View allAll Photos Tagged CultureClash

and very glad to have them. The water wasn't the bathtub we were used to in Puerto Vallarta

Umays Vater (SETTAR TANRIÖGEN) und Ehemann (UFUK BAYRAKTAR) wollen Umay (SIBEL KEKILLI) ihren Sohn (NIZAM SCHILLER) wegnehmen.

 

Offizielle Website zum Film www.diefremde.de

Acar (SERHARD CAN) hat eine böse Vorahnung.

 

Offizielle Website zum Film www.diefremde.de

Umay (SIBEL KEKILLI) möchte nicht das Leben ihrer Mutter (DELYA ALABORA) leben.

 

Offizielle Website zum Film www.diefremde.de

Shaking hands with Camilla Parker Bowles.

 

(we had a brief conversation about what I was working on, and news websites for young people).

 

www.bbc.co.uk/news/entertainment-arts-26132195

 

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I messed up snapping the Queen last summer (www.flickr.com/photos/46258685@N00/9020348148/) so gave it a proper go this time.

Umays Bruder Acar (SERHARD CAN) muss eine Entscheidung treffen (Fotograf: Christian Hüning).

 

Offizielle Website zum Film www.diefremde.de

What have we here? Near the Chonggye stream, a pro-president Park rally unfolds alongside the candlelight rallies. Rumor has it that the impeached president, "boasting" a 4% approval rating, hired shills for these kinds of rallies and paid them generously (!) for their time. At this gathering, we get a rare appearance of English on a banner and a LOT of police presence.

Halime (DERYA ALABORA) möchte ihre Tochter davon überzeugen, zurück zu ihrem Ehemann (UFUK BAYRAKTAR) zu gehen (Fotograf: Christian Hüning).

 

Offizielle Website zum Film www.diefremde.de

Kader (SETTAR TANRIÖGEN) reist in sein türkisches Heimatdorf, um sich mit seinem Vater zu beraten, was er mit Umay machen soll.

 

Offizielle Website zum Film www.diefremde.de

Großvater Kader (SETTAR TANRIÖGEN) liebt seinen Enkel (NIZAM SCHILLER) sehr.

 

Offizielle Website zum Film www.diefremde.de

HAMISH & FAMILY

Questions of civil and natural ecology and the processes of time and conscience move me. Duotone print.

An original monoprint edition, #1 of 1.

Capture date: 21/11/2005

Print date: 2017, London

© Angus Jenkinson

View on black (Recommended)

For me, this image depicts a cultural juxtaposition. This statue of a boy, typical artistically of 19th century Decorative Art, is confronting and also examining an object strongly symbolic of our modern global consumerist culture. Also, the Pepsi Logo has itself, in modern times, become a form of Decorative Art.

I also created a blog entry on this and another image that contains the Pepsi logo.

Der kleine Cem (NIZAM SCHILLER) beim Freitagsgebet.

 

Offizielle Website zum Film www.diefremde.de

It appears that some advertising company was asked by a Tokyo distributor to do a special ad for Christmas for the Passion of the Christ DVD. Apparently nobody who was actually Christian got to review the ad before it was posted for thousands of people to see on their way home for Christmas Eve. Location: Ebisu Station, Tokyo, Japan

 

View Large

 

(this is a photo a took a long while ago, just moving it to Flickr. It was originally posted for friends in 2005 and then BoingBoing pointed to it later in the year)

 

Upon further examination, the text says "Christ's death gave birth to Chrismas. Learn about the unknown truth here." -- So this really isn't a tone-deaf ad, but a very clever one (just meant for the Japanese audience).

From the photoblog Chillimatic / best viewed large or here and there's a Part 2 as well

 

Good old New York City.

At the Rite Spot during the Culture Clash after party.

Bitte »Heimat«-Stichworte hinzufügen!

Radio 1 Controller Ben Cooper.

 

www.bbc.co.uk/news/entertainment-arts-26132195

 

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I messed up snapping the Queen last summer (www.flickr.com/photos/46258685@N00/9020348148/) so gave it a proper go this time.

MILANO, 24/05/2014 CULTURE CLASH RED BULL MUSIC ACADEMY PALAZZO DELLA REGIONE

 

NELLA FOTO CULTURE CLASH

 

FOTO:PRANDONI FRANCESCO

Mit Stipe (FLORIAN LUKAS) will Umay (SIBEL KEKILLI) ein neues Leben aufbauen.

 

Offizielle Website zum Film www.diefremde.de

two worlds, no contact

MILANO, 24/05/2014 CULTURE CLASH RED BULL MUSIC ACADEMY PALAZZO DELLA REGIONE

 

NELLA FOTO CULTURE CLASH

 

FOTO:PRANDONI FRANCESCO

My Mom's work keeps good company on this display outside of Teatro Vision's art gallery. The reproduction of her original is not very good but c'est la vie.

It is very rare for my husband and me to be featured in a photo together... This scanned pic was given to us by friends of ours... taken in September 2008.

 

My husband and I have been married for 20-some turbulent years. Between culture-clash (he's a Muslim from Pakistan, and I'm a Christian from WA State... scandalous!) and age difference (he's 12.5 years older... what was I thinking?), we seem to argue about everything... ALL THE TIME. This has led family and friends to refer to us affectionately (?) as "The Screaming Bickersons".

 

Oddly, despite our clashing, we have built a life together, put two wonderful kids through college, and created a sucessful business from nothing. I believe our mutual abrasion has had somewhat of a "polishing" effect on both of us, making us better people in the long run.

 

We are complete and total opposites, yet seem to be each other's "Ying & Yang". We certainly put the FUNC in "dysfunctional"! So much so that our relationship has inspired my BFF (artbyheather on Flickr) to create a line of greeting cards for "The Screaming Bickersons"! I can't WAIT to see what she comes-up with!

‘What did you make of aw the women? Ken like, wi their heed scarves an’ that?’

 

‘I don’t get you, what do you mean?’

 

‘You know, de ye know think it’s a bit mental like. Ken, how they’re aw covered up aw the time?’

 

‘Aye, well, mibbe mental isn’t the word a would use. It was odd you know? I couldn’t stop staring at first. I mean, I was only in Istanbul but still, they were everywhere. Some with the coloured scarves, some with a burka on and some, jesus, some of them had everything covered. Body, face, eyes. The lot. Not a hint of the women in there. It took some getting used to’

 

‘See! It’s fucking weird in’t it?’

 

‘That’s not really what I was getting at mate. I just mean. Well, it was just very different to what I’m used to. Hear you see a few Muslims here and there, you can find a mosque if you’re lucky, but over there. Well, in some places you’re the odd one out, you know? That takes some getting used to, especially when the difference is between you and some women bowling towards you with no even a bit of face showing. It’s just different.’

 

‘Ah think it’s mental.’

 

‘Well, jesus! Fine, aye ok, look it was a bit hard to get used tae at first, in fact I never really did tune into it. I don’t know if I agree with it either, don’t know if I fully see the point but it’s not mental, just different. That’s why I was out there right? To see something different, to be the odd one out, to learn something new.’

 

‘Aye well, a think you’re mental and a think they’re mental. I mean whit’s wrang wi going to Australia like every other fucker eh? Only problem over there is getting the lassies there to pit their clothes on. Sounds awright to me mate, heh heh heh, ken whit a mean?’

 

‘Fucks sake man, remind me again why we’re friends?’

 

‘Dinnae ken mate, a think you’re a dick, heh heh. Only joking mate, glad to see ye back man, glad to see ye back’

     

Every autumn, my home town turns into a traditional pageant for the annual horse-and-wagons show, Leonhardifahrt. And suddenly everyone wears the traditional gear...

©DanielARichman@gmail.com

DSCF2456

Shot with the Laowa 15mm f/4 macro-wide angle lens

Green Park

 

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