912), eldest daughter of John Bradshaw, who married at St George's Church, Hulme, Lancashire on 12 June 1858. In 1871, a 9 year old, living at Camberwell Grove, Camberwell with his parents, 36 year old Edward and 36 year old Eleanor and an elder brother, 11 year old Edward. Educated at a Miss Pace's and studied at Dulwich College and at the South Kensington Schools before attending the Royal Academy Schools where he won a bronze medal in 1885. He taught drawing at the Central School of Arts and Crafts and his illustrations appeared in a variety of magazines, including 'Black & White', 'Cassell’s', 'The English Illustrated Magazine', 'The Girls Realm', 'The Graphic', 'The Harmsworth Magazine', 'The Idler', 'The Pall Mall Magazine', 'The Penny Magazine', 'The Quiver', 'Sunday at Home' and 'The Tatler'. However, after the turn of the century, he concentrated increasingly on figure painting becoming noted for his paintings of beautiful girls, typically painted on large canvases in oils and watercolours and also produced a few religious paintings as well as allegorical and classical canvases. Margetson, who exhibited at the Royal Academy from 1885, was a member of the Ipswich Art Club 1886-1891, and elected to the Royal Society of Miniature Painters in 1896, the Royal Institute of Oil Painters in 1901 and to the Royal Institute in 1909. He married at St Mark's, St John's Wood, London on 20 June 1889, Helen Howard Hatton (16 January 1859-24 October 1955), daughter of author Joseph Paul Christopher Hatton, she was also a noted artist and they had a son and two daughters including illustrator Hester Margetson (1890-1965). Margetson lived at Priory Cottage, Wallingford, Berkshire where he died on 2 January 1940 and cremated at Henley Road Crematorium, Caversham on 6 January 1940. Margetson was also a keen sailor, dancer and gardener in his spare time. He signed his works 'W. H. Margetson'.
Will Owen:
Will Owen (1869 – 14 April 1957)[1] was an English book illustrator, cartoonist, caricaturist and a commercial and poster artist, possibly best known for his iconic images of the Bisto Kids, Bovril, Lux and Lifebuoy.[2] He received his art training at the Lambeth School of Art, and evolved a style similar to that of Tom Browne and John Hassall.[3]
Owen was born in Malta, the son of a Royal Navy engineer, and received his first education at Sir Joseph Williamson's Mathematical School in Rochester.[4] Before becoming a full-time illustrator, he worked at the Post Office Savings Bank where he met the writer W. W. Jacobs whose novels and short stories for The Strand Magazine he illustrated for many years. Owen himself wrote short stories, eventually joining the East Kent Mercury where he worked as a journalist. During the First World War he produced cartoons for the Illustrated Sporting and Dramatic News, introducing readers to new terms such as 'strafe', 'Blighty', 'pipsqueak' and 'brass'.
Owen produced highly popular cartoons for the Bystander and The Sketch, and designed some posters for the Underground Group in 1926. His profusely illustrated guide, Old London Town, was published in New York by Robert M. McBride in 1922 and has been placed on the web by Project Gutenberg. His work was usually signed "WO" or "WILL OWEN" in a cartouche.
Ice-Cutter is a one-off model I designed taking inspiration from the Ice-Planet Lego theme. He is not a part of my Henchman gang, as he doesn't really fit in there.
His design borrows elements from Hazard, Mortar, and Lava.
He uses Trans-Neon Orange wheels that were exclusively released as part of individual 4 packs that mirrored the Bionicle mask packs that would follow. I also learned that there were Gold and Silver prints of the talisman wheels that I will likely never own in my lifetime lol.
Lego intends to phase out the Trans-Neon Orange color soon despite it being tied to their identity.
Capt. Edward M. St. Pierre, commanding officer of U.S. Coast Guard Cutter Morgenthau (WHEC 722), and his crew receive the U.S. Coast Guard Meritorious Unit Commendation Pennant during the ship’s decommissioning ceremony in Honolulu, April 18, 2017. Morgenthau was commissioned in 1969 and was the first cutter to have women permanently assigned aboard. (U.S. Coast Guard photo by Petty Officer 3rd Class Amanda Levasseur/Released)
I showed my mum a vintage paper cutter in a German Country Living magazine and told her much I would like to find me one like it too. So what did she do? She went downstairs in her basement and came back up with my new vintage paper cutter! Yeah! You just gotta love her! Well I do for sure! :) I have meanwhile incorporated it in my studio and can now proudly present it to you!