43014 'The Railway Observer' doing literally that - observing the railway(!)- as it leads Network Rail's NMT through the Dorset countryside at Sandley working 1Q23 which started the day at Old Oak Common and will culminate at Salisbury having traversed The Mule to Exeter and back, the working is just about to enter the western end of Buckhorn Weston tunnel.

 

The splendour of a sizeable portion of Dorset is spread out for all to see and recalled to mind the sonnet 'Ozymandias' published in 1818 by English Romantic Poet Percy Bysshe Shelley.

 

The much-quoted 14-line work is well know and oft-repeated, particularly lines 11 and 12, but less well known is the fact that just prior to publication the sonnet's final two lines were altered by Shelley himself. The text as originally intended by the writer was actually as follows;

 

"My name is Ozymandias, King of Kings,

Look on my works, ye Mighty, and despair!

Yeah, the Blackmore Vale,

that's right, I did that, check it out!"

 

Loving your work Ozymandias, can I call you Ozzy?

  

On the subject of fictional terrraforming, this all reminds me of the character Slartibartfast from Douglas Adams' wonderful 'The Hitchhiker's Guide to the Galaxy series and also strangely brings to mind 'Mrs Richards' from the Fawlty Towers episode "Communication Problems" - when shown the view of Torquay out of her hotel window she replies "well it's not good enough!". Hopefully Mrs Richards would have appreciated this view.

Kandy’s Esala Perahera is a colourful Sinhalese Theravada Buddhist procession and cultural pageant that grows over the span of ten days, culminating on the last night in a grand procession with a hundred or more decorated elephants and thousands of performers from across the island nation of Sri Lanka. Digital slide scan, shot with an Asahi Pentax Spotmatic (SMC Pentax Zoom 45~125mm f/4) on the auspicious July evening of Full Moon Poya Day.

 

Raja, the brilliantly caparisoned temple elephant, proceeds carefully down chiseled stone steps at the entrance of Kandy’s venerated Temple of the Tooth (the Dalada Maligawa) to begin the climatic last night of the Kandy Esala Perahera.

 

The splendid temple tusker is adorned with magnificent pieces of saffron cloth, lined with tiny electric bulbs. He bears an illuminated howdah with a bejeweled golden casket that enshrines the sacred Tooth Relic of the Buddha.

 

Kandyan dancers gather together outside the temple entrance as everyone prepares for the grand night procession through the narrow streets of Kandy, the Sinhalese cultural and spiritual centre nestled in the lush hill country of central Sri Lanka.

 

The chief lay custodian of the temple and overseer of the pageant (the Diyawadana Nilame) will strut with regal pomp behind the tusker along with other temple officials as they all pass through a double line of torch bearers assembled under the high-arched temple entrance.

 

The procession will ultimately include a multitude of traditional dancers and drummers, percussion bands, conch-shell blowers, stilt walkers, whip crackers, fire eaters, jugglers, acrobats, singers, flautists, costumed actors, torch bearers and flame spinners, flag carriers, mahouts with plumed fans atop the heaving backs of elephants, lines of school children, saffron monks, and a multitude of devotees dressed in white signifying purity and virtue on this auspicious occasion.

 

© All rights to these photos and descriptions are reserved

   

Cherokee Chief

Born Hiwassee, Tenn, 1771

Assassinated Sugar Hill, Ark

June 22, 1839

 

Native American Leader. The Ridge (Nunnehidihi), later known as Major Ridge, is one of the most prominent men in Cherokee history. After fighting Americans on the battlefield in the early 19th century, he decided that the best strategy to preserve Cherokee sovereignty was acculturation. So, he worked to Americanize Cherokee culture and was instrumental in bringing in Christian missionaries. He himself became a wealthy, slave-owning planter. Ultimately Major Ridge supported the removal of the Cherokees to Indian Territory (now Oklahoma) as the only solution to Cherokee survival. Removal culminated in the Trail of Tears (1838 to 1839) in which more than a quarter of the Cherokees died on the forced march west. As a result, Major Ridge was assassinated by fellow Cherokees in the summer of 1839.

LOS ANGELES - Culminating its final cross-country journey with a series of low-level flyovers across California, the space shuttle Endeavour arrived safely atop its special transporter aircraft at Los Angeles International Airport on September 21, 2012. © Photo by Chester Brown

Sony A7riii, Zeiss 16-35

 

THE HEART OF PERA

Pera Palace Hotel is more than just one of the Turkey's most elegant hotels; it is a historic monument that represents the character, style and spirit of Istanbul. We are greeting our guests in Pera (Beyoğlu) with our 127 years of experience. The Hotel is 36 km from Istanbul New Airport and 5 km from the Historical Peninsula, and our location is within walking distance of Istiklal Street and Taksim Square. Pera Palace Hotel offers excellent leisure with diverse, art-driven places that culminate in a warm crescendo… elegantly displaying the historical sense of Istanbul.

A Xhosa woman dressed in traditional daily dress in rural Transkei. The small animal behind her on the road is a pig.

 

Archaeological evidence indicates that Xhosa people settled here many centuries ago. They had a cattle-based economy and a clear social order. They were very hospitable to strangers. Survivors of the Dutch East Indiaman, Stavenisse, which was wrecked off the coast in 1686, brought back descriptions of "a people whose society was structured around vast cattle herds, who were hospitable, disposed to peace, … who suppressed violence between individuals, ... presided over democratic decision-making and judicial verdicts" [from the book "Frontiers" by Noel Mostert].

 

For almost a century between the 1770s and 1857 they defended their territory and way of life against the Dutch and the British in a series of brutal frontier wars, which culminated in the "cattle killing" in 1857 and mass starvation. Under Apartheid, Transkei became a bantustan — a puppet state with a sham independence and a dictatorial government.

 

But it also gave birth to great leaders of the South African liberation struggle like Nelson Mandela, Govan and Thabo Mbeki, Walter Sisulu, Oliver Tambo, and Chris Hani.

 

Leica CL; Summicron-C 40mm f/2 lens. Ilford HP5, can't remember developer, Spitgrade print on Ilford MGIVFB, Scanned with Canon Printer

The Liturgy of the Sacrament orbiting the remnants of AEGIY-16, a former Martian moon, destroyed in the Sangheili Covenant's Great Expansion era.

 

TOMBOY's prospects of future orbital ventures were considered all but mothballed following the SHAR Treatise. WIth HUGBOX representatives required at all facilities and future spacefaring projects requiring the permission of all involved parties, future developments on Project: Battlestation ISERLOHNE were all but eliminated. This was not to mention the immense financial strain both Arras and Gondoa, TOMBOY's lead nations, faced. Reduced territories and immense rebuilding costs from weeks of gaseous and missile bombardments upon their cities had left the alliance scrounging up every coin they could. Of course, that was until a certain concerned party became involved.

 

The CVO-class is an ancient Sangheili design of interstellar physiography. Made to enforce the aliens' will across and explore the regional cluster, these Cruisers are immense in scale. They are capable of transporting thousands of troops and near-innumerable equipment along with a vast array of both defensive and offensive measures. It was these ships which would take up occupational and invasive roles on foreign worlds in the Sangheili's holy war of ascendance. They caused many great migrations, including that which placed the and reduced the Martian civliazation Demons, as they are known in Kimmeria and Yafran to a single colony, on Mars in the Sol system. One such Cruiser was sent to scout this colony and a possible Foruna artifact on Erf, approximately 370 years ago, the Liturgy of the Sacrament. It was crippled by Martian defensive measures and finally brought down, landing in the large Koth'Kumba Lake in central Nenya, where it lay, until now.

 

Khakas and Sagoli, Abakan and Panstani, all were greatly affected by the HUGBOX's massive effort to control all of Elam. Many multitudes of displaced TOMBOY-pact refugees fled to Modravia, a large nation controlling the majority of Nenya which seemed much more stable than the increasingly vulnerable Avalonian TOMBOY Pact nations. A massive influx of primarily unskilled mercenary labourers (primarily those who would not stick around to perform insurgent operations in the former Khakassia) led to a crisis which would ultimately culminate in a short-lived civil war and ultimate dissolution of Modravia, followed by the entire Milomiesta Pact itself, no doubt due to Agrumite meddling. Riots abounded, and a provisional government was set up for the newly-christened nation of Chenchna, a union of those men, women, and children who believed in a new national identity for all of the displaced peoples of Elam. The Bogdanov brothers, the elusive Council of Two, would return, bankrolling the fledgeling nation's www.Erfcities.com/Jumpstarter campaign. One of their particularly large donations was to a Mining operation on Lake Koth'Kumba of dubious legality, especially considering that Chencha proper only possessed land containing the primary estuary from which the lake was fed. This mining operation uncovered the bones of something truly bizarre -

the shell of a spaceship.

 

Covered by the dust and sands of time, the Sangheili Cruiser was near-abandoned, with but a few dwindling crewmembers still left attempting to contact an ignorant and uncaring Covenant, dozens, possibly hundreds of lightyears away. They were uncovered by a mining operation, whose crew were quickly dispatched as they were thought to be Martians. Following two weeks of attempted negotiations, terms were concluded - the technology on board the Sangheili ship could freely be used by the Chenchan government, so long as they would assist the Sangheili in returning their slowly-sinking spacecraft to the place it belonged - the stars.

 

T U S C, or TOMBOY United Space Command, was an effort spearheaded by the Chenchan government following the end of the Great Avalonian War to attempt to get around the highly restrictive SHAR Treatise. The Chenchans would provide unlimited access to their rocket ranges and limited access to orbital equipment, in exchange for secured trade rights and TOMBOY membership, as the refugee state was previously unrecognized by the more pompous TOMBOY state officials. Battlestation: ISERLOHNE is still the only active official T U S C vessel, as the recently resurrected CVO-class Cruiser is still yet to eliminate its teething problems from centuries of inactivity.

 

The operation took months, several documents were leaked (including a cruddily-scrawled diagram of the inner workings of the Heavy Excavation Beam, which was replicated on a reduced scale on Gondoa's Battlestation ISERLOHNE), but by November 5th of 1992, the ship was finished in-orbit construction. However, its complement is still yet to be completed, and the vessel had to have its crew and equipment flown up, little by little, on Chenchan-produced Sangheili lifters. Currently it resides in the upper atmosphere above the capital of Apak'Kakak, looming ominously.

 

International officials are still unsure of its intended purpose but are, for the most part, taking the Chenchnan Covenant's international legitimacy much more seriously.

  

Flickr has compressed this image horrifically, please download or view this image in its full resolution (4840*1080) to get the full effect.

A few more images from my nocturnal project which will I hope culminate in an e-zine "An Urban Nocturne"

Valley of Desolation - After a thunderstorm

 

Tal der Trostlosigkeit - Nach einem Gewitter

 

The Camdeboo National Park is located in the Karoo and almost completely surrounds the Eastern Cape town of Graaff-Reinet.

 

Camdeboo National Park was proclaimed as South Africa's 22nd National Park under the management of South African National Parks on Sunday 30 October 2005. It covers an area of 194 square kilometers.

 

Following an extensive process of negotiation and discussion between government, conservation groups, and concerned stakeholders, Marthinus van Schalkwyk, Minister of Environmental Affairs and Tourism, announced the intention to proclaim South Africa's 22nd National Park in the area surrounding Graaff-Reinet. This was made possible by the World Wide Fund for Nature in South Africa (WWF-SA), which donated the 14500 hectare Karoo Nature Reserve to be the centrepiece of the project.

 

A public consultation process was followed to decide on the new name for the park, culminating in the choice of Camdeboo National Park.

 

The Karoo Nature reserve was established in 1979 when the International Union for the Conservation of Nature and the World Wildlife Fund recognised the urgency for conservation measures in the Karoo biome and listed this action as a world conservation priority.

 

(Wikipedia)

 

Der Camdeboo-Nationalpark (englisch Camdeboo National Park) ist ein Nationalpark im Umfeld der südafrikanischen Stadt Graaff-Reinet, in der Provinz Eastern Cape. Er besteht aus einem westlichen und östlichen Teil. Um den historischen Kern der Stadt Graaff-Reinet greifen die zwei Bereiche des Camdeboo-Nationalparks herum. Der an das Stadtgebiet angrenzende Nqweba-Staudamm ist ein weiterer Bestandteil seines Gebietes.

 

Die beiden Teile des Nationalparks besitzen zusammen eine Gesamtfläche von 14.500 Hektar. In Betrachtung seiner Beziehungen zum Umfeld befindet sich der Nationalpark in einer für Südafrika ungewöhnlichen Lage. Er umfasst nahezu die komplette Umgebung einer mittleren Stadt mit 44.317 Einwohnern (2001). Daraus ergeben sich wechselseitige sozio-ökonomische Beziehungen. Die üblichen industriell-gewerblichen Stadtrandgebiete sind in Graaf-Reinet in der üblichen Form nicht möglich.

 

Die wichtigsten Areale des Nationalparks liegen auf einer Meereshöhe zwischen 740 und 1.480 Metern am Fuße der Sneeuberg-Abhänge. Damit befindet er sich unmittelbar an der Großen Randstufe (Great Escarpment). Das Nationalparkgelände geht nördlich und westlich von den Ausläufern der angrenzenden Erhebungen in deren vorgelagerte Ebenen über. Es existieren für die Besucher mehrere Eingangspunkte. Der touristisch bevorzugte Bereich befindet sich westlich der Stadt. Der östliche Teil ist für die touristische Nutzung weniger intensiv erschlossen. Es gibt im Nationalparkgelände Fahrstraßen für die Leih- und Rangerfahrzeuge sowie Wanderwege zu den attraktiven Punkten.

 

Das Valley of Desolation ist ein bizarres Felsental, das durch seine säulenförmigen Absonderungen von Karoo-Doleriten als Naturdenkmal eine besondere Sehenswürdigkeit bildet.

 

Das Valley of Desolation erhielt im Jahr 1935 den Status eines Nationalen Monuments. Im September 1974 schlug Anton Rupert von der Südafrikanischen Natur-Stiftung (South African Nature Foundation) vor, ein Karoo-Naturschutzgebiet (Karoo Nature Reserve) mit dem Felsen-Tal als Kerngebiet einzurichten. Er startete diese Idee mit einer Kampagne unter Schülern, die mit dem Kauf von symbolischen Anteilscheinen das Projekt ideell vorantrieben. Daraufhin wurde am 24. August 1976 das 2.698 Hektar große Naturschutzgebiet Karoo Nature Reserve mittels eines offiziellen Aktes eröffnet. Durch weitere Grundstücksankäufe eines ehemaligen Golfplatzes erweiterte man 1993 das zur Entwicklung vorgesehene Gebiet. Am 29. Oktober 2005 erhielt das Gelände den Status Nationalpark verliehen. Mit einer schrittweisen Erweiterung ist eine Zusammenführung mit dem Mountain-Zebra-Nationalpark geplant.

 

(Wikipedia)

Digital Painting

  

T e m p l e o f A t h e n a P o l i a s

a t P r i e n e - The Temple of Athena

 

www.goddess-athena.org/Museum/Temples/Priene/index.htm

 

The Sanctuary of Athena Polias at Priene

 

The Temple of Athena

This Temple, located on the culminating point of the city, rose over a wide terrace of rocks and the defense walls, and was the oldest, the most important, the largest and the must magnificent building in Priene. It was oriented on an east-west axis in conformity with the city plan and faced east.

 

Map of Priene, the Acropolis, the Temples and the village.

It is believed that the construction of the Temple was begun at the same time as the founding of Priene (4th century BCE). The architect of the building was Pythius, who also constructed the Mausoleum of Halicarnassus, counted as one of the seven wonders of the world. The Temple is accepted as being a classical example of the Anatolian-Ionian architectural style.

The building was destroyed completely in an earthquake in ancient times and the pieces were scattered over a large area. It also suffered great destruction in a later fire. However, the construction of the plan and the reconstruction of the building have been possible through the fragments found in the excavations.

Large-grained grey-blue local marble brought from Mycale was used as construction material.

The Temple, constructed in the Ionic style, consists of a pronaos (an entrance-hall), a naos (the sacred chamber where the statue of the cult was kept) and an opisthodomus (a porch at the rear). The pronaos is larger than in earlier examples. There was no opisthodomus in previous Temples; it is first seen here. Pythius has taken this characteristic from the Doric style and applied it to his plan, and has thus set a model for later Temples. The building, a combination of the Ionic and Doric architectural styles, emerges as a different architectural example.

  

Priene, ancient city of Ionia about 6 miles (10 km) north of the Menderes (Maeander) River and 10 miles (16 km) inland from the Aegean Sea, in southwestern Turkey. Its well-preserved remains are a major source of information about ancient Greek town.

 

By the 8th century bc Priene was a member of the Ionian League, whose central shrine, the Panionion, lay within the city’s territory. Priene was sacked by Ardys of Lydia in the 7th century bc but regained its prosperity in the 8th. Captured by the generals of the Persian king Cyrus (c. 540), the city took part in several revolts against the Persians (499–494). Priene originally lay along the Maeander River’s mouth, but about 350 bc the citizens built a new city farther inland, on the present site. The new city’s main temple, of Athena Polias, was dedicated by Alexander the Great in 334. The little city grew slowly over the next two centuries and led a quiet existence; it prospered under the Romans and Byzantines but gradually declined, and after passing into Turkish hands in the 13th century ad, it was abandoned. Excavations of the site, which is occupied by the modern town of Samsun Kale, began in the 19th century.

Modern excavations have revealed one of the most beautiful examples of Greek town planning. The city’s remains lie on successive terraces that rise from a plain to a steep hill upon which stands the Temple of Athena Polias. Built by Pythius, probable architect of the Mausoleum of Halicarnassus, the temple was recognized in ancient times as the classic example of the pure Ionic style. Priene is laid out on a grid plan, with 6 main streets running east-west and 15 streets crossing at right angles, all being evenly spaced. The town was thereby divided into about 80 blocks, or insulae, each averaging 150 by 110 feet (46 by 34 m). About 50 insulae are devoted to private houses; the better-class insulae had four houses apiece, but most were far more subdivided. In the centre of the town stand not only the Temple of Athena but an agora, a stoa, an assembly hall, and a theatre with well-preserved stage buildings. A gymnasium and stadium are in the lowest section. The private houses typically consisted of a rectangular courtyard enclosed by living quarters and storerooms and opening to the south onto the street by way of a small vestibule. planning.

 

www.britannica.com/place/Priene

Four decades of debate culminated 24 April 2014 with a Record of Decision for a comprehensive, 30-year plan to restore and enhance Suisun Marsh. The Suisun Marsh Habitat Management, Preservation and Restoration Plan addresses concerns over use of resources within about 50,000 acres of the ecological treasure, which is the largest contiguous brackish (fresh and salt water) marsh on the West Coast.

 

The marsh plan, to be implemented over 30 years, creates a framework for a broad partnership to restore 5,000 to 7,000 acres of the marsh to tidal wetlands and enhance and protect more than 40,000 acres of managed wetlands. The plan’s objectives include improving habitat for multiple special-status species, maintaining the heritage of waterfowl hunting and other recreational opportunities, improving water quality to assist fish migration and spawning, and improving and maintaining the levee system to protect property, infrastructure and wildlife habitats from flooding.

 

The marsh, which is a critical part of the Bay-Delta estuary ecosystem, encompasses more than ten percent of California’s remaining natural wetlands and serves as a resting and feeding ground for thousands of birds migrating on the Pacific Flyway. It is also an important habitat for many species of mammals, reptiles, amphibians and fish that depend on a careful balancing of fresh and salt water.

 

www.usbr.gov/newsroom/newsrelease/detail.cfm?RecordID=46624

www.dfg.ca.gov/delta/suisunmarsh/

  

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or…. Press the “L” button to zoom in the image;

clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;

oppure…. premi il tasto “L” per ingrandire l'immagine;

 

Qi Bo's photos on Fluidr

  

Qi Bo's photos on Flickriver

  

www.worldphoto.org/sony-world-photography-awards/winners-...

  

www.fotografidigitali.it/gallery/2726/opere-italiane-segn...

 

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This is a photographic story of two traditional Sicilian feasts that have in common the devotion to St. Philip, He is depicted in "black" color because a legend sees him as the protagonist in a fight in the Underworld against Lucifer, from whose fight He came out covered in soot . St. Philip is much celebrated in Sicily, but also in the Salerno area, in Calabria (following a path he made in life) up to Malta. The proximity to "my" Taormina with the towns of Calatabiano and Limina made my task easier, both as regards the feast of Calatabiano (CT), which I present here "on the descent", then eight days later "the ascent" of the Saint, that the feast of Limina (ME), and which I will present next time, “with the Saint taken to the Murazzo village", then eight days later "with the Saint taken up to Calvario mountain”. In the town of Calatabiano St. Philip acquires the appellation of "Siriaco", infact He came from Syria, while in the town of Limina he acquires the appellation "d'Agira", from the name of the town, in the province of Enna, where he will die, but it is always the same Saint. In this story done in Calatabiano (Catania) there are photographs of the "Calata (descent)" and of the "Acchianata (ascent), inserted not using a "chronological criterion", but according to a criterion that I would dare to define as "emotional-dynamic narrative" . Now a few brief notes on the life of this Saint, also to try to understand how the cult of Him was born in these (but also other) countries. There are two sources talking about of St. Philip, called "the Chronicles of Eusebio d'Agira" and "the Chronicles of Athanasius", these chronicles are largely discordant with each other, except for the descriptions on His characteristics as a priest and miracle worker, on His ability to perform exorcisms by driving out demons from the possessed (a metaphor of his latter ability is precisely in the movements of the devotees, who " that make the float dance and pirouette” with the saint at Limina, while in Calatabiano the same meaning is ascribed to the speed imprinted on the heavy float). He was probably born in Thrace (south-eastern region of the Balkan peninsula in 40 AD (?), at the time it was a Roman province, in the time of Arcadius, Eastern Roman emperor, born of a Syrian father and a Roman mother, during his childhood he was educated to the principles of Christianity which was spreading also in those territories. He comes from Thrace to Rome, is ordained a priest by Peter, and He is sent by Him to Sicily (pagan land under Roman rule), with the task of evangelizing those places and to perform exorcisms; He lands at “Capo Faro” in Messina starting His mandate immediately, then He travels the eastern part of Sicily heading south (hence Limina and Calatabiano, affected by his passage, thanks to His abilities as a healer and exorcist , they become devoted to Him); thus he reaches the town of Agira (Enna), where He dies there after forty years of Apostolate on the island. Let's go back to today's times, this "double descent-ascent story", was realized in the month of May of this year 2022, every year (except last two years due to the pandemic) during the Saturday eve of the third Sunday of May, in the church of “SS. Cross to the Castle”, there are the women who take care of the dressing, at dawn on Saturday they go to the church and decorate the float with flowers that will remain until the end of the feast, when the devotees will take them away with them, because they are blessed flowers; the “calata (descent)” comes to life at 18.30 sharp, it is a spectacular descent, certainly not without dangers, complicated both by the very heavy float (13 quintals) bearing the reliquary bust of the Saint supported by the devotees, and by the long and very steep - tortuous - slippery - very steep, path, which is traveled at a brisk pace (every year the greater or lesser speed of the gait is commented on), which foresees a very angled curve along the tormented path, and since in the past in this point the very heavy float skidded until it overturned, killing a young "carrier", since then this point, marked with a small altar, has been called by the popular imagination "death curve" (here the float must be able to make a sharp turn at the end of the steepest and steepest path and which shows all the expertise of the bearers, always with the leader of the float in the lead, who gives orders to his bearers; the float thus reaches the gates of the town, in the place called "of the First Cross", where the race ends here with a brief stop during which the Saint is dressed in gold, then the float is taken to the Mother Church of the town of Calatabiano. The following Sunday, the so-called "octave" (similar to the feast of San Filippo d'Agira of Limina - Messina) the ritual comes back to life, with the bearers who, at 7.00 pm sharp, leave from the Mother Church to go up to the top of Castle Mountain (so called due to the presence of a well-preserved Norman medieval castle), thus bringing the very heavy float back to its Church of the SS. Cross, located immediately below the castle. The "calata" and "l'acchianata" respectively the "descent" and the "ascent", are carried out at a brisk pace (it is not a race, as it is sometimes defined) to echo the vehemence of the Holy Exorcist in casting out demons. The devotees awaiting the descent and ascent crowd the hill above the path, many of them adorn themselves with intertwined ribbons of the three colors red-yellow-green (every year the colors of the bearers' shirts change, reporting each time one of the three colours), these ribbons or "measures" represent the hair of the Saint's beard, in fact legend has it that the young Philip descended into the Underworld to bind the devil with the hair of his beard.

The statue of the Saint is depicted with a book in his left hand, one is led to think that that book is the Gospel, in reality it is a manuscript released to Him by Pope Peter, with an "apotropaic" meaning (which cancels or removes evil influences) to help Him in his mandate in Sicily against the Evil Spirits, instead the raised right hand can have the double meaning of imparting the blessing or the culminating moment in performing an exorcism.

 

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Questo è un racconto fotografico di due feste tradizionali siciliane che hanno in comune la devozione verso San Filippo, egli viene raffigurato di colore “nero” poiché una leggenda lo vede protagonista di una lotta negli Inferi contro Lucifero, dalla cui lotta ne venne fuori ricoperto di fuliggine. San Filippo è molto festeggiato in Sicilia, ma lo è anche nel salernitano, in Calabria (seguendo un suo percorso fatto in vita) fino ad arrivare al suo culto presente nell’isola di Malta. La vicinanza con la “mia” Taormina coi paesi di Calatabiano e di Limina, mi ha facilitato il compito; la festa di Calatabiano (CT) si svolge in due giornate, la prima viene chiamata “la Calata” (la discesa), poi a otto giorni di distanza c’è “a Acchianata” (la risalita) della vara delSanto, analogamente per la festa di Limina (ME), che presenterò la prossima volta, ci sarà anche li una prima giornata col Santo portato “al borgo Murazzo”, poi a otto giorni di distanza, col Santo portato fino al “Monte Calvario”. Nel paese di Calatabiano San Filippo acquista l’appellativo di “Siriaco”, cioè proveniente dalla Siria, mentre nel paese di Limina Egli acquista l’appellativo “d’Agira”, dal nome del paese, in provincia di Enna, dove egli morirà: è sempre lo stesso santo. In questo attuale racconto fatto a Calatabiano (Catania) vi sono sia le fotografie della “Calata (discesa)” che della “Acchianata (salita), inserite non utilizzando un “criterio cronologico”, ma secondo un criterio che vorrei definire “narrativo emozionale-dinamico”. Ora qualche breve cenno sulla vita di questo santo, anche per cercare di capire come nasce il suo culto in questi (ma anche in altri) paesi. Le fonti che parlano di San Filippo sono due, chiamate “le Cronache di Eusebio d’Agira” e “le Cronache di Atanasio”, queste cronache tra loro sono in buona parte discordanti, tranne le descrizioni sulle sue caratteristiche di sacerdote e di taumaturgo, sulle sue capacità di compiere esorcismi scacciando i demoni dagli impossessati (su quest’ultima sua capacità una metafora è proprio nelle movenze dei devoti, che “fanno ballare-piroettare” la vara col santo a Limina, mentre lo stesso significato a Calatabiano è legato alla velocità impressa alla pesante vara). Egli nacque probabilmente in Tracia (regione sud-orientale della penisola balcanica nel 40 d.C. (?), all’epoca era una provincia romana, ai tempi d’Arcadio, imperatore romano d’Oriente, nato da padre siriano e da madre romana, nella sua infanzia fu educato ai principi del Cristianesimo che andava propagandosi anche in quelle terre. Egli giunge dalla Tracia a Roma, viene ordinato sacerdote da Pietro, ed è proprio da Lui che viene mandato in Sicilia (terra pagana sotto il dominio Romano), col compito di evangelizzare quei luoghi e compiere esorcismi; sbarca a Capo Faro a Messina iniziando fin da subito il suo mandato, poi percorre la fascia orientale della Sicilia dirigendosi a sud verso l’Etna (ecco che Limina e Calatabiano, interessati dal suo passaggio, grazie alle sue capacità di guaritore ed esorcista, gli divengono devoti); giunge così al paese di Agira (Enna), dove lì muore dopo quarant’anni di Apostolato nell’isola. Torniamo ai tempi odierni, questo “doppio racconto discesa-risalita”, è stato realizzato nel mese di maggio di quest’anno, ogni anno (ad eccezione della pandemia che ha fermato questa tradizione per due anni), durante il sabato vigilia della terza domenica di Maggio, nella chiesa del SS. Crocifisso al Castello, la mattina le donne salgono per adornare con fiori la vara, i cui fiori alla fine della tradizionale discesa e poi quando avverrà la risalita, vengono presi dai devoti poiché sono fiori benedetti; alle 18,30 in punto del sabato, dopo che sono stati sparati “tre colpi a cannone” inizia l’avventurosissima “Calata”, si tratta di una spettacolare discesa, non certo esente da pericoli, complicata sia dal pesantissimo fercolo (13 quintali) recante il busto reliquiario del Santo sostenuto dai devoti, sia dal lungo e ripidissimo, tortuoso, scivoloso, molto scosceso, sentiero, che viene percorso a passo molto sostenuto (ogni anno viene commentata la maggiore o minore velocità dell'andatura), che prevede lungo il tormentato percorso una curva molto angolata, e poiché in passato in questo punto la pesantissima vara sbandò fino a ribaltarsi, uccidendo un giovane “portatore”, da allora questo punto, segnato con un piccolo altare, viene chiamato dalla fantasia popolare “curva della morte” (qui la vara deve poter compiere una brusca virata al termine del percorso più ripido e scosceso e che mostra tutta la perizia dei portatori, con sempre in testa il capovara, che impartisce ordini ai suoi portatori; la vara giunge così alle porte del paese, nel luogo denominato "della Prima Croce", ove qui la corsa termina con una breve sosta durante la quale il Santo viene vestito con oro, poi il fercolo viene portato alla Chiesa Madre del paese di Calatabiano. La domenica successiva, la cosiddetta "ottava", riprende vita il rito, coi portatori che, alle 19,00 in punto partono dalla Chiesa Madre per risalire fin sopra al Monte Castello (così chiamato per la presenza di un ben conservato castello medioevale Normanno), riportando così il pesantissimo fercolo nella sua Chiesa del SS. Crocifisso, ubicata subito sotto il castello. I devoti in attesa della discesa e della risalita, si assiepano numerosissimi sulla collina sovrastante il percorso, moltissimi di loro si adornano con dei nastrini intrecciati dei tre colori rosso-giallo-verde (ogni anno i colori delle magliette dei portatori cambiano, riportando ogni volta uno dei tre colori), tali nastrini o "misure" rappresentano i peli della barba del Santo, infatti la leggenda narra che il giovane Filippo discese negli Inferi per legare il demonio coi peli della sua barba.

La statua del Santo viene raffigurata con un libro nella mano sinistra, si è portati a pensare che quel libro sia il Vangelo, in realtà è un manoscritto rilasciatogli dal Papa Pietro, dal significato "apotropaico" (che annulla o allontana gli influssi maligni) per aiutarlo nel suo mandato in Sicilia contro gli Spiriti Demoniaci, invece la mano destra alzata può avere il doppio significato di chi imparte la benedizione oppure il momento culminante di chi esegue un esorcismo nel momento in cui scaccia via il Maligno.

 

Cadet Field Training culminates with a ruck march from Camp Buckner to Quarters 100 and Central Area, at the U.S. Military Academy on June 28, 2023. (U.S. Army photo by Elizabeth Woodruff USMA PAO)

33051 and 33030 catch the morning glint as they climb Filton Bank, Bristol, with Pathfinder's 'Crompton Culminator' tour from Salisbury to Holyhead on 6 September, 1997. 33051 (wearing its pre-TOPS number 6569) is carrying a wreath to mark the funeral of Princess Diana, which took place that day.

During the culminating phase of the latest paroxysmal eruptive episode at Etna's New Southeast Crater, on 15 November 2011, we had the chance to make observations at relatively close range, as here from the site of Torre del Filosofo, 1 km south of the raging crater. We always wore helmets and stayed close to our 4WD car that was parked so that we could rush of into a safe direction instantly. Repeatedly we changed our observation points when we considered the situation too risky.

 

And we were rewarded. While we never got into a really dangerous situation, we were able to watch The Greatest Show On Earth in full force and physically experience all of its facets. Besides the ground-shaking noise (the ground was truly vibrating) and the distinctly perceptible heat from the lava fountains, what impressed us most was the vast amounts of huge chunks of rock - incandescent bombs and non-incandescent blocks - that were continuously thrown from numerous vents within and on the flanks of the New Southeast Crater, often reaching awe-inspiring heights, and then pounding down on the cone and its immediate surroundings, including the old, now-silent cone of the Southeast Crater, seen at left. Some of these rocks were as large as a good-sized SUV, and crashing onto the ground they produced plumes of dust that seemed small explosions (though volcanic bombs do not explode).

 

Meanwhile I have written and posted the "official" report of the 15 November 2011 paroxysmal episode at the INGV-Osservatorio Etneo (Catania) web site - including some photos that you will not see here on Flickr because they were not taken by myself :-D (well, a sort of a hint is in the comments)

...and so culminates this series! my main intention by it was to introduce this character. i hope y'all like him, because i think he will be returning.

 

i'd love to hear interpretations of this story!

 

15/365

BRCW Type 3s 33051 Shakespeare Cliff and 33030 head the Salisbury to Holyhead Crompton Culminator past Wellington on 6th September 1997.

 

645-254'3040

(Quick note: To culminate the end of November, I decided to release this on the 30th. There are 4 issues left which will release across early December and so forth, so stay tuned and keep reading! ;)

 

Fear.

 

It’s the last thing I have in my head, the thrill of life going down my spine. Moments earlier we went skydiving basically. We’ve been waiting for the last half an hour for the rest of the agents to breach through, which they did.

 

I look around—as I see guards being knocked out by the efforts of my team. Then I see people started interrogating each other. The third thing I observe—is hearing sounds of choppers flying over your head, taking off while some land. Minutes in analyzing the environment and I can see everyone’s gloomy faces being similar to mines; showing calculated thoughts with touches of concern. Ty was right, it’s been a long night almost reaching the day.

 

Usually it’s entering forbidden territory that reminds me of how the game me and Connor used to play in the big park when we were kids, running, spraying each other with water guns, and setting forts.....But this time, it’s the real thing. Speaking of which, I don’t think I’ll be seeing him again, all those years I’ve tried to track him down….

 

I realize I became distracted by the thoughts of memory, as I snap back to the sound of hustles and whispers.

If it wasn’t for my brief-out-of-reality sequence popping out of nowhere, I wouldn’t have another visual distraction —-a man, short and clad in a tight fitting black suit appeared, looking like he took too much sour cream. I sighed, realized it was the CEO ally of our agency.

 

Jesse: “What is it now, Gardner? I don’t have the time for this.”

Mason: “I have emergency details. Before you start throwing stuff at me, listen. This mission, it’s a diversion. More than just a lure.

Jesse: “Lure? How?”

Mason: “Retrieve the files and samples for me.

Jesse: “What? Why? And which which floor?”

Mason: “I’l send you the details. Stay tuned for it. Go and dig deeper.

Jesse: “Might just ask the hacker to shadow-teleport us in.”

 

Well, that sentence ended on a high note because there’s an obvious explosions set off by one of ours….

 

***

 

2:14 A.M.:

 

I look to the sides for double checking, knowing that the place is surrounded. Signs of a firefight about to happen when my agency sends more people to do the tasks. Without a doubt, I look up my interface, as I read the info. Without hesitation contact my team immediately. I tell them about Gardner getting dust on the rival companies he’s got. It

Tyrone: “That was quick. Maybe we should head deeper in if we’ve gotta retrieve stuff.”

Sam: “Yeah, sure. Just remember the headlights. I’m not too much of a morning person, even for a lab.

Erin: “Maybe, maybe. How about I show they way through the shadows? You won’t really be needing night vision while I’m here.

Harry: “Good thing none of this sh*t detects me. Jesse, if you have the codes, do it quick. We don’t have all day. North’s gonna whoop our a*ses when he find out more about Project Ceres.”

Jesse: “Doc knows best. He has his backup plans.”

Harry: “Still, gotta keep a watchful eye. I can’t guarantee if I’ll run out of juice hiding ya.”

Tyrone: “Alright, I guess….two more levels….aight, there we go.”

 

We’ve come to a reaching point, probably the deepest. I feel like the explosion is still out there, but it won’t keep us for long before we get out. Amidst of the darkness, I walk towards one of the rooms, as I access the door, I hear footsteps. The echoes of someone. I give the signal to my team. But then it’s gone. Despite keeping our cautiousness, we enter the rooms within it. Tons of data storages are held within. I hack the interface while my team does the rest of the procedure. I lose track of time as I do it, with Tyrone reminding me that we should analyze the files later. Lucky enough, I was able to more vials of samples thanks to Erin’s abilities.

 

Then Sam senses something. It is likely an intruder. He tells Erin to take him and Tyrone away first. Harry uses his abilities to round us up together. As we look up, it is a white clad ninja with cybernetic parts. Seemingly of unknown origin, possibly even sent by North.

 

It is silent, but with a deadly presence, with the mask looking ripped straight out of a psychological movie. I ask Harry to make a move, which he does, but the ninja seems to have seen through us. He throws stars at us, which I am able to dodge in this state. Tyrone decides he had enough and fights him in close combat proximity, attacking the various pressure points that could disable him. Sam shoots his gun with ease, managing to knock him down. With my quick glimpse, I see something odd—it is blood flowing. I grab a a tube I brought for my own, unknown to him, as I collect the sample.

 

The ninja wakes up quickly, chasing after me. The team is nowhere to be found as I escape a dead end, as he corners me up. My improvisational skills kick in, remembering that the light is around, as I absorb the electricity—and hurl bolts at him. The ninja falls for good, as of now.

 

My brain tells me to run straight to where the others are, as Tyrone grabs my arm and we leave….and my mind goes blank.

 

The last thing on my mind….is truly fear.

Approaching Bristol Parkway behind 33051 & 33030 on Pathfinder Tours' 'The CROMPTON CULMINATOR' (06.12 Salisbury-Holyhead) on 06/09/97. Note the Waterman Railways livery coaches.

 

....33051 & 33030 on 'The CROMPTON CULMINATOR' during the Craven Arms photo stop adorned with a wreath.

 

...Back at Bristol Temple Meads

 

...47738 'Bristol Barton Hill' was power for the final leg of 'The CROMPTON CULMINATOR' from Temple Meads to Salisbury.

Author: Ángel Manuel Rodríguez

What biblical symbolism is associated with the four cardinal directions?

Cardinal compass points in the Bible are rich in meaning. Knowing their symbolism can help interpret some biblical passages. We often orient ourselves by facing north. In the ancient world the point of orientation was east. The east was before them, the west behind, the south to the right, and the north to the left. The future wasn’t in front, but behind, that is to say invisible. 1. The East: The importance of the east as the main point of orientation may be related to the rising of the sun and its importance in the religions of the ancient Near East. In the Bible its symbolism emerges for the first time in Genesis. The Garden of Eden was placed in the East (chap. 2:8), and its entrance faced the east (chap. 3:24). After sinning, Adam and Eve left the garden and went toward the east (chap. 3:24). This eastward movement continued with Cain (chap. 4:16) and culminated in the movement of the human race toward the east (chap. 11:2-4). Within this context the east is symbolically ambivalent. The garden placed there symbolized safety and security. After sin, when it was the direction of the exile, it represented a condition of alienation from God. It was also the place of the wilderness, from which destructive winds came, threatening life (Ps. 48:7; Eze. 27:26). To the prophets the east was a symbol of Babylonian exile and the saving presence of God. He traveled to Babylon and ultimately redeemed His people (Eze. 10:18, 19; 11:22, 23). The east became a place where God intervened on behalf of His people, bringing them salvation (cf. Rev. 16:12). 2. The West: The west symbolizes both negative and positive elements. To the west of the land was the sea, representing evil and death (Dan. 7:2, 3). In fact, the term “sea” often referred to the west (Num. 3:23). It is also the place of darkness because that’s where the sun sets (Ps. 104:19, 20). The positive meaning is its association with the Israelite tabernacle/Temple. Although it faced east, access to it required movement toward the west. In that sense the west pointed toward restored unity with God; a return to the Garden of Eden. When the Israelites traveled to and worshipped in the Temple they faced the west and had the rising sun behind them. This movement to the west began with Abram, who left the east and went to Canaan in the west in obedience to God (Gen. 11:31). It is a symbol of divine blessing. Once the exiles were liberated from their enemies in the east, they traveled west, to the land of Israel. In that journey, the Lord Himself traveled with them (Eze. 43:2-5). 3. The North: Bible students have suggested that the north is a symbol of the permanent or the eternal, perhaps because the polar stars were permanently visible in the sky. It is the place of God’s celestial dwelling (Isa. 14:13) and from which His glory descends (Job 37:22) with blessings or judgments (Eze. 1:4). He is the true King of the North. But the north—represented by the left hand—is also a symbol of disaster. The enemy of God’s people came from the north (Jer. 1:14, 15; Eze. 38:6), bringing destruction. In a sense, the enemy was the false king of the north who tried to usurp God’s role and is finally destroyed by the Lord (Zeph. 2:12; Dan. 11:21-45).

4. The South: The south is primarily a negative symbol. But the fact that it is represented by the right hand makes it also a positive one. It is negative because to the south of Israel was the wilderness, a region where life does not prosper (Isa. 30:6). To the south was Egypt, which opposed God’s power and oppressed His people. But the south was also the place where the Lord appeared to Moses, went with Him to Egypt, liberated His people, and appeared to them on Mount Sinai (e.g., Deut. 33:2). The ambivalent nature of the symbols of the four cardinal directions seems based on the fact that evil was perceived to be present everywhere and that God’s saving presence was always accessible to His people from any corner of the world (Ps. 139:7-12). In a sense they pointed beyond the points of the compass to the cosmic conflict between good and evil. Copyright: Copyright © Biblical Research Institute General Conference of Seventh-day Adventists® The Four Symbols were given human names after Daoism became popular. The Azure Dragon has the name Meng Zhang (孟章), the Vermilion Bird was called Ling Guang (陵光), the White Tiger Jian Bing (監兵), and the Black Turtle Zhi Ming (執明). In 1987, a tomb was found at Xishuipo (西水坡) in Puyang, Henan. There were some clam shells and bones forming the images of the Azure Dragon, the White Tiger, and the Big Dipper. It is believed that the tomb belongs to the Neolithic Age, dating to about 6,000 years ago. The Rongcheng Shi manuscript recovered in 1994 gives five directions rather than four and places the animals quite differently: Yu the Great gave banners to his people marking the north with a bird, the south with a snake, the east with the sun, the west with the moon, and the center with a bear.

Cardinal directions in Chinese language: their cultural, social and symbolic meanings.Introduction In his discussions of dominant Ndembu ritual symbols, Victor Turner points out that one major property of symbols is polarization of meanings. That is to say symbols possess two clearly different poles of meanings - the physical and physiological (the sensory pole), and the abstract and ideological (the ideological pole) (Turner, 1967, p.28). At the sensory pole, the meanings represent "the natural and physiological phenomena and processes" and "arouse desires and feelings." At the ideological pole, the meanings represent "components of the moral and social orders, to principles of social organization, to kinds of corporate grouping, and to the norms and values inherent in structural relationships" (Turner, 1967, p.28).

 

The same kind of polarization of meanings can be detected in cardinal directions of the Chinese symbolic system. However, Turner did not focus his discussions on the interrelations between the sensory and the ideological poles of symbolic meanings. Durkheim's and Mauss's Primitive Classification represented one school of thought on this issue. They argued that the origin of logical classification was a result and an aspect of social classification (Durkheim and Mauss, 1963, p.84). In the case of cardinal directions, more evidence has indicated that the sensory pole of meanings determines the ideological pole rather than the other way around. In this article the author first applies etymological method to study the meanings of direction words in Chinese language. The author believes such analyses help to understand how directions have been perceived in the history of the written language. The latter part of the article discusses how cardinal directions and other orientation concepts are used as part of traditional Chinese symbolic system. Following Jung's definitions of "signs" vs. "symbols" (Turner, 1963), we can say the directional words are signs of the known meanings of directions, whereas directions and other orientation concepts are symbols of the unknown universe.Etymological studies of directional words allow us to trace the evolution of the Chinese characters, whose hieroglyphic nature is particularly conservatory of the ideological evolution of the words. The etymological data are mostly collected from a variety of well-recognized dictionaries and online dictionary sites in both English and Chinese. The semantic units in Chinese language arc words and characters. However, graphemes and phonemes of the characters have been studied in some cases in order to understand the origin of meanings. In addition, idioms and phrases are also informational sources as it usually takes a long time for them to be established. Hence, they are used to trace ancient meanings of the words as well. Space and time are two of the most fundamental concepts in all cultures, the essential reality of human life. Like the air we breathe and the water we drink every day, they are the daily necessity we could never do without but usually take for granted. Perception of space and time defines the essence of a culture's worldview, which differs in geography and in periods of history. It is especially so in Chinese culture, as cardinal directions have become an integrative part of its symbolic classification system that defines the physical and the social reality. Studying perception of space and time would allow us to tap into the depth of a culture's worldview. The Chinese Characters Before starting the discussions of the direction words, the author would like to give a brief introduction of some major etymological and linguistic principles of the Chinese writing system. This will provide the theoretical foundation for some later discussions. If we are to divide the writing systems in the world into three types: the logographic system (in which the minimal complete unit is a logogram), the syllabic system (in which the minimal complete unit is a syllable) and the alphabetic system (in which the minimal complete unit is an alphabet) (Writing system, Wikipedia), the Chinese writing system is a typical logographic system. According to Shuowen Jiezi, one of the earliest and most well recognized etymological dictionaries in Chinese, the ancient Chinese characters can be divided into six different categories in terms of how they were developed or formed (Xu, Shuowen Jiezi online; Shuowen Jiezi, Wikipedia; Zhongwen.com, online). The first category is the pictographs (xiangxing, [??]) (1), which are direct graphical depiction of the objects they denote. Examples include [??] (ri; the archaic form [??]) meaning the sun. The second category is ideographs (zhishi, [??]; or xiangshi, [??]) that represent abstract notions. For instance, the concepts of "above" and "below" are expressed as (shang, [??]) and (xia, [??]). They use signs like the dashes and dots to express abstract ideas. The third category is called logical aggregates (huiyi, [??]; or xiangyi, [??]) in which two or more parts are combined to indicate the meanings. One example would be the character for brightness (ming, [??]), which is a combination of the characters of the sun ([??]) and the moon (yue, [??]). The fourth group is phonetic complexes (xingsheng, [??] or xiangsheng, [??]), which are composed of phonetics that are indicative of the pronunciation and radicals that are indicative of the semantic category. An example of this category is (bei, [??]), which means the back of the body. It is a combination of a phonetics (bei, [??]) and a radical (yue, [??]), which indicates flesh. The fifth type of characters is called transferences (zhuanzhu, [??]) in which more abstract and complicated meanings are derived from the original concrete meanings of words. For an example, the word [??] (bei, the back of the body) gradually adopts the meanings of "turn one's back" and "betray and desert somebody or something." The last principle that Chinese characters developed is false borrowing (jiajie, [??]) in which words take on totally unrelated meanings from the original either intentionally or accidentally. There are two major writing systems used by Chinese language speakers in modern days. One of them is the simplified writing system currently used in Mainland China, which has been adopted as the standard writing system of the People's Republic of China since 1956. The other is the traditional and comparatively more complex writing system that is used by Chinese language speakers in Taiwan, Hong Kong, Macau and other Chinese diasporas around the world. The simplified Chinese is a further evolution over the traditional Chinese, and is therefore less preservatory of the original meanings. All Chinese characters used in this article are simplified unless stated otherwise. Direction Words in Chinese Cardinal directions are some of those abstract concepts that do not lend themselves easily to pictorial representations. In Chinese, the meanings of direction words are mostly combinations of graphemes and phonemes, although some parts of the words are pictographs. The author believes the relations between the formation and the meaning of the direction words could be of cultural significance and indicative of some cognitive characteristics of the culture. Traditionally there are three sets of orientation terms in Chinese culture: si mian and ba fang , which are two-dimensional' and liu he , which is three-dimensional. Si mian, literally four sides, designates the four cardinal directions and is sometimes thought of as including a fifth point, the center. Ba fang, on the other hand, denotes eight directions, the four cardinal compass points plus northeast, southwest, northwest and southeast. In addition to the two dimensional systems is the three dimensional concept of liu he, which literally means unity of six. It is the four cardinal directions and up (heaven) and down (earth) and is used to refer to the universe.

The simplified Chinese characters for the five cardinal points are (east, south, west, north and the middle) or (east, west, south, north and the middle), in the particular orders of the five. (dong, the east). is the simplified character for the east that is currently used in mainland China. The script no longer shows its original connections with the meaning of east. However, its comparatively older form does. is an example of a logical aggregate, which can be broken up into two graphemes - (ri, the sun) and (mu, a tree). The combination of the two pictographs depicts vividly the sun rising behind a tree (Karlgren, 1923, p.324; Xu, Shuowen Jiezi online; zhongwen.com, online). In contemporary Chinese there are at least three characters that are formed by different combinations of the same two graphemes (the sun) and] (a tree). In addition to the cardinal direction word (the east), the other two are (gao ) and (yao). The character (gao) represents the sun above a tree, hence its meaning being bright and being high. (yao), which is the sun below a tree, means being deep and far, losing contact with somebody. Its more archaic meaning is darkness as implied by the combination of the graphemes. The two examples prove that the relative positions between the pictorial components of (the sun) and (a tree) is significantly indicative of the semantic meanings of the characters. In the character (the east) the position of the sun is between the root and the top of the tree, indicating the sun is rising. The composition of the logogram strongly indicates that the concept of east in the language is associated with the observation of the sun's movements in the environment. (xi, the west). The ancient form of this character is , showing a bird roosting on its nest (Karlgren, 1923, p.234; Xu, Shuowen Jiezi online; zhongwen. com, online). According to Shuowen Jiezi, the pictograph indicates that "when the sun is in the west, the birds perch over the nest" (Xu, Shuowen Jiezi online). The explicit meanings of the script are "being at home" and "being at rest." In Chinese idioms "birds returns to their nests" is usually associated with the meanings of dusk and sunset. Here the concept of sunset is borrowed to indicate the concept of the direction of sunset, the west. It is the concept of time that makes the logical link between this pictograph and its directional meaning. In many civilizations, the movements of celestial bodies define the concepts of time and space. Ancient people must have observed how the movement of the sun influences things in their environment. The sun creates days and nights, light and shadow, the seasons, and cycle of life, which all have great impact on people's livelihood. Records from all early civilizations show that ancient people established the first measurements of passage of time based on the movements of celestial bodies. For an example, the ancient Chinese read the positions of the shadow of a dial to tell the hours of a day. Our current 365 days solar calendar relies on the movements of the sun. The earliest Egyptian calendar depended on the movements of the moon. The Mayans of the Central America developed their 260 days calendar according to the movements of the Sun, the Moon and the Venus. In Chinese, the spatial division of east and west both contain some implications of time. East is connected to the beginning of a day, a year, and a life, whereas west to the end of work, a day, and a life. The Chinese character for the sun also means a day, daytime, and years. It also appears in many compound words and idioms with indications of time. Connecting east with sunrise and dawn and west with sunset and evening are common in many other languages as well. The English word east comes from Eastre, the name of a pagan dawn goddess whose festival was celebrated at vernal equinox almost at the same time as the Christian Easter (Weiner, 1989, p.36; Flexner and Hawk, vol. 5, 1993, p.615; Webster, 2002, p.716). In Latin and Greek among some other old Indo-European languages, the stem for east means dawn (Weiner, vol. 5, 1989, p.36). In English "go west" means "to die." There is exactly the same phrase in Chinese that means exactly the same thing. (nan, the south). is composed of a radical [??] and a phonetic [??] (Karlgren, 1923, p.203; Xu, Shuowen Jiezi online; zhongwen.com, online). The archaic form of [??] (bo) is [??], a picture of lianas indicating abundant and tangled vegetation. Living in the North hemisphere, ancient Chinese have observed that the southern side of a mountain, a tree, and a house receives more sunshine than the northern side. Vegetation is therefore more flourishing and abundant on the southern side. South is the direction where vegetation grows more luxuriantly. The phonetics [??], pronounced as (ren), is used as the phonetic in several other tree names (Karlgren, 1923, p.203). (bei, the north). The older form of this character is which indicates two persons positioned back to back (Karlgren, 1923, p.216; Xu, Shuowen Jiezi online; zhongwen.com, online). The picture strongly points to the meaning of back. In modern Chinese, another phonetic complex (bei) is used for the meaning of the back of human body, in which [??] (north) functions as the phonetic and ((flesh) as the radical. In some dictionaries the word it has two pronunciations, bei and bei (Guoyu Cidian, online; Xu, Shuowen Jiezi online). The meaning associated with the first pronunciation is "an equivalence to the back of human body." North and back in Chinese share the same pronunciation and the same meaning in archaic Chinese. The meaning associated with the second pronunciation can be an adjective "being disagreeable and harsh," or a verb "to flee," or "to be defeated, to turn back on." The pictograph of north is linked to the observer-centered concept of back. In Chinese, back means being opposite to front, being the back of or being in the shadow. North is linked to back in all three senses. North is opposite to the sun and the south. That is why it is in the shadow and darkness. This is similar to the back of a person. In Chinese culture, the north side of a building is usually its back, for gates and doors are opened on the south to receive more sunshine. Light and shadow are the major dichotomous concepts associated with north and south in Chinese. The characters of north and south indicate that north is the shadowed side whereas south is the lit side. The geography and landscape of the country stresses the dichotomous divisions. All major rivers and mountains in China run west-and-eastward, which divide the land into parallel stripes. The ancient Chinese have learned to tell directions by looking at the positions of light and shadow. The saying goes "the shadowed side of a mountain is north and the shadowed side of a river is south." The two characters for being in shadow and being lighted by the sunlight are (shadow; Yin) and (light; Yang) respectively. The two words are also used for the dialectic philosophical concepts of yin-yang, which classify things, phenomena, and their traits into dichotomy in many eastern cultures. The two concepts are often represented by two signs,--(a broken line, yin)--(a solid line, yang). The symbols are stacked together to create eight trigrams like . Legend has it that one ancient Chinese king developed the eight trigrams into a system of sixty-four hexagrams to represent different processes in divination. His theory was written in a well-known book, Yi Jin (I Ching), another classic work of the ancient Chinese symbolic system. (the middle or the center, zhong). The ideograph could be interpreted as a vertical line bisecting an enclosure or an arrow hitting the center of a target (Karlgren, 1923, p.360; Xu, Shuowen Jiezi online; zhongwen.com, online). It denotes the meaning of the center or in between.

The fact that the concept of the center or the middle is depicted by an ideograph instead of a pictograph indicates to some extent that it is comparatively more abstract than the other four cardinal directions. A boundary is required before the center could be defined. Limited geographical boundary was not uncommon among ancient people who had no efficient way of transportation to travel widely. The center is a concept relative to the periphery. When the center or the middle is present, the four directions become the relative periphery or the frontiers. In Chinese, China means the Middle Kingdom. The name comes from the country's geographical position in early history when the core territory was surrounded by frontiers on all directions. The Five Elements System In addition to the Yin-Yang and the eight diagrams, another major part of the primitive Chinese symbolic system is the Five Elements System (Wu Xing, Wikipedia). The five elements refer to metal, wood, water, fire and earth. Each of these elements is matched to many other aspects of the material world (See table 1). For example, five planets, five colors, seasons of the year, organs of the body, sense organs, flavors, and animals to mention just a few. The four cardinal directions plus a center are an integral part of the system, which is critical and widely applied in many areas of traditional Chinese culture. Traditional Chinese medicine is one area in which the Five Elements System plays a pivotal role. Five major blood circulation organs, five major digestion organs, and other parts of the human bodies are corresponded with the five elements based on similar attributes. Things belonging to the same category are considered as related with each other. For an example, patients suffering from liver problem usually have weaker sight, crave sour food, are easy to get angry, sometimes show unhealthy dark greenness in skin tone and more likely fall victim of the disease in springtime.The Five Elements System is also a fairly sophisticated symbolic system that uses the concrete relationships between the five material elements in nature to represent and explain the abstract interactions and relationships of all phenomena . In general the system specifies four kinds of relationships. Two of the four relationships create a positive balance state. They are called generating (mothering) relationship (Sheng), and restraining or counterbalancing (fathering) relationships (Ke, . The other two exist when there is a negative out-of-balance state either because one element is too strong or too weak. In a restraining relationship, if the restraining element overpowers and hence over-limits the restrained element, there is an over-restraining relationship (Cheng, . On the other hand, if the restrained overpowers the restraining, it could not be contained but instead controls the restraining element. This would break the balance of the system and create a humiliating relationship (Wu) The picture illustrates the four relationships among the five elements. Clockwise, each element in the circle is generated by the previous element and in turn generates the following one, restricts the third one and is restrained by the fourth one. For instance, fire is fueled (created) by wood, creates earth (ashes), melts (restrains) metal, and is extinguished (restrained) by water. Orders of Cardinal Directions The juxtaposition of the four Chinese cardinal directions, sometimes five, is an idiom in itself, a synonym to "everywhere" and "direction." This idiom has two forms, east-south-west-north and east-west-south-north. When present, the word for the middle is the last character in both arrangements. The orders of the four cardinal directions are different from that in English, which is usually north, south, east and west. Statistically speaking, there are twenty-four permutations for four cardinal directions. It is culturally significant that only one or two orders are used. It is not known why these particular orders exist to the exclusion of the other possibilities. The first order is clockwise starting from the east, which happens to imitate the movement of the sun in the sky. It represents a continuous cycle in both time and space. In the ancient Chinese classificatory system, the directions are matched with the seasons, east to spring, south to summer, west to autumn, and north to winter. The clockwise order of the cardinal directions also coincides with the chronological order of the four seasons. Again, space and time are inseparable from each other. East, a spatial concept standing out originally as the place where the sun rises, takes on the meaning of a start in time. The day starts at the east. The east wind from the seas brings warmth and rain, an indication of the advent of spring. Spring is taken as the beginning of a year, which starts the annual farming cycle. The Chinese New Year is called the Spring Festival. The matching between directions and seasons results in substitution between the two sets of concepts. East wind is almost a synonym of spring wind, spring fanning is called east activities, and East Emperor is a literate alias of the god of spring. Correspondingly, west harvest means autumn harvest, and west wind usually refers to autumn wind that sweeps away leaves from the trees. The matching is certainly related to China's geographical and climatic situations. Warm and damp wind comes from the east and the south, and cold and dry wind from the north and the west. The former brings spring, the latter the winter. It's interesting to compare the Chinese classification with a similar one in the Zuni culture. The Zuni also attributes seasons, colors and animals to spatial divisions (Durkheim and Mauss, 1963, p.43). They also add the center to the four cardinal directions, and have zenith and nadir in their basic spatial divisions. Also like the Chinese, the Zuni associate winter with north, and fire and summer with south. This is reasonable as both peoples live in the northern hemisphere. However, the Zuni "attributed water, the spring and its damp breezes, to the west; ... the earth, seeds, the frosts which bring the seeds to maturity and end the year, to the east." (Durkheim and Mauss, 1963, p.43) This is exactly the opposite to the Chinese's. For the Zuni, who lived in Zuni Pueblo, New Mexico, damp breezes and rain come from the west and frosts come from the east. The differences and similarities of the two systems provide strong evidence for how people's perceptions of spatial divisions are shaped by their environments. In the second Chinese order the cardinal directions are organized into two dimensions: east-west and south-north. The east-west dimension always comes before the south-north dimension in such an order. Southeast and Northwest are * Eastsouth and * Westnorth in Chinese. [??] (east-west) also means things in Chinese. That is because, as is explained in an ancient Chinese book, "things are produced in the four cardinal regions but are called briefly as east-west; that's similar to history being called briefly as spring-autumn though it records four seasons." (Guoyu Cidian, Online) In this case east and west stand for all the four cardinal points. This points to the comparative prominence of the east-west axis over the north-south axis. Within the axis, east always comes before west and south before north. Chinese has plenty of idioms with the structures of "east ... west ..." and "south ... north. ..." There are exceptions, of course, but the proportion is too small to be cognitively significant. The comparatively more dominant status of east and south can also be understood from a political and economic perspective. Due to its geographical features, the western parts of the country were mainly deserts and barren plateaus, and the north was associated with bitterly cold weather and infertile frozen lands while in the southeast parts the fertile rice fields that were the grain barn of the country. The north and the west were important only in terms of military defense. In a culture with a long history of agricultural civilization, it is understandable that the east and the south were more preferred and more important economically, politically, and culturally.

Social Orders of Cardinal Directions Facing south adopts cultural and social significance over time in ancient China. The general pattern of traditional Chinese building complexes and room arrangements look like a square, with the front gates facing the south in order to be warmed and lighted by the sun. This pattern can be seen in residential houses, palaces and temples. The southern side of buildings has front gates, doors and wide open windows. On the north side, there are merely walls and small windows. In a building complex the main rooms face south with the wings facing east and west. There are back doors on the north sides of buildings in a complex, but they are for convenience of connection between rows of buildings. Some units do have doors facing north, but these are called the reversed houses (daoxia) (Cao, 1996, pp.29-59) and are considered atypical. The arrangement of furniture is confined and determined by this architectural pattern and so is the order of seating. In this way the practicality of facing south becomes symbolically important.

The north seat that faces south is reserved for persons with the highest social status. In the imperial court the emperor's "dragon chair" was not only significantly elevated but also invariably facing south. Court officials stood underneath his feet on the east and the west sides of the hall. Because the emperors' thrones always faced south, the phrase "facing south" came to be used as a proper noun designating an emperor. "To face south" means to become the emperor or the king. Accordingly, to face north meant to be a subject of an emperor or a king. Being bright was an adjective to praise the rule of a good emperor. As the saying goes "a good emperor faces south to listen to the discussions of national affairs and rules brightly." Such seating arrangements were copied in military and civil courts at all levels, in schools, and even in family lineages. The person who dominated the group took the north seat that was usually elevated but not as significantly as was the imperial throne. In military and civil courts it was for the official with the highest rank. In a lineage this south-facing seat was reserved for the eldest and most influential male or female member of the lineage. In schools the south-facing chair was for the teacher. The expression "facing north to somebody/something" was a figurative expression meaning to submit oneself as a subordinate, or, in the context of schools, to be a student. The phrase "the white-haired still face the north" indicates an old person who is still a student. The person with the second highest rank was positioned on the east side. The individual ranked third in the gathering was located on the west side facing the second ranking person. Then, back and forth, east and west, all the way down through for all present. In Chinese, the east is a synonym of the host whereas the west also means the guest. Custom had it that when the host and his guests entered a house, the host used the eastern stairway while the guest entered by the stairway on the west. Hence, the host is called "dong dao" (east road). The landlord is "fang dong" (east of the house); the master, "dong jia" (east family); and the hotel owner, "dian dong" (east of the hotel). To be one's treat is "zuo dong" (being the east) in Chinese. In "xi xi" (west seat) and "xi bin" (west guest, west is related to the meaning of guest. This usage, still prevailing in contemporary common language, can be traced back to an ancient custom that the host sat on the east and the guest on the west. In the system the relative spatial concepts of left and right are also interwoven with the absolute system of directions and became substitutes for east and west. The Chinese characters for left and right are [??] (zuo) and [??] (you). In older manuscripts, these are written as and . The two icons represent a hand facing different directions. Thus left and right are related to the two hands and indirectly to the two sides of the body. This substitution is no longer active in contemporary Chinese culture. However, traces of this tradition are still found in a few idioms and place names. "You di" (right lands) means west lands. "Shan zo" (left of the mountains) and "shan you" (to the right of the mountains) refers to Shandong and Shanxi provinces that are located on the east and the west sides of the Taihang Mountains respectively. In like fashion "he you" and "jiang you" (both meaning to the right of the river) designate the area west of the Huanghe River (the Yellow River) in the first case and to the west of Changjiang River (the Yangtze River) in the second. Conversely, "he zo" and "jiang zo" (both meaning to the left of the river) are the areas east of these two rivers. Like east and west, left and right are also social status indicators. Facing south, the right side is the east and the left side the west. The right seat was considered more respectable than the left one. "Lu zo" (left side of the street) is equivalent to the other side of the tracks in Anglo culture of North America. In older times, the wealthy lived on the right side of the street and the poor inhabited the left. "You xing" (right surnames), "You qi" (right relatives) and "You zhi" (right positions) referred to the aristocracy, the imperial families and the high-ranking official positions (Contemporary Chinese Dictionary, 1996). The right has also taken on the meaning of being better as is in the idiom "no one is on his right," which means no one is better than he. An exception to the prominence of right is encountered in carriage where the person with the highest social status occupies the seat on the left. That is the source of the idiom "waiting with the left seat empty," which is a signal of showing respect to someone not yet present. Another pair of directional concepts are up and down. The two characters for up and down are [??] (shang) (Karlgren, 1923, p.251) and [??] (xia) (Karlgren, 1923, p.69). They are iconic signs. The long dash, the base line, represents the horizon (zhongwen.com, online). The short stroke to the right is above the horizon for shang and below it for xia. Up symbolizes high social status and down the reverse. To reinforce the imperial authority, feudal rulers elevated their thrones in the audience halls. Last but not least, the cultural significance of [??] (zhong, the center or the middle). The long history of highly centralized feudal regime stressed the cultural significance of centralization in the culture. The centralized pattern of feudal political regime is clearly embodied in the design of the capital cities and the imperial palaces. Beijing and its Forbidden City, the best-preserved imperial capital and palace, best illustrates the idea of centralization. The old city of Beijing is a fortified square with well-aligned grids running along the two axis of north-south and east-west. The imperial palace, the Forbidden City, occupies the central area of the city proper. The major palaces inside the Forbidden City line up in a row, forming a north-to-south line dividing the city into two symmetrical parts of east and west. Being at the middle is also an important philosophical concept in Chinese culture. Confucianism highly advocates the doctrine of being at the middle, or not going to the extremes, in attitudes as well as in actions. Conclusion These etymological analyses of Chinese direction terms show how observation of the celestial bodies and their impact on natural environment underlies the initial ancient Chinese definition of the cardinal directions. Comparisons with similar primitive classification systems originating in different natural environments also provide some evidence of how perception of time and space are significantly determined by the geography and landscape of the motherland. The limitations and definitions by the environment gradually come to impact other aspects of ancient Chinese livelihood as the culture developed. For instance, the environmental influences helped to define the architectural styles and structures in ancient China, which over time influenced social behavioral norms. As directions were integrated as an important part of the symbolic system, they become dominant symbols in the culture, which can be seen in the usage of directional terms in a variety of idioms and phrases as well as in many areas of the traditional culture. Medicine and divinations are two examples. Data from the study provide further evidence to support Victor Turner's theory that symbols possess bipolar meanings - one clusters around the physical and concrete, and the other the abstract and ideological. Durkheim and Mauss refuted Frazer's argument that the social relations of mean are based on logical relations between things, and argued that it is the social relations that have provided the prototype for the latter. (Durkheim and Mauss, 1963, p.82) In their article Durkheim and Mauss stressed the role of social organizations and social relations in human cognition. They believed the essential cognitive characteristics underlying the primitive classification are the same as that of the modern scientific classification, which both result from human tendencies to unify knowledge, to know as social beings and groups, and to extend the unity of knowledge to the universe. (Durkheim and Mauss, 1963, pp.81-84) In the case of cardinal directions, the Chinese characters clearly indicate the influences of the natural phenomena on people's understanding of them. The ancient Chinese architectural styles and structures were influenced by the environment, which in turn influenced the social lives of people. However, the study does not intend to deny that human beings see things from their own perspectives and understand the universe within the limitations of their perceptions. The limitations also exist for any anthropological interpretation of cultures, just as Victor Turner discussed in Forest of Symbols. It is the case in this current study as well. Generally speaking, the modern views of orientation terms are not often the same as what was originally meant in antiquity. Our understanding of the direction concepts must have drifted away from the empirical perceptions of the ancient people. Therefore, when trying to make sense of why things become what they are, sometimes it is inevitable that our understanding is limited by our perception of here and now. This is a paradox for all anthropological studies of the "other" cultures (both culture of the others, and the other culture of ourselves). Ancient Chinese culture is baffling to modern Chinese who are confronted with a similar paradox - try to understand the perceptions of the ancient Chinese but have to do it from the perspective of a modern Chinese. In this article, the author uses the four cardinal direction words and the fifth, the centrum, to present an outline of the primitive Chinese classification system. Yet it must be said that the Chinese classification system is far more complicated than what can be explained in this essay. Concepts of the Yin-Yang dichotomy, the eight trigrams, and the Five Element System are all phenomena worthy of an independent study. However, as an interesting and inseparable part of the symbolic system, the orientation words help to show the interconnections between the several important concepts of the ancient Chinese symbolic system. COPYRIGHT 2009 Institute of General Semantics

 

Copyright 2009 Gale, Cengage Learning. All rights reserved.

      

The King's Cross Station in London has undergone a significant transformation, culminating in the opening of a new public space known as King's Cross Square. This new area, unveiled by key figures in a grand ceremony, marks the completion of a £550 million redevelopment project for the station. The square not only provides a fresh, open space for the public but also improves access to the London Underground. It's a testament to the city's commitment to modernizing its infrastructure while preserving historical architecture, as the Grade 1 listed station's facade is now fully visible for the first time in 150 years. The redevelopment has been a catalyst for further investment in the area, leading to the creation of new homes and office spaces, significantly revitalizing a once largely derelict site.

 

King's Cross railway station, also known as London King's Cross, is a passenger railway terminus in the London Borough of Camden, on the edge of Central London. It is in the London station group, one of the busiest stations in the United Kingdom and the southern terminus of the East Coast Main Line to Yorkshire and the Humber, North East England and Scotland. Adjacent to King's Cross station is St Pancras International, the London terminus for Eurostar services to continental Europe. Beneath both main line stations is King's Cross St Pancras tube station on the London Underground; combined, they form one of the country's largest and busiest transport hubs.

 

The station was opened in Kings Cross in 1852 by the Great Northern Railway on the northern edge of Central London to accommodate the East Coast Main Line. It quickly grew to cater to suburban lines and was expanded several times in the 19th century. It came under the ownership of the London and North Eastern Railway as part of the Big Four grouping in 1923, who introduced famous services such as the Flying Scotsman and locomotives such as Mallard. The station complex was redeveloped in the 1970s, simplifying the layout and providing electric suburban services, and it became a major terminus for the high-speed InterCity 125. As of 2018, long-distance trains from King's Cross are run by London North Eastern Railway to Edinburgh Waverley, Leeds and Newcastle; other long-distance operators include Hull Trains and Grand Central. In addition, Great Northern runs suburban commuter trains around North London, Hertfordshire, Cambridgeshire and Norfolk.

 

In the late 20th century, the area around the station became known for its seedy and downmarket character, and was used as a backdrop for several films as a result. A major redevelopment was undertaken in the 21st century, including restoration of the original roof, and the station became well known for its association with the Harry Potter books and films, particularly the fictional Platform 9+3⁄4.

 

en.wikipedia.org/wiki/London_King%27s_Cross_railway_station

In the first few decades of the 1600s, culminating in 1637, an economic bubble- generally considered to be the first of its kind in history- known as "tulip mania", or "tulpenmanie" in Dutch, was caused by wild speculation on the prices of tulips in the Netherlands. The rarest and most unique tulip varieties were highly prized as status symbols and luxury items by the elite of the time and anyone else who could afford a few of the most prized plants or their bulbs. Prices of the rarest kinds went on a wild upward spiral, driven by unrealistic speculation, and of course, the bubble eventually popped, leaving many with ruined lives and lost fortunes.

 

In taking this shot of something at once so incredibly commonplace and yet valuable, I was reminded of that historic craze and its implications, and the parallels one can draw between it (and any number of other, similar scenarios throughout history) and the current railfan scene, where it can often seem as though you have no worth if you aren't one of the first, one of the privileged few- one of the early investors, so to speak- to see a particular, esoteric operation, witness the last gasp of something rare, or become a minor celebrity for your "possession" of the best, the rarest, the most interesting. But as with the tulips, is that situation a bubble too, destined to burst when interest fades or moves on to the next greatest speculation? I don't know. But it often seems like I'm caught in the undertow of the railfan equivalent of some kind of tulip mania. Maybe I suffer from the fear of missing out, and I'm only feebly justifying this to myself, but I believe it's just as important to document the weeds alongside the tulips, the everyday as much as the rare. Like many of the tulip varieties that were so coveted in that craze 400ish years ago, what's commonplace now will no longer exist someday.

 

Anyway.... framed by some spring tulips, BNSF 8325 leads several units elephant-style with another entrant in the parade of Z-trains westward on the Chicago Sub "Racetrack" at Hinsdale, Illinois.

Camera: Canon EOS 1V, EF 2/135mm

 

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From Wikipedia, the free encyclopedia

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Arles

 

Arles is located in France

Arles is located in Provence-Alpes-Côte d'Azur

Coordinates: 43°40′36″N 4°37′40″ECoordinates: 43°40′36″N 4°37′40″E

Country France

Region Provence-Alpes-Côte d'Azur

Department Bouches-du-Rhône

Arrondissement Arles

Canton Arles

Intercommunality CA Arles-Crau-Camargue-Montagnette

Government

• Mayor (2014–2020) Hervé Schiavetti (PCF)

Area1 758.93 km2 (293.02 sq mi)

Population (2012)2 52,439

• Density 69/km2 (180/sq mi)

Time zone CET (UTC+1)

• Summer (DST) CEST (UTC+2)

INSEE/Postal code 13004 /13200

Elevation 0–57 m (0–187 ft)

(avg. 10 m or 33 ft)

 

1 French Land Register data, which excludes lakes, ponds, glaciers > 1 km² (0.386 sq mi or 247 acres) and river estuaries.

2 Population without double counting: residents of multiple communes (e.g., students and military personnel) only counted once.

 

Arles (French pronunciation: ​[aʁl]; Provençal [ˈaʀle] in both classical and Mistralian norms; Arelate in Classical Latin) is a city and commune in the south of France, in the Bouches-du-Rhône department, of which it is a subprefecture, in the former province of Provence.

 

A large part of the Camargue is located on the territory of the commune, making it the largest commune in Metropolitan France in terms of territory (though Maripasoula, French Guiana, is much larger). The city has a long history, and was of considerable importance in the Roman province of Gallia Narbonensis. The Roman and Romanesque Monuments of Arles were listed as UNESCO World Heritage Sites in 1981. The Dutch post-Impressionist painter Vincent van Gogh lived in Arles from 1888 to 1889 and produced over 300 paintings and drawings during his time there. An international photography festival has been held in the city since 1970.

 

Geography

 

The river Rhône forks into two branches just upstream of Arles, forming the Camargue delta. Because the Camargue is for a large part administratively part of Arles, the commune as a whole is the largest commune in Metropolitan France in terms of territory, although its population is only slightly more than 50,000. Its area is 758.93 km2 (293.02 sq mi), which is more than seven times the area of Paris.

Climate

 

Arles has a Mediterranean climate with a mean annual temperature of 14.6 °C (1948 - 1999). The summers are warm and moderately dry, with seasonal averages between 22 °C and 24 °C, and mild winters with a mean temperature of about 7 °C. The city is constantly, but especially in the winter months, subject to the influence of the mistral, a cold wind which can cause sudden and severe frosts. Rainfall (636 mm per year) is fairly evenly distributed from September to May, with the summer drought being less marked than in other Mediterranean areas.[1]

 

The Ligurians were in this area from about 800 BC. Later, Celtic influences have been discovered. The city became an important Phoenician trading port, before being taken by the Romans.

 

The Romans took the town in 123 BC and expanded it into an important city, with a canal link to the Mediterranean Sea being constructed in 104 BC. However, it struggled to escape the shadow of Massalia (Marseilles) further along the coast.

 

Its chance came when it sided with Julius Caesar against Pompey, providing military support. Massalia backed Pompey; when Caesar emerged victorious, Massalia was stripped of its possessions, which were transferred to Arelate as a reward. The town was formally established as a colony for veterans of the Roman legion Legio VI Ferrata, which had its base there. Its full title as a colony was Colonia Iulia Paterna Arelatensium Sextanorum, "the ancestral Julian colony of Arles of the soldiers of the Sixth."

 

Arelate was a city of considerable importance in the province of Gallia Narbonensis. It covered an area of some 40 hectares (99 acres) and possessed a number of monuments, including an amphitheatre, triumphal arch, Roman circus, theatre, and a full circuit of walls. Ancient Arles was closer to the sea than it is now and served as a major port. It also had (and still has) the southernmost bridge on the Rhône. Very unusually, the Roman bridge was not fixed but consisted of a pontoon-style bridge of boats, with towers and drawbridges at each end. The boats were secured in place by anchors and were tethered to twin towers built just upstream of the bridge. This unusual design was a way of coping with the river's frequent violent floods, which would have made short work of a conventional bridge. Nothing remains of the Roman bridge, which has been replaced by a more modern bridge near the same spot.

 

The city reached a peak of influence during the 4th and 5th centuries, when Roman Emperors frequently used it as their headquarters during military campaigns. In 395, it became the seat of the Praetorian Prefecture of the Gauls, governing the western part of the Western Empire: Gaul proper plus Hispania (Spain) and Armorica (Brittany). At that time, the city was perhaps home to 75,000–100,000 people.[2][3][4][5]

 

It became a favorite city of Emperor Constantine I, who built baths there, substantial remains of which are still standing. His son, Constantine II, was born in Arles. Usurper Constantine III declared himself emperor in the West (407–411) and made Arles his capital in 408.

 

Arles became renowned as a cultural and religious centre during the late Roman Empire. It was the birthplace of the sceptical philosopher Favorinus. It was also a key location for Roman Christianity and an important base for the Christianization of Gaul. The city's bishopric was held by a series of outstanding clerics, beginning with Saint Trophimus around 225 and continuing with Saint Honoratus, then Saint Hilarius in the first half of the 5th century. The political tension between the Catholic bishops of Arles and the Visigothic kings is epitomized in the career of the Frankish St. Caesarius, bishop of Arles 503–542, who was suspected by the Arian Visigoth Alaric II of conspiring with the Burgundians to turn over the Arelate to Burgundy, and was exiled for a year to Bordeaux in Aquitaine. Political tensions were evident again in 512, when Arles held out against Theodoric the Great and Caesarius was imprisoned and sent to Ravenna to explain his actions before the Ostrogothic king.[6]

 

The friction between the Arian Christianity of the Visigoths and the Catholicism of the bishops sent out from Rome established deep roots for religious heterodoxy, even heresy, in Occitan culture. At Treves in 385, Priscillian achieved the distinction of becoming the first Christian executed for heresy (Manichaean in his case, see also Cathars, Camisards). Despite this tension and the city's decline in the face of barbarian invasions, Arles remained a great religious centre and host of church councils (see Council of Arles), the rival of Vienne, for hundreds of years.

Roman aqueduct and mill

Aqueduct of Arles at Barbegal

 

The Barbegal aqueduct and mill is a Roman watermill complex located on the territory of the commune of Fontvieille, a few kilometres from Arles. The complex has been referred to as "the greatest known concentration of mechanical power in the ancient world".[7] The remains of the mill streams and buildings which housed the overshot water wheels are still visible at the site, and it is by far the best-preserved of ancient mills. There are two aqueducts which join just north of the mill complex, and a sluice which enabled the operators to control the water supply to the complex. The mill consisted of 16 waterwheels in two separate rows built into a steep hillside. There are substantial masonry remains of the water channels and foundations of the individual mills, together with a staircase rising up the hill upon which the mills are built. The mills apparently operated from the end of the 1st century until about the end of the 3rd century.[8] The capacity of the mills has been estimated at 4.5 tons of flour per day, sufficient to supply enough bread for 6,000 of the 30-40,000 inhabitants of Arelate at that time.[9] A similar mill complex existed also on the Janiculum in Rome. Examination of the mill leat still just visible on one side of the hill shows a substantial accretion of lime in the channel, tending to confirm its long working life.

 

It is thought that the wheels were overshot water wheels with the outflow from the top driving the next one down and so on, to the base of the hill. Vertical water mills were well known to the Romans, being described by Vitruvius in his De Architectura of 25 BC, and mentioned by Pliny the Elder in his Naturalis Historia of 77 AD. There are also later references to floating water mills from Byzantium and to sawmills on the river Moselle by the poet Ausonius. The use of multiple stacked sequences of reverse overshot water-wheels was widespread in Roman mines.

Middle Ages

Place de la République.

Cafe Terrace at Night by Vincent van Gogh (September 1888), depicts the warmth of a café in Arles

 

In 735, after raiding the Lower Rhône, Andalusian Saracens led by Yusuf ibn 'Abd al-Rahman al-Fihri moved into the stronghold summoned by Count Maurontus, who feared Charles Martel's expansionist ambitions, though this may have been an excuse to further Moorish expansion beyond Iberia. The next year, Charles campaigned south to Septimania and Provence, attacking and capturing Arles after destroying Avignon. In 739. Charles definitely drove Maurontus to exile, and brought Provence to heel. In 855, it was made the capital of a Frankish Kingdom of Arles, which included Burgundy and part of Provence, but was frequently terrorised by Saracen and Viking raiders. In 888, Rudolph, Count of Auxerre (now in north-western Burgundy), founded the kingdom of Transjuran Burgundy (literally, beyond the Jura mountains), which included western Switzerland as far as the river Reuss, Valais, Geneva, Chablais and Bugey.

 

In 933, Hugh of Arles ("Hugues de Provence") gave his kingdom up to Rudolph II, who merged the two kingdoms into a new Kingdom of Arles. In 1032, King Rudolph III died, and the kingdom was inherited by Emperor Conrad II the Salic. Though his successors counted themselves kings of Arles, few went to be crowned in the cathedral. Most of the kingdom's territory was progressively incorporated into France. During these troubled times, the amphitheatre was converted into a fortress, with watchtowers built at each of the four quadrants and a minuscule walled town being constructed within. The population was by now only a fraction of what it had been in Roman times, with much of old Arles lying in ruins.

 

The town regained political and economic prominence in the 12th century, with the Holy Roman Emperor Frederick Barbarossa traveling there in 1178 for his coronation. In the 12th century, it became a free city governed by an elected podestat (chief magistrate; literally "power"), who appointed the consuls and other magistrates. It retained this status until the French Revolution of 1789.

 

Arles joined the countship of Provence in 1239, but, once more, its prominence was eclipsed by Marseilles. In 1378, the Holy Roman Emperor Charles IV ceded the remnants of the Kingdom of Arles to the Dauphin of France (later King Charles VI of France) and the kingdom ceased to exist even on paper.

Modern era

 

Arles remained economically important for many years as a major port on the Rhône. In the 19th century, the arrival of the railway diminished river trade, leading to the town becoming something of a backwater.

 

This made it an attractive destination for the painter Vincent van Gogh, who arrived there on 21 February 1888. He was fascinated by the Provençal landscapes, producing over 300 paintings and drawings during his time in Arles. Many of his most famous paintings were completed there, including The Night Cafe, the Yellow Room, Starry Night Over the Rhone, and L'Arlésienne. Paul Gauguin visited van Gogh in Arles. However, van Gogh's mental health deteriorated and he became alarmingly eccentric, culminating in the well-known ear-severing incident in December 1888 which resulted in two stays in the Old Hospital of Arles. The concerned Arlesians circulated a petition the following February demanding that van Gogh be confined. In May 1889, he took the hint and left Arles for the Saint-Paul asylum at nearby Saint-Rémy-de-Provence.

Jewish history

Main article: History of the Jews in Arles

 

Arles had an important and evident Jewish community between the Roman era and until the end of the 15th century. A local legend describes the first Jews in Arles as exiles from Judaea after Jerusalem fell to the Romans. Nevertheless, the first documented evident of Jews in Arles is not before fifth century, when a distinguished community had already existed in town. Arles was an important Jewish crossroads, as a port city and close to Spain and the rest of Europe alike. It served a major role in the work of the Hachmei Provence group of famous Jewish scholars, translators and philosophers, who were most important to Judaism throughout the Middle Ages. At the eighth century, the jurisdiction of the Jews of Arles were passed to the local Archbishop, making the Jewish taxes to the clergy somewhat of a shield for the community from mob attacks, most frequent during the Crusades. The community lived relatively peacefully until the last decade of the 15th century, when they were expelled out of the city never to return. Several Jews did live in the city in the centuries after, though no community was found ever after. Nowadays, Jewish archaeological findings and texts from Arles can be found in the local museum.[10]

Population

Historical population

Year Pop. ±%

1806 20,151 —

1820 20,150 −0.0%

1831 20,236 +0.4%

1836 20,048 −0.9%

1841 20,460 +2.1%

1846 23,101 +12.9%

1851 23,208 +0.5%

1856 24,816 +6.9%

1861 25,543 +2.9%

1866 26,367 +3.2%

1872 24,695 −6.3%

1876 25,095 +1.6%

1881 23,480 −6.4%

1891 24,288 +3.4%

1896 24,567 +1.1%

1901 28,116 +14.4%

1906 31,010 +10.3%

1911 31,014 +0.0%

1921 29,146 −6.0%

1926 32,485 +11.5%

1946 35,017 +7.8%

1954 37,443 +6.9%

1962 41,932 +12.0%

1968 45,774 +9.2%

1975 50,059 +9.4%

1982 50,500 +0.9%

1990 52,058 +3.1%

1999 50,426 −3.1%

2008 52,729 +4.6%

2010 57,328 +8.7%

Main sights

Gallo-Roman theatre.

The Alyscamps.

 

Arles has important Roman remnants, most of which have been listed as UNESCO World Heritage Sites since 1981 within the Arles, Roman and Romanesque Monuments group. They include:

 

The Gallo-Roman theatre

The arena or amphitheatre

The Alyscamps (Roman necropolis)

The Thermae of Constantine

The cryptoporticus

Arles Obelisk

Barbegal aqueduct and mill

 

The Church of St. Trophime (Saint Trophimus), formerly a cathedral, is a major work of Romanesque architecture, and the representation of the Last Judgment on its portal is considered one of the finest examples of Romanesque sculpture, as are the columns in the adjacent cloister.

 

The town also has a museum of ancient history, the Musée de l'Arles et de la Provence antiques, with one of the best collections of Roman sarcophagi to be found anywhere outside Rome itself. Other museums include the Musée Réattu and the Museon Arlaten.

 

The courtyard of the Old Arles hospital, now named "Espace Van Gogh," is a center for Vincent van Gogh's works, several of which are masterpieces.[11] The garden, framed on all four sides by buildings of the complex, is approached through arcades on the first floor. A circulation gallery is located on the first and second floors.[12]

Archaeology

Main article: Arles portrait bust

 

In September–October 2007, divers led by Luc Long from the French Department of Subaquatic Archaeological Research, headed by Michel L'Hour, discovered a life-sized marble bust of an apparently important Roman person in the Rhône near Arles, together with smaller statues of Marsyas in Hellenistic style and of the god Neptune from the third century AD. The larger bust was tentatively dated to 46 BC. Since the bust displayed several characteristics of an ageing person with wrinkles, deep naso-labial creases and hollows in his face, and since the archaeologists believed that Julius Caesar had founded the colony Colonia Iulia Paterna Arelate Sextanorum in 46 BC, the scientists came to the preliminary conclusion that the bust depicted a life-portrait of the Roman dictator: France's Minister of Culture Christine Albanel reported on May 13, 2008, that the bust would be the oldest representation of Caesar known today.[13] The story was picked up by all larger media outlets.[14][15] The realism of the portrait was said to place it in the tradition of late Republican portrait and genre sculptures. The archaeologists further claimed that a bust of Julius Caesar might have been thrown away or discreetly disposed of, because Caesar's portraits could have been viewed as politically dangerous possessions after the dictator's assassination.

 

Historians and archaeologists not affiliated with the French administration, among them Paul Zanker, the renowned archaeologist and expert on Caesar and Augustus, were quick to question whether the bust is a portrait of Caesar.[16][17][18] Many noted the lack of resemblances to Caesar's likenesses issued on coins during the last years of the dictator's life, and to the Tusculum bust of Caesar,[19] which depicts Julius Caesar in his lifetime, either as a so-called zeitgesicht or as a direct portrait. After a further stylistic assessment, Zanker dated the Arles-bust to the Augustan period. Elkins argued for the third century AD as the terminus post quem for the deposition of the statues, refuting the claim that the bust was thrown away due to feared repercussions from Caesar's assassination in 44 BC.[20] The main argument by the French archaeologists that Caesar had founded the colony in 46 BC proved to be incorrect, as the colony was founded by Caesar's former quaestor Tiberius Claudius Nero on the dictator's orders in his absence.[21] Mary Beard has accused the persons involved in the find of having willfully invented their claims for publicity reasons. The French ministry of culture has not yet responded to the criticism and negative reviews.

Sport

 

AC Arles-Avignon is a professional French football team. They currently play in Championnat de France Amateur, the fourth division in French football. They play at the Parc des Sports, which has a capacity of just over 17,000.

Culture

 

A well known photography festival, Rencontres d'Arles, takes place in Arles every year, and the French national school of photography is located there.

 

The major French publishing house Actes Sud is also situated in Arles.

 

Bull fights are conducted in the amphitheatre, including Provençal-style bullfights (courses camarguaises) in which the bull is not killed, but rather a team of athletic men attempt to remove a tassle from the bull's horn without getting injured. Every Easter and on the first weekend of September, during the feria, Arles also holds Spanish-style corridas (in which the bulls are killed) with an encierro (bull-running in the streets) preceding each fight.

 

The film Ronin was partially filmed in Arles.

European Capital of Culture

 

Arles played a major role in Marseille-Provence 2013, the year-long series of cultural events held in the region after it was designated the European Capital of Culture for 2013. The city hosted a segment of the opening ceremony with a pyrotechnical performance by Groupe F on the banks of the Rhône. It also unveiled the new wing of the Musée Départemental Arles Antique as part of Marseille-Provence 2013.

Economy

 

Arles's open-air street market is a major market in the region. It occurs on Saturday and Wednesday mornings.

Transport

 

The Gare d'Arles railway station offers connections to Avignon, Nîmes, Marseille, Paris, Bordeaux and several regional destinations.

Notable people

 

Vincent van Gogh, lived here from February 1888 until May 1889.

The Provençal poet Frédéric Mistral (1830–1914) was born near Arles

Jeanne Calment (1875–1997), the oldest human being whose age is documented, was born, lived and died, at the age of 122 years and 164 days, in Arles

Anne-Marie David, singer (Eurovision winner in 1973)

Christian Lacroix, fashion designer

Lucien Clergue, photographer

Djibril Cissé, footballer

Antoine de Seguiran, 18th-century encyclopédiste

Genesius of Arles, a notary martyred under Maximianus in 303 or 308

Blessed Jean Marie du Lau, last Archbishop of Arles, killed by the revolutionary mob in Paris on September 2, 1792

Juan Bautista (real name Jean-Baptiste Jalabert), matador

Maja Hoffmann, art patron

Mehdi Savalli, matador

The medieval writer Antoine de la Sale was probably born in Arles around 1386

Home of the Gipsy Kings, a music group from Arles

Gael Givet, footballer

Lloyd Palun, footballer

Fanny Valette, actress

Luc Hoffmann, ornithologist, conservationist and philanthropist.

Saint Caesarius of Arles, bishop who lived from the late 5th to the mid 6th century, known for prophecy and writings that would later be used by theologians such as St. Thomas Aquinas

Samuel ibn Tibbon, famous Jewish translator and scholar during the Middle Ages.

Kalonymus ben Kalonymus, famous Jewish scholar and philosopher, Arles born, active during the Middle Ages.

 

Twin towns — sister cities

See also: List of twin towns and sister cities in France

 

Arles is twinned with:

 

Pskov, Russia

Jerez de la Frontera, Spain

Fulda, Germany

York, Pennsylvania, United States

Cubelles, Spain

Vercelli, Italy

Sagné, Mauritania

Kalymnos, Greece

Wisbech, United Kingdom

Zhouzhuang, Kunshan, Jiangsu, People's Republic of China

Verviers, Belgium

 

See also

 

Archbishopric of Arles

Montmajour Abbey

Trinquetaille

Langlois Bridge

Saint-Martin-de-Crau

Communes of the Bouches-du-Rhône department

 

References

 

This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Archdiocese of Aix". Catholic Encyclopedia. New York: Robert Appleton.

INSEE

 

The table contains the temperatures and precipitation of the city of Arles for the period 1948-1999, extracted from the site Sophy.u-3mrs.fr.

www.academia.edu/1166147/_The_Fall_and_Decline_of_the_Rom...

Rick Steves' Provence & the French Riviera, p. 78, at Google Books

Nelson's Dictionary of Christianity: The Authoritative Resource on the Christian World, p. 1173, at Google Books

Provence, p. 81, at Google Books

Wace, Dictionary)

Greene, Kevin (2000). "Technological Innovation and Economic Progress in the Ancient World: M.I. Finley Re-Considered". The Economic History Review. New Series. 53 (1): 29–59 [p. 39]. doi:10.1111/1468-0289.00151.

"Ville d'Histoire et de Patrimoine". Patrimoine.ville-arles.fr. Retrieved 2013-03-25.

"La meunerie de Barbegal". Etab.ac-caen.fr. Retrieved 2013-03-25.

jewishencyclopedia.com/articles/1784-arles

Fisher, R, ed (2011). Fodor's France 2011. Toronto and New York: Fodor's Travel, division of Random House. p. 563 ISBN 978-1-4000-0473-7.

"Espace Van Gogh". Visiter, Places of Interest. Arles Office de Tourisme. Retrieved 2011-04-29.

Original communiqué (May 13, 2008); second communiqué (May 20, 2008); report (May 20, 2008)

E.g."Divers find marble bust of Caesar that may date to 46 B.C.". Archived from the original on 2008-06-05. Retrieved 2008-05-14. , CNN-Online et al.

Video (QuickTime) Archived May 28, 2008, at the Wayback Machine. on the archaeological find (France 3)

Paul Zanker, "Der Echte war energischer, distanzierter, ironischer" Archived May 29, 2008, at the Wayback Machine., Sueddeutsche Zeitung, May 25, 2008, on-line

Mary Beard, "The face of Julius Caesar? Come off it!", TLS, May 14, 2008, on-line

Nathan T. Elkins, 'Oldest Bust' of Julius Caesar found in France?, May 14, 2008, on-line

Cp. this image at the AERIA library

A different approach was presented by Mary Beard, in that members of a military Caesarian colony would not have discarded portraits of Caesar, whom they worshipped as god, although statues were in fact destroyed by the Anti-Caesarians in the city of Rome after Caesar's assassination (Appian, BC III.1.9).

Konrat Ziegler & Walther Sontheimer (eds.), "Arelate", in Der Kleine Pauly: Lexikon der Antike, Vol. 1, col. 525, Munich 1979; in 46 BC, Caesar himself was campaigning in Africa, before later returning to Rome.

Annual Transgender festival @ Koovagam, Viluppuram, Tamilnadu, April 2013

  

Of the many bizarre and strange customs and festivals observed in India, the Koothandavar festival of Koovagam is one among them. The very basis of the festival, its associated rituals and the people involved make it the weirdest possible celebration on earth. A celebration of love and death, of sacrifice and life.

 

The small hamlet of Koovagam is present in the Vizhuppuram district of Tamil Nadu, making it virtually a ‘nothing’. However, once a year this tiny village turns into the biggest camp for transgenders from all over the country. They gather in flocks to take part in the rituals of the festival which lasts for 18 days, culminating on chitra pournami (april-may).

 

Story behind this

A festival which has its base rooted into the depths of the Mahabharatha war, Krishna’s cunningness and the noble nature of a very valiant young man.

 

War between the Pandavas and Kauravas was imminent. There was no way that a war could be averted, thus saving millions of innocent human lives. Krishna, as the protector of the universe was worried about the outcome of the war. It was true that he could intervene with his divine powers and avert catastrophe, but humans are required to decide their own fates. That’s what the vedas and shastras say. But still, he wanted the Pandavas to win the war, for he was on their side and their doings were just and moral. This would be the ultimate “Good wins over Bad” story if it went along as he desired.

 

Having no choice, he goes to Sahadeva who is blessed with the talent of accurately forecasting the future and reading horoscopes, Sahadeva rolled his Shozhi (shells used to help in prediction) and after several calculations looked up and said “To attain victory in the upcoming war, you need to sacrifice a man filled with all the good qualities of Valor, strength, bravery, beauty and such, to the goddess of war, Kali. He who first performs this sacrifice will gain the blessings of Kali and win the war”,

 

All along his way back his mind was filled with a single thought, “Is there anyone… Anyone else, other than Arjuna who can match the requirements of sacrifice? Anyone at all?” He pleaded, only to be met by a stunning silence. Krishna’s heart shattered at the thought of losing a dear friend. He felt light headed and started to sway with dizziness, when a voice cut through his haziness.

“Am I eligible to be sacrificed?” the voice asked. Looking for the source of the voice, Krishna’s eyes land on a very handsome man, dressed as a warrior and bearing resemblances to Arjuna. “Who are you, may I know?” questioned Krishna, as hope revived in his heart.

 

“I am Aravaan, the son of Arjuna, born to the Naaga princess Chithrangadha, through an illicit wedlock. I have come here to help bring victory to my father and his brothers. And if I can indeed help them win by sacrificing myself, then I am ready to die.” he proclaimed.

 

Krishna is flooded with relief. Using his divine powers, he comes to know that Aravaan is indeed a warrior par excellence, full of good qualities and excellent character. “He would make the perfect sacrifice to Kali”, Krishna thought and he beckoned Aravaan to come with him. He introduced Aravaan to the Pandavas including to Arjuna, his father (what weirdness!!!) and praised the sacrificial qualities of Aravaan. “So you will be sacrificed to the Goddess at the dawn of war, tomorrow. Purify yourself mentally and physically and prepare for the day. Long live your sacrifice”, Krishna told Aravaan and turned to leave.

 

“One moment my lord, I have but a few wishes to be granted before I die. Will you grant them?” Aravaan asked Krishna. “Why don’t you try me?” Krishna winked mischievously at Aravaan.” My lord”, began Aravaan,” I have had the good fortune to enjoy much in life, but before I die, I would like to enjoy the heat of a woman. I wish to die a married man, my lord.” Krishna is stunned. Which woman would marry a man who is going to the sacrificial altar the very next day? Probably none. No woman is crazy to throw her life away.”We will manage that”, he assured Aravaan, “Anything else?”.”Yes my lord, I would like to witness the entire war unfold, in my physical body and I would also like to fight on the Pandava side for a minimum of three weeks. Is that agreeable?”

It was here that the jealousy of Krishna kicked in. He knew that Aravaan was an excellent warrior and if he was allowed to fight there would be no need of any of the Pandavas or Krishna himself. “ParthaPuthra, what is ‘three weeks’ to a man like you? You can probably crush the entire enemy forces in three and a two third minutes. You will be able to fight on the Pandava side for those three and a two third minutes.” Aravaan agreed, charmed by Krishna’s flattery and speech. “If that is all, you can follow me to meet your bride, who will be your wife tonight and your widow in some days.” Krishna commanded.

 

Aravaan followed Krishna to the interiors of the palace. There, in the presence of the Pandavas and a few close friends, Krishna did the unbelievable. He transformed himself into Mohini, a form so beautiful that even Shiva had fallen for it, and in the presence of the elders, married Aravaan. That night Aravaan got his first wish fulfilled. Mohini seduced him with all her sexuality. All through the night, Aravaan was confused if he was with a man or woman. The smell of butter and milk reminded him of Krishna, but at the same time he couldn’t come out of Mohini’s clutches. The night passed and the day of the war dawned.

 

Aravaan was taken to the battle field and was made to stand at the center. There he tore off his skin from his arms and offered them to Kali. Kali, ever thirsty for blood, pounced on it and gave her blessings to Pandavas. The war began. Over the course of the 18 days, Aravaan kept Kali satisfied, stripping pieces from his body and offering it to her. On the final day when his allotted 3 and a two-third minutes of time came up, he realised that he had been tricked. He just had his head and his skeleton intact. A fat lot of use they would come to.

 

Conetemplating, he assumed his Vishwaroopa form and with his head as a large stone, he rolled over the enemy forces killing millions and badly hurting himself. The war was over. The Pandavas had won and the cause for it all, Aravaan, was lying, all alone on the Kurukshetra field. During his final moments on earth, when his life was ebbing away, he heard the high pitched wail of a woman. Turning towards the source of the wail, he sees Krishna, as Mohini, beating her breasts and wailing, the very picture of a widowed woman grieving her husband. With that final sight, his spirit soared heaven-wards and joined the other immortal heroes in warrior heavens, forever shining upon the brave warriors of yore. Aravaan had passed on, a happy man.

 

This chapter in the Mahabharatha forms the central theme of the 18 day festival at Koovagam. The small shrine at Koovagam is dedicated to none other than Aravaan himself and he is worshipped as Koothandavar. The 18 day festival celebrates the final days of Aravaan’s life, right up to his brave sacrifice on the 18th day. The highlight of the festival happens to be the marriage of Aravaan. The transgenders who gather here are the self-proclaimed brides of Aravaan. They claim themselves to be incarnations of Krishna, who was a man trapped inside a woman’s body, when he seduced Aravaan, just like the transgenders themselves. The first 15 days of the festival pass in dancing, singing and merrymaking, the transgenders putting up colourful and lively performances. All through the 18 days, a gigantic head of Aravaan is made and painted with the greatest care within the temple precincts

 

On the 17th day, the priest does special poojas to the idol of Aravaan and bringing upon the power of Aravaan on himself, he ties the mangalsutra (the sacred marital thread) around the neck of all the transgenders present there. They are now the wives of Aravaan, just for the night. A gala feast is organised which is followed by a night full of merrymaking, laughter and dance. The gigantic head of Aravaan is mounted on a chariot and taken around the village.

 

At the dawn of the 18th day, the air is ripped by sharp wails, as Aravaan is beheaded, widowing all his one-day-old wives. Following the traditions, the widows of Aravaan rip the Mangalsutraa from their necks, tear flowers out of their hair, throw away ornaments, and remove all cosmetics from their faces, wailing loudly, beating their chests, just like Krishna mourned for Aravaan long, long ago. They did a holy dip and wear a white saree (widow costume). And till that day arrives, they have to rely on the grace of Aravaan to take them through the rough times to come.

  

Rebuilding Together Day Is April 25

 

National Rebuilding Month is an annual month-long call to service, culminating with National Rebuilding Day, the last Saturday of April. Last April 2019, nearly 30,000 volunteers donated 230,000 hours to complete rebuild projects, including homes, nonprofit facilities, and community spaces throughout the country.

 

“Rebuilding Together” started with the simple act of neighbors helping neighbors.

 

In 1973, a small group of people in Midland, Texas, realized a growing need in their community. Homes in their community had fallen into disrepair and their neighbors could not afford to fix them on their own. The group volunteered their time and skills to rehabilitate the homes of their neighbors. Realizing the potential impact of this work, the group formed Christmas in April, with the intent of performing repair and rehabilitation work in their community every April.

 

News of the group’s good work spread slowly, but eventually achieved national recognition. The mission spread beyond the idea of providing service once a year in April to bringing together partners from all walks of life to help neighbors year-round. The national office became known as “Rebuilding Together” in 1988.

 

Today, “Rebuilding Together” has grown into a premier nonprofit community revitalization organization.

 

Together, with corporate and community partners, homes are repaired, communities are revitalized, and lives are rebuilt. The affiliates of “Rebuilding Together” along with nearly 100,000 volunteers complete about 10,000 rebuild projects nationwide each year.

 

This year, “Rebuilding Together” asks you: What does home mean to you?

 

This year, as an organization, they are committed to the safety and health of our communities. With the spread of COVID-19 across the country, they are postponing any large gatherings, including rebuild projects, to protect the health of volunteers and those who would be served.

 

National Rebuilding Month exemplifies the mission of “Rebuilding Together”, helping to solve for the urgent need for safe homes and communities for everyone. Recognizing that unsafe or unhealthy living conditions at home account for many of the leading causes of preventable fatality, illness, and disability today—this annual effort demonstrates the positive effects of home and neighborhood revitalization on the overall health of homeowners, families, and communities.

  

Carl the Carpenter helps Mr. Finley repair a broken threshold to his front door as his way of helping his elderly neighbor with a home safety project.

 

20200425 116/366

During Belgrade's push into Sofia during the Second Eastern European War, the JNA learned a slew of lessons. Many of these lessons culminated in a pronounced need for a set of upgrades to increase the survivability of the M-72A Zmey in urban environs. To elaborate, the ubiquity of guided anti-tank munitions and high-powered rocket-propelled grenades meant that Yugoslav tanks were squaring up against a great number of guerrilla anti-tank cells capable of directly threatening Yugoslav tank crews from all angles, even from immediately above where the Zmey (or any tank for that matter) is most vulnerable. Additionally, the -72As proved incapable of providing potent suppressing fire to support advancing infantry in Sofia as the coaxial 7.62mm was too weak to reliably penetrate the city's ancient masonry and the 12.7mm HMG atop the turret was too exposed to be manned in a sniper's utopia. Essentially this translated into the Zmey being less of a dragon as its namesake would suggest and more of one-trick pony as it was only able to deliver overpowered tank rounds into suspected enemy posts, thereby causing extreme collateral damage and adding to the number of mangled spots urban guerrillas could hide themselves or their arms.

 

Hence, the JNA summoned the defense companies of the Socialist Republic to find a suitable solution to these issues. More specifically, the Ministry of Defense desired two key items: enhanced protection against anti-tank munitions and a more powerful coaxial/support gun. Several additional desires were announced as well, such as updating the communications suite to be more integrated and adding more external options for the M-72 to navigate urban obstacles. The overarching objective of the upgrade package-to-be was to simply add more doctrinal finesse to Belgrade's urban combat capabilities.

 

Not long after the JNA announced the contract, the Zmey's original manufacturer jumped on the task and the collective Yugoslav defense industry figured they would be the ones to take it all home. Quite surprisingly, however, this was not the case. Rather than the Military Technical Institute Belgrade being announced the winner, it was Zastava Arms, a company that had historically stuck to producing firearms and light crewed weapons. This was Zastava's breakthrough into the heavier side of the defense spectrum and they certainly demonstrated they had a sharp intellect concerning matters of AFV functionality in the field.

 

This knowledge is evidenced by all the modules included in Zastava's urban combat enhancement kit. The kit includes: a 30mm secondary cannon for neutralizing light-skinned vehicles, suppressing hardened positions, and deterring low-flying aircraft; an enhanced active protection suite for negating anti-tank munitions; additional composite and explosive-reactive armor modules around the turret and front third of the vehicle (the area most affected by armored engagements); and a more advanced digital battlefield management system with more supporting communication equipment redundancies.

 

Most of these technologies were borrowed from Slovakia and Czechia given their talents with upgrading dated Soviet-tier platforms; however, many of the electronics are rumored to be clones of Western systems. This latter notion suggests that Zastava has been cultivating its industry ties for quite some time as it would be impossible to successfully clone complex Western electronics and software within a matter of eight months. It is likely that Zastava has been cooperating not only with Italian companies--who have participated with Yugoslav defense contractors before--but also with Songun industrialists who are extremely experienced in illegally manufacturing foreign systems for domestic use. Indeed it might be possible that the USR is utilizing Zastava as a stepping-stone to creating a more concrete footprint in Yugoslav industries across the board. Exactly why this might be done is anyone's guess, but the most likely reason is to lessen the chances of the Socialist Republic selling out the Union of of Songun Republics in the trying future.

  

Shout-out to my boy Evan for doing all the Zmey renders. Also part of a joint upload with Brian's totally lame copy of the M-72.

Seems like just yesterday I was presenting my Sr Degree Project... A years worth of research and development culminating into a meaningful narrative of my cultures bond with rice. #Thebuoyisnostalgic #Paperart #WoodburyUniversity #Designerproblems #PaperSculpture #VSCOcam #Foodsemiotics

Le rhinocéros, graffiti in Arles

 

From Wikipedia, the free encyclopedia

++++++++++++++++++++++++++++++++++

Arles

 

Arles is located in France

Arles is located in Provence-Alpes-Côte d'Azur

Coordinates: 43°40′36″N 4°37′40″ECoordinates: 43°40′36″N 4°37′40″E

Country France

Region Provence-Alpes-Côte d'Azur

Department Bouches-du-Rhône

Arrondissement Arles

Canton Arles

Intercommunality CA Arles-Crau-Camargue-Montagnette

Government

• Mayor (2014–2020) Hervé Schiavetti (PCF)

Area1 758.93 km2 (293.02 sq mi)

Population (2012)2 52,439

• Density 69/km2 (180/sq mi)

Time zone CET (UTC+1)

• Summer (DST) CEST (UTC+2)

INSEE/Postal code 13004 /13200

Elevation 0–57 m (0–187 ft)

(avg. 10 m or 33 ft)

 

1 French Land Register data, which excludes lakes, ponds, glaciers > 1 km² (0.386 sq mi or 247 acres) and river estuaries.

2 Population without double counting: residents of multiple communes (e.g., students and military personnel) only counted once.

 

Arles (French pronunciation: ​[aʁl]; Provençal [ˈaʀle] in both classical and Mistralian norms; Arelate in Classical Latin) is a city and commune in the south of France, in the Bouches-du-Rhône department, of which it is a subprefecture, in the former province of Provence.

 

A large part of the Camargue is located on the territory of the commune, making it the largest commune in Metropolitan France in terms of territory (though Maripasoula, French Guiana, is much larger). The city has a long history, and was of considerable importance in the Roman province of Gallia Narbonensis. The Roman and Romanesque Monuments of Arles were listed as UNESCO World Heritage Sites in 1981. The Dutch post-Impressionist painter Vincent van Gogh lived in Arles from 1888 to 1889 and produced over 300 paintings and drawings during his time there. An international photography festival has been held in the city since 1970.

 

Geography

 

The river Rhône forks into two branches just upstream of Arles, forming the Camargue delta. Because the Camargue is for a large part administratively part of Arles, the commune as a whole is the largest commune in Metropolitan France in terms of territory, although its population is only slightly more than 50,000. Its area is 758.93 km2 (293.02 sq mi), which is more than seven times the area of Paris.

Climate

 

Arles has a Mediterranean climate with a mean annual temperature of 14.6 °C (1948 - 1999). The summers are warm and moderately dry, with seasonal averages between 22 °C and 24 °C, and mild winters with a mean temperature of about 7 °C. The city is constantly, but especially in the winter months, subject to the influence of the mistral, a cold wind which can cause sudden and severe frosts. Rainfall (636 mm per year) is fairly evenly distributed from September to May, with the summer drought being less marked than in other Mediterranean areas.[1]

 

History

Arles Amphitheatre, a Roman arena.

Passageway in Roman arena

Church of St. Trophime and its cloister.

Ancient era

 

The Ligurians were in this area from about 800 BC. Later, Celtic influences have been discovered. The city became an important Phoenician trading port, before being taken by the Romans.

 

The Romans took the town in 123 BC and expanded it into an important city, with a canal link to the Mediterranean Sea being constructed in 104 BC. However, it struggled to escape the shadow of Massalia (Marseilles) further along the coast.

 

Its chance came when it sided with Julius Caesar against Pompey, providing military support. Massalia backed Pompey; when Caesar emerged victorious, Massalia was stripped of its possessions, which were transferred to Arelate as a reward. The town was formally established as a colony for veterans of the Roman legion Legio VI Ferrata, which had its base there. Its full title as a colony was Colonia Iulia Paterna Arelatensium Sextanorum, "the ancestral Julian colony of Arles of the soldiers of the Sixth."

 

Arelate was a city of considerable importance in the province of Gallia Narbonensis. It covered an area of some 40 hectares (99 acres) and possessed a number of monuments, including an amphitheatre, triumphal arch, Roman circus, theatre, and a full circuit of walls. Ancient Arles was closer to the sea than it is now and served as a major port. It also had (and still has) the southernmost bridge on the Rhône. Very unusually, the Roman bridge was not fixed but consisted of a pontoon-style bridge of boats, with towers and drawbridges at each end. The boats were secured in place by anchors and were tethered to twin towers built just upstream of the bridge. This unusual design was a way of coping with the river's frequent violent floods, which would have made short work of a conventional bridge. Nothing remains of the Roman bridge, which has been replaced by a more modern bridge near the same spot.

 

The city reached a peak of influence during the 4th and 5th centuries, when Roman Emperors frequently used it as their headquarters during military campaigns. In 395, it became the seat of the Praetorian Prefecture of the Gauls, governing the western part of the Western Empire: Gaul proper plus Hispania (Spain) and Armorica (Brittany). At that time, the city was perhaps home to 75,000–100,000 people.[2][3][4][5]

 

It became a favorite city of Emperor Constantine I, who built baths there, substantial remains of which are still standing. His son, Constantine II, was born in Arles. Usurper Constantine III declared himself emperor in the West (407–411) and made Arles his capital in 408.

 

Arles became renowned as a cultural and religious centre during the late Roman Empire. It was the birthplace of the sceptical philosopher Favorinus. It was also a key location for Roman Christianity and an important base for the Christianization of Gaul. The city's bishopric was held by a series of outstanding clerics, beginning with Saint Trophimus around 225 and continuing with Saint Honoratus, then Saint Hilarius in the first half of the 5th century. The political tension between the Catholic bishops of Arles and the Visigothic kings is epitomized in the career of the Frankish St. Caesarius, bishop of Arles 503–542, who was suspected by the Arian Visigoth Alaric II of conspiring with the Burgundians to turn over the Arelate to Burgundy, and was exiled for a year to Bordeaux in Aquitaine. Political tensions were evident again in 512, when Arles held out against Theodoric the Great and Caesarius was imprisoned and sent to Ravenna to explain his actions before the Ostrogothic king.[6]

 

The friction between the Arian Christianity of the Visigoths and the Catholicism of the bishops sent out from Rome established deep roots for religious heterodoxy, even heresy, in Occitan culture. At Treves in 385, Priscillian achieved the distinction of becoming the first Christian executed for heresy (Manichaean in his case, see also Cathars, Camisards). Despite this tension and the city's decline in the face of barbarian invasions, Arles remained a great religious centre and host of church councils (see Council of Arles), the rival of Vienne, for hundreds of years.

Roman aqueduct and mill

Aqueduct of Arles at Barbegal

 

The Barbegal aqueduct and mill is a Roman watermill complex located on the territory of the commune of Fontvieille, a few kilometres from Arles. The complex has been referred to as "the greatest known concentration of mechanical power in the ancient world".[7] The remains of the mill streams and buildings which housed the overshot water wheels are still visible at the site, and it is by far the best-preserved of ancient mills. There are two aqueducts which join just north of the mill complex, and a sluice which enabled the operators to control the water supply to the complex. The mill consisted of 16 waterwheels in two separate rows built into a steep hillside. There are substantial masonry remains of the water channels and foundations of the individual mills, together with a staircase rising up the hill upon which the mills are built. The mills apparently operated from the end of the 1st century until about the end of the 3rd century.[8] The capacity of the mills has been estimated at 4.5 tons of flour per day, sufficient to supply enough bread for 6,000 of the 30-40,000 inhabitants of Arelate at that time.[9] A similar mill complex existed also on the Janiculum in Rome. Examination of the mill leat still just visible on one side of the hill shows a substantial accretion of lime in the channel, tending to confirm its long working life.

 

It is thought that the wheels were overshot water wheels with the outflow from the top driving the next one down and so on, to the base of the hill. Vertical water mills were well known to the Romans, being described by Vitruvius in his De Architectura of 25 BC, and mentioned by Pliny the Elder in his Naturalis Historia of 77 AD. There are also later references to floating water mills from Byzantium and to sawmills on the river Moselle by the poet Ausonius. The use of multiple stacked sequences of reverse overshot water-wheels was widespread in Roman mines.

Middle Ages

Place de la République.

Cafe Terrace at Night by Vincent van Gogh (September 1888), depicts the warmth of a café in Arles

 

In 735, after raiding the Lower Rhône, Andalusian Saracens led by Yusuf ibn 'Abd al-Rahman al-Fihri moved into the stronghold summoned by Count Maurontus, who feared Charles Martel's expansionist ambitions, though this may have been an excuse to further Moorish expansion beyond Iberia. The next year, Charles campaigned south to Septimania and Provence, attacking and capturing Arles after destroying Avignon. In 739. Charles definitely drove Maurontus to exile, and brought Provence to heel. In 855, it was made the capital of a Frankish Kingdom of Arles, which included Burgundy and part of Provence, but was frequently terrorised by Saracen and Viking raiders. In 888, Rudolph, Count of Auxerre (now in north-western Burgundy), founded the kingdom of Transjuran Burgundy (literally, beyond the Jura mountains), which included western Switzerland as far as the river Reuss, Valais, Geneva, Chablais and Bugey.

 

In 933, Hugh of Arles ("Hugues de Provence") gave his kingdom up to Rudolph II, who merged the two kingdoms into a new Kingdom of Arles. In 1032, King Rudolph III died, and the kingdom was inherited by Emperor Conrad II the Salic. Though his successors counted themselves kings of Arles, few went to be crowned in the cathedral. Most of the kingdom's territory was progressively incorporated into France. During these troubled times, the amphitheatre was converted into a fortress, with watchtowers built at each of the four quadrants and a minuscule walled town being constructed within. The population was by now only a fraction of what it had been in Roman times, with much of old Arles lying in ruins.

 

The town regained political and economic prominence in the 12th century, with the Holy Roman Emperor Frederick Barbarossa traveling there in 1178 for his coronation. In the 12th century, it became a free city governed by an elected podestat (chief magistrate; literally "power"), who appointed the consuls and other magistrates. It retained this status until the French Revolution of 1789.

 

Arles joined the countship of Provence in 1239, but, once more, its prominence was eclipsed by Marseilles. In 1378, the Holy Roman Emperor Charles IV ceded the remnants of the Kingdom of Arles to the Dauphin of France (later King Charles VI of France) and the kingdom ceased to exist even on paper.

Modern era

 

Arles remained economically important for many years as a major port on the Rhône. In the 19th century, the arrival of the railway diminished river trade, leading to the town becoming something of a backwater.

 

This made it an attractive destination for the painter Vincent van Gogh, who arrived there on 21 February 1888. He was fascinated by the Provençal landscapes, producing over 300 paintings and drawings during his time in Arles. Many of his most famous paintings were completed there, including The Night Cafe, the Yellow Room, Starry Night Over the Rhone, and L'Arlésienne. Paul Gauguin visited van Gogh in Arles. However, van Gogh's mental health deteriorated and he became alarmingly eccentric, culminating in the well-known ear-severing incident in December 1888 which resulted in two stays in the Old Hospital of Arles. The concerned Arlesians circulated a petition the following February demanding that van Gogh be confined. In May 1889, he took the hint and left Arles for the Saint-Paul asylum at nearby Saint-Rémy-de-Provence.

Jewish history

Main article: History of the Jews in Arles

 

Arles had an important and evident Jewish community between the Roman era and until the end of the 15th century. A local legend describes the first Jews in Arles as exiles from Judaea after Jerusalem fell to the Romans. Nevertheless, the first documented evident of Jews in Arles is not before fifth century, when a distinguished community had already existed in town. Arles was an important Jewish crossroads, as a port city and close to Spain and the rest of Europe alike. It served a major role in the work of the Hachmei Provence group of famous Jewish scholars, translators and philosophers, who were most important to Judaism throughout the Middle Ages. At the eighth century, the jurisdiction of the Jews of Arles were passed to the local Archbishop, making the Jewish taxes to the clergy somewhat of a shield for the community from mob attacks, most frequent during the Crusades. The community lived relatively peacefully until the last decade of the 15th century, when they were expelled out of the city never to return. Several Jews did live in the city in the centuries after, though no community was found ever after. Nowadays, Jewish archaeological findings and texts from Arles can be found in the local museum.[10]

Population

Historical population

Year Pop. ±%

1806 20,151 —

1820 20,150 −0.0%

1831 20,236 +0.4%

1836 20,048 −0.9%

1841 20,460 +2.1%

1846 23,101 +12.9%

1851 23,208 +0.5%

1856 24,816 +6.9%

1861 25,543 +2.9%

1866 26,367 +3.2%

1872 24,695 −6.3%

1876 25,095 +1.6%

1881 23,480 −6.4%

1891 24,288 +3.4%

1896 24,567 +1.1%

1901 28,116 +14.4%

1906 31,010 +10.3%

1911 31,014 +0.0%

1921 29,146 −6.0%

1926 32,485 +11.5%

1946 35,017 +7.8%

1954 37,443 +6.9%

1962 41,932 +12.0%

1968 45,774 +9.2%

1975 50,059 +9.4%

1982 50,500 +0.9%

1990 52,058 +3.1%

1999 50,426 −3.1%

2008 52,729 +4.6%

2010 57,328 +8.7%

Main sights

Gallo-Roman theatre.

The Alyscamps.

 

Arles has important Roman remnants, most of which have been listed as UNESCO World Heritage Sites since 1981 within the Arles, Roman and Romanesque Monuments group. They include:

 

The Gallo-Roman theatre

The arena or amphitheatre

The Alyscamps (Roman necropolis)

The Thermae of Constantine

The cryptoporticus

Arles Obelisk

Barbegal aqueduct and mill

 

The Church of St. Trophime (Saint Trophimus), formerly a cathedral, is a major work of Romanesque architecture, and the representation of the Last Judgment on its portal is considered one of the finest examples of Romanesque sculpture, as are the columns in the adjacent cloister.

 

The town also has a museum of ancient history, the Musée de l'Arles et de la Provence antiques, with one of the best collections of Roman sarcophagi to be found anywhere outside Rome itself. Other museums include the Musée Réattu and the Museon Arlaten.

 

The courtyard of the Old Arles hospital, now named "Espace Van Gogh," is a center for Vincent van Gogh's works, several of which are masterpieces.[11] The garden, framed on all four sides by buildings of the complex, is approached through arcades on the first floor. A circulation gallery is located on the first and second floors.[12]

Archaeology

Main article: Arles portrait bust

 

In September–October 2007, divers led by Luc Long from the French Department of Subaquatic Archaeological Research, headed by Michel L'Hour, discovered a life-sized marble bust of an apparently important Roman person in the Rhône near Arles, together with smaller statues of Marsyas in Hellenistic style and of the god Neptune from the third century AD. The larger bust was tentatively dated to 46 BC. Since the bust displayed several characteristics of an ageing person with wrinkles, deep naso-labial creases and hollows in his face, and since the archaeologists believed that Julius Caesar had founded the colony Colonia Iulia Paterna Arelate Sextanorum in 46 BC, the scientists came to the preliminary conclusion that the bust depicted a life-portrait of the Roman dictator: France's Minister of Culture Christine Albanel reported on May 13, 2008, that the bust would be the oldest representation of Caesar known today.[13] The story was picked up by all larger media outlets.[14][15] The realism of the portrait was said to place it in the tradition of late Republican portrait and genre sculptures. The archaeologists further claimed that a bust of Julius Caesar might have been thrown away or discreetly disposed of, because Caesar's portraits could have been viewed as politically dangerous possessions after the dictator's assassination.

 

Historians and archaeologists not affiliated with the French administration, among them Paul Zanker, the renowned archaeologist and expert on Caesar and Augustus, were quick to question whether the bust is a portrait of Caesar.[16][17][18] Many noted the lack of resemblances to Caesar's likenesses issued on coins during the last years of the dictator's life, and to the Tusculum bust of Caesar,[19] which depicts Julius Caesar in his lifetime, either as a so-called zeitgesicht or as a direct portrait. After a further stylistic assessment, Zanker dated the Arles-bust to the Augustan period. Elkins argued for the third century AD as the terminus post quem for the deposition of the statues, refuting the claim that the bust was thrown away due to feared repercussions from Caesar's assassination in 44 BC.[20] The main argument by the French archaeologists that Caesar had founded the colony in 46 BC proved to be incorrect, as the colony was founded by Caesar's former quaestor Tiberius Claudius Nero on the dictator's orders in his absence.[21] Mary Beard has accused the persons involved in the find of having willfully invented their claims for publicity reasons. The French ministry of culture has not yet responded to the criticism and negative reviews.

Sport

 

AC Arles-Avignon is a professional French football team. They currently play in Championnat de France Amateur, the fourth division in French football. They play at the Parc des Sports, which has a capacity of just over 17,000.

Culture

 

A well known photography festival, Rencontres d'Arles, takes place in Arles every year, and the French national school of photography is located there.

 

The major French publishing house Actes Sud is also situated in Arles.

 

Bull fights are conducted in the amphitheatre, including Provençal-style bullfights (courses camarguaises) in which the bull is not killed, but rather a team of athletic men attempt to remove a tassle from the bull's horn without getting injured. Every Easter and on the first weekend of September, during the feria, Arles also holds Spanish-style corridas (in which the bulls are killed) with an encierro (bull-running in the streets) preceding each fight.

 

The film Ronin was partially filmed in Arles.

European Capital of Culture

 

Arles played a major role in Marseille-Provence 2013, the year-long series of cultural events held in the region after it was designated the European Capital of Culture for 2013. The city hosted a segment of the opening ceremony with a pyrotechnical performance by Groupe F on the banks of the Rhône. It also unveiled the new wing of the Musée Départemental Arles Antique as part of Marseille-Provence 2013.

Economy

 

Arles's open-air street market is a major market in the region. It occurs on Saturday and Wednesday mornings.

Transport

 

The Gare d'Arles railway station offers connections to Avignon, Nîmes, Marseille, Paris, Bordeaux and several regional destinations.

Notable people

 

Vincent van Gogh, lived here from February 1888 until May 1889.

The Provençal poet Frédéric Mistral (1830–1914) was born near Arles

Jeanne Calment (1875–1997), the oldest human being whose age is documented, was born, lived and died, at the age of 122 years and 164 days, in Arles

Anne-Marie David, singer (Eurovision winner in 1973)

Christian Lacroix, fashion designer

Lucien Clergue, photographer

Djibril Cissé, footballer

Antoine de Seguiran, 18th-century encyclopédiste

Genesius of Arles, a notary martyred under Maximianus in 303 or 308

Blessed Jean Marie du Lau, last Archbishop of Arles, killed by the revolutionary mob in Paris on September 2, 1792

Juan Bautista (real name Jean-Baptiste Jalabert), matador

Maja Hoffmann, art patron

Mehdi Savalli, matador

The medieval writer Antoine de la Sale was probably born in Arles around 1386

Home of the Gipsy Kings, a music group from Arles

Gael Givet, footballer

Lloyd Palun, footballer

Fanny Valette, actress

Luc Hoffmann, ornithologist, conservationist and philanthropist.

Saint Caesarius of Arles, bishop who lived from the late 5th to the mid 6th century, known for prophecy and writings that would later be used by theologians such as St. Thomas Aquinas

Samuel ibn Tibbon, famous Jewish translator and scholar during the Middle Ages.

Kalonymus ben Kalonymus, famous Jewish scholar and philosopher, Arles born, active during the Middle Ages.

 

Twin towns — sister cities

See also: List of twin towns and sister cities in France

 

Arles is twinned with:

 

Pskov, Russia

Jerez de la Frontera, Spain

Fulda, Germany

York, Pennsylvania, United States

Cubelles, Spain

Vercelli, Italy

Sagné, Mauritania

Kalymnos, Greece

Wisbech, United Kingdom

Zhouzhuang, Kunshan, Jiangsu, People's Republic of China

Verviers, Belgium

 

See also

 

Archbishopric of Arles

Montmajour Abbey

Trinquetaille

Langlois Bridge

Saint-Martin-de-Crau

Communes of the Bouches-du-Rhône department

 

References

 

This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Archdiocese of Aix". Catholic Encyclopedia. New York: Robert Appleton.

INSEE

 

The table contains the temperatures and precipitation of the city of Arles for the period 1948-1999, extracted from the site Sophy.u-3mrs.fr.

www.academia.edu/1166147/_The_Fall_and_Decline_of_the_Rom...

Rick Steves' Provence & the French Riviera, p. 78, at Google Books

Nelson's Dictionary of Christianity: The Authoritative Resource on the Christian World, p. 1173, at Google Books

Provence, p. 81, at Google Books

Wace, Dictionary)

Greene, Kevin (2000). "Technological Innovation and Economic Progress in the Ancient World: M.I. Finley Re-Considered". The Economic History Review. New Series. 53 (1): 29–59 [p. 39]. doi:10.1111/1468-0289.00151.

"Ville d'Histoire et de Patrimoine". Patrimoine.ville-arles.fr. Retrieved 2013-03-25.

"La meunerie de Barbegal". Etab.ac-caen.fr. Retrieved 2013-03-25.

jewishencyclopedia.com/articles/1784-arles

Fisher, R, ed (2011). Fodor's France 2011. Toronto and New York: Fodor's Travel, division of Random House. p. 563 ISBN 978-1-4000-0473-7.

"Espace Van Gogh". Visiter, Places of Interest. Arles Office de Tourisme. Retrieved 2011-04-29.

Original communiqué (May 13, 2008); second communiqué (May 20, 2008); report (May 20, 2008)

E.g."Divers find marble bust of Caesar that may date to 46 B.C.". Archived from the original on 2008-06-05. Retrieved 2008-05-14. , CNN-Online et al.

Video (QuickTime) Archived May 28, 2008, at the Wayback Machine. on the archaeological find (France 3)

Paul Zanker, "Der Echte war energischer, distanzierter, ironischer" Archived May 29, 2008, at the Wayback Machine., Sueddeutsche Zeitung, May 25, 2008, on-line

Mary Beard, "The face of Julius Caesar? Come off it!", TLS, May 14, 2008, on-line

Nathan T. Elkins, 'Oldest Bust' of Julius Caesar found in France?, May 14, 2008, on-line

Cp. this image at the AERIA library

A different approach was presented by Mary Beard, in that members of a military Caesarian colony would not have discarded portraits of Caesar, whom they worshipped as god, although statues were in fact destroyed by the Anti-Caesarians in the city of Rome after Caesar's assassination (Appian, BC III.1.9).

Konrat Ziegler & Walther Sontheimer (eds.), "Arelate", in Der Kleine Pauly: Lexikon der Antike, Vol. 1, col. 525, Munich 1979; in 46 BC, Caesar himself was campaigning in Africa, before later returning to Rome.

LOS ANGELES - Culminating its final cross-country journey with a series of low-level flyovers across California, the space shuttle Endeavour arrived safely atop its special transporter aircraft at Los Angeles International Airport on September 21, 2012. Licensed Image - Mandatory Credit: LAFD Photo by Harry Garvin

Walking alongside the River Witham in Lincoln, Lincolnshire.

 

The River Witham is a river almost entirely in the county of Lincolnshire in the east of England. It rises south of Grantham close to South Witham, passes Lincoln and at Boston, flows into The Haven, a tidal arm of The Wash, near RSPB Frampton Marsh. The name "Witham" seems to be extremely old and of unknown origin. Archaeological and documentary evidence shows the importance of the Witham as a navigation from the Iron Age onwards.

 

From Roman times it was navigable to Lincoln, from where the Fossdyke was constructed to link it to the River Trent. The mouth of the river moved in 1014 following severe flooding, and Boston became important as a port. From 1142 onwards, sluices were constructed to prevent flooding by the sea, and this culminated in the Great Sluice, which was constructed in 1766.

 

It maintained river levels above Boston and helped to scour the channel below it. The land through which the lower river runs has been the subject of much land drainage, and many drains are connected to the Witham by flood doors, which block them off if river levels rise rapidly.

 

The river is navigable from Brayford Pool in Lincoln to Boston, with Locks only in Lincoln, at Bardney and at the Grand Sluice. Passage through the Grand Sluice lock is restricted to short periods when the tidal levels are suitable.

 

The river provides access for boaters to the Witham Navigable Drains, to the north of Boston, and to the South Forty-Foot Drain to the south, which was reopened as part of the Fens Waterways Link, a project to link the river to the River Nene near Peterborough. From Brayford Pool, the Fossdyke Navigation still links to the Trent.

 

Information Source:

en.wikipedia.org/wiki/River_Witham

 

Chassis n° 16610

 

Zoute Sale - Bonhams

Estimated : € 180.000 - 200.000

Sold for € 178.250

 

Zoute Grand Prix 2022

Knokke - Zoute

België - Belgium

October 2022

 

One of the great names in post-war French motor sport, Alpine was the brainchild of Dieppe garagiste's son, Jean Redele, who began in the early 1950s by developing a competition version of the popular little Renault 4CV, which won its class in the Mille Miglia three years running

 

From this he developed the first Alpine - the A106 with Renault 4CV running gear and streamlined glassfibre coupé bodywork - which was presented to Régie Renault in July 1955. This 747cc Renault 4CV-based machine set the trend for a range of sports cars culminating in the A610 of the mid-1990s. Glassfibre bodies and rear-mounted production engines remained a common theme for 40 years. Up-rated in 1956 with the new Dauphine engine, the A106 also established the company's competition heritage with a class-winning performance in the 1956 Mille Miglia.

 

By 1958 Redele was using a sophisticated tubular steel chassis, and in 1961 he introduced the A108 Berlinette Tour de France which featured a tubular backbone frame, double wishbone front suspension and a Renault Dauphine swing-axle set-up at the rear. It was developed into a potent - and often unbeatable - rally car, using a variety of Renault power units.

 

For 1963 Alpine launched the A110 Berlinette, which became the mainspring of production. Produced from 1962 through to 1977, this charismatic sports two-seater rivalled the Porsche 911 for performance while being even more exclusive: the hand-built Alpines left the factory at the rate of only 10 per week in the late 1960s/early 1970s. Alpines were also assembled by Renault's subsidiaries in Brazil, Bulgaria, Mexico and Spain.

 

The works cars featured even lighter bodywork, and standard trim items such as the faux bumpers, front and rear were replaced with plastic components. Additional improvements for the works cars included a reinforced front chassis together with under-body protection. Even the air intake was moved to avoid accumulations of snow or mud. A centrally mounted aviation-grade fuel tank, larger brakes and wheels, front-mounted oil cooler, and larger oil filter completed the factory upgrades.

 

Its rearward weight bias gave the A110 outstanding cornering characteristics for rallying. In 1969 A110s finished 1st, 2nd, 3rd in the Coupe des Alpes and came 3rd in the Monte Carlo Rally. The following year, Alpines again came 3rd in the Monte and won the Acropolis and Tour de Corse rallies. Alpine driver Jean-Claude Andruet became European Rally Champion. By 1971 the marque's competition record had endeared Alpine to Renault to such an extent that they were appointed as its official competition wing. More successes followed in 1971, '72 and '73, including two Monte Carlo Rally victories and the first World Rally Championship for Makes.

 

This Berlinette was assembled by the factory's competition department in 1970. Production records (on file) indicate that serial number '16610' was assigned by the competition department on 25th November 1969. Its original body number was '2606'. The sales department's archives indicate that the car was delivered six months later, in June 1970.

 

It should be noted that the body was supplied to the racing department already painted but without the front axle or the engine/transmission, which were installed later by the competition department's mechanics. '16610' was completed in October 1970 and registered on the 15th of the same month as '7850 GS 76'. Equipped with a 'small chassis' (the 'large chassis' having appeared in the same period, but on competition cars intended for dirt roads), '16610' was an 'asphalt' car and made its debut on the 1970 Tour de Corse. Chassis '16610' with body '2606' would participate in three events of the World Rally Championship:

 

7/8 November 1971 - Tour de Corse - No.8 - Vinatier/Murac – 5th

28/29 November 1971 - Criterium des Cévennes - No.76 - De Cortanze/Roure – 12th

December 1970 - Essais Monte Carlo - Andersson

 

After this last event at Monte-Carlo with Ove Andersson, '16610' was returned to Alpine's Used Vehicles department on 21st December 1970 for reconditioning in anticipation of its sale to private clients (as evidenced in the dossier). Jean Rédélé limited his competition cars to running only two or three events before offering them for sale to privateers. This would allow him to regularly supply his official factory drivers with new cars, while at the same time claiming that privateers could have exactly the same cars as factory drivers. Thus, a regular supply chain was established between the factory and the private teams.

 

For some unknown reason, the Used Vehicles department removed the (diamond-shaped) chassis plates from used competition cars and attached them to their respective registration documents. Only the oval plates (bearing the body number) remained on the car. Whenever a customer went to the Rédélé dealership or the sales department to buy a reconditioned competition car, he was offered those that were refurbished and ready for sale. At that time a registration document would be assigned to the car and the diamond plate installed. This resulted in a mix of registration documents, chassis plates and cars.

 

Thus, the registration document and the (diamond-shaped) chassis plate of '16610' was parted from body number '2606' and transferred to body number '2610'. According to the production archives (evidenced in the history file), body number '2610' corresponds to the Alpine chassis '16665', which was assigned to the competition department. (This car did not run competitively, so in all likelihood it was a mule.) Probably because it was in very good condition, this mule was preferred to the factory body ('2606') which had competed in the Tour de Corse and the Rally des Cévennes. As a matter of fact, the customer who took delivery of '16610' was none other than Jacques Henry, already the best Alpine privateer, who expected to fight for the 1971 French championship. He most likely needed a fresh car! The diamond chassis plate '16610' finally ended up with body '2610', as we see it today. '16610' with its current body '2610' entered the following races during the 1971 season:

 

20/21 February 1971 – Neige et Glace – No.19 – Henry/Grobot – 6th

4-7 March 1971 – Rallye Lyon Charbonnières – No.19 – Henry/Grobot – 5th

4 April 1971 – Critérium de Touraine – Henry – 4th

25 April 1971 – Tour de l'Aisne – No.6 – Henry/Grobot – 3rd

1/2 May 1971 – C/C des Monts du Jura – Henry – 4th

8/9 May 1971 – Critérium Alpin – No.7 – Henry/Grobot – 1st

16 May 1971 – Ronde du Vercors Vivarais – No.9 – Henry – 2nd

29/30 May 1971 – C/C du Mont Revard – Henry – 4th

13 June 1971 – Hill climb de Cruseille de Salève – Henry – 22nd

20 June 1971 – Rallye de Genève – No.20 – Henry/Grobot – 2nd

18/19 September 1971 – Hill Climb de la Faucille – No.23 – Dolibeau – 19th

9 /10 October 1971 – Rallye de Franche Comté – No.21 – Dolibeau – 23rd

1972 – Hill climb de Bourbach – Dolibeau

 

Jacques Henry parted with '16610' in the middle of the 1971 season and it was Roland Dolibeau from Besançon who acquired the car to finish the season. The car was then sold to Switzerland at an unknown date. It formed part of an important collection before being bought by another great Swiss collector, Peter Müller, who kept for many years until just recently.

 

'16610' has been the subject of a thorough mechanical restoration and preparation in recent years and is mechanically ready to go. Offered with a Monte Carlo gearbox, a set of wheels and additional miscellaneous parts, '16610' is an ideal candidate for prestigious events such as the Tour Auto.

A formation of Lockheed Martin F-35A "Lightning IIs", from the 388th Fighter Wing and 419th FW, refuel over the Utah Test and Training Range, Utah, as part of a combat power exercise Nov. 19, 2018. The exercise aims to confirm their ability to quickly employ a large force of jets against air and ground targets, and demonstrate the readiness and lethality of the F-35. As the first combat-ready F-35 units in the Air Force, the 388th and 419th FWs at Hill Air Force Base, Utah, are ready to deploy anywhere in the world at a moment's notice.

  

From Wikipedia, the free encyclopedia

 

The Lockheed Martin F-22 Raptor is a fifth-generation, single-seat, twin-engine, all-weather stealth tactical fighter aircraft developed for the United States Air Force (USAF). The result of the USAF's Advanced Tactical Fighter (ATF) program, the aircraft was designed primarily as an air superiority fighter, but also has ground attack, electronic warfare, and signal intelligence capabilities. The prime contractor, Lockheed Martin, built most of the F-22's airframe and weapons systems and conducted final assembly, while Boeing provided the wings, aft fuselage, avionics integration, and training systems.

 

The aircraft was variously designated F-22 and F/A-22 before it formally entered service in December 2005 as the F-22A. Despite its protracted development and various operational issues, USAF officials consider the F-22 a critical component of the service's tactical air power. Its combination of stealth, aerodynamic performance, and situational awareness enable unprecedented air combat capabilities.

 

Service officials had originally planned to buy a total of 750 ATFs. In 2009, the program was cut to 187 operational production aircraft due to high costs, a lack of clear air-to-air missions due to delays in Russian and Chinese fighter programs, a ban on exports, and development of the more versatile F-35. The last F-22 was delivered in 2012.

  

Development

 

Origins

 

In 1981, the U.S. Air Force identified a requirement for an Advanced Tactical Fighter (ATF) to replace the F-15 Eagle and F-16 Fighting Falcon. Code named "Senior Sky", this air-superiority fighter program was influenced by emerging worldwide threats, including new developments in Soviet air defense systems and the proliferation of the Su-27 "Flanker"- and MiG-29 "Fulcrum"-class of fighter aircraft. It would take advantage of the new technologies in fighter design on the horizon, including composite materials, lightweight alloys, advanced flight control systems, more powerful propulsion systems, and most importantly, stealth technology. In 1983, the ATF concept development team became the System Program Office (SPO) and managed the program at Wright-Patterson Air Force Base. The demonstration and validation (Dem/Val) request for proposals (RFP) was issued in September 1985, with requirements placing strong emphasis on stealth and supercruise. Of the seven bidding companies, Lockheed and Northrop were selected on 31 October 1986. Lockheed teamed with Boeing and General Dynamics while Northrop teamed with McDonnell Douglas, and the two contractor teams undertook a 50-month Dem/Val phase, culminating in the flight test of two technology demonstrator prototypes, the YF-22 and the YF-23, respectively.

 

Dem/Val was focused on risk reduction and technology development plans over specific aircraft designs. Contractors made extensive use of analytical and empirical methods, including computational fluid dynamics, wind-tunnel testing, and radar cross-section calculations and pole testing; the Lockheed team would conduct nearly 18,000 hours of wind-tunnel testing. Avionics development was marked by extensive testing and prototyping and supported by ground and flying laboratories. During Dem/Val, the SPO used the results of performance and cost trade studies conducted by contractor teams to adjust ATF requirements and delete ones that were significant weight and cost drivers while having marginal value. The short takeoff and landing (STOL) requirement was relaxed in order to delete thrust-reversers, saving substantial weight. As avionics was a major cost driver, side-looking radars were deleted, and the dedicated infra-red search and track (IRST) system was downgraded from multi-color to single color and then deleted as well. However, space and cooling provisions were retained to allow for future addition of these components. The ejection seat requirement was downgraded from a fresh design to the existing McDonnell Douglas ACES II. Despite efforts by the contractor teams to rein in weight, the takeoff gross weight estimate was increased from 50,000 lb (22,700 kg) to 60,000 lb (27,200 kg), resulting in engine thrust requirement increasing from 30,000 lbf (133 kN) to 35,000 lbf (156 kN) class.

 

Each team produced two prototype air vehicles for Dem/Val, one for each of the two engine options. The YF-22 had its maiden flight on 29 September 1990 and in flight tests achieved up to Mach 1.58 in supercruise. After the Dem/Val flight test of the prototypes, on 23 April 1991, Secretary of the USAF Donald Rice announced the Lockheed team as the winner of the ATF competition. The YF-23 design was considered stealthier and faster, while the YF-22, with its thrust vectoring nozzles, was more maneuverable as well as less expensive and risky. The aviation press speculated that the Lockheed team's design was also more adaptable to the U.S. Navy's Navalized Advanced Tactical Fighter (NATF), but by 1992, the Navy had abandoned NATF.

  

Production and procurement

 

As the program moved to full-scale development, or the Engineering & Manufacturing Development (EMD) stage, the production version had notable differences from the YF-22, despite having a broadly similar shape. The swept-back angle of the leading edge was decreased from 48° to 42°, while the vertical stabilizers were shifted rearward and decreased in area by 20%. To improve pilot visibility, the canopy was moved forward 7 inches (18 cm), and the engine intakes moved rearward 14 inches (36 cm). The shapes of the wing and stabilator trailing edges were refined to improve aerodynamics, strength, and stealth characteristics. Increasing weight during development caused slight reductions in range and maneuver performance.

 

Prime contractor Lockheed Martin Aeronautics manufactured the majority of the airframe and performed final assembly at Dobbins Air Reserve Base in Marietta, Georgia; program partner Boeing Defense, Space & Security provided additional airframe components as well as avionics integration and training systems. The first F-22, an EMD aircraft with tail number 4001, was unveiled at Marietta, Georgia, on 9 April 1997, and first flew on 7 September 1997. Production, with the first lot awarded in September 2000, supported over 1,000 subcontractors and suppliers from 46 states and up to 95,000 jobs, and spanned 15 years at a peak rate of roughly two airplanes per month. In 2006, the F-22 development team won the Collier Trophy, American aviation's most prestigious award. Due to the aircraft's advanced nature, contractors have been targeted by cyberattacks and technology theft.

 

The USAF originally envisioned ordering 750 ATFs at a total program cost of $44.3 billion and procurement cost of $26.2 billion in fiscal year (FY) 1985 dollars, with production beginning in 1994. The 1990 Major Aircraft Review led by Secretary of Defense Dick Cheney reduced this to 648 aircraft beginning in 1996. By 1997, funding instability had further cut the total to 339, which was again reduced to 277 by 2003. In 2004, the Department of Defense (DoD) further reduced this to 183 operational aircraft, despite the USAF's preference for 381. A multi-year procurement plan was implemented in 2006 to save $15 billion, with total program cost projected to be $62 billion for 183 F-22s distributed to seven combat squadrons. In 2008, Congress passed a defense spending bill that raised the total orders for production aircraft to 187.

 

The first two F-22s built were EMD aircraft in the Block 1.0 configuration for initial flight testing, while the third was a Block 2.0 aircraft built to represent the internal structure of production airframes and enabled it to test full flight loads. Six more EMD aircraft were built in the Block 10 configuration for development and upgrade testing, with the last two considered essentially production quality jets. Production for operational squadrons consisted of 37 Block 20 training aircraft and 149 Block 30/35 combat aircraft; one of the Block 35 aircraft is dedicated to flight sciences at Edwards Air Force Base.

 

The numerous new technologies in the F-22 resulted in substantial cost overruns and delays. Many capabilities were deferred to post-service upgrades, reducing the initial cost but increasing total program cost. As production wound down in 2011, the total program cost is estimated to be about $67.3 billion, with $32.4 billion spent on Research, Development, Test and Evaluation (RDT&E) and $34.9 billion on procurement and military construction (MILCON) in then year dollars. The incremental cost for an additional F-22 was estimated at about $138 million in 2009.

 

Ban on exports

 

The F-22 cannot be exported under US federal law to protect its stealth technology and other high-tech features. Customers for U.S. fighters are acquiring earlier designs such as the F-15 Eagle and F-16 Fighting Falcon or the newer F-35 Lightning II, which contains technology from the F-22 but was designed to be cheaper, more flexible, and available for export. In September 2006, Congress upheld the ban on foreign F-22 sales. Despite the ban, the 2010 defense authorization bill included provisions requiring the DoD to prepare a report on the costs and feasibility for an F-22 export variant, and another report on the effect of F-22 export sales on U.S. aerospace industry.

 

Some Australian politicians and defense commentators proposed that Australia should attempt to purchase F-22s instead of the planned F-35s, citing the F-22's known capabilities and F-35's delays and developmental uncertainties. However, the Royal Australian Air Force (RAAF) determined that the F-22 was unable to perform the F-35's strike and close air support roles. The Japanese government also showed interest in the F-22 for its Replacement-Fighter program. The Japan Air Self-Defense Force (JASDF) would reportedly require fewer fighters for its mission if it obtained the F-22, thus reducing engineering and staffing costs. However, in 2009 it was reported that acquiring the F-22 would require increases to the Japanese government's defense budget beyond the historical 1 percent of its GDP. With the end of F-22 production, Japan chose the F-35 in December 2011. Israel also expressed interest, but eventually chose the F-35 because of the F-22's price and unavailability.

 

Production termination

 

Throughout the 2000s, the need for F-22s was debated, due to rising costs and the lack of relevant adversaries. In 2006, Comptroller General of the United States David Walker found that "the DoD has not demonstrated the need" for more investment in the F-22, and further opposition to the program was expressed by Secretary of Defense Donald Rumsfeld, Deputy Secretary of Defense Gordon R. England, Senator John McCain, and Chairman of U.S. Senate Committee on Armed Services Senator John Warner. The F-22 program lost influential supporters in 2008 after the forced resignations of Secretary of the Air Force Michael Wynne and the Chief of Staff of the Air Force General T. Michael Moseley.

 

In November 2008, Secretary of Defense Robert Gates stated that the F-22 was not relevant in post-Cold War conflicts such as irregular warfare operations in Iraq and Afghanistan, and in April 2009, under the new Obama Administration, he called for ending production in FY2011, leaving the USAF with 187 production aircraft. In July, General James Cartwright, Vice Chairman of the Joint Chiefs of Staff, stated to the Senate Committee on Armed Services his reasons for supporting termination of F-22 production. They included shifting resources to the multirole F-35 to allow proliferation of fifth-generation fighters for three service branches and preserving the F/A-18 production line to maintain the military's electronic warfare (EW) capabilities in the Boeing EA-18G Growler.[60] Issues with the F-22's reliability and availability also raised concerns. After President Obama threatened to veto further production, the Senate voted in July 2009 in favor of ending production and the House subsequently agreed to abide by the 187 production aircraft cap. Gates stated that the decision was taken in light of the F-35's capabilities, and in 2010, he set the F-22 requirement to 187 aircraft by lowering the number of major regional conflict preparations from two to one.

 

In 2010, USAF initiated a study to determine the costs of retaining F-22 tooling for a future Service Life Extension Program (SLEP).[66] A RAND Corporation paper from this study estimated that restarting production and building an additional 75 F-22s would cost $17 billion, resulting in $227 million per aircraft, or $54 million higher than the flyaway cost. Lockheed Martin stated that restarting the production line itself would cost about $200 million. Production tooling and associated documentation were subsequently stored at the Sierra Army Depot, allowing the retained tooling to support the fleet life cycle. There were reports that attempts to retrieve this tooling found empty containers, but a subsequent audit found that the tooling was stored as expected.

 

Russian and Chinese fighter developments have fueled concern, and in 2009, General John Corley, head of Air Combat Command, stated that a fleet of 187 F-22s would be inadequate, but Secretary Gates dismissed General Corley's concern. In 2011, Gates explained that Chinese fifth-generation fighter developments had been accounted for when the number of F-22s was set, and that the U.S. would have a considerable advantage in stealth aircraft in 2025, even with F-35 delays. In December 2011, the 195th and final F-22 was completed out of 8 test EMD and 187 operational aircraft produced; the aircraft was delivered to the USAF on 2 May 2012.

 

In April 2016, the House Armed Services Committee (HASC) Tactical Air and Land Forces Subcommittee proposed legislation that would direct the Air Force to conduct a cost study and assessment associated with resuming production of the F-22. Since the production halt directed in 2009 by then Defense Secretary Gates, lawmakers and the Pentagon noted that air warfare systems of Russia and China were catching up to those of the U.S. Lockheed Martin has proposed upgrading the Block 20 training aircraft into combat-coded Block 30/35 versions as a way to increase numbers available for deployment. On 9 June 2017, the Air Force submitted their report to Congress stating they had no plans to restart the F-22 production line due to economic and operational issues; it estimated it would cost approximately $50 billion to procure 194 additional F-22s at a cost of $206–$216 million per aircraft, including approximately $9.9 billion for non-recurring start-up costs and $40.4 billion for aircraft procurement costs.

 

Upgrades

 

The first aircraft with combat-capable Block 3.0 software flew in 2001. Increment 2, the first upgrade program, was implemented in 2005 for Block 20 aircraft onward and enabled the employment of Joint Direct Attack Munitions (JDAM). Certification of the improved AN/APG-77(V)1 radar was completed in March 2007, and airframes from production Lot 5 onward are fitted with this radar, which incorporates air-to-ground modes. Increment 3.1 for Block 30 aircraft onward provided improved ground-attack capability through synthetic aperture radar mapping and radio emitter direction finding, electronic attack and Small Diameter Bomb (SDB) integration; testing began in 2009 and the first upgraded aircraft was delivered in 2011. To address oxygen deprivation issues, F-22s were fitted with an automatic backup oxygen system (ABOS) and modified life support system starting in 2012.

 

Increment 3.2 for Block 35 aircraft is a two-part upgrade process; 3.2A focuses on electronic warfare, communications and identification, while 3.2B includes geolocation improvements and a new stores management system to show the correct symbols for the AIM-9X and AIM-120D.[83][84] To enable two-way communication with other platforms, the F-22 can use the Battlefield Airborne Communications Node (BACN) as a gateway. The planned Multifunction Advanced Data Link (MADL) integration was cut due to development delays and lack of proliferation among USAF platforms. The F-22 fleet is planned to start receiving Increment 3.2B as well as a software upgrade for cryptography capabilities and avionics stability in May 2019. A Multifunctional Information Distribution System-Joint (MIDS-J) radio that replaces the current Link-16 receive-only box is expected to be operational by 2020. Subsequent upgrades are also focusing on having an open architecture to enable faster future enhancements.

 

In 2024, funding is projected to begin for the F-22 mid-life upgrade (MLU), which is expected to include new sensors and antennas, hardware refresh, cockpit improvements, and a helmet mounted display and cuing system. Other enhancements being developed include IRST functionality for the AN/AAR-56 Missile Launch Detector (MLD) and more durable stealth coating based on the F-35's.

 

The F-22 was designed for a service life of 8,000 flight hours, with a $350 million "structures retrofit program". Investigations are being made for upgrades to extend their useful lives further. In the long term, the F-22 is expected to be superseded by a sixth-generation jet fighter to be fielded in the 2030s.

  

Design

 

Overview

 

The F-22 Raptor is a fifth-generation fighter that is considered fourth generation in stealth aircraft technology by the USAF.[91] It is the first operational aircraft to combine supercruise, supermaneuverability, stealth, and sensor fusion in a single weapons platform. The F-22 has four empennage surfaces, retractable tricycle landing gear, and clipped delta wings with reverse trailing edge sweep and leading edge extensions running to the upper outboard corner of the inlets. Flight control surfaces include leading-edge flaps, flaperons, ailerons, rudders on the canted vertical stabilizers, and all-moving horizontal tails (stabilators); for speed brake function, the ailerons deflect up, flaperons down, and rudders outwards to increase drag.

 

The aircraft's dual Pratt & Whitney F119-PW-100 augmented turbofan engines are closely spaced and incorporate pitch-axis thrust vectoring nozzles with a range of ±20 degrees; each engine has maximum thrust in the 35,000 lbf (156 kN) class. The F-22's thrust-to-weight ratio at typical combat weight is nearly at unity in maximum military power and 1.25 in full afterburner. Maximum speed without external stores is approximately Mach 1.8 at military power and greater than Mach 2 with afterburners.

 

The F-22's high cruise speed and operating altitude over prior fighters improve the effectiveness of its sensors and weapon systems, and increase survivability against ground defenses such as surface-to-air missiles. The aircraft is among only a few that can supercruise, or sustain supersonic flight without using fuel-inefficient afterburners; it can intercept targets which subsonic aircraft would lack the speed to pursue and an afterburner-dependent aircraft would lack the fuel to reach. The F-22's thrust and aerodynamics enable regular combat speeds of Mach 1.5 at 50,000 feet (15,000 m). The use of internal weapons bays permits the aircraft to maintain comparatively higher performance over most other combat-configured fighters due to a lack of aerodynamic drag from external stores. The aircraft's structure contains a significant amount of high-strength materials to withstand stress and heat of sustained supersonic flight. Respectively, titanium alloys and composites comprise 39% and 24% of the structural weight.

 

The F-22's aerodynamics, relaxed stability, and powerful thrust-vectoring engines give it excellent maneuverability and energy potential across its flight envelope. The airplane has excellent high alpha (angle of attack) characteristics, capable of flying at trimmed alpha of over 60° while maintaining roll control and performing maneuvers such as the Herbst maneuver (J-turn) and Pugachev's Cobra. The flight control system and full-authority digital engine control (FADEC) make the aircraft highly departure resistant and controllable, thus giving the pilot carefree handling.

  

Stealth

 

The F-22 was designed to be highly difficult to detect and track by radar. Measures to reduce radar cross-section (RCS) include airframe shaping such as alignment of edges, fixed-geometry serpentine inlets and curved vanes that prevent line-of-sight of the engine faces and turbines from any exterior view, use of radar-absorbent material (RAM), and attention to detail such as hinges and pilot helmets that could provide a radar return. The F-22 was also designed to have decreased radio emissions, infrared signature and acoustic signature as well as reduced visibility to the naked eye. The aircraft's flat thrust-vectoring nozzles reduce infrared emissions of the exhaust plume to mitigate the threat of infrared homing ("heat seeking") surface-to-air or air-to-air missiles. Additional measures to reduce the infrared signature include special topcoat and active cooling of leading edges to manage the heat buildup from supersonic flight.

 

Compared to previous stealth designs like the F-117, the F-22 is less reliant on RAM, which are maintenance-intensive and susceptible to adverse weather conditions. Unlike the B-2, which requires climate-controlled hangars, the F-22 can undergo repairs on the flight line or in a normal hangar. The F-22 has a Signature Assessment System which delivers warnings when the radar signature is degraded and necessitates repair. While the F-22's exact RCS is classified, in 2009 Lockheed Martin released information indicating that from certain angles the aircraft has an RCS of 0.0001 m² or −40 dBsm – equivalent to the radar reflection of a "steel marble". Effectively maintaining the stealth features can decrease the F-22's mission capable rate to 62–70%.

 

The effectiveness of the stealth characteristics is difficult to gauge. The RCS value is a restrictive measurement of the aircraft's frontal or side area from the perspective of a static radar. When an aircraft maneuvers it exposes a completely different set of angles and surface area, potentially increasing radar observability. Furthermore, the F-22's stealth contouring and radar absorbent materials are chiefly effective against high-frequency radars, usually found on other aircraft. The effects of Rayleigh scattering and resonance mean that low-frequency radars such as weather radars and early-warning radars are more likely to detect the F-22 due to its physical size. However, such radars are also conspicuous, susceptible to clutter, and have low precision. Additionally, while faint or fleeting radar contacts make defenders aware that a stealth aircraft is present, reliably vectoring interception to attack the aircraft is much more challenging. According to the USAF an F-22 surprised an Iranian F-4 Phantom II that was attempting to intercept an American UAV, despite Iran's assertion of having military VHF radar coverage over the Persian Gulf.

The Tower of London, officially His Majesty's Royal Palace and Fortress of the Tower of London, is a historic castle on the north bank of the River Thames in central London, England. It lies within the London Borough of Tower Hamlets, which is separated from the eastern edge of the square mile of the City of London by the open space known as Tower Hill. It was founded toward the end of 1066 as part of the Norman Conquest. The White Tower, which gives the entire castle its name, was built by William the Conqueror in 1078 and was a resented symbol of oppression, inflicted upon London by the new Norman ruling class. The castle was also used as a prison from 1100 (Ranulf Flambard) until 1952 (Kray twins), although that was not its primary purpose. A grand palace early in its history, it served as a royal residence. As a whole, the Tower is a complex of several buildings set within two concentric rings of defensive walls and a moat. There were several phases of expansion, mainly under kings Richard I, Henry III, and Edward I in the 12th and 13th centuries. The general layout established by the late 13th century remains despite later activity on the site.

 

The Tower of London has played a prominent role in English history. It was besieged several times, and controlling it has been important to controlling the country. The Tower has served variously as an armoury, a treasury, a menagerie, the home of the Royal Mint, a public record office, and the home of the Crown Jewels of England. From the early 14th century until the reign of Charles II in the 17th century, a procession would be led from the Tower to Westminster Abbey on the coronation of a monarch. In the absence of the monarch, the Constable of the Tower is in charge of the castle. This was a powerful and trusted position in the medieval period. In the late 15th century, the Princes in the Tower were housed at the castle when they mysteriously disappeared, presumed murdered. Under the Tudors, the Tower became used less as a royal residence, and despite attempts to refortify and repair the castle, its defences lagged behind developments to deal with artillery.

 

The zenith of the castle's use as a prison was the 16th and 17th centuries, when many figures who had fallen into disgrace, such as Elizabeth I before she became queen, Sir Walter Raleigh, and Elizabeth Throckmorton, were held within its walls. This use has led to the phrase "sent to the Tower". Despite its enduring reputation as a place of torture and death, popularised by 16th-century religious propagandists and 19th-century writers, only seven people were executed within the Tower before the world wars of the 20th century. Executions were more commonly held on the notorious Tower Hill to the north of the castle, with 112 occurring there over a 400-year period. In the latter half of the 19th century, institutions such as the Royal Mint moved out of the castle to other locations, leaving many buildings empty. Anthony Salvin and John Taylor took the opportunity to restore the Tower to what was felt to be its medieval appearance, clearing out many of the vacant post-medieval structures.

 

In the First and Second World Wars, the Tower was again used as a prison and witnessed the executions of 12 men for espionage. After the Second World War, damage caused during the Blitz was repaired, and the castle reopened to the public. Today, the Tower of London is one of the country's most popular tourist attractions. Under the ceremonial charge of the Constable of the Tower, operated by the Resident Governor of the Tower of London and Keeper of the Jewel House, and guarded by the Yeomen Warders, the property is cared for by the charity Historic Royal Palaces and is protected as a World Heritage Site.

 

Architecture

The Tower was oriented with its strongest and most impressive defences overlooking Saxon London, which archaeologist Alan Vince suggests was deliberate. It would have visually dominated the surrounding area and stood out to traffic on the River Thames. The castle is made up of three "wards", or enclosures. The innermost ward contains the White Tower and is the earliest phase of the castle. Encircling it to the north, east, and west is the inner ward, built during the reign of Richard I (1189–1199). Finally, there is the outer ward which encompasses the castle and was built under Edward I. Although there were several phases of expansion after William the Conqueror founded the Tower of London, the general layout has remained the same since Edward I completed his rebuild in 1285.

 

The castle encloses an area of almost 12 acres (4.9 hectares) with a further 6 acres (2.4 ha) around the Tower of London constituting the Tower Liberties – land under the direct influence of the castle and cleared for military reasons. The precursor of the Liberties was laid out in the 13th century when Henry III ordered that a strip of land adjacent to the castle be kept clear. Despite popular fiction, the Tower of London never had a permanent torture chamber, although the basement of the White Tower housed a rack in later periods. Tower Wharf was built on the bank of the Thames under Edward I and was expanded to its current size during the reign of Richard II (1377–1399).

 

White Tower

The White Tower is a keep (also known as a donjon), which was often the strongest structure in a medieval castle, and contained lodgings suitable for the lord – in this case, the king or his representative. According to military historian Allen Brown, "The great tower [White Tower] was also, by virtue of its strength, majesty and lordly accommodation, the donjon par excellence". As one of the largest keeps in the Christian world, the White Tower has been described as "the most complete eleventh-century palace in Europe".

 

The White Tower, not including its projecting corner towers, measures 36 by 32 metres (118 by 105 ft) at the base, and is 27 m (90 ft) high at the southern battlements. The structure was originally three storeys high, comprising a basement floor, an entrance level, and an upper floor. The entrance, as is usual in Norman keeps, was above ground, in this case on the south face, and accessed via a wooden staircase which could be removed in the event of an attack. It was probably during Henry II's reign (1154–1189) that a forebuilding was added to the south side of the tower to provide extra defences to the entrance, but it has not survived. Each floor was divided into three chambers, the largest in the west, a smaller room in the north-east, and the chapel taking up the entrance and upper floors of the south-east. At the western corners of the building are square towers, while to the north-east a round tower houses a spiral staircase. At the south-east corner there is a larger semi-circular projection which accommodates the apse of the chapel. As the building was intended to be a comfortable residence as well as a stronghold, latrines were built into the walls, and four fireplaces provided warmth.

 

The main building material is Kentish ragstone, although some local mudstone was also used. Caen stone was imported from northern France to provide details in the Tower's facing, although little of the original material survives as it was replaced with Portland stone in the 17th and 18th centuries. Reigate stone was also used as ashlar and for carved details. Its location, in the lower courses of the building and at higher levels corresponding to a building break, suggest it was readily available and may have been used when access to Caen stone was restricted. As most of the Tower's windows were enlarged in the 18th century, only two original – albeit restored – examples remain, in the south wall at the gallery level.

 

The tower was terraced into the side of a mound, so the northern side of the basement is partially below ground level. As was typical of most keeps, the bottom floor was an undercroft used for storage. One of the rooms contained a well. Although the layout has remained the same since the tower's construction, the interior of the basement dates mostly from the 18th century when the floor was lowered and the pre-existing timber vaults were replaced with brick counterparts. The basement is lit through small slits.

 

The entrance floor was probably intended for the use of the Constable of the Tower, Lieutenant of the Tower of London and other important officials. The south entrance was blocked during the 17th century, and not reopened until 1973. Those heading to the upper floor had to pass through a smaller chamber to the east, also connected to the entrance floor. The crypt of St John's Chapel occupied the south-east corner and was accessible only from the eastern chamber. There is a recess in the north wall of the crypt; according to Geoffrey Parnell, Keeper of the Tower History at the Royal Armouries, "the windowless form and restricted access, suggest that it was designed as a strong-room for safekeeping of royal treasures and important documents".

 

The upper floor contained a grand hall in the west and residential chamber in the east – both originally open to the roof and surrounded by a gallery built into the wall – and St John's Chapel in the south-east. The top floor was added in the 15th century, along with the present roof. St John's Chapel was not part of the White Tower's original design, as the apsidal projection was built after the basement walls. Due to changes in function and design since the tower's construction, except for the chapel little is left of the original interior.[20] The chapel's current bare and unadorned appearance is reminiscent of how it would have been in the Norman period. In the 13th century, during Henry III's reign, the chapel was decorated with such ornamentation as a gold-painted cross, and stained glass windows that depicted the Virgin Mary and the Holy Trinity.

 

Innermost ward

The innermost ward encloses an area immediately south of the White Tower, stretching to what was once the edge of the River Thames. As was the case at other castles, such as the 11th-century Hen Domen, the innermost ward was probably filled with timber buildings from the Tower's foundation. Exactly when the royal lodgings began to encroach from the White Tower into the innermost ward is uncertain, although it had happened by the 1170s. The lodgings were renovated and elaborated during the 1220s and 1230s, becoming comparable with other palatial residences such as Windsor Castle. Construction of Wakefield and Lanthorn Towers – located at the corners of the innermost ward's wall along the river – began around 1220. They probably served as private residences for the queen and king respectively.

 

The earliest evidence for how the royal chambers were decorated comes from Henry III's reign: the queen's chamber was whitewashed, and painted with flowers and imitation stonework. A great hall existed in the south of the ward, between the two towers. It was similar to, although slightly smaller than, that also built by Henry III at Winchester Castle. Near Wakefield Tower was a postern gate which allowed private access to the king's apartments. The innermost ward was originally surrounded by a protective ditch, which had been filled in by the 1220s. Around this time, a kitchen was built in the ward. Between 1666 and 1676, the innermost ward was transformed and the palace buildings removed. The area around the White Tower was cleared so that anyone approaching would have to cross open ground. The Jewel House was demolished, and the Crown Jewels moved to Martin Tower.

 

Inner ward

The inner ward was created during Richard the Lionheart's reign, when a moat was dug to the west of the innermost ward, effectively doubling the castle's size. Henry III created the ward's east and north walls, and the ward's dimensions remain to this day. Most of Henry's work survives, and only two of the nine towers he constructed have been completely rebuilt. Between the Wakefield and Lanthorn Towers, the innermost ward's wall also serves as a curtain wall for the inner ward. The main entrance to the inner ward would have been through a gatehouse, most likely in the west wall on the site of what is now Beauchamp Tower. The inner ward's western curtain wall was rebuilt by Edward I. The 13th-century Beauchamp Tower marks the first large-scale use of brick as a building material in Britain, since the 5th-century departure of the Romans. The Beauchamp Tower is one of 13 towers that stud the curtain wall. Clockwise from the south-west corner they are: Bell, Beauchamp, Devereux, Flint, Bowyer, Brick, Martin, Constable, Broad Arrow, Salt, Lanthorn, Wakefield, and the Bloody Tower. While these towers provided positions from which flanking fire could be deployed against a potential enemy, they also contained accommodation. As its name suggests, Bell Tower housed a belfry, its purpose to raise the alarm in the event of an attack. The royal bow-maker, responsible for making longbows, crossbows, catapults, and other siege and hand weapons, had a workshop in the Bowyer Tower. A turret at the top of Lanthorn Tower was used as a beacon by traffic approaching the Tower at night.

 

As a result of Henry's expansion, St Peter ad Vincula, a Norman chapel which had previously stood outside the Tower, was incorporated into the castle. Henry decorated the chapel by adding glazed windows, and stalls for himself and his queen. It was rebuilt by Edward I at a cost of over £300[36] and again by Henry VIII in 1519; the current building dates from this period, although the chapel was refurbished in the 19th century. Immediately west of Wakefield Tower, the Bloody Tower was built at the same time as the inner ward's curtain wall, and as a water-gate provided access to the castle from the River Thames. It was a simple structure, protected by a portcullis and gate. The Bloody Tower acquired its name in the 16th century, as it was believed to be the site of the murder of the Princes in the Tower. Between 1339 and 1341, a gatehouse was built into the curtain wall between Bell and Salt Towers. During the Tudor period, a range of buildings for the storage of munitions was built along the inside of the north inner ward. The castle buildings were remodelled during the Stuart period, mostly under the auspices of the Office of Ordnance. In 1663, just over £4,000 was spent building a new storehouse (now known as the New Armouries) in the inner ward. Construction of the Grand Storehouse north of the White Tower began in 1688, on the same site as the dilapidated Tudor range of storehouses; it was destroyed by fire in 1841. The Waterloo Block, a former barracks in the castellated Gothic Revival style with Domestic Tudor details, was built on the site and remains to this day, housing the Crown Jewels on the ground floor.

 

Outer ward

A third ward was created during Edward I's extension to the Tower, as the narrow enclosure completely surrounded the castle. At the same time a bastion known as Legge's Mount was built at the castle's northwest corner. Brass Mount, the bastion in the northeast corner, was a later addition. The three rectangular towers along the east wall 15 metres (49 ft) apart were dismantled in 1843. Although the bastions have often been ascribed to the Tudor period, there is no evidence to support this; archaeological investigations suggest that Legge's Mount dates from the reign of Edward I. Blocked battlements (also known as crenellations) in the south side of Legge's Mount are the only surviving medieval battlements at the Tower of London (the rest are Victorian replacements). A new 50-metre (160 ft) moat was dug beyond the castle's new limits; it was originally 4.5 metres (15 ft) deeper in the middle than it is today. With the addition of a new curtain wall, the old main entrance to the Tower of London was obscured and made redundant; a new entrance was created in the southwest corner of the external wall circuit. The complex consisted of an inner and an outer gatehouse and a barbican, which became known as the Lion Tower as it was associated with the animals as part of the Royal Menagerie since at least the 1330s. The Lion Tower itself no longer survives.

 

Edward extended the south side of the Tower of London onto land that had previously been submerged by the River Thames. In this wall, he built St Thomas's Tower between 1275 and 1279; later known as Traitors' Gate, it replaced the Bloody Tower as the castle's water-gate. The building is unique in England, and the closest parallel is the now demolished water-gate at the Louvre in Paris. The dock was covered with arrowslits in case of an attack on the castle from the River; there was also a portcullis at the entrance to control who entered. There were luxurious lodgings on the first floor. Edward also moved the Royal Mint into the Tower; its exact location early on is unknown, although it was probably in either the outer ward or the Lion Tower. By 1560, the Mint was located in a building in the outer ward near Salt Tower. Between 1348 and 1355, a second water-gate, Cradle Tower, was added east of St Thomas's Tower for the king's private use.

 

Foundation and early history

Victorious at the Battle of Hastings on 14 October 1066, the invading Duke of Normandy, William the Conqueror, spent the rest of the year securing his holdings by fortifying key positions. He founded several castles along the way, but took a circuitous route toward London; only when he reached Canterbury did he turn towards England's largest city. As the fortified bridge into London was held by Saxon troops, he decided instead to ravage Southwark before continuing his journey around southern England. A series of Norman victories along the route cut the city's supply lines and in December 1066, isolated and intimidated, its leaders yielded London without a fight. Between 1066 and 1087, William established 36 castles, although references in the Domesday Book indicate that many more were founded by his subordinates. The Normans undertook what has been described as "the most extensive and concentrated programme of castle-building in the whole history of feudal Europe". They were multi-purpose buildings, serving as fortifications (used as a base of operations in enemy territory), centres of administration, and residences.

 

William sent an advance party to prepare the city for his entrance, to celebrate his victory and found a castle; in the words of William's biographer, William of Poitiers, "certain fortifications were completed in the city against the restlessness of the huge and brutal populace. For he [William] realised that it was of the first importance to overawe the Londoners". At the time, London was the largest town in England; the foundation of Westminster Abbey and the old Palace of Westminster under Edward the Confessor had marked it as a centre of governance, and with a prosperous port it was important for the Normans to establish control over the settlement. The other two castles in London – Baynard's Castle and Montfichet's Castle – were established at the same time. The fortification that would later become known as the Tower of London was built onto the south-east corner of the Roman town walls, using them as prefabricated defences, with the River Thames providing additional protection from the south. This earliest phase of the castle would have been enclosed by a ditch and defended by a timber palisade, and probably had accommodation suitable for William.

 

Most of the early Norman castles were built from timber, but by the end of the 11th century a few, including the Tower of London, had been renovated or replaced with stone. Work on the White Tower – which gives the whole castle its name – is usually considered to have begun in 1078, however the exact date is uncertain. William made Gundulf, Bishop of Rochester, responsible for its construction, although it may not have been completed until after William's death in 1087. The White Tower is the earliest stone keep in England, and was the strongest point of the early castle. It also contained grand accommodation for the king. At the latest, it was probably finished by 1100 when Bishop Ranulf Flambard was imprisoned there. Flambard was loathed by the English for exacting harsh taxes. Although he is the first recorded prisoner held in the Tower, he was also the first person to escape from it, using a smuggled rope secreted in a butt of wine. He was held in luxury and permitted servants, but on 2 February 1101 he hosted a banquet for his captors. After plying them with drink, when no one was looking he lowered himself from a secluded chamber, and out of the Tower. The escape came as such a surprise that one contemporary chronicler accused the bishop of witchcraft.

 

The Anglo-Saxon Chronicle records that in 1097 King William II ordered a wall to be built around the Tower of London; it was probably built from stone and likely replaced the timber palisade that arced around the north and west sides of the castle, between the Roman wall (to the east) and the Thames (to the south). The Norman Conquest of London manifested itself not only with a new ruling class, but in the way the city was structured. Land was confiscated and redistributed amongst the Normans, who also brought over hundreds of Jews, for financial reasons. The Jews arrived under the direct protection of the Crown, as a result of which Jewish communities were often found close to castles. The Jews used the Tower as a retreat, when threatened by anti-Jewish violence.

 

The death in 1135 of Henry I left England with a disputed succession; although the king had persuaded his most powerful barons to swear support for the Empress Matilda, just a few days after Henry's death Stephen of Blois arrived from France to lay claim to the throne. The importance of the city and its Tower is marked by the speed at which he secured London. The castle, which had not been used as a royal residence for some time, was usually left in the charge of a Constable, a post held at this time by Geoffrey de Mandeville. As the Tower was considered an impregnable fortress in a strategically important position, possession was highly valued. Mandeville exploited this, selling his allegiance to Matilda after Stephen was captured in 1141 at the Battle of Lincoln. Once her support waned, the following year he resold his loyalty to Stephen. Through his role as Constable of the Tower, Mandeville became "the richest and most powerful man in England". When he tried the same ploy again, this time holding secret talks with Matilda, Stephen had him arrested, forced him to cede control of his castles, and replaced him with one of his most loyal supporters. Until then the position had been hereditary, originally held by Geoffrey de Mandeville, but the position's authority was such that from then on it remained in the hands of an appointee of the monarch. The position was usually given to someone of great importance, who might not always be at the castle due to other duties. Although the Constable was still responsible for maintaining the castle and its garrison, from an early stage he had a subordinate to help with this duty: the Lieutenant of the Tower.[70] Constables also had civic duties relating to the city. Usually they were given control of the city and were responsible for levying taxes, enforcing the law and maintaining order. The creation in 1191 of the position of Lord Mayor of London removed many of the Constable's civic powers, and at times led to friction between the two.

 

Expansion

The castle probably retained its form as established by 1100 until the reign of Richard I (1189–1199). The castle was extended under William Longchamp, King Richard's Lord Chancellor and the man in charge of England while he was on crusade. The Pipe Rolls record £2,881 1s 10d spent at the Tower of London between 3 December 1189 and 11 November 1190, from an estimated £7,000 spent by Richard on castle building in England. According to the contemporary chronicler Roger of Howden, Longchamp dug a moat around the castle and tried in vain to fill it from the Thames. Longchamp was also Constable of the Tower, and undertook its expansion while preparing for war with King Richard's younger brother, Prince John, who in Richard's absence arrived in England to try to seize power. As Longchamp's main fortress, he made the Tower as strong as possible. The new fortifications were first tested in October 1191, when the Tower was besieged for the first time in its history. Longchamp capitulated to John after just three days, deciding he had more to gain from surrender than prolonging the siege.

 

John succeeded Richard as king in 1199, but his rule proved unpopular with many of his barons, who in response moved against him. In 1214, while the king was at Windsor Castle, Robert Fitzwalter led an army into London and laid siege to the Tower. Although under-garrisoned, the Tower resisted and the siege was lifted once John signed the Magna Carta. The king reneged on his promises of reform, leading to the outbreak of the First Barons' War. Even after the Magna Carta was signed, Fitzwalter maintained his control of London. During the war, the Tower's garrison joined forces with the barons. John was deposed in 1216 and the barons offered the English throne to Prince Louis, the eldest son of the French king. However, after John's death in October 1216, many began to support the claim of his eldest son, Henry III. War continued between the factions supporting Louis and Henry, with Fitzwalter supporting Louis. Fitzwalter was still in control of London and the Tower, both of which held out until it was clear that Henry III's supporters would prevail.

 

In the 13th century, Kings Henry III (1216–1272) and Edward I (1272–1307) extended the castle, essentially creating it as it stands today. Henry was disconnected from his barons, and a mutual lack of understanding led to unrest and resentment towards his rule. As a result, he was eager to ensure the Tower of London was a formidable fortification; at the same time Henry was an aesthete and wished to make the castle a comfortable place to live. From 1216 to 1227 nearly £10,000 was spent on the Tower of London; in this period, only the work at Windsor Castle cost more (£15,000). Most of the work was focused on the palatial buildings of the innermost ward. The tradition of whitewashing the White Tower (from which it derives its name) began in 1240.

 

Beginning around 1238, the castle was expanded to the east, north, and north-west. The work lasted through the reign of Henry III and into that of Edward I, interrupted occasionally by civil unrest. New creations included a new defensive perimeter, studded with towers, while on the west, north, and east sides, where the wall was not defended by the river, a defensive ditch was dug. The eastern extension took the castle beyond the bounds of the old Roman settlement, marked by the city wall which had been incorporated into the castle's defences. The Tower had long been a symbol of oppression, despised by Londoners, and Henry's building programme was unpopular. So when the gatehouse collapsed in 1240, the locals celebrated the setback. The expansion caused disruption locally and £166 was paid to St Katherine's Hospital and the prior of Holy Trinity in compensation.

 

Henry III often held court at the Tower of London, and held parliament there on at least two occasions (1236 and 1261) when he felt that the barons were becoming dangerously unruly. In 1258, the discontented barons, led by Simon de Montfort, forced the King to agree to reforms including the holding of regular parliaments. Relinquishing the Tower of London was among the conditions. Henry III resented losing power and sought permission from the pope to break his oath. With the backing of mercenaries, Henry installed himself in the Tower in 1261. While negotiations continued with the barons, the King ensconced himself in the castle, although no army moved to take it. A truce was agreed with the condition that the King hand over control of the Tower once again. Henry won a significant victory at the Battle of Evesham in 1265, allowing him to regain control of the country and the Tower of London. Cardinal Ottobuon came to England to excommunicate those who were still rebellious; the act was deeply unpopular and the situation was exacerbated when the cardinal was granted custody of the Tower. Gilbert de Clare, 6th Earl of Hertford, marched on London in April 1267 and laid siege to the castle, declaring that custody of the Tower was "not a post to be trusted in the hands of a foreigner, much less of an ecclesiastic". Despite a large army and siege engines, Gilbert de Clare was unable to take the castle. The Earl retreated, allowing the King control of the capital, and the Tower experienced peace for the rest of Henry's reign.

 

Although he was rarely in London, Edward I undertook an expensive remodelling of the Tower, costing £21,000 between 1275 and 1285, over double that spent on the castle during the whole of Henry III's reign. Edward I was a seasoned castle builder, and used his experience of siege warfare during the crusades to bring innovations to castle building. His programme of castle building in Wales heralded the introduction of the widespread use of arrowslits in castle walls across Europe, drawing on Eastern influences. At the Tower of London, Edward filled in the moat dug by Henry III and built a new curtain wall along its line, creating a new enclosure. A new moat was created in front of the new curtain wall. The western part of Henry III's curtain wall was rebuilt, with Beauchamp Tower replacing the castle's old gatehouse. A new entrance was created, with elaborate defences including two gatehouses and a barbican. In an effort to make the castle self-sufficient, Edward I also added two watermills. Six hundred Jews were imprisoned in the Tower of London in 1278, charged with coin clipping. Persecution of the country's Jewish population under Edward began in 1276 and culminated in 1290 when he issued the Edict of Expulsion, forcing the Jews out of the country. In 1279, the country's numerous mints were unified under a single system whereby control was centralised to the mint within the Tower of London, while mints outside of London were reduced, with only a few local and episcopal mints continuing to operate.

 

Later Medieval Period

During Edward II's reign (1307–1327) there was relatively little activity at the Tower of London. However, it was during this period that the Privy Wardrobe was founded. The institution was based at the Tower and responsible for organising the state's arms. In 1321, Margaret de Clare, Baroness Badlesmere became the first woman imprisoned in the Tower of London after she refused Queen Isabella admittance to Leeds Castle and ordered her archers to target Isabella, killing six of the royal escort. Generally reserved for high-ranking inmates, the Tower was the most important royal prison in the country. However it was not necessarily very secure, and throughout its history people bribed the guards to help them escape. In 1323, Roger Mortimer, Baron Mortimer, was aided in his escape from the Tower by the Sub-Lieutenant of the Tower who let Mortimer's men inside. They hacked a hole in his cell wall and Mortimer escaped to a waiting boat. He fled to France where he encountered Edward's Queen. They began an affair and plotted to overthrow the King.

 

One of Mortimer's first acts on entering England in 1326 was to capture the Tower and release the prisoners held there. For four years he ruled while Edward III was too young to do so himself; in 1330, Edward and his supporters captured Mortimer and threw him into the Tower. Under Edward III's rule (1312–1377) England experienced renewed success in warfare after his father's reign had put the realm on the backfoot against the Scots and French. Amongst Edward's successes were the battles of Crécy and Poitiers where King John II of France was taken prisoner, and the capture of the King David II of Scotland at Neville's Cross. During this period, the Tower of London held many noble prisoners of war. Edward II had allowed the Tower of London to fall into a state of disrepair, and by the reign of Edward III the castle was an uncomfortable place. The nobility held captive within its walls were unable to engage in activities such as hunting which were permissible at other royal castles used as prisons, for instance Windsor. Edward III ordered that the castle should be renovated.

 

When Richard II was crowned in 1377, he led a procession from the Tower to Westminster Abbey. This tradition began in at least the early 14th century and lasted until 1660. During the Peasants' Revolt of 1381 the Tower of London was besieged with the King inside. When Richard rode out to meet with Wat Tyler, the rebel leader, a crowd broke into the castle without meeting resistance and looted the Jewel House. The Archbishop of Canterbury, Simon Sudbury, took refuge in St John's Chapel, hoping the mob would respect the sanctuary. However, he was taken away and beheaded on Tower Hill. Six years later there was again civil unrest, and Richard spent Christmas in the security of the Tower rather than Windsor as was more usual. When Henry Bolingbroke returned from exile in 1399, Richard was imprisoned in the White Tower. He abdicated and was replaced on the throne by Bolingbroke, who became King Henry IV. In the 15th century, there was little building work at the Tower of London, yet the castle still remained important as a place of refuge. When supporters of the late Richard II attempted a coup, Henry IV found safety in the Tower of London. During this period, the castle also held many distinguished prisoners. The heir to the Scottish throne, later King James I of Scotland, was kidnapped while journeying to France in 1406 and held in the Tower. The reign of Henry V (1413–1422) renewed England's fortune in the Hundred Years' War against France. As a result of Henry's victories, such as the Battle of Agincourt, many high-status prisoners were held in the Tower of London until they were ransomed.

 

Much of the latter half of the 15th century was occupied by the Wars of the Roses between the claimants to the throne, the houses of Lancaster and York. The castle was once again besieged in 1460, this time by a Yorkist force. The Tower was damaged by artillery fire but only surrendered when Henry VI was captured at the Battle of Northampton. With the help of Richard Neville, 16th Earl of Warwick (nicknamed "the Kingmaker") Henry recaptured the throne for a short time in 1470. However, Edward IV soon regained control and Henry VI was imprisoned in the Tower of London, where he was probably murdered. In 1471, during the Siege of London, the Tower's Yorkist garrison exchanged fire with Lancastrians holding Southwark, and sallied from the fortress to take part in a pincer movement to attack Lancastrians who were assaulting Aldgate on London's defensive wall. During the wars, the Tower was fortified to withstand gunfire, and provided with loopholes for cannons and handguns: an enclosure called the Bulwark was created for this purpose to the south of Tower Hill, although it no longer survives.

 

Shortly after the death of Edward IV in 1483, the notorious murder of the Princes in the Tower is traditionally believed to have taken place. The incident is one of the most infamous events associated with the Tower of London. Edward V's uncle Richard, Duke of Gloucester was declared Lord Protector while the prince was too young to rule. Traditional accounts have held that the 12-year-old Edward was confined to the Tower of London along with his younger brother Richard. The Duke of Gloucester was proclaimed King Richard III in June. The princes were last seen in public in June 1483;[105] it has traditionally been thought that the most likely reason for their disappearance is that they were murdered late in the summer of 1483. Bones thought to belong to them were discovered in 1674 when the 12th-century forebuilding at the entrance to the White Tower was demolished; however, the reputed level at which the bones were found (10 ft or 3 m) would put the bones at a depth similar to that of the Roman graveyard found, in 2011, 12 ft (4 m) underneath the Minories a few hundred yards to the north. Opposition to Richard escalated until he was defeated at the Battle of Bosworth Field in 1485 by the Lancastrian Henry Tudor, who ascended to the throne as Henry VII. As king, Henry VII built a tower for a library next to the King's Tower.

 

Changing use

The beginning of the Tudor period marked the start of the decline of the Tower of London's use as a royal residence. As 16th-century chronicler Raphael Holinshed said the Tower became used more as "an armouries and house of munition, and thereunto a place for the safekeeping of offenders than a palace roiall for a king or queen to sojourne in". Henry VII visited the Tower on fourteen occasions between 1485 and 1500, usually staying for less than a week at a time. The Yeoman Warders have been the Royal Bodyguard since at least 1509. In 1517 the Tower fired its cannon at City crowds engaged in the xenophobic Evil May Day riots, in which the properties of foreign residents were looted. It is not thought that any rioters were hurt by the gunfire, which was probably meant merely to intimidate the mob.

 

During the reign of Henry VIII, the Tower was assessed as needing considerable work on its defences. In 1532, Thomas Cromwell spent £3,593 on repairs and imported nearly 3,000 tons of Caen stone for the work. Even so, this was not sufficient to bring the castle up to the standard of contemporary military fortifications which were designed to withstand powerful artillery. Although the defences were repaired, the palace buildings were left in a state of neglect after Henry's death. Their condition was so poor that they were virtually uninhabitable. From 1547 onwards, the Tower of London was only used as a royal residence when its political and historic symbolism was considered useful, for instance each of Edward VI, Mary I, and Elizabeth I briefly stayed at the Tower before their coronations.

 

In the 16th century, the Tower acquired an enduring reputation as a grim, forbidding prison. This had not always been the case. As a royal castle, it was used by the monarch to imprison people for various reasons, however these were usually high-status individuals for short periods rather than common citizenry as there were plenty of prisons elsewhere for such people. Contrary to the popular image of the Tower, prisoners were able to make their life easier by purchasing amenities such as better food or tapestries through the Lieutenant of the Tower. As holding prisoners was originally an incidental role of the Tower – as would have been the case for any castle – there was no purpose-built accommodation for prisoners until 1687 when a brick shed, a "Prison for Soldiers", was built to the north-west of the White Tower. The Tower's reputation for torture and imprisonment derives largely from 16th-century religious propagandists and 19th-century romanticists. Although much of the Tower's reputation is exaggerated, the 16th and 17th centuries marked the castle's zenith as a prison, with many religious and political undesirables locked away. The Privy Council had to sanction the use of torture, so it was not often used; between 1540 and 1640, the peak of imprisonment at the Tower, there were 48 recorded cases of the use of torture. The three most common forms used were the infamous rack, the Scavenger's daughter, and manacles. The rack was introduced to England in 1447 by the Duke of Exeter, the Constable of the Tower; consequentially it was also known as the Duke of Exeter's daughter. One of those tortured at the Tower was Guy Fawkes, who was brought there on 6 November 1605; after torture he signed a full confession to the Gunpowder Plot.

 

Among those held and executed at the Tower was Anne Boleyn. Although the Yeoman Warders were once the Royal Bodyguard, by the 16th and 17th centuries their main duty had become to look after the prisoners. The Tower was often a safer place than other prisons in London such as the Fleet, where disease was rife. High-status prisoners could live in conditions comparable to those they might expect outside; one such example was that while Walter Raleigh was held in the Tower his rooms were altered to accommodate his family, including his son who was born there in 1605. Executions were usually carried out on Tower Hill rather than in the Tower of London itself, and 112 people were executed on the hill over 400 years.[119] Before the 20th century, there had been seven executions within the castle on Tower Green; as was the case with Lady Jane Grey, this was reserved for prisoners for whom public execution was considered dangerous. After Lady Jane Grey's execution on 12 February 1554, Queen Mary I imprisoned her sister Elizabeth, later Queen Elizabeth I, in the Tower under suspicion of causing rebellion as Sir Thomas Wyatt had led a revolt against Mary in Elizabeth's name.

 

The Office of Ordnance and Armoury Office were founded in the 15th century, taking over the Privy Wardrobe's duties of looking after the monarch's arsenal and valuables. As there was no standing army before 1661, the importance of the royal armoury at the Tower of London was that it provided a professional basis for procuring supplies and equipment in times of war. The two bodies were resident at the Tower from at least 1454, and by the 16th century they had moved to a position in the inner ward. The Board of Ordnance (successor to these Offices) had its headquarters in the White Tower and used surrounding buildings for storage. In 1855 the Board was abolished; its successor (the Military Store Department of the War Office) was also based there until 1869, after which its headquarters staff were relocated to the Royal Arsenal in Woolwich (where the recently closed Woolwich Dockyard was converted into a vast ordnance store).

 

Political tensions between Charles I and Parliament in the second quarter of the 17th century led to an attempt by forces loyal to the King to secure the Tower and its valuable contents, including money and munitions. London's Trained Bands, a militia force, were moved into the castle in 1640. Plans for defence were drawn up and gun platforms were built, readying the Tower for war. The preparations were never put to the test. In 1642, Charles I attempted to arrest five members of parliament. When this failed he fled the city, and Parliament retaliated by removing Sir John Byron, the Lieutenant of the Tower. The Trained Bands had switched sides, and now supported Parliament; together with the London citizenry, they blockaded the Tower. With permission from the King, Byron relinquished control of the Tower. Parliament replaced Byron with a man of their own choosing, Sir John Conyers. By the time the English Civil War broke out in November 1642, the Tower of London was already in Parliament's control.

 

The last monarch to uphold the tradition of taking a procession from the Tower to Westminster to be crowned was Charles II in 1661. At the time, the castle's accommodation was in such poor condition that he did not stay there the night before his coronation. Under the Stuart kings the Tower's buildings were remodelled, mostly under the auspices of the Office of Ordnance. Just over £4,000 was spent in 1663 on building a new storehouse, now known as the New Armouries in the inner ward. In the 17th century there were plans to enhance the Tower's defences in the style of the trace italienne, however they were never acted on. Although the facilities for the garrison were improved with the addition of the first purpose-built quarters for soldiers (the "Irish Barracks") in 1670, the general accommodations were still in poor condition.

 

When the Hanoverian dynasty ascended the throne, their situation was uncertain and with a possible Scottish rebellion in mind, the Tower of London was repaired. Most of the work in this period (1750 to 1770) was done by the King's Master Mason, John Deval. Gun platforms added under the Stuarts had decayed. The number of guns at the Tower was reduced from 118 to 45, and one contemporary commentator noted that the castle "would not hold out four and twenty hours against an army prepared for a siege". For the most part, the 18th-century work on the defences was spasmodic and piecemeal, although a new gateway in the southern curtain wall permitting access from the wharf to the outer ward was added in 1774. The moat surrounding the castle had become silted over the centuries since it was created despite attempts at clearing it. It was still an integral part of the castle's defences, so in 1830 the Constable of the Tower, the Duke of Wellington, ordered a large-scale clearance of several feet of silt. However this did not prevent an outbreak of disease in the garrison in 1841 caused by poor water supply, resulting in several deaths. To prevent the festering ditch posing further health problems, it was ordered that the moat should be drained and filled with earth. The work began in 1843 and was mostly complete two years later. The construction of the Waterloo Barracks in the inner ward began in 1845, when the Duke of Wellington laid the foundation stone. The building could accommodate 1,000 men; at the same time, separate quarters for the officers were built to the north-east of the White Tower. The building is now the headquarters of the Royal Regiment of Fusiliers. The popularity of the Chartist movement between 1828 and 1858 led to a desire to refortify the Tower of London in the event of civil unrest. It was the last major programme of fortification at the castle. Most of the surviving installations for the use of artillery and firearms date from this period.

 

During the First World War, eleven men were tried in private and shot by firing squad at the Tower for espionage. During the Second World War, the Tower was once again used to hold prisoners of war. One such person was Rudolf Hess, Adolf Hitler's deputy, albeit just for four days in 1941. He was the last state prisoner to be held at the castle. The last person to be executed at the Tower was German spy Josef Jakobs who was shot on 15 August 1941. The executions for espionage during the wars took place in a prefabricated miniature rifle range which stood in the outer ward and was demolished in 1969. The Second World War also saw the last use of the Tower as a fortification. In the event of a German invasion, the Tower, together with the Royal Mint and nearby warehouses, was to have formed one of three "keeps" or complexes of defended buildings which formed the last-ditch defences of the capital.

 

Restoration and tourism

The Tower of London has become established as one of the most popular tourist attractions in the country. It has been a tourist attraction since at least the Elizabethan period, when it was one of the sights of London that foreign visitors wrote about. Its most popular attractions were the Royal Menagerie and displays of armour. The Crown Jewels also garner much interest, and have been on public display since 1669. The Tower steadily gained popularity with tourists through the 19th century, despite the opposition of the Duke of Wellington to visitors. Numbers became so high that by 1851 a purpose-built ticket office was erected. By the end of the century, over 500,000 were visiting the castle every year.

 

Over the 18th and 19th centuries, the palatial buildings were slowly adapted for other uses and demolished. Only the Wakefield and St Thomas's Towers survived. The 18th century marked an increasing interest in England's medieval past. One of the effects was the emergence of Gothic Revival architecture. In the Tower's architecture, this was manifest when the New Horse Armoury was built in 1825 against the south face of the White Tower. It featured elements of Gothic Revival architecture such as battlements. Other buildings were remodelled to match the style and the Waterloo Barracks were described as "castellated Gothic of the 15th century". Between 1845 and 1885 institutions such as the Mint which had inhabited the castle for centuries moved to other sites; many of the post-medieval structures left vacant were demolished. In 1855, the War Office took over responsibility for manufacture and storage of weapons from the Ordnance Office, which was gradually phased out of the castle. At the same time, there was greater interest in the history of the Tower of London.

 

Public interest was partly fuelled by contemporary writers, of whom the work of William Harrison Ainsworth was particularly influential. In The Tower of London: A Historical Romance he created a vivid image of underground torture chambers and devices for extracting confessions that stuck in the public imagination. Ainsworth also played another role in the Tower's history, as he suggested that Beauchamp Tower should be opened to the public so they could see the inscriptions of 16th- and 17th-century prisoners. Working on the suggestion, Anthony Salvin refurbished the tower and led a further programme for a comprehensive restoration at the behest of Prince Albert. Salvin was succeeded in the work by John Taylor. When a feature did not meet his expectations of medieval architecture Taylor would ruthlessly remove it; as a result, several important buildings within the castle were pulled down and in some cases post-medieval internal decoration removed.

 

Although only one bomb fell on the Tower of London in the First World War (it landed harmlessly in the moat), the Second World War left a greater mark. On 23 September 1940, during the Blitz, high-explosive bombs damaged the castle, destroying several buildings and narrowly missing the White Tower. After the war, the damage was repaired and the Tower of London was reopened to the public.

 

A 1974 bombing in the White Tower Mortar Room left one person dead and 41 injured. No one claimed responsibility for the blast, but the police investigated suspicions that the IRA was behind it.

 

In the 21st century, tourism is the Tower's primary role, with the remaining routine military activities, under the Royal Logistic Corps, having wound down in the latter half of the 20th century and moved out of the castle. However, the Tower is still home to the regimental headquarters of the Royal Regiment of Fusiliers, and the museum dedicated to it and its predecessor, the Royal Fusiliers. Also, a detachment of the unit providing the King's Guard at Buckingham Palace still mounts a guard at the Tower, and with the Yeomen Warders, takes part in the Ceremony of the Keys each day. On several occasions through the year gun salutes are fired from the Tower by the Honourable Artillery Company, these consist of 62 rounds for royal occasions, and 41 on other occasions.

 

Since 1990, the Tower of London has been cared for by an independent charity, Historic Royal Palaces, which receives no funding from the Government or the Crown. In 1988, the Tower of London was added to the UNESCO list of World Heritage Sites, in recognition of its global importance and to help conserve and protect the site. However, recent developments, such as the construction of skyscrapers nearby, have pushed the Tower towards being added to the United Nations' Heritage in Danger List. The remains of the medieval palace have been open to the public since 2006 where visitors can explore the restored chambers. Although the position of Constable of the Tower remains the highest position held at the Tower, the responsibility of day-to-day administration is delegated to the Resident Governor. The Constable is appointed for a five-year term; this is primarily a ceremonial post today but the Constable is also a trustee of Historic Royal Palaces and of the Royal Armouries. General Sir Gordon Messenger was appointed Constable in 2022.

 

At least six ravens are kept at the Tower at all times, in accordance with the belief that if they are absent, the kingdom will fall. They are under the care of the Ravenmaster, one of the Yeoman Warders. As well as having ceremonial duties, the Yeoman Warders provide guided tours around the Tower.

 

Garrison

The Yeomen Warders provided the permanent garrison of the Tower, but the Constable of the Tower could call upon the men of the Tower Hamlets to supplement them when necessary. The Tower Hamlets, aka Tower Division of Middlesex's Ossulstone Hundred was an area, significantly larger than the modern London Borough of the same name, which owed military service to the Constable in his ex officio role as Lord Lieutenant of the Tower Hamlets.

 

The earliest surviving reference to the inhabitants of the Tower Hamlets having a duty to provide a guard for the Tower of London is from 1554, during the reign of Mary I, but the relationship is thought to go back much further. Some believe the connection goes back to the time of the Conqueror. The duty is likely to have had its origin in the rights and obligations of the Manor of Stepney which covered most or all of the Hamlets area.

 

Crown Jewels

The tradition of housing the Crown Jewels in the Tower of London probably dates from the reign of Henry III (1216–1272). The Jewel House was built specifically to house the royal regalia, including jewels, plate, and symbols of royalty such as the crown, sceptre, and sword. When money needed to be raised, the treasure could be pawned by the monarch. The treasure allowed the monarch independence from the aristocracy and consequently was closely guarded. A new position for "keeper of the jewels, armouries and other things" was created, which was well rewarded; in the reign of Edward III (1327–1377) the holder was paid 12d a day. The position grew to include other duties including purchasing royal jewels, gold, and silver, and appointing royal goldsmiths and jewellers.

 

In 1649, during the English Commonwealth following Charles I's execution, the contents of the Jewel House were disposed of along with other royal properties, as decreed by Cromwell. Metal items were sent to the Mint to be melted down and re-used, and the crowns were "totallie broken and defaced".

 

When the monarchy was restored in 1660, the only surviving items of the coronation regalia were a 12th-century spoon and three ceremonial swords. (Some pieces that had been sold were later returned to the Crown.) Detailed records of old regalia survived, and replacements were made for the coronation of Charles II in 1661 based on drawings from the time of Charles I. For the coronation of Charles II, gems were rented because the treasury could not afford to replace them.

 

In 1669, the Jewel House was demolished and the Crown Jewels moved into Martin Tower (until 1841). They were displayed here for viewing by the paying public. This was exploited two years later when Colonel Thomas Blood attempted to steal them. Blood and his accomplices bound and gagged the Jewel House keeper. Although they laid their hands on the Imperial State Crown, Sceptre and Orb, they were foiled when the keeper's son turned up unexpectedly and raised the alarm.

 

Since 1994, the Crown Jewels have been on display in the Jewel House in the Waterloo Block. Some of the pieces were once regularly used by Queen Elizabeth II. The display includes 23,578 gemstones, the 800-year-old Coronation Spoon, St Edward's Crown (traditionally placed on a monarch's head at the moment of crowning) and the Imperial State Crown.

 

Royal Menagerie

There is evidence that King John (1166–1216) first started keeping wild animals at the Tower. Records of 1210–1212 show payments to lion keepers.

 

The Royal Menagerie is frequently referenced during the reign of Henry III. Holy Roman Emperor Frederick II presented Henry with three leopards, c. 1235, which were kept in the Tower. In 1252, the sheriffs were ordered to pay fourpence a day towards the upkeep of the King's polar bear, a gift from Haakon IV of Norway in the same year; the bear attracted a great deal of attention from Londoners when it went fishing in the Thames while tied to the land by a chain. In 1254 or 1255, Henry III received an African elephant from Louis IX of France depicted by Matthew Paris in his Chronica Majora. A wooden structure was built to house the elephant, 12.2 m (40 ft) long by 6.1 m (20 ft) wide. The animal died in 1258, possibly because it was given red wine, but also perhaps because of the cold climate of England.

 

In 1288, Edward I added a lion and a lynx and appointed the first official Keeper of the animals.[179] Edward III added other types of animals, two lions, a leopard and two wildcats. Under subsequent kings, the number of animals grew to include additional cats of various types, jackals, hyenas, and an old brown bear, Max, gifted to Henry VIII by Emperor Maximilian.[180] In 1436, during the time of Henry VI, all the lions died and the employment of Keeper William Kerby was terminated.

 

Historical records indicate that a semi-circular structure or barbican was built by Edward I in 1277; this area was later named the Lion Tower, to the immediate west of the Middle Tower. Records from 1335 indicate the purchase of a lock and key for the lions and leopards, also suggesting they were located near the western entrance of the Tower. By the 1500s that area was called the Menagerie. Between 1604 and 1606 the Menagerie was extensively refurbished and an exercise yard was created in the moat area beside the Lion Tower. An overhead platform was added for viewing of the lions by the royals, during lion baiting, for example in the time of James I. Reports from 1657 include mention of six lions, increasing to 11 by 1708, in addition to other types of cats, eagles, owls and a jackal.

 

Natural History Museum

By the 18th century, the menagerie was open to the public; admission cost three half-pence or a cat or dog to be fed to the lions. By the end of the century, that had increased to 9 pence. A particularly famous inhabitant was Old Martin, a large grizzly bear given to George III by the Hudson's Bay Company in 1811. An 1800 inventory also listed a tiger, leopards, a hyena, a large baboon, various types of monkeys, wolves, and "other animals". By 1822, however, the collection included only a grizzly bear, an elephant, and some birds. Additional animals were then introduced. In 1828, there were over 280 representing at least 60 species as the new keeper Alfred Copps was actively acquiring animals.

 

After the death of George IV in 1830, a decision was made to close down the Menagerie on the orders of the Duke of Wellington. In 1831, most of the stock was moved to the London Zoo which had opened in 1828. This decision was made after an incident, although sources vary as to the specifics: either a lion was accused of biting a soldier, or Ensign Seymour had been bitten by a monkey. The last of the animals left in 1835, relocated to Regent's Park. The Menagerie buildings were removed in 1852 but the Keeper of the Royal Menagerie was entitled to use the Lion Tower as a house for life. Consequently, even though the animals had long since left the building, the tower was not demolished until the death of Copps, the last keeper, in 1853.

 

In 1999, physical evidence of lion cages was found, one being 2x3 metres (6.5x10 feet) in size, very small for a lion that can grow to be 2.5 meters (approximately 8 feet) long. In 2008, the skulls of two male Barbary lions (now extinct in the wild) from northwest Africa were found in the moat area of the Tower. Radiocarbon tests dated them from 1280 to 1385 and 1420–1480. In 2011, an exhibition was hosted at the Tower with fine wire sculptures by Kendra Haste.

 

In folklore

The Tower of London has been represented in popular culture in many ways. As a result of 16th and 19th century writers, the Tower has a reputation as a grim fortress, a place of torture and execution.

 

One of the earliest traditions associated with the Tower was that it was built by Julius Caesar; the story was popular amongst writers and antiquaries. The earliest recorded attribution of the Tower to the Roman ruler dates to the mid-14th century in a poem by Sir Thomas Gray. The origin of the myth is uncertain, although it may be related to the fact that the Tower was built in the corner of London's Roman walls. Another possibility is that someone misread a passage from Gervase of Tilbury in which he says Caesar built a tower at Odnea in France. Gervase wrote Odnea as Dodres, which is close to the French for London, Londres. Today, the story survives in William Shakespeare's Richard II and Richard III, and as late as the 18th century some still regarded the Tower as built by Caesar.

 

Anne Boleyn was beheaded in 1536 for treason against Henry VIII; her ghost supposedly haunts the Church of St Peter ad Vincula in the Tower, where she is buried, and has been said to walk around the White Tower carrying her head under her arm. This haunting is commemorated in the 1934 comic song "With Her Head Tucked Underneath Her Arm". Other reported ghosts include Henry VI, Lady Jane Grey, Margaret Pole, and the Princes in the Tower. In January 1816, a sentry on guard outside the Jewel House claimed to have witnessed an apparition of a bear advancing towards him, and reportedly died of fright a few days later. In October 1817, a tubular, glowing apparition was claimed to have been seen in the Jewel House by the Keeper of the Crown Jewels, Edmund Lenthal Swifte. He said that the apparition hovered over the shoulder of his wife, leading her to exclaim: "Oh, Christ! It has seized me!" Other nameless and formless terrors have been reported, more recently, by night staff at the Tower.

Double headed enthusiasts' special, the Crompton Culminator hauled by 33051 Shakespeare Cliff and 33030 from Salisbury to Holyhead topping the Lickey Incline at Blackwell on 6th September 1997.

 

645-254-3039

Built in 1935–1936 at a cost of $318,000, the U.S. Court-house features an understated combination of the Beaux Arts and Neoclassical styles. It was designed by Eric Kebbon, who also designed the 1937 C.F. Haynsworth Federal Building in Greenville, South Carolina. With funds limited during the Great Depression, the courthouse lacks the exuberant detailing typical of many Beaux Arts buildings. The Beaux Arts style is known for its classically inspired details, variety of stone finishes, and projecting pavilions with colossal columns and pedimented entablature on top. Characteristics of the Neoclassical style include symmetry, smooth stone surfaces, and colonnades.

 

The courthouse has a granite foundation, and the walls consist of limestone blocks. The overall massing and exterior design on all four elevations is simple, symmetrical, and classically inspired. The round-arched windows feature limestone keystones on the first story, while the second-story windows have heavy limestone frames culminating in keystones. Limestone belt courses extend along the first story and between the first and second stories. A cornice with an unadorned frieze and dentil molding runs below the roof's edge. Topping the hipped roof is a circular limestone cupola with Tuscan columns and copper roof with a brass finial.

 

The principal embellishment is a central temple-front pavilion on the south facade, highlighted by a coursed limestone base pierced with arches and an upper-level portico with an arcade. On the first story, the central arch frames the double door entry. The second story includes Tuscan columns and a limestone balustrade. Above the columns, the pediment features a simple frieze with dentil-block molding and an oculus (round) window with limestone surround.

 

The former postal lobby and main staircase are located at the south (main) entry. Original finishes include marble flooring and wainscoting, marble pilasters along the south wall, decorative crown molding, bronze ornaments and grills, and marble surrounds with keystones accenting the south wall's doors and windows. Marble writing tables and a bulletin board with marble surround are at the lobby's south wall. Below the north wall's crown molding are Ulreich's murals, depicting important events in Florida's history. The west and north walls have original brass six-panel doors with classically detailed surrounds. The lobby's original brass light fixtures with glass globes are typical of 1930s post offices. Faced with marble, the original curved staircase is at the lobby's southwest corner. Following the stairs' curve, the staircase railing has iron balusters with a wood cap and decorative bronze newels at each level.

 

The two-story main courtroom is on the second floor. The courtroom lobby retains historic terrazzo floors, marble baseboards, wooden chair rails, and paneled doors. The courtroom itself features wood wainscoting and fluted Ionic pilasters supporting a massive wood entablature with a dentil cornice, all of painted white pine. Arched windows on the south wall have wood trim with a keystone and rosette corner blocks. Original furnishings include the judge's bench, jury box, court rail, and spectators' benches.

 

In 2000, an annex was completed near the historic building to provide space for the U.S. District Court. In 2003–2004, the courthouse was subject to a $4 million renovation that included window and facade restoration, preservation of key areas such as judges' office suites, and remodeling of remaining areas for bankruptcy court, clerk, and trustee and U.S. Marshals use. Akin & Associates Architects, Inc. provided architectural design services, while Peter R. Brown Construction, Inc. was the general contractor. In 2005, the Tallahassee Trust for Historic Preservation recognized the project with an outstanding achievement award.

 

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/United_States_Courthouse_(Tallahassee)

search.leonpa.gov/Property/Details/2136450100000

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

  

Built in 1935–1936 at a cost of $318,000, the U.S. Court-house features an understated combination of the Beaux Arts and Neoclassical styles. It was designed by Eric Kebbon, who also designed the 1937 C.F. Haynsworth Federal Building in Greenville, South Carolina. With funds limited during the Great Depression, the courthouse lacks the exuberant detailing typical of many Beaux Arts buildings. The Beaux Arts style is known for its classically inspired details, variety of stone finishes, and projecting pavilions with colossal columns and pedimented entablature on top. Characteristics of the Neoclassical style include symmetry, smooth stone surfaces, and colonnades.

 

The courthouse has a granite foundation, and the walls consist of limestone blocks. The overall massing and exterior design on all four elevations is simple, symmetrical, and classically inspired. The round-arched windows feature limestone keystones on the first story, while the second-story windows have heavy limestone frames culminating in keystones. Limestone belt courses extend along the first story and between the first and second stories. A cornice with an unadorned frieze and dentil molding runs below the roof's edge. Topping the hipped roof is a circular limestone cupola with Tuscan columns and copper roof with a brass finial.

 

The principal embellishment is a central temple-front pavilion on the south facade, highlighted by a coursed limestone base pierced with arches and an upper-level portico with an arcade. On the first story, the central arch frames the double door entry. The second story includes Tuscan columns and a limestone balustrade. Above the columns, the pediment features a simple frieze with dentil-block molding and an oculus (round) window with limestone surround.

 

The former postal lobby and main staircase are located at the south (main) entry. Original finishes include marble flooring and wainscoting, marble pilasters along the south wall, decorative crown molding, bronze ornaments and grills, and marble surrounds with keystones accenting the south wall's doors and windows. Marble writing tables and a bulletin board with marble surround are at the lobby's south wall. Below the north wall's crown molding are Ulreich's murals, depicting important events in Florida's history. The west and north walls have original brass six-panel doors with classically detailed surrounds. The lobby's original brass light fixtures with glass globes are typical of 1930s post offices. Faced with marble, the original curved staircase is at the lobby's southwest corner. Following the stairs' curve, the staircase railing has iron balusters with a wood cap and decorative bronze newels at each level.

 

The two-story main courtroom is on the second floor. The courtroom lobby retains historic terrazzo floors, marble baseboards, wooden chair rails, and paneled doors. The courtroom itself features wood wainscoting and fluted Ionic pilasters supporting a massive wood entablature with a dentil cornice, all of painted white pine. Arched windows on the south wall have wood trim with a keystone and rosette corner blocks. Original furnishings include the judge's bench, jury box, court rail, and spectators' benches.

 

In 2000, an annex was completed near the historic building to provide space for the U.S. District Court. In 2003–2004, the courthouse was subject to a $4 million renovation that included window and facade restoration, preservation of key areas such as judges' office suites, and remodeling of remaining areas for bankruptcy court, clerk, and trustee and U.S. Marshals use. Akin & Associates Architects, Inc. provided architectural design services, while Peter R. Brown Construction, Inc. was the general contractor. In 2005, the Tallahassee Trust for Historic Preservation recognized the project with an outstanding achievement award.

 

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/United_States_Courthouse_(Tallahassee)

search.leonpa.gov/Property/Details/2136450100000

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

  

Weird light this evening - culminating in the most intense rainbow I've ever seen.

Schweiz / Berner Oberland - Jungfraujoch

 

Aletsch Glacier seen from Sphinx Observatory.

 

Aletschgletscher gesehen vom Sphinx-Observatorium.

 

The Jungfraujoch (German: lit. "maiden saddle") is a saddle connecting two major 4000ers of the Bernese Alps: the Jungfrau and the Mönch. It lies at an elevation of 3,463 metres (11,362 ft) above sea level and is directly overlooked by the rocky prominence of the Sphinx. The Jungfraujoch is a glacier saddle, on the upper snows of the Aletsch Glacier, and part of the Jungfrau-Aletsch area, situated on the boundary between the cantons of Bern and Valais, halfway between Interlaken and Fiesch.

 

Since 1912, the Jungfraujoch has been accessible to tourists by the Jungfrau line, a railway from Interlaken and Kleine Scheidegg, running partly underground through a tunnel through the Eiger and Mönch. The Jungfraujoch railway station, at an elevation of 3,454 metres (11,332 ft) is the highest in Europe. It lies east of the saddle, below the Sphinx station, and is connected to the Top of Europe building, which includes several panoramic restaurants, shops, exhibitions, and a post office. Several tunnels lead outside, where secured hiking trails on the crevassed glacier can be followed, in particular to the Mönchsjoch Hut. The normal route to the Jungfrau and Mönch starts from there.

 

The Sphinx Observatory, one of the highest astronomical observatories in the world, provides an additional viewing platform at a height of 3,572 metres (11,719 ft), the second-highest in Switzerland. It can be reached by an elevator from the Jungfraujoch. The observatory houses one of the Global Atmosphere Watch's atmospheric research stations. The Jungfraujoch radio relay station, which is not accessible to the public, is installed west of the Jungfraujoch, on the Jungfrau ridge. It is Europe's highest radio relay station.

 

Etymology

 

Swiss and Austro-Bavarian German Joch (lit. 'yoke') is a term for 'ridge between two higher peaks' recorded in the 14th century (Grimm, Deutsches Wörterbuch "bereits im 14. jahrh. als ortsname: des gotzhus zwing und ban vahet an Rotenhalden und denne die roten bachtalen uf unz an den grat, und den grat obnan hin ob Grüblen hin iemerme, unz an Joch. und ab Joch unz an Stoerben. weisth. 1, 4 (Zürich)").

 

The name Jungfrau ('maiden, virgin'), which refers to the highest mountain overlooking the Jungfraujoch, is most likely derived from the name Jungfrauenberg given to Wengernalp, so named for the nuns of Interlaken Monastery, its historical owner. However, the "virgin" peak was heavily romanticized as a "goddess" or "priestess" only in late 18th- to 19th-century Romanticism. After the first ascent in 1811 by Swiss alpinist Johann Rudolf Meyer, the peak was jokingly referred to as Mme Meyer (Mrs. Meyer).

 

Geographic setting

 

The Jungfraujoch is a snow saddle located directly between the summits of Mathildespitze (west) and Sphinx (east). It is, however, most notably the lowest point between the Jungfrau and the Mönch, respectively third and fourth highest mountains in the Bernese Alps, and the key col of the former. The south side (canton of Valais), almost flat, is constituted by the Jungfraufirn, one of the branches of the Aletsch Glacier, the longest in the Alps. From the south, the Jungfraujoch can be relatively easily accessed by mountaineers in two days from the region of Fiesch, via the Konkordia Hut. The north side (canton of Bern) is almost vertical with a difference of height of nearly 3,000 metres from the bottom of the valley at Interlaken, with no easy natural access. For those reasons, the only easy and quick access to the Jungfraujoch is through the 7 kilometre-long tunnel of the Jungfrau Railway, accessed via Kleine Scheidegg on the north side, the railway pass between Lauterbrunnen and Grindelwald.

 

Administrativelly, the Jungfraujoch is split between the territories of the municipalities of Lauterbrunnen and Fieschertal. Nearly all built infrastructure, including the Jungfraujoch railway station, Top of Europe complex and the Sphinx Observatory, are on the Valais side of the border, therefore in the municipality of Fieschertal. The ridge between the Jungfrau and the Mönch is a major European watershed as well. The north side is drained by the Weisse Lütschine, the Aare and the Rhine. The south side is drained by the Massa and the Rhone.

 

First crossing

 

There is a tradition in the Bernese Oberland, supported by some documentary evidence, that a pass existed between Grindelwald and Fiesch in Valais in the late medieval period, later lost to the advancing glaciers. With the early development of tourism in Switzerland and the exploration of the High Alps in the 19th century, there were once again attempts to traverse the great ridge that encloses the head of the Aletsch Glacier, and connecting Fiesch with Grindelwald and Wengernalp. Four such routes were found, with the Jungfraujoch and the Eigerjoch being among the most difficult passes in the Alps, despite the former having a relatively easy southern approach on the Aletsch Glacier.

 

The first ascent of the north side of the Jungfraujoch succeeded in July 1862, by a party of six English climbers and six Swiss guides: Leslie Stephen, F. J. Hardy, H. B. George, Living, Moore, and Morgan, with Christian Almer, Christian and Peter Michel, Ulrich Kauffmann, P. Baumann, and C. Bohren as guides. The time of ascent from Wengernalp was nine hours.

 

The party turned back on the first day at a bergschrund, returning on the following day with a ladder 25 ft (7.6 m) in length, carried by Peter Rubi, a porter from Grindelwald. The way lay at first by the rocky buttress of the Mönch, separating the Eiger and Guggi glaciers. From the buttress the route descended a short distance in order to reach the Guggi Glacier, which could be ascended to a plateau. This halting place was reached in about three hours.

 

Above the bergschrund was a second and smaller plateau which was situated immediately under the long slopes of broken neve that lay below the saddle. The final and very arduous stage in the ascent was a single patch of dark rocks jutted out from the snow in the ridge connecting the Jungfrau with the Mönch. After more than an hour of climbing, a great wall of ice, whose projecting cornice of snow was fringed by long icicles, had to be avoided bearing left in the direction of the Mönch, along the base of the wall by a slippery pathway of ice formed from the dripping from the icicles above. At a point where the pathway thinned out nearly to a point, and was cut across by a transverse crevasse, the wall became low enough to be scaled by the ladder. This was the last serious obstacle: a moderate slope of névé, unbroken by crevasses, then led up to the summit of the saddle.

 

After reaching the first patch of rocks, a short way below the saddle on the south side, the party divided: George and Moore, with C. Almer and U. Kaufmann went down to the Eggishorn and Fiesch, therefore completing the first crossing of the Jungfraujoch, while the remainder of the party returned to Grindelwald by the Mönchsjoch.

 

Jungfrau Railway

 

History

 

Adolf Guyer-Zeller first thought of the idea of a tunnel in 1893, and at that point, he had planned to have seven stations inside the tunnel before reaching the peak of the Sphinx. The building of the tunnel started on July 27, 1896 and took 16 years to complete.[6] The construction phase was troubled by many problems including monetary shortages, inclement weather and mounting deaths due to construction accidents. The worst accident occurred in 1908, when 30 tons of dynamite accidentally exploded.

 

When construction finally finished, the railway reached only to the height of the Jungfraujoch saddle, rather than the summit of the Sphinx, and had only two intermediate stations. However, even in its current state, the Jungfraubahn is a significant achievement in engineering and construction, still holding the title for highest railway in Europe.

 

Railway

 

The train into the mountain leaves from Kleine Scheidegg, which can be reached by trains from Grindelwald and Lauterbrunnen. The train enters the tunnel running eastward through the Eiger shortly after leaving Kleine Scheidegg.

 

It runs close behind the Eiger's north face, stopping at Eigerwand, where there is a window about 8 m long and a metre high, halfway up the face. The windows have been placed in holes used to remove excavated rock from the tunnel during construction, and are also occasionally used as access points, by climbers, and also rescue parties. This window was used for one of the final scenes of a Clint Eastwood spy movie, The Eiger Sanction. There one can get off the train to admire the view before the train continues five minutes later. The tunnel then turns west, heading towards the Jungfrau. There is a second stop at a window looking out on the Eismeer ("Sea of Ice") before the train continues to the Jungfraujoch. The tunnel was constructed between 1898 and 1912; it is about 7 kilometers (4.3 mi) long, with gradients of up to 25%. The journey from Kleine Scheidegg to Jungfraujoch takes approximately 50 minutes including the stops at Eigerwand and Eismeer; the downhill return journey taking only 35 minutes.

 

The Jungfraujoch complex plays an important role in John Christopher's The Tripods novels.

 

Climate

 

Located above the permanent snow line, the Jungfraujoch is officially the coldest place in Switzerland, although other higher locations with no weather station, for example the top of the nearby Jungfrau and Finsteraarhorn, probably experience a more extreme climate. According to Köppen climate classification, the Jungfraujoch has an alpine climate on the border between tundra climate (ET) and ice cap climate (EF) with long, cold winters lasting most of the year and a brief period during summer where the average daily highs rise above freezing.

 

(Wikipedia)

 

The Aletsch Glacier (German: Aletschgletscher, German pronunciation: [ˈalɛtʃˌɡlɛtʃɐ]) or Great Aletsch Glacier (Grosser Aletschgletscher) is the largest glacier in the Alps. It has a length of about 23 km (14 mi) (2014), has about a volume of 15.4 km3 (3.7 cu mi) (2011), and covers about 81.7 km2 (31.5 square miles) (2011) in the eastern Bernese Alps in the Swiss canton of Valais. The Aletsch Glacier is composed of four smaller glaciers converging at Konkordiaplatz, where its thickness was measured by the ETH to be still near 1 km (3,300 ft). It then continues towards the Rhône valley before giving birth to the Massa. The Aletsch Glacier is – like most glaciers in the world today – a retreating glacier. As of 2016, since 1980 it lost 1.3 kilometres (0.81 mi) of its length, since 1870 3.2 kilometres (2.0 mi), and lost also more than 300 metres (980 ft) of its thickness.

 

The whole area, including other glaciers is part of the Jungfrau-Aletsch Protected Area, which was declared a UNESCO World Heritage Site in 2001.

 

Geography

 

The Aletsch Glacier is one of the many glaciers located between the cantons of Bern and Valais on the Bernese Alps located east of the Gemmi Pass. The whole area is considered to be the largest glaciated area in western Eurasia. The Fiescher and Aar Glaciers lying on the east have similar extensions.

 

Except the Finsteraarhorn, all the highest summits of the Bernese Alps are located within the drainage basin of the glacier. The Jungfrau and Mönch constitute the northern boundary; the Gross Fiescherhorn and Gross Wannenhorn lie on its east side; finally the culminating point, the Aletschhorn (4,193 m (13,757 ft)) is located on the west side.

 

Before reaching the maximum flow, four smaller glaciers converge at Konkordiaplatz:

 

From the western mouth flows the Grosser Aletschfirn, which runs along the northern foot of the Aletschhorn and Dreieckhorn. The Grosser Aletschfirn is supplied from the north by three notable firns: the Äbeni Flue-Firn, the Gletscherhornfirn, and the Kranzbergfirn. All of these firns have their starting points at around 3,800 m (12,500 ft). From the Äbeni Flue-Firn to the Konkordiaplatz, the Grosser Aletschfirn is 9 km (5.6 mi) long and is on average about 1.5 km (0.93 mi) wide. On the west, the Grosser Aletschfirn connects with the Langgletscher over the 3,158 m (10,361 ft) high glacier pass, the Lötschenlücke, into the Lötschental.

 

From the northwestern mouth flows the Jungfraufirn. This firn in fact represents the straight continuation of the Aletsch Glacier, yet is the shortest of the four tributary glaciers. It has its origin on the southern flank of the Mönch and at the eastern flank of the Jungfrau with the Jungfraujoch in-between. Up to the Konkordiaplatz, the Jungfraufirn is a scarce 7 km (4.3 mi) long, and returns to flank the Kranzberg in the west and the Trugberg in the east. At its highest point, it is 2 km (1.2 mi) wide, and further down it is still a good 1 km (0.62 mi) wide.

From the northern mouth flows the Ewigschneefäld ("Eternal snow field"), where its starting point takes the east flank of the Mönch. In an elbow, it flanks from Trugberg in the west and the Gross Fiescherhorn and Grünhorn in the east, flowing on to the Konkordiaplatz. Up to here, it is about 8 km (5.0 mi) long and averages about 1.2 km (0.75 mi) wide.

 

The mouth at the Konkordiaplatz it follows over a rise with a descent from 25 to 30 percent; here, the glacier is sharply split. Against the north is the Ewigschneefäld over the snow-covered pass of the Unners Mönchsjoch (3,518 m (11,542 ft)), connected with the catchment area of the Ischmeer (Wallis German for "Ice Sea"). Through the Obere Mönchsjoch (3,624 m (11,890 ft)) between the Mönch and the Trugberg stands a connection to the Jungfraufirn.

 

From the east, the smallest firn arrives at the Konkordiaplatz: the Grüneggfirn. Its northern arm begins below the Grünegghorn (3,860 m (12,660 ft)). The southern arm collects its snow and ice in the pot flanked by the Wyssnollen, Fiescher Gabelhorn (3,866 m (12,684 ft)), and the Chamm. Between the peaks Wyssnollen and Grünhörnli another glacier pass, the Grünhornlücke (3,279 m (10,758 ft)), connects to the Fieschergletscher. The Grüneggfirn enters the Konkordiaplatz in a gap between the mountainsides Grünegg to the north and the Fülberg to the south. On the western side of the Fülberg the Konkordia hut (mountain hut) overlooks the whole Konkordiaplatz at an altitude of 2,850 m (9,350 ft).

 

South of Konkordiaplatz, the glacier runs towards the valley of the Oberwallis (Upper Valais); on the east side, near Bettmeralp, lies a small glacier lake, Märjelensee (2,301 m (7,549 feet)); from the western side used to enter the Mittelaletschgletscher, but since the end of the 20th century the connection with the Aletsch Glacier has been lost. Further down, until about 1880, the Oberaletschgletscher did also enter the Aletsch Glacier at its mouth. But since then both glaciers have been retreating so far that they do not connect anymore (the Upper Aletsch Glacier did retreat about 1.3 km (0.81 mi) from its connecting point with the Aletsch Glacier), but both serve now only as the source of the river Massa. The river flows through the Lake Gibidum (a reservoir, and coincidentally representing the glacier's mouth region in the 19th century, which is a retreat of more than 4 km (2.5 mi)) and a gorge of the same name before reaching the Rhône near Brig.

 

Tourism

 

The area of the Aletsch Glacier and some surrounding valleys is on the UNESCO World Heritage list, thus it is protected and the facilities are mostly restricted to the external zones. The region between Belalp, Riederalp and Bettmeralp (which is called Aletsch Region) in Valais gives access to the lower part of the glacier. The Bettmerhorn and Eggishorn are popular view points and are accessible by cable car. The Massa river can be crossed since 2008 by a suspension bridge, thus allowing hikes between the left and the right part of the glacier.

 

The Jungfraujoch railway station (3,450 m) gives a direct access to the upper Aletsch Glacier as well as the normal route to the Jungfrau. It can be reached only from Interlaken in the canton Bern. Hiking paths pass the Konkordia Hut or the Hollandia Hut, eventually reaching other glaciers in the massif.

 

On the Riederfurka, at 2,065 metres between Riederalp and the glacier, is located the historic Villa Cassel, former summer residence of many famous and influential guests from the worlds of politics and finance. The house is now one of the centers of the environmental organization Pro Natura, which hosts a permanent exhibition about the site.

 

Panorama

 

Also at the mouth of the Konkordiaplatz from the east is the small but important Grüneggfirn (3 km long and averaging 600 m wide). This firn is connected in the over the glacier pass Grünhornlücke (3280 m high) to the Fiescher Glacier in the east.

 

From the Konkordiaplatz, the Aletsch Glacier has a width of approximately 1.5 km and moves at a rate of 180 m per year to the southeast on course with the Rhône valley, bordering the Dreieckhorn in the west and the great Wannenhorn in the east. It then takes a great right turn and bends ever closer to the southwest, running through the edge of the Eggishorn and Bettmerhorn of the Rhône valley. The lowest part of the great Aletsch Glacier is largely covered with detritus of the lateral and medial moraines. The glacier's toe currently lies about 1560 m high, far beneath the local tree line. From it springs the Massa stream, which flows through the Massa Canyon and is used to generate hydroelectric power. It continues through the upper half of the Brig, eventually entering into the Rhône.

 

The great Aletsch Glacier shows considerable ice cover. At the Konkordiaplatz, it has an ice cover of more than 900 m, but as it moves to the south, the greater part of the ice melts, gradually decreasing the cover to around 150 m.

 

The characteristically dark medial moraine, situated almost in the middle of the glacier, runs protracted in two bands from the Konkordiaplatz along the whole length to the glacier's toe-zone. This medial moraine is collected from the ice of three large ice fields, which all run together. The westernmost medial moraine has been named the Kranzbergmoräne, and the easternmost carries the name Trugbergmoräne.

 

Formation and evolution

 

The Aletsch Glacier resulted from the accumulation and compaction of snow. Glaciers generally form where snow and ice accumulation exceed snow and ice melt. As the snow and ice thicken it reaches a point where it begins to move due to a combination of gravity and pressure of the overlying snow and ice.

 

During the last glacial periods, the Aletsch Glacier was much larger than now. 18,000 years ago the lower part of the ridge, between Riederalp and the glacier, was completely covered by ice. Only the summits of the Bettmerhorn, Eggishorn and the Fusshörner were above the glacier. After an important retreat, the glacier again advanced 11,000 years ago during the last glacial period. The glacier reached the Rhône valley, and its ice the Riederfurka. Remaining moraines are still visible in the Aletsch Forest.

 

Since the last glaciation, the glacier generally retreated. However slight climatic changes happened and, in 1860, the glacier was 3 km longer and the ice level 200 m higher.

 

As for many other glaciers, records show a major longer-term retreat trend. The Aletsch Glacier receded by 3.2 km (2.0 mi) since 1870, including 1.3 km (0.81 mi) since 1980.[6] A record retreat of 114.6 metres (376 ft) happened in 2006 alone.

 

Since the end of the Little Ice Age in 1850 the glacier has lost 20 percent of its ice mass, considerably less than other glaciers in Switzerland, which have lost up to 50 percent. This is explained with the large size of the Aletsch Glacier, which reacts much slower to climate change than smaller glaciers. It is however estimated that, by 2100, the glacier will have only one tenth of its 2018 ice mass.

 

Photo opportunity

 

On August 18, 2007, photographer Spencer Tunick used hundreds of naked people in a "living sculpture" on the Aletsch Glacier in a photo shoot which he said was intended to draw attention to global warming and the shrinking of the world's glaciers. The temperature was about 10 °C (50 °F) at the time of the photo shoot. The 600 participants on the shrinking glacier said that they had volunteered for Tunick (a collaboration with Greenpeace) to let the world know about the effects of global warming on the melting Swiss glaciers.

 

(Wikipedia)

 

Das Jungfraujoch ist mit 3466 m ü. M. der tiefste Punkt im Verbindungsgrat zwischen dem Mönch und der Jungfrau in den Berner Alpen, auf der Grenze zwischen den Kantonen Bern und Wallis. Das Joch ist weit und stark überfirnt. Aufgrund der auch dort stattfindenden Gletscherschmelze sinkt es jedes Jahr im Schnitt einige Dezimeter ab. Es gehört zu den bedeutendsten Reisezielen in der Schweiz. Etwa 1 Million Touristen (Stand 2018) fahren jährlich zum höchstgelegenen Bahnhof Europas.

 

Umgebung

 

In der Umgebung des Jungfraujochs befinden sich einige Viertausender der Berner Alpen. Im Nordosten befinden sich der Mönch (4107 m ü. M.) sowie der Eiger (3967 m ü. M.) und im Südwesten die Jungfrau (4158 m ü. M.). Im Süden des Jungfraujochs ist hinter dem Konkordiaplatz das Aletschhorn zu sehen. 200 Meter westlich befindet sich auf dem Grat zur Jungfrau die 3557 Meter hohe Mathildespitze, etwa 600 Meter östlich des Jochs erhebt sich die Sphinx, eine markante kleine Spitze mit einer Höhe von 3571 Metern. Sie trägt eine Aussichtsplattform und ein wissenschaftliches Observatorium (Sphinx-Observatorium). In ihrem Innern befindet sich auf 3454 Metern Höhe die Endstation der Jungfraubahn. Diese Station ist der höchstgelegene Bahnhof Europas (daher der Beiname Top of Europe). Durch einen Stollen gelangt man von hier aus auf die Walliser Seite und zum Aletschgletscher. Der schnellste Aufzug der Schweiz führt auf den Gipfel der Sphinx. Ein im Sommer üblicherweise für Spaziergänger präparierter Weg führt vom Jungfraujoch zur Mönchsjochhütte. Beim Jungfraujoch selbst gibt es für Besucher keine Übernachtungsmöglichkeit. Die Stollen werden nachts verschlossen, so dass auch freies Biwakieren nicht möglich ist.

 

Passübergang

 

Als Übergang für Fuss- oder Skitouristen vom Berner Oberland ins Wallis oder umgekehrt besitzt das Jungfraujoch praktisch keine Bedeutung. Der Weg vom Wallis über den Aletschgletscher hinauf ist – von der Spaltengefahr im Jungfraufirn abgesehen – leicht. Der Aufstieg vom Berner Oberland her ist jedoch eine beschwerliche Hochtour (Steileis, G 5-6, zeitweise unmöglich).

 

Erschliessung

 

Seit dem 1. August 1912 ist das Jungfraujoch durch die Jungfraubahn erschlossen. Von Grindelwald oder Lauterbrunnen erreicht man mit der Wengernalpbahn die Station Kleine Scheidegg. Diese Station auf 2061 m ü. M. ist die „Talstation“ der Jungfraubahn. Von hier aus muss die Jungfraubahn 9,34 Kilometer bezwingen, davon verlaufen die letzten 7,32 km unterirdisch, bis sie am Jungfraujoch ankommt. Die unterirdische Endstation auf 3454 m ü. M. ist der höchste Bahnhof Europas. Auf ihrem Weg hält die Bahn an zwei Stationen: Eigergletscher (2320 m) und Eismeer (3158 m). Seit dem 11. Dezember 2016 wird die Station Eigerwand (2864 m) nicht mehr bedient.

 

Bauten und Anlagen

 

Seit 1912, mit der Eröffnung der Jungfraubahn, wird für das Wohlergehen der Besucher auf dem Jungfraujoch gesorgt. Mehrere Restaurants, aber auch spezielle Aussichtsplattformen und Erlebnisse wurden eigens dafür geplant und realisiert.

 

Restaurants

 

Bereits bei der Eröffnung weihte man das provisorische „Touristenhaus“ mit dem höchstgelegenen Restaurant Europas ein. Mit seiner Eröffnung in 1924 ergänzte das neue „Berghaus Jungfraujoch“ – mit Giebeldach und in die Felswand gebaut – dieses Touristenhaus. Es wurde als „Das Haus über den Wolken“ bekannt. Im Erdgeschoss befanden sich eine geräumige Wartehalle mit geheiztem Fussboden, Bahn- und Postschaltern und ein Bazar. Besonders ins Auge stach die „Walliserstube“, die mit der Arvenholztäfelung und Anwendung von Naturstein eine besondere Charakteristik erhielt. Gäste aus aller Welt übernachteten in einem der 18 gemütlichen, holzgetäfelten Schlafzimmer mit Waschbecken und Krügen auf dem Nachttisch. Auf der Aussichtslaube stand man am Ursprung des längsten und grössten zusammenhängenden Gletschers der Alpen, dem Aletschgletscher. 1972 wütete im Berghaus ein Feuer mit erheblichen Folgen: Lediglich das Bahnbüro, die Perronanlage in der rückwärtigen Felsenkaverne sowie die Forschungsstation konnten vor dem Feuer geschützt werden. Nach dem Unglück lud die Jungfraubahn Architekten zu einem Wettbewerb ein, ein neues Gebäude zu entwerfen. Der Gewinner war Ernst E. Anderegg mit dem im Hang eingefügten „Top of Europe“, das 1987 eingeweiht wurde.

 

Sphinx-Observatorium und Forschungsstation

 

Bereits vor Baubeginn der Jungfraubahn war die Einrichtung eines Observatoriums und einer meteorologischen Forschungsstation vom Gründer der Bahn, Adolf Guyer-Zeller, geplant. 1931 konnten die Laboratorien für Meteorologie, Glaziologie, Strahlungsforschung, Astronomie, Physiologie und Medizin auf (3571 m ü. M.) mit einem Felsenheim für 13 Forscher eingeweiht werden. 1937 wurde das Sphinx-Observatorium bezogen. 1950 wurde dem Observatorium die Kuppel für astronomische Beobachtungen aufgesetzt, die seither immer wieder den modernsten Erfordernissen der Wissenschaft angepasst wird. Das Forschungsgebäude selbst ist nicht zu besichtigen.

 

Unterhalb des Sphinx-Observatoriums und östlich des Bahnhofs und der Restaurants befindet sich die Hochalpine Forschungsstation, eine an die Universität Bern angegliederte Forschungseinrichtung der International Foundation High Altitude Research Stations Jungfraujoch and Gornergrat. Die Gästezimmer der Forschungsstation sind die einzige Übernachtungsmöglichkeit auf dem Jungfraujoch, aber nur Wissenschaftlern und den Betreuern vorbehalten.

 

Das Observatorium ist mit einem 111,4 Meter langen Lift erschlossen. Die Aussichtsplattform bietet den Besuchern bei schönem Wetter einen Ausblick bis in die Nachbarländer Frankreich, Deutschland und Italien. 1993 wurde die Sphinx für die Besucher renoviert. Drei Jahre waren nötig, um sie gemeinsam mit der schnellsten Liftanlage der Schweiz, der verglasten Aussichtshalle und der rund um das Gebäude verlaufenden Terrasse fertigzustellen.

 

Eispalast

 

Zwei Bergführer begannen in den 30er Jahren eine gewaltige Halle aus dem Gletschereis zu schneiden. In Handarbeit, mit Eispickel und Säge, entstand ein 1'000 Quadratmeter grosses Labyrinth – der Eispalast. Das 1934 begonnene Werk ist nie vollendet worden. Durch die Ausdünstung der tausenden Besucher muss die Grotte auf minus drei Grad künstlich klimatisiert werden. Die Decken und das Gewölbe der Gänge müssen regelmässig nachgehauen werden. 1992 bekam der Eispalast einen neuen Zugang und ist seit 2002 durch den Ice-Gateway erreichbar.

 

Post

 

Auf dem Jungfraujoch liegt auch das höchstgelegene Postbüro Europas mit der eigenen Postleitzahl 3801. Obwohl die Postleitzahl gemäss Schweizerischer Post dem Kanton Wallis zugewiesen ist, so befindet sie sich dennoch im Zahlengebiet 38xx der im Tal liegenden Gemeinden des Kantons Bern.

 

Richtstrahlstation Ostgrat

 

Am Ostgrat der Jungfrau auf nicht ganz 3700 Meter Höhe befand sich die 2011 abgebaute Richtstrahlstation Ostgrat. Vom Jungfraujoch führen eine teilweise durch den Gletscher geführte Stollenbahn sowie eine einspurige Standseilbahn zur Anlage. In der Mitte der Standseilbahnstrecke befindet sich eine Zwischenstation, welche für Forschungszwecke genutzt wird. Es existieren dort Photovoltaik-Testanlagen.

 

Versorgung

 

Die intensive Sonnenstrahlung bietet sich zur Energienutzung an. So wird die tagsüber einfallende Wärme für die Nacht gespeichert. Aber auch die zahlreichen sonst kaum beachteten Wärmequellen – von Lampen über Elektrogeräte bis zur Körperwärme der anwesenden Personen – werden in die Regulierung der Raumtemperatur einbezogen. So gibt es im gesamten Berghaus keinen Heizkörper. Sogar wenn die Sonne nicht scheint und die Aussentemperatur bei minus 30 °C liegt, kann tagsüber auf zusätzliche Heizungen verzichtet werden. Nur nachts wird über die Lüftungsanlage mit elektrischer Energie so viel Wärme zugeführt, dass eine Raumtemperatur von mindestens 18 °C erhalten bleibt.

 

Brauchwasser wird aus Schnee gewonnen und aufbereitet. In Trockenperioden muss es nach wie vor mit Zisternenwagen auf der Schiene von der Kleinen Scheidegg heraufgebracht werden. Für das Jahr 2012 ist ein neues Projekt geplant, bei dem das Wasser durch Leitungen von der Kleinen Scheidegg mit Druckluft hinauf auf das Jungfraujoch gepumpt wird. Somit können die Zisternentransporte reduziert werden.

 

Das Abwasser lässt sich nicht mehr in den Gletscherschrund einleiten. Deshalb wurde eine 9,4 Kilometer lange Abwasserleitung ins Tal installiert. Sämtliche Abwässer aus Küchen, Unterkünften und Toiletten können auf diese Weise umweltfreundlich entsorgt werden.

 

Klima

 

Auf dem Jungfraujoch herrschen extreme Klimabedingungen. Die mittlere Jahrestemperatur beträgt −6,7 °C mit Schwankungen von −37 °C bis +13 °C. Die Windgeschwindigkeit kann bis zu 260 km/h betragen. Die Sonne scheint jährlich durchschnittlich 1773 Stunden. Zu jeder Jahreszeit muss mit starken Vereisungen, Schneefall und Lawinen gerechnet werden. Die Messstation von MeteoSchweiz liegt auf einer Höhe von 3571 m ü. M.

 

Tiere

 

Bis zum Jahr 2009 waren auf dem Gletscher täglich 25 Polarhunde im Einsatz. Auf einer präparierten Piste (rund 500 Meter lang) zogen die Hunde Schlitten mit Besuchern, waren aber auch für Postsendungen und Lebensmitteltransporte von Wengen zum Eigergletscher im Einsatz. Das Rudel galt als das meistfotografierte Motiv auf dem Jungfraujoch.

 

Für Ornithologen ist die Hochgebirgsregion interessant, da verschiedene Vogelarten zum Teil auch überwintern. Der Schneefink beispielsweise nistet und schläft in den schroffen Felswänden und findet bei den Behausungen der Forscher Futter.

 

(Wikipedia)

 

Der Grosse Aletschgletscher ist der flächenmässig grösste und längste Gletscher der Alpen. Er befindet sich auf der Südabdachung der Berner Alpen im Schweizer Kanton Wallis. Die Länge des Gletschers beträgt 22,6 km, die Fläche wird mit 78,49 km² angegeben. Der Aletschgletscher entwässert über die Massa in die Rhone. Die Fläche des gesamten Einzugsgebiets der Massa beträgt 195 km², wovon 1973 etwa zwei Drittel vergletschert waren. Oft werden bei der Flächenangabe der Ober- und Mittelaletschgletscher einbezogen, da diese früher mit dem Grossen Aletschgletscher verbunden waren. Die gesamte vergletscherte Fläche einschliesslich dieser Gletscher betrug 1973 etwa 128 km², für das Jahr 1863 wird eine Fläche von 163 km² angenommen.

 

Ursprung am Konkordiaplatz

 

Der Ursprung des Grossen Aletschgletschers liegt in der rund 3800 m hoch gelegenen Jungfrau-Region. Am Konkordiaplatz (♁645905 / 150101), einer 6 km² grossen und nur wenig geneigten Eisfläche, fliessen drei mächtige Firnströme zusammen:

 

Von Westen mündet der Grosse Aletschfirn, der entlang dem Nordfuss von Aletschhorn und Dreieckhorn fliesst. Der Grosse Aletschfirn wird von Norden her durch drei weitere bedeutende Firne gespeist, nämlich durch den Ebnefluhfirn, den Gletscherhornfirn und den Kranzbergfirn. Alle diese Firne nehmen ihren Ausgangspunkt auf rund 3800 m ü. M. Einschliesslich des Ebnefluhfirns hat der Grosse Aletschfirn bis zum Konkordiaplatz eine Länge von 9 km und ist durchschnittlich fast 1,5 km breit. Gegen Westen ist der Grosse Aletschfirn über den 3173 m ü. M. hohen Gletscherpass der Lötschenlücke mit dem Langgletscher verbunden, der ins Lötschental abfliesst.

 

Von Nordwesten mündet der Jungfraufirn, der zwar die gerade Fortsetzung des Aletschgletschers darstellt, jedoch der kürzeste der drei Tributärgletscher ist. Er hat seinen Ursprung an der Südflanke des Mönchs, am Jungfraujoch und an der Ostflanke der Jungfrau. Bis zum Konkordiaplatz legt der Jungfraufirn eine Wegstrecke von knapp 7 km zurück und wird dabei im Westen vom Kranzberg, im Osten vom Trugberg flankiert. Er ist in seinem oberen Teil 2 km, weiter unten noch gut 1 km breit.

 

Von Norden mündet das Ewigschneefeld, das seinen Ausgangspunkt an der Ostflanke des Mönchs nimmt und in einem Bogen, flankiert vom Trugberg im Westen sowie dem Gross Fiescherhorn und dem Grünhorn im Osten, zum Konkordiaplatz fliesst. Bis hierher ist es ungefähr 8 km lang und durchschnittlich 1,2 km breit. Die Mündung in den Konkordiaplatz erfolgt über einen Steilhang mit einem Gefälle von 25 bis 30 %; der Gletscher ist hier stark zerklüftet. Gegen Norden ist das Ewigschneefeld über den firnbedeckten Pass des Unteren Mönchsjochs (3529 m ü. M.) mit dem Einzugsgebiet des Unteren Grindelwaldgletschers verbunden. Durch das Obere Mönchsjoch (3627 m ü. M.) zwischen dem Mönch und dem Trugberg besteht eine Verbindung zum Jungfraufirn. Ferner mündet am Konkordiaplatz von Osten noch der wesentlich kleinere Grüneggfirn (3 km lang und durchschnittlich 600 m breit). Dieser ist nach Osten über den Gletscherpass der Grünhornlücke (3280 m ü. M.) mit dem Fieschergletscher verbunden.

 

Weiterer Verlauf

 

Vom Konkordiaplatz aus bewegt sich der Eisstrom mit einer Breite von ungefähr 1,5 km und mit einer Geschwindigkeit von bis zu 180 Metern pro Jahr nach Südosten in Richtung Rhonetal, gesäumt vom Dreieckhorn im Westen und dem Gross Wannenhorn im Osten. Er zeichnet dann eine grosse Rechtskurve und biegt immer mehr nach Südwesten ab, nun durch den Grat des Eggishorns und Bettmerhorns vom Rhonetal getrennt. Der unterste Teil des Grossen Aletschgletschers ist weitgehend durch das Geschiebematerial von Seiten- und Mittelmoränen bedeckt. Die Gletscherzunge liegt derzeit auf rund 1'560 Meter Höhe, weit unterhalb der lokalen Waldgrenze. Aus ihr entspringt der Bach Massa, welcher nach der Massaschlucht und einer Nutzung in einem Wasserkraftwerk, in Bitsch, oberhalb von Naters, in die Rhone (Rotten) fliesst.

 

Der Grosse Aletschgletscher weist beachtliche Eisdicken auf. Am Konkordiaplatz hat der Gletscher eine Eisdicke von mehr als 900 Metern, gegen Süden nimmt die Mächtigkeit des Eises allmählich auf rund 150 m ab. Charakteristisch sind die beiden dunklen, fast in der Mitte des Aletschgletschers gelegenen Moränenspuren, welche sich ab dem Konkordiaplatz auf der gesamten Länge bis in den Zungenbereich hinziehen. Es sind die Mittelmoränen, die das Eis der drei Hauptfirne voneinander trennen. Die westliche Mittelmoräne wird auch Kranzbergmoräne genannt, die östliche trägt den Namen Trugbergmoräne.

 

Gletscherschwankungen

 

In seinem Hochstadium während der Kleinen Eiszeit um die Mitte des 19. Jahrhunderts erstreckte sich der Grosse Aletschgletscher noch rund 2,5 km weiter talabwärts. Aufgrund der allgemeinen Erwärmung seit etwa 1870 hat er besonders unterhalb des Konkordiaplatzes massiv an Volumen eingebüsst und sowohl an den Seiten als auch im Zungenbereich Flächen von mehreren Quadratkilometern freigegeben. Der einstmalige, in der Neuzeit höchste Gletscherstand kann gut an den noch fast vegetationslosen Seitenmoränen abgeschätzt werden. Seit 1850 hat die Eisdicke um teilweise über 100 m abgenommen. Früher waren auch die Eisströme des Oberaletschgletschers und des Mittelaletschgletschers direkt mit dem Grossen Aletschgletscher verbunden.

 

In der Senke zwischen dem Strahlhorn und dem Eggishorn liegt der Märjelensee, der im 19. Jahrhundert beim Gletscherhochstand zu einem Gletscherrandsee aufgestaut wurde. Seine wiederholten plötzlichen Ausbrüche durch Gletscherspalten verursachten immer wieder starke Schadenshochwasser der Massa hin zum Rhonetal.

 

Gegen kurzfristige Klimaschwankungen ist der Gletscher aufgrund seiner grossen Masse relativ immun. Während viele andere Gletscher Ende der 1970er Jahre bis Anfang der 1980er Jahre vorstiessen, reagierte der Aletschgletscher auf die vorübergehende Abkühlung kaum – ebenso wenig wie auf die warmen Jahre seit 1983. Aufgrund der zunehmend extremen Hitze der letzten Jahre zieht er sich aber nun doch – wie alle übrigen Alpengletscher – deutlich verstärkt zurück.

 

Die relative Trägheit in seinen Reaktionen auf Klimaschwankungen macht den Aletschgletscher auch zu einem idealen Untersuchungsobjekt zur Erforschung der Klimaentwicklung im Alpenraum. Die Längenschwankungen des Aletschgletschers in der Vergangenheit dürften sogar eine Rekonstruktion aller grösseren Klimaveränderungen der letzten 3200 Jahre erlauben. Die Bestimmung der verschiedenen Längenstadien des Aletschgletschers in der Vergangenheit erfolgt durch die Radiokohlenstoffdatierung fossiler Baumstämme, die der Gletscher bei einem früheren Vorstoss einmal überfahren haben muss und nun während seines aktuellen Rückzuges wieder freigibt. Der Befund fossiler Böden und von Wurzelwerk garantiert dabei, dass es sich bei dem Fundort auch um den Wuchsstandort des fossilen Baumes handelt. Durch Zählung der Jahresringe der geborgenen Stämme kann sogar der Zeitraum bestimmt werden, während dessen der Aletschgletscher den Fundort nicht erreicht hat. Mit dieser Methode wurde festgestellt, dass der Aletschgletscher bis etwa 1200 v. Chr. um einiges kleiner gewesen sein muss als gegen Ende des 20. Jahrhunderts. Für die Jahre etwa von 1200 bis 1110 v. Chr., 850 bis 750 v. Chr. und 350 bis 250 v. Chr. sind Vorstösse festgestellt worden. Dabei ist der Aletschgletscher von 900 bis 400 v. Chr. jedoch kleiner gewesen als am Ende des 20. Jahrhunderts, genauso wie von etwa 100 v. Chr. bis ins Jahr 250. Um das Jahr 300 ist eine Gletscherlänge vergleichbar der des Höchststandes im 19. Jahrhundert festzustellen.

 

Laut der letzten Studie der Universität Erlangen-Nürnberg (Juni 2020) schmolz die Oberfläche des Grossen Aletschgletscher zwischen den Jahren 2001 und 2014 um mehr als fünf Meter pro Jahr in den unteren Lagen.

 

Tourismus

 

Der Aletschgletscher galt schon früh als besondere Sehenswürdigkeit für Reisende und als willkommenes Untersuchungsobjekt für Forschende. Forschungsstationen gibt es seit 1937 auf dem Jungfraujoch und seit 1976 auf der Riederfurka oberhalb der Riederalp. Durch zahlreiche Luftseilbahnen besonders gut erschlossen ist der Berggrat zwischen dem Riederhorn und dem Eggishorn, der sehr schöne Einblicke in den Zungenbereich und den unteren Teil des Gletschers gewährt. Mit dem Bau der Jungfraubahn auf das Jungfraujoch (auf der Sphinx 3571 m ü. M.) wurde 1912 auch für nicht berggewohnte Leute ein Blick in den oberen Teil des Gletschers ermöglicht.

 

Am Felshang des Faulbergs östlich des Konkordiaplatzes stehen auf 2850 m ü. M. die Konkordiahütten des Schweizer Alpen-Clubs SAC. Sie dienen als wichtiger Etappenort auf der hochalpinen Gletscherroute vom Jungfraujoch oder vom Lötschental in das Gebiet des Grimselpasses.

 

UNESCO-Weltnaturerbe

 

Das Gebiet des Grossen Aletschgletschers ist zusammen mit dem einzigartigen Aletschwald und den umliegenden Regionen seit dem 13. Dezember 2001 Bestandteil des UNESCO-Weltnaturerbes Schweizer Alpen Jungfrau-Aletsch.

 

(Wikipedia)

This small work is the first of a series of similar sized compositions Albert Moore made examining the theme of sleeping women in 1875 & 1876: Apples (1875, private collection), A Sofa (1875, private collection) and Beads (1876, National Gallery of Scotland) and a study for Beads (the Yale Center for British Art, New Haven). This subject culminated in his masterpiece, Dreamers (1882, Birmingham Museum and Art Gallery). Moore developed the arrangement of figures, drapery and accoutrements through preparatory studies. Once the composition was complete he used each picture to explore different sequences of palette and colour combinations. This painting is the only one of the series to feature a cat (and of all his works) and is closest to the freer, softer brushwork favoured by his close friend and colleague, James McNeill Whistler. Moore was an eccentric, sharing his life with his dachshund dog and an army of cats, which effectively took over his home and his studio (see extracts from Time Was by W. Graham Robertson below).

 

As with all painters, some works are very personal for the private collection of the artist and most works are highly finished for public consumption. This version is very personal and was retained by the artist and not shown until after his death in the Memorial Exhibition at the Grafton Gallery in 1894. It contains several private jokes and references: the mouse in the centre is peeping out from under the bench, whilst the cat, having finished its saucer of milk, sits contentedly and blissfully unaware. In a passing reference to his famous paintings Shuttlecock 1870 and Battledore 1872 (both works are studies in cooler shades of blue, as is this painting) the exhausted model drops the shuttlecock from her sleep-induced hand. And the stripes of the cat echo those of the vases on the left-hand side. The artist's anthemion signature is described both by the falling shuttlecock and the fan. It also demonstrates Moore’s classical training, where the figures are initially painted in the nude and subsequently the clothes are glazed on top. Albert Moore has used the looser, but less popular, "impressionist" technique favoured by his great friend James McNeill Whistler, whereas in the other versions he draws the outlines more carefully and finishes the works to comply with the expectations and taste of the buyers of the time. Albert Moore’s practice of the use of pattern on pattern in his compositions prefigures the paintings of Édouard Vuillard.

 

This painting, although small in size, is a prime example of the Aesthetic Movement of which Albert Moore is the supreme master. The Aesthetic movement was fuelled by Japonism, demonstrated here by the apple blossom and the fan. Albert Moore chose as his vehicle for expressing Japanese sensibilities by using figures drawn from Greek antiquity (he was a great advocate of the Elgin Marbles), mixed with contemporary objects. In Japan, during the Kaei era (1848–1854), after more than 200 years of seclusion, foreign merchant ships of various nationalities had begun to visit the country. Following the Meiji Restoration in 1868, Japan ended a long period of national isolation and became open to imports from the West, including photography and printing techniques. In turn, many Japanese ceramics and ukiyo-e prints, followed by Japanese textiles, bronzes, cloisonné enamels and other arts, came to Europe and America and soon gained popularity, and travel to the Far East became possible. Japanese sensibility became all the fashion rage and could be observed in the most up-to-date interior decoration.

 

This perfect little Albert Moore aesthetic painting, Two female figures reclining on a sofa, in its original "Albert Moore" frame decorated with anthemion devices, was in the distinguished collection of Charles and Lavinia Handley-Read, who between them pioneered the revival of the Victorian era in the 1960s. Their taste was supreme and they collected at a time when all things Victorian were "non-U"(1). They had the market to themselves until, in 1971, Sotheby's Belgravia opened its doors, where expertise was solely devoted to selling works from the Victorian period.

 

In 1865, when James McNeill Whistler's Symphony in White, The Little White Girl, was exhibited at the Royal Academy, the artist met Albert Moore whilst admiring his The Marble Seat also exhibited there. As a result of their friendship and close cooperation, together they explored the ideals of Art for Art's sake and the similarity of subject and technique in their work in the 1860's is without doubt. They were both drawing nude and draped female figures with semi-classical accessories, usually in very simple settings - by a balcony, the sea, a sofa. They made drawings in chalk on brown paper, then small oil studies, and finally, large oil paintings. In fact, Whistler's studies rarely progressed to this final stage, partly because he found the drawings satisfying for their own sake, but partly because he was worried about the danger of his and Moore's work becoming too alike.

 

Whistler wrote to Moore in September 1870 about his painting Symphony in Blue and Pink (Freer Gallery of Art, Washington, DC) that in general sentiment of movement it was not unlike Moore's work and he was concerned as to whether they could each paint their picture without harming each other in the opinion of those who do not understand us(2). Moore’s drawing technique and Whistler's are very close around 1870. Similar cross-hatching, for instance, on drawings had lead, until the new revival of scholarship in the second half of the twentieth century, to confusion. Many Moore drawings were ascribed to Whistler, but have since have been correctly reallocated.

 

Graham Robertson, Time Was (3):

 

The Grosvenor Gallery was still the cave of Aladdin, hung with Jewels [1878-9] … Whistler had shown his masterpiece 'Miss Alexander'; round which scoffers were already remaining to pray, and groups and single figures exquisite in colour and execution still flowed from the brush of Albert Moore.

 

The technical perfection of his pictures fascinated me; the rather uninteresting Graeco-West Kensington young woman who invariably appeared in them did not appeal very strongly; they were a little monotonous in their calculated loveliness, but – if one could only paint like that!

 

… my mother extracted a rather unwilling promise from the kindly painter to take me ‘on approval’ as a studio pupil

 

…

 

His was a strange and interesting figure in the world of art. Few people knew him well, for he seldom took the trouble to make friends, yet he was the most gentle and affectionate of men. His splendid Christ-like head with its broad brows and great visionary brown eyes was set upon a awkward little body that seemed to have no connection with it.

 

His favourite attitude of repose was squatting on his heels like a Japanese, and when settling himself for a talk, would suddenly subside thus on the floor, to the amazement of casual beholders.

 

His usual costume was a very long and very large ulster, far too big for him and once, in remote ages, the property of an elder and taller brother. With this he wore a large broad-brimmed straw hat without a crown.

 

He lived in a curious building at the corner of Holland Lane, its accommodation consisting of two huge studios, a sitting-room with nothing to sit upon it in it, a bedroom and, I suppose, a kitchen. His constant companion was Fritz, a dachshund of depressed appearance reported by models to live entirely upon sardines and oranges. Fritz’s sole accomplishment was ‘doing George Eliot’, in which impersonation he sat up with folded paws and looked down his long nose while his ears flapped forward like cap lappets.

 

He was very like portraits of the distinguished authoress, but he did not realise it, and the performance bored him. The great embitterment of his life was cats. Cats pervaded the whole house; vaguely, unofficially, holding no recognised position, they swarmed in the studios and passages, were born abruptly in coal-scuttles, expired unpleasantly behind canvases, making the place no home for an honest dog and taking, as it were, the very sardines out of his mouth.

 

Albert Moore regarded them mournfully but placidly as inevitable. There were the cats. There also were the spiders and their cobwebs, the dust, the leaks in the pipes, and other like phenomena.

 

They were perhaps not pleasant, but they were endurable, and certainly could not be got rid of without admitting tiresome people to the house who would hammer and move things about – which would be unendurable.

 

I sided with Fritz about the cats, which infested the studio in which I worked, and I made one determined effort to suppress them. I turned out all I could find, rummaging out the coy or morose specimens from behind the dusty pictures until I felt sure the room was clear; then I banged the door and started work again in a cat-less void with a charming sense of quiet privacy. I would be careful to keep the door shut in future; I would not open the low window on to the lead where perhaps – Bump! A heavy object fell from the ceiling, smearing a long streak down my canvas and landing at my feet. “Pr-r-r-ow”, said the object, regarding me malevolently out of evil yellow eyes. It was a new cat fallen through the skylight.

 

I gave up. If the Heavens themselves were against me and rained cats like manna from above, I might save myself further trouble. Henceforth I was cat-ridden like Fritz. Yet Albert Moore could never have liked cats: he was emphatically dog nature, loyal and affectionate. He had the eyes of a dog; beautiful tender eyes which could light up with a brilliant smile which never reached the lips.

 

Nothing in the way of papering, painting or white-washing was ever done in the house, and even of ordinary dusting I saw no sign, nor was anything ever mended.

 

Many years afterwards, when I had a studio of my own, I remember calling on Albert Moore with Whistler, who had a very real admiration for his work and a great respect and liking for the man himself.

 

We found him in huge, desolate workroom solemnly painting, surrounded by a circle of spoutless handle-less jugs each holding a large cornucopia of brown paper.

 

Whistler was instantly fascinated by the jugs and could think of nothing else, but he remembered Moore’s dislike of being questioned. He edged nearer to me.

“What are the jugs for?” he asked in a whisper.

“I don’t know.”

“Ask him.”

“You ask him: you’ve known him longer.”

“You’re his pupil. You might ask him.”

I summed up my courage. “What are the jugs for?”

“The drips” said Albert Moore laconically.

“The drips” whispered Whistler. “What drips? Ask him.”

 

Luckily at this moment a fat water-drop oozed from the ceiling and fell with a plop into the receivers.

 

The roof leaked. It had probably leaked for months, perhaps years, but Albert Moore sat dreaming amongst his jugs and never thought of repairs.

 

Whistler was always at his best and gentlest with Albert Moore; he understood the rather slow working of his brain and knew his thoughts were worth waiting for. Moore on his side adored Whistler, whose quick wit stimulated him. He was a sad man, and loved to laugh.

 

Whistler once told me that he had tried hard to bring about a friendship between him and Rossetti, knowing how Moore would have delighted in the poet’s unexpected turns of humour; but Rossetti was impatient and would not respond. “He’s a dull dog,” he pronounced. “A dull dog.”

 

“He thinks slowly, but he’s not in the least dull” persisted Whistler – but it was no good.

 

However, Rossetti had already won Albert Moore’s heart entirely on the occasion of their first meeting.

 

As they sat down for dinner, the poet was served with soup. “I say, what a stunning plate!” cried Rossetti – and instantly turned it upside-down to look at the mark. The ensuing flood seemed to come upon him as a complete surprise, and Albert Moore laughed he remembered the incident for the rest of his life.

 

That life was in many ways a very lonely one. He lived apart, absorbed by his work, know and caring little about the outside world, whose ways sometimes puzzled him very much. At such moments he would hastily seek advice, his choice of mentors was distinctly original. When in difficulty with a picture he would gradually form the habit of consulting with my mother, whose suggestions he often adopted, to her unbound surprise, but for an opinion on any social or economical point he always went to the cab rank near the gates of Holland House where the men gave him much good counsel, although sometimes the language in which it was couched provided him with an additional puzzle.

 

…

 

He built up his compositions very slowly and laboriously, making elaborate charcoal cartoons of the whole group, then each single figure, first nude, then draped. Then came the chalk studies of the draperies, colour studies of the draperies, rough photographs of the draperies, so that before the great work was actually begun he had actually produced many pictures. The colour studies of the draped figures, done straight off while the model stood and never retouched, were his most perfect works. The touch was so light, the paint so fresh and exquisite in texture, the drawing and colour so true and sensitive, and they were miracles of artistry.

 

After they had served their purpose as studies he would often complete them by adding heads and backgrounds, and thus it came about that so many of his pictures were so much alike; two or three slightly varying studies for the same figure, each in turn developing into a finished painting.

 

When the studies had all been made, the first step towards the actual picture was the putting in of the whole composition in grey monochrome. Over this, when it was dry, came a thin, fluid painting very delicate in colour through which the grey design clearly showed. Next came the heavy impasto, strong and rather hot in colour, over which, when dry, was passed a veil of semi-opaque grey; and on this was wrought the third and final painting, thin and delicate like the first.

 

In later years he modified this process slightly, merging the first and second paintings into one richly toned impasto painting which, while still wet, he stabbed into the canvas with a great brush until the grey drawing beneath became visible through it.

 

He would always make his pupils work exactly in his method while they were under him.

 

“You will not want to paint as I do when you are doing work of your own,” he would say. “You cannot know as yet how you want to paint, but what I am teaching you will help you find out.” (3)

  

1. Non U (U standing for upper class) was a phrase coined by the English linguist Alan Ross in 1954 and immediately taken up by Nancy Mitford who used the term in her essay, The English Aristocracy, published by Steven Spender in Encounter Magazine the same year.

 

2. Whistler papers, n.d., Glasgow University Library, BPIIM/97-8

 

3. W. Graham Robertson,Time Was, the reminiscences of W. Graham Robertson, with a foreword by Sir Johnson Forbes-Robertson, Hamish Hamilton Ltd. 1931, pages 57-62

 

Coasting away from North Geelong in its final weeks of operation, G531 leads a string of 7 VHAY cement hoppers from Gheringhap to Waurn Ponds for loading as 9231.

 

The Monday loading operates as a light engine movement from North Geelong yard to Gheringhap where it then picks up empty cement hoppers from the Wednesday run the week prior. Once attached at Gheringhap, the train then runs out to Waurn Ponds, dumps the empty wagons and returns light engine to North Geelong.

 

The Blue Circle cement trains, operating from Waurn Ponds to Mildura (attached to 9101/2) and Somerton will cease operations from rail and move to being hauled by trucks from the 1st of January 2016.

 

Monday 7th December 2015

To view more of my images, Sutton Hoo, please click "here" !

 

Sutton Hoo, near Woodbridge, in the English county of Suffolk, is the site of two 6th- and early 7th-century cemeteries. One contained an undisturbed ship burial, including a wealth of Anglo-Saxon artefacts of outstanding art-historical and archaeological significance, now held in the British Museum in London. Sutton Hoo is of primary importance to early medieval historians because it sheds light on a period of English history that is on the margin between myth, legend, and historical documentation. Use of the site culminated at a time when Rædwald, the ruler of the East Angles, held senior power among the English people and played a dynamic if ambiguous part in the establishment of Christian rulership in England; it is generally thought most likely that he is the person buried in the ship. The site has been vital in understanding the Anglo-Saxon Kingdom of East Anglia and the whole early Anglo-Saxon period. The ship-burial, probably dating from the early 7th century and excavated in 1939, is one of the most magnificent archaeological finds in England for its size and completeness, far-reaching connections, the quality and beauty of its contents, and the profound interest of the burial ritual itself. The initial excavation was privately sponsored by the landowner. When the significance of the find became apparent, national experts took over. Subsequent archaeological campaigns, particularly in the late 1960s and late 1980s, have explored the wider site and many other individual burials. The most significant artefacts from the ship-burial, displayed in the British Museum, are those found in the burial chamber, including a suite of metalwork dress fittings in gold and gems, a ceremonial helmet, shield and sword, a lyre, and many pieces of silver plate from Byzantium. The ship-burial has from the time of its discovery prompted comparisons with the world described in the heroic Old English poem Beowulf, which is set in southern Sweden. It is in that region, especially at Vendel, that close archaeological parallels to the ship-burial are found, both in its general form and in details of the military equipment contained in the burial. Although it is the ship-burial that commands the greatest attention from tourists, two separate cemeteries also have rich historical meaning because of their position in relation to the Deben estuary and the North Sea, and their relation to other sites in the immediate neighbourhood. Of the two grave fields found at Sutton Hoo, one (the "Sutton Hoo cemetery") had long been known to exist because it consists of a group of approximately 20 earthen burial mounds that rise slightly above the horizon of the hill-spur when viewed from the opposite bank. The other, called here the "new" burial ground, is situated on a second hill-spur close to the present Exhibition Hall, about 500 m upstream of the first. It was discovered and partially explored in 2000 during preliminary work for the construction of the hall. This also had burials under mounds, but was not known because these mounds had long since been flattened by agricultural activity. The site has a visitor's centre, with many original and replica artefacts and a reconstruction of the ship burial chamber, and the burial field can be toured in the summer months. There is evidence that Sutton Hoo was occupied during the Neolithic period, circa 3000 BCE, when woodland in the area was cleared by agriculturalists. They dug small pits that contained flint-tempered earthenware pots. Several pits were near to hollows where large trees had been uprooted: the Neolithic farmers may have associated the hollows with the pots. During the Bronze Age, when agricultural communities living in Britain were adopting the newly introduced technology of metalworking, timber-framed roundhouses were built at Sutton Hoo, with wattle and daub walling and thatched roofs. The best surviving example contained a ring of upright posts, up to 30 millimetres (1.2 in) in diameter, with one pair suggesting an entrance to the south-east. In the central hearth, a faience bead had been dropped. The farmers who dwelt in this house used decorated Beaker-style pottery, cultivated barley, oats, and wheat, and collected hazelnuts. They dug ditches that marked the surrounding grassland into sections, indicating land ownership. The acidic sandy soil eventually become leached and infertile, and it was likely that for this reason, the settlement was eventually abandoned, to be replaced in the Middle Bronze Age (1500-1000 BCE) by sheep or cattle, which were enclosed by wooden stakes. During the Iron Age, iron became the dominant form of metal used in the British Isles, replacing copper and bronze. In the Middle Iron Age (around 500 BCE), people living in the Sutton Hoo area grew crops again, dividing the land up into small enclosures now known as Celtic fields. The use of narrow trenches implies grape cultivation, whilst in other places, small pockets of dark soil indicate that big cabbages may have been grown. Such cultivation continued into the Romano-British period, from 43 to around 410. Life for the Britons remained unaffected by the arrival of the Romans. Several artefacts from this period, including a few fragments of pottery and a discarded fibula, have been found. As the peoples of Western Europe were encouraged by the Empire to maximise the use of land for growing crops, the area around Sutton Hoo suffered degradation and soil loss. It was eventually abandoned again and became overgrown.

 

"From Wikipedia, the free encyclopedia"

 

Additional information on Tranmer House, can be found "here" !

  

Four decades of debate culminated 24 April 2014 with a Record of Decision for a comprehensive, 30-year plan to restore and enhance Suisun Marsh. The Suisun Marsh Habitat Management, Preservation and Restoration Plan addresses concerns over use of resources within about 50,000 acres of the ecological treasure, which is the largest contiguous brackish (fresh and salt water) marsh on the West Coast.

 

The marsh plan, to be implemented over 30 years, creates a framework for a broad partnership to restore 5,000 to 7,000 acres of the marsh to tidal wetlands and enhance and protect more than 40,000 acres of managed wetlands. The plan’s objectives include improving habitat for multiple special-status species, maintaining the heritage of waterfowl hunting and other recreational opportunities, improving water quality to assist fish migration and spawning, and improving and maintaining the levee system to protect property, infrastructure and wildlife habitats from flooding.

 

The marsh, which is a critical part of the Bay-Delta estuary ecosystem, encompasses more than ten percent of California’s remaining natural wetlands and serves as a resting and feeding ground for thousands of birds migrating on the Pacific Flyway. It is also an important habitat for many species of mammals, reptiles, amphibians and fish that depend on a careful balancing of fresh and salt water.

 

www.usbr.gov/newsroom/newsrelease/detail.cfm?RecordID=46624

www.dfg.ca.gov/delta/suisunmarsh/

  

My dear friends ı began to do a exibition project with my great writer friend Emre Karacaoğlu.Would you like to be a piece of this project?!:) The name of our project is “Forming False Memories”. It is intended to culminate into an exhibition.

 

“False Memory Syndrome” is a condition. Our aim is to make you experience it without having to engage in any “confabulation”, meaning, you will be assigned to feel a certain memory without suffering from the mentioned psychosis.

 

What we need from you are your portrait photos, taken freely, anywhere, anytime. Our only requirements are that they are clear and it is evident that the figure on the photos is you.

 

The rest will be a surprise to you, as well as us - well, partially. Everything, including the way the project will be presented, has been thought out. However, we cannot share any of it just now since it might kill, or at least impair, the feeling you will get out of the experience. Rest assured that your portrait will return to you with an utterly different feel to it.

 

So, would you please take the time to join our artistic project? You can reach us from the links below.You can send your portraits my email:

gizem.karayavuz@gmail.com

ıf you use a facebook account you can join our False Memory Project group:

www.facebook.com/groups/338825139563005/

 

...the annual drone-day event...

 

Miss Gray wakes up with a smile on her face, it is her favorite day of the year, The is drone-day the annual event, where pilots show off their drones to each other, that culminates in a big battle royal between them...

 

She rolls over towards Krrr,´s part of the new giant bed the recently bought...

 

After a hard journey and battle agains different fluffy things she is in her boyfriends part of the bed, but there is no Krrr?

 

She puts on her luxury satin robe and heads through the giant gilded corridor towards the kitchen to get a cup of morning-coffee, There she finds her boyfriend talking business with some gallery owner on the communicator, she is still very happy and waits for the conversation to end so she can tell her boyfriend that today she is gonna fly the new drone Krrr had bought her...

 

Finally Krrr ends the conversation, now she can tell, she takes a zip and coffee and prepare to tell him...

 

She starts: good Morning Darling, do you know what day it is?

 

Then his agent calls, he sounds very excited...

 

Luckily this conversations was way quicker, She is now on her third cup of coffee...

 

she starts a second time: Good morning Krrr! do you know what day it is?

 

Krrr doesn´t seem to listen, then he says: That was my agent, He tells me I have a chance at hanging my art at the Effedrine Emperor´s bicentennial art exhibition, but then I have to be at their embassy within a quarter so I am off, I will Dash right now...

Kisses Darling, see you later!

 

Miss Gray sits there now on her forth cup off coffee, she was gonna ask Krrr to stop by and bring some of those Tri-phone cookies that his mother taught him to bake and some bubble in case she would win!

 

Still she could call him later and get him to do that...

 

(Some hours later)

 

Miss Gray stands in a corner of the base where the feast an competition is held...

 

...standing next to her very expensive drone, the largest she had ever had with loads of cool gizmos and effects...

 

The other years she had entered the competition with her own quirky drones made up of spare part salvaged from the space-fields tech-shop´s trash and small components she would find in second-hand shops...

 

There would be a ring of people around her asking about how she could build a gravity-compressor without the real parts needed...

 

Now much less people, not even a drunk droid or a Hybrid human-entopian?

 

...she felt really bored, on this day that was usually her happiest all year around...

 

she wished that she could be at work blasting some Tripticonian swarm of semi-ships out of the sky to get some sink for her inner

aggression out!

 

... she calls Krrr for the third time no one answers!?

 

...forth time, yes a answer!

 

- Hello this is Krrr´s Manager answering Krr´s communicator... Right now he is speaking to the ambassador!!! Can I help you?

 

She hangs up with out answering ...

 

But over there isn´t that Bluebird and Irena?

 

Yes it is, why doesn´t they come over like they always does...

...has miss Gray gone invisible?

....am I just a dull grey Pilot with a rich boyfriend?

 

She climbs in to the toolbox compartment of he drone, there she spend the rest of the day without getting noticed by anyone...

 

....then the Loudspeakers call her name, Could Contestant Gray please report to the battle-field, this is the last change to enter the evening fight!

 

She climbs out, heads for the registration, thinking, Here is gonna be some mighty trashing of every drone on the field, I will blast every single one of them, smash them, get the components to fly all across the field while their owners cry!!!

 

AAAARGH!

Entered production as the Lockheed Martin F-22 'Raptor".

  

From Wikipedia, the free encyclopedia

 

The Lockheed Martin F-22 Raptor is a fifth-generation, single-seat, twin-engine, all-weather stealth tactical fighter aircraft developed for the United States Air Force (USAF). The result of the USAF's Advanced Tactical Fighter (ATF) program, the aircraft was designed primarily as an air superiority fighter, but also has ground attack, electronic warfare, and signal intelligence capabilities. The prime contractor, Lockheed Martin, built most of the F-22's airframe and weapons systems and conducted final assembly, while Boeing provided the wings, aft fuselage, avionics integration, and training systems.

 

The aircraft was variously designated F-22 and F/A-22 before it formally entered service in December 2005 as the F-22A. Despite its protracted development and various operational issues, USAF officials consider the F-22 a critical component of the service's tactical air power. Its combination of stealth, aerodynamic performance, and situational awareness enable unprecedented air combat capabilities.

 

Service officials had originally planned to buy a total of 750 ATFs. In 2009, the program was cut to 187 operational production aircraft due to high costs, a lack of clear air-to-air missions due to delays in Russian and Chinese fighter programs, a ban on exports, and development of the more versatile F-35. The last F-22 was delivered in 2012.

  

Development

 

Origins

 

In 1981, the U.S. Air Force identified a requirement for an Advanced Tactical Fighter (ATF) to replace the F-15 Eagle and F-16 Fighting Falcon. Code named "Senior Sky", this air-superiority fighter program was influenced by emerging worldwide threats, including new developments in Soviet air defense systems and the proliferation of the Su-27 "Flanker"- and MiG-29 "Fulcrum"-class of fighter aircraft. It would take advantage of the new technologies in fighter design on the horizon, including composite materials, lightweight alloys, advanced flight control systems, more powerful propulsion systems, and most importantly, stealth technology. In 1983, the ATF concept development team became the System Program Office (SPO) and managed the program at Wright-Patterson Air Force Base. The demonstration and validation (Dem/Val) request for proposals (RFP) was issued in September 1985, with requirements placing strong emphasis on stealth and supercruise. Of the seven bidding companies, Lockheed and Northrop were selected on 31 October 1986. Lockheed teamed with Boeing and General Dynamics while Northrop teamed with McDonnell Douglas, and the two contractor teams undertook a 50-month Dem/Val phase, culminating in the flight test of two technology demonstrator prototypes, the YF-22 and the YF-23, respectively.

 

Dem/Val was focused on risk reduction and technology development plans over specific aircraft designs. Contractors made extensive use of analytical and empirical methods, including computational fluid dynamics, wind-tunnel testing, and radar cross-section calculations and pole testing; the Lockheed team would conduct nearly 18,000 hours of wind-tunnel testing. Avionics development was marked by extensive testing and prototyping and supported by ground and flying laboratories. During Dem/Val, the SPO used the results of performance and cost trade studies conducted by contractor teams to adjust ATF requirements and delete ones that were significant weight and cost drivers while having marginal value. The short takeoff and landing (STOL) requirement was relaxed in order to delete thrust-reversers, saving substantial weight. As avionics was a major cost driver, side-looking radars were deleted, and the dedicated infra-red search and track (IRST) system was downgraded from multi-color to single color and then deleted as well. However, space and cooling provisions were retained to allow for future addition of these components. The ejection seat requirement was downgraded from a fresh design to the existing McDonnell Douglas ACES II. Despite efforts by the contractor teams to rein in weight, the takeoff gross weight estimate was increased from 50,000 lb (22,700 kg) to 60,000 lb (27,200 kg), resulting in engine thrust requirement increasing from 30,000 lbf (133 kN) to 35,000 lbf (156 kN) class.

 

Each team produced two prototype air vehicles for Dem/Val, one for each of the two engine options. The YF-22 had its maiden flight on 29 September 1990 and in flight tests achieved up to Mach 1.58 in supercruise. After the Dem/Val flight test of the prototypes, on 23 April 1991, Secretary of the USAF Donald Rice announced the Lockheed team as the winner of the ATF competition. The YF-23 design was considered stealthier and faster, while the YF-22, with its thrust vectoring nozzles, was more maneuverable as well as less expensive and risky. The aviation press speculated that the Lockheed team's design was also more adaptable to the U.S. Navy's Navalized Advanced Tactical Fighter (NATF), but by 1992, the Navy had abandoned NATF.

  

Production and procurement

 

As the program moved to full-scale development, or the Engineering & Manufacturing Development (EMD) stage, the production version had notable differences from the YF-22, despite having a broadly similar shape. The swept-back angle of the leading edge was decreased from 48° to 42°, while the vertical stabilizers were shifted rearward and decreased in area by 20%. To improve pilot visibility, the canopy was moved forward 7 inches (18 cm), and the engine intakes moved rearward 14 inches (36 cm). The shapes of the wing and stabilator trailing edges were refined to improve aerodynamics, strength, and stealth characteristics. Increasing weight during development caused slight reductions in range and maneuver performance.

 

Prime contractor Lockheed Martin Aeronautics manufactured the majority of the airframe and performed final assembly at Dobbins Air Reserve Base in Marietta, Georgia; program partner Boeing Defense, Space & Security provided additional airframe components as well as avionics integration and training systems. The first F-22, an EMD aircraft with tail number 4001, was unveiled at Marietta, Georgia, on 9 April 1997, and first flew on 7 September 1997. Production, with the first lot awarded in September 2000, supported over 1,000 subcontractors and suppliers from 46 states and up to 95,000 jobs, and spanned 15 years at a peak rate of roughly two airplanes per month. In 2006, the F-22 development team won the Collier Trophy, American aviation's most prestigious award. Due to the aircraft's advanced nature, contractors have been targeted by cyberattacks and technology theft.

 

The USAF originally envisioned ordering 750 ATFs at a total program cost of $44.3 billion and procurement cost of $26.2 billion in fiscal year (FY) 1985 dollars, with production beginning in 1994. The 1990 Major Aircraft Review led by Secretary of Defense Dick Cheney reduced this to 648 aircraft beginning in 1996. By 1997, funding instability had further cut the total to 339, which was again reduced to 277 by 2003. In 2004, the Department of Defense (DoD) further reduced this to 183 operational aircraft, despite the USAF's preference for 381. A multi-year procurement plan was implemented in 2006 to save $15 billion, with total program cost projected to be $62 billion for 183 F-22s distributed to seven combat squadrons. In 2008, Congress passed a defense spending bill that raised the total orders for production aircraft to 187.

 

The first two F-22s built were EMD aircraft in the Block 1.0 configuration for initial flight testing, while the third was a Block 2.0 aircraft built to represent the internal structure of production airframes and enabled it to test full flight loads. Six more EMD aircraft were built in the Block 10 configuration for development and upgrade testing, with the last two considered essentially production quality jets. Production for operational squadrons consisted of 37 Block 20 training aircraft and 149 Block 30/35 combat aircraft; one of the Block 35 aircraft is dedicated to flight sciences at Edwards Air Force Base.

 

The numerous new technologies in the F-22 resulted in substantial cost overruns and delays. Many capabilities were deferred to post-service upgrades, reducing the initial cost but increasing total program cost. As production wound down in 2011, the total program cost is estimated to be about $67.3 billion, with $32.4 billion spent on Research, Development, Test and Evaluation (RDT&E) and $34.9 billion on procurement and military construction (MILCON) in then year dollars. The incremental cost for an additional F-22 was estimated at about $138 million in 2009.

 

Ban on exports

 

The F-22 cannot be exported under US federal law to protect its stealth technology and other high-tech features. Customers for U.S. fighters are acquiring earlier designs such as the F-15 Eagle and F-16 Fighting Falcon or the newer F-35 Lightning II, which contains technology from the F-22 but was designed to be cheaper, more flexible, and available for export. In September 2006, Congress upheld the ban on foreign F-22 sales. Despite the ban, the 2010 defense authorization bill included provisions requiring the DoD to prepare a report on the costs and feasibility for an F-22 export variant, and another report on the effect of F-22 export sales on U.S. aerospace industry.

 

Some Australian politicians and defense commentators proposed that Australia should attempt to purchase F-22s instead of the planned F-35s, citing the F-22's known capabilities and F-35's delays and developmental uncertainties. However, the Royal Australian Air Force (RAAF) determined that the F-22 was unable to perform the F-35's strike and close air support roles. The Japanese government also showed interest in the F-22 for its Replacement-Fighter program. The Japan Air Self-Defense Force (JASDF) would reportedly require fewer fighters for its mission if it obtained the F-22, thus reducing engineering and staffing costs. However, in 2009 it was reported that acquiring the F-22 would require increases to the Japanese government's defense budget beyond the historical 1 percent of its GDP. With the end of F-22 production, Japan chose the F-35 in December 2011. Israel also expressed interest, but eventually chose the F-35 because of the F-22's price and unavailability.

 

Production termination

 

Throughout the 2000s, the need for F-22s was debated, due to rising costs and the lack of relevant adversaries. In 2006, Comptroller General of the United States David Walker found that "the DoD has not demonstrated the need" for more investment in the F-22, and further opposition to the program was expressed by Secretary of Defense Donald Rumsfeld, Deputy Secretary of Defense Gordon R. England, Senator John McCain, and Chairman of U.S. Senate Committee on Armed Services Senator John Warner. The F-22 program lost influential supporters in 2008 after the forced resignations of Secretary of the Air Force Michael Wynne and the Chief of Staff of the Air Force General T. Michael Moseley.

 

In November 2008, Secretary of Defense Robert Gates stated that the F-22 was not relevant in post-Cold War conflicts such as irregular warfare operations in Iraq and Afghanistan, and in April 2009, under the new Obama Administration, he called for ending production in FY2011, leaving the USAF with 187 production aircraft. In July, General James Cartwright, Vice Chairman of the Joint Chiefs of Staff, stated to the Senate Committee on Armed Services his reasons for supporting termination of F-22 production. They included shifting resources to the multirole F-35 to allow proliferation of fifth-generation fighters for three service branches and preserving the F/A-18 production line to maintain the military's electronic warfare (EW) capabilities in the Boeing EA-18G Growler.[60] Issues with the F-22's reliability and availability also raised concerns. After President Obama threatened to veto further production, the Senate voted in July 2009 in favor of ending production and the House subsequently agreed to abide by the 187 production aircraft cap. Gates stated that the decision was taken in light of the F-35's capabilities, and in 2010, he set the F-22 requirement to 187 aircraft by lowering the number of major regional conflict preparations from two to one.

 

In 2010, USAF initiated a study to determine the costs of retaining F-22 tooling for a future Service Life Extension Program (SLEP).[66] A RAND Corporation paper from this study estimated that restarting production and building an additional 75 F-22s would cost $17 billion, resulting in $227 million per aircraft, or $54 million higher than the flyaway cost. Lockheed Martin stated that restarting the production line itself would cost about $200 million. Production tooling and associated documentation were subsequently stored at the Sierra Army Depot, allowing the retained tooling to support the fleet life cycle. There were reports that attempts to retrieve this tooling found empty containers, but a subsequent audit found that the tooling was stored as expected.

 

Russian and Chinese fighter developments have fueled concern, and in 2009, General John Corley, head of Air Combat Command, stated that a fleet of 187 F-22s would be inadequate, but Secretary Gates dismissed General Corley's concern. In 2011, Gates explained that Chinese fifth-generation fighter developments had been accounted for when the number of F-22s was set, and that the U.S. would have a considerable advantage in stealth aircraft in 2025, even with F-35 delays. In December 2011, the 195th and final F-22 was completed out of 8 test EMD and 187 operational aircraft produced; the aircraft was delivered to the USAF on 2 May 2012.

 

In April 2016, the House Armed Services Committee (HASC) Tactical Air and Land Forces Subcommittee proposed legislation that would direct the Air Force to conduct a cost study and assessment associated with resuming production of the F-22. Since the production halt directed in 2009 by then Defense Secretary Gates, lawmakers and the Pentagon noted that air warfare systems of Russia and China were catching up to those of the U.S. Lockheed Martin has proposed upgrading the Block 20 training aircraft into combat-coded Block 30/35 versions as a way to increase numbers available for deployment. On 9 June 2017, the Air Force submitted their report to Congress stating they had no plans to restart the F-22 production line due to economic and operational issues; it estimated it would cost approximately $50 billion to procure 194 additional F-22s at a cost of $206–$216 million per aircraft, including approximately $9.9 billion for non-recurring start-up costs and $40.4 billion for aircraft procurement costs.

 

Upgrades

 

The first aircraft with combat-capable Block 3.0 software flew in 2001. Increment 2, the first upgrade program, was implemented in 2005 for Block 20 aircraft onward and enabled the employment of Joint Direct Attack Munitions (JDAM). Certification of the improved AN/APG-77(V)1 radar was completed in March 2007, and airframes from production Lot 5 onward are fitted with this radar, which incorporates air-to-ground modes. Increment 3.1 for Block 30 aircraft onward provided improved ground-attack capability through synthetic aperture radar mapping and radio emitter direction finding, electronic attack and Small Diameter Bomb (SDB) integration; testing began in 2009 and the first upgraded aircraft was delivered in 2011. To address oxygen deprivation issues, F-22s were fitted with an automatic backup oxygen system (ABOS) and modified life support system starting in 2012.

 

Increment 3.2 for Block 35 aircraft is a two-part upgrade process; 3.2A focuses on electronic warfare, communications and identification, while 3.2B includes geolocation improvements and a new stores management system to show the correct symbols for the AIM-9X and AIM-120D.[83][84] To enable two-way communication with other platforms, the F-22 can use the Battlefield Airborne Communications Node (BACN) as a gateway. The planned Multifunction Advanced Data Link (MADL) integration was cut due to development delays and lack of proliferation among USAF platforms. The F-22 fleet is planned to start receiving Increment 3.2B as well as a software upgrade for cryptography capabilities and avionics stability in May 2019. A Multifunctional Information Distribution System-Joint (MIDS-J) radio that replaces the current Link-16 receive-only box is expected to be operational by 2020. Subsequent upgrades are also focusing on having an open architecture to enable faster future enhancements.

 

In 2024, funding is projected to begin for the F-22 mid-life upgrade (MLU), which is expected to include new sensors and antennas, hardware refresh, cockpit improvements, and a helmet mounted display and cuing system. Other enhancements being developed include IRST functionality for the AN/AAR-56 Missile Launch Detector (MLD) and more durable stealth coating based on the F-35's.

 

The F-22 was designed for a service life of 8,000 flight hours, with a $350 million "structures retrofit program". Investigations are being made for upgrades to extend their useful lives further. In the long term, the F-22 is expected to be superseded by a sixth-generation jet fighter to be fielded in the 2030s.

  

Design

 

Overview

 

The F-22 Raptor is a fifth-generation fighter that is considered fourth generation in stealth aircraft technology by the USAF.[91] It is the first operational aircraft to combine supercruise, supermaneuverability, stealth, and sensor fusion in a single weapons platform. The F-22 has four empennage surfaces, retractable tricycle landing gear, and clipped delta wings with reverse trailing edge sweep and leading edge extensions running to the upper outboard corner of the inlets. Flight control surfaces include leading-edge flaps, flaperons, ailerons, rudders on the canted vertical stabilizers, and all-moving horizontal tails (stabilators); for speed brake function, the ailerons deflect up, flaperons down, and rudders outwards to increase drag.

 

The aircraft's dual Pratt & Whitney F119-PW-100 augmented turbofan engines are closely spaced and incorporate pitch-axis thrust vectoring nozzles with a range of ±20 degrees; each engine has maximum thrust in the 35,000 lbf (156 kN) class. The F-22's thrust-to-weight ratio at typical combat weight is nearly at unity in maximum military power and 1.25 in full afterburner. Maximum speed without external stores is approximately Mach 1.8 at military power and greater than Mach 2 with afterburners.

 

The F-22's high cruise speed and operating altitude over prior fighters improve the effectiveness of its sensors and weapon systems, and increase survivability against ground defenses such as surface-to-air missiles. The aircraft is among only a few that can supercruise, or sustain supersonic flight without using fuel-inefficient afterburners; it can intercept targets which subsonic aircraft would lack the speed to pursue and an afterburner-dependent aircraft would lack the fuel to reach. The F-22's thrust and aerodynamics enable regular combat speeds of Mach 1.5 at 50,000 feet (15,000 m). The use of internal weapons bays permits the aircraft to maintain comparatively higher performance over most other combat-configured fighters due to a lack of aerodynamic drag from external stores. The aircraft's structure contains a significant amount of high-strength materials to withstand stress and heat of sustained supersonic flight. Respectively, titanium alloys and composites comprise 39% and 24% of the structural weight.

 

The F-22's aerodynamics, relaxed stability, and powerful thrust-vectoring engines give it excellent maneuverability and energy potential across its flight envelope. The airplane has excellent high alpha (angle of attack) characteristics, capable of flying at trimmed alpha of over 60° while maintaining roll control and performing maneuvers such as the Herbst maneuver (J-turn) and Pugachev's Cobra. The flight control system and full-authority digital engine control (FADEC) make the aircraft highly departure resistant and controllable, thus giving the pilot carefree handling.

  

Stealth

 

The F-22 was designed to be highly difficult to detect and track by radar. Measures to reduce radar cross-section (RCS) include airframe shaping such as alignment of edges, fixed-geometry serpentine inlets and curved vanes that prevent line-of-sight of the engine faces and turbines from any exterior view, use of radar-absorbent material (RAM), and attention to detail such as hinges and pilot helmets that could provide a radar return. The F-22 was also designed to have decreased radio emissions, infrared signature and acoustic signature as well as reduced visibility to the naked eye. The aircraft's flat thrust-vectoring nozzles reduce infrared emissions of the exhaust plume to mitigate the threat of infrared homing ("heat seeking") surface-to-air or air-to-air missiles. Additional measures to reduce the infrared signature include special topcoat and active cooling of leading edges to manage the heat buildup from supersonic flight.

 

Compared to previous stealth designs like the F-117, the F-22 is less reliant on RAM, which are maintenance-intensive and susceptible to adverse weather conditions. Unlike the B-2, which requires climate-controlled hangars, the F-22 can undergo repairs on the flight line or in a normal hangar. The F-22 has a Signature Assessment System which delivers warnings when the radar signature is degraded and necessitates repair. While the F-22's exact RCS is classified, in 2009 Lockheed Martin released information indicating that from certain angles the aircraft has an RCS of 0.0001 m² or −40 dBsm – equivalent to the radar reflection of a "steel marble". Effectively maintaining the stealth features can decrease the F-22's mission capable rate to 62–70%.

 

The effectiveness of the stealth characteristics is difficult to gauge. The RCS value is a restrictive measurement of the aircraft's frontal or side area from the perspective of a static radar. When an aircraft maneuvers it exposes a completely different set of angles and surface area, potentially increasing radar observability. Furthermore, the F-22's stealth contouring and radar absorbent materials are chiefly effective against high-frequency radars, usually found on other aircraft. The effects of Rayleigh scattering and resonance mean that low-frequency radars such as weather radars and early-warning radars are more likely to detect the F-22 due to its physical size. However, such radars are also conspicuous, susceptible to clutter, and have low precision. Additionally, while faint or fleeting radar contacts make defenders aware that a stealth aircraft is present, reliably vectoring interception to attack the aircraft is much more challenging. According to the USAF an F-22 surprised an Iranian F-4 Phantom II that was attempting to intercept an American UAV, despite Iran's assertion of having military VHF radar coverage over the Persian Gulf.

Built in 1935–1936 at a cost of $318,000, the U.S. Court-house features an understated combination of the Beaux Arts and Neoclassical styles. It was designed by Eric Kebbon, who also designed the 1937 C.F. Haynsworth Federal Building in Greenville, South Carolina. With funds limited during the Great Depression, the courthouse lacks the exuberant detailing typical of many Beaux Arts buildings. The Beaux Arts style is known for its classically inspired details, variety of stone finishes, and projecting pavilions with colossal columns and pedimented entablature on top. Characteristics of the Neoclassical style include symmetry, smooth stone surfaces, and colonnades.

 

The courthouse has a granite foundation, and the walls consist of limestone blocks. The overall massing and exterior design on all four elevations is simple, symmetrical, and classically inspired. The round-arched windows feature limestone keystones on the first story, while the second-story windows have heavy limestone frames culminating in keystones. Limestone belt courses extend along the first story and between the first and second stories. A cornice with an unadorned frieze and dentil molding runs below the roof's edge. Topping the hipped roof is a circular limestone cupola with Tuscan columns and copper roof with a brass finial.

 

The principal embellishment is a central temple-front pavilion on the south facade, highlighted by a coursed limestone base pierced with arches and an upper-level portico with an arcade. On the first story, the central arch frames the double door entry. The second story includes Tuscan columns and a limestone balustrade. Above the columns, the pediment features a simple frieze with dentil-block molding and an oculus (round) window with limestone surround.

 

The former postal lobby and main staircase are located at the south (main) entry. Original finishes include marble flooring and wainscoting, marble pilasters along the south wall, decorative crown molding, bronze ornaments and grills, and marble surrounds with keystones accenting the south wall's doors and windows. Marble writing tables and a bulletin board with marble surround are at the lobby's south wall. Below the north wall's crown molding are Ulreich's murals, depicting important events in Florida's history. The west and north walls have original brass six-panel doors with classically detailed surrounds. The lobby's original brass light fixtures with glass globes are typical of 1930s post offices. Faced with marble, the original curved staircase is at the lobby's southwest corner. Following the stairs' curve, the staircase railing has iron balusters with a wood cap and decorative bronze newels at each level.

 

The two-story main courtroom is on the second floor. The courtroom lobby retains historic terrazzo floors, marble baseboards, wooden chair rails, and paneled doors. The courtroom itself features wood wainscoting and fluted Ionic pilasters supporting a massive wood entablature with a dentil cornice, all of painted white pine. Arched windows on the south wall have wood trim with a keystone and rosette corner blocks. Original furnishings include the judge's bench, jury box, court rail, and spectators' benches.

 

In 2000, an annex was completed near the historic building to provide space for the U.S. District Court. In 2003–2004, the courthouse was subject to a $4 million renovation that included window and facade restoration, preservation of key areas such as judges' office suites, and remodeling of remaining areas for bankruptcy court, clerk, and trustee and U.S. Marshals use. Akin & Associates Architects, Inc. provided architectural design services, while Peter R. Brown Construction, Inc. was the general contractor. In 2005, the Tallahassee Trust for Historic Preservation recognized the project with an outstanding achievement award.

 

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/United_States_Courthouse_(Tallahassee)

search.leonpa.gov/Property/Details/2136450100000

 

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Ecstasy a theory of embodied emotions that anticipates the role ascribed by twentieth century phenomenology to anxiety and other ‘bad moods’, as possibilities for philosophical reflection and self-understanding. (from Ancient Greek ἔκστασις ékstasis) is a subjective experience of total involvement of the subject, with an object of his or her awareness. In classical Greek literature it refers to removal of the mind or body "from its normal place of function."In love, one feels simultaneously vulnerable and strong, united with the beloved and isolated in a heightened sense of self, abased and exalted – delicious emotions that well out of one’s innermost being and gratitude for the splendors of the objective real. Almost the same words serve to describe an encounter with the divine. To most people, the tidal swing of emotion culminating in the ecstasy of sexual embrace is the most they will ever know of mystical union and transcendence. Not surprisingly. World literature and art – notably those of India, China, and the West – have seen fit to conjoin the two. There was then no cover-up, no sense of a split between body and soul, the “low” and the “high”. In the absence of such a sense of split, a body evokes feelings that merge and rise effortlessly to the realm of the spirit. In the West, Solomon’s poetry (Song of Songs) provides an early and familiar model of how a charged erotic language can call forth the passion and mystery of divine union. Again and again, Western mystics and poets have availed themselves of this model, outstandingly St. John of the Cross, whose Spiritual Canticle contains images that could shock even W. H. Auden, a very worldly and modern poet. In sculptural art, the voluptuous forms of gods and goddesses, the transparent identification of sexual congress – the herd girls’ desire for Krishna – with mystical ecstasy, richly adorn the exterior of Hindu temples. Almost as gloriously unselfconscious are works of Western sculpture and painting from classical antiquity to the seventeenth century. Over and over again, the perfectly formed human nude is made to serve as a symbol of spiritual perfection. In medieval times, sculptors saw nothing amiss in using pagan Nereids to represent blessed souls on their way to heaven. During periods of religious fervor, outstandingly the sixteenth century, the line between sacred and profane ecstasy was exceedingly fine. Saints, daringly uncovered, turned their eyes to heaven in bliss. Michelangelo’s drawing of the risen Christ (housed at Windsor) shows him completely nude, with exposed genitals. To the art historian Kenneth Clark it is “perhaps the most beautiful nude in ecstasy in the whole of art.”Religious ecstasy is a type of altered state of consciousness characterized by greatly reduced external awareness and expanded interior mental and spiritual awareness, frequently accompanied by visions and emotional (and sometimes physical) euphoria. Although the experience is usually brief in time,[1] there are records of such experiences lasting several days or even more, and of recurring experiences of ecstasy during one's lifetime. A person's sense of time and space disappear during a religious ecstasy forsaking any senses or physical cognizance in its duration. Among venerated Catholic saints who dabble in Christian mysticism, a person's physical stature, human sensory, or perception is completely detached to time and space during an ecstatic experience. In Sufism, the term is referred to as wajd and the experience is referred to as either jazbah or majzoobiyat. The religious ecstacy of Saint Teresa of Avila of the Carmelite Order, here portrayed being pierced a thousand times in the heart by a Putto. The adjective "religious" means that the experience occurs in connection with religious activities or is interpreted in context of a religion. Marghanita Laski writes in her study "Ecstasy in Religious and Secular Experiences," first published in 1961:

"Epithets are very often applied to mystical experiences including ecstasies without, apparently, any clear idea about the distinctions that are being made. Thus we find experiences given such names as nature, religious, aesthetic, neo-platonic, sexual etc. experiences, where in some cases the name seems to derive from trigger, sometimes from the overbelief, sometimes from the known standing and beliefs of the mystic, and sometimes, though rarely, from the nature of the experience. Ecstasies enjoyed by accepted religious mystics are usually called religious experiences no matter what the nature of the ecstasy or the trigger inducing it."

Exclusive and inclusive views Saint Francis of Assisi in Ecstasy. Caravaggio, oil on panel. Religious people may hold the view that true religious ecstasy occurs only in their religious context (e.g. as a gift from the supernatural being whom they follow) and it cannot be induced by natural means (human activities). Trance-like states which are often interpreted as religious ecstasy have been deliberately induced with techniques or ecstatic practices; including, prayer, religious rituals, meditation, breathing exercises, physical exercise, sex, music, dancing, sweating, fasting, thirsting, and psychotropic drugs. An ecstatic experience may take place in occasion of contact with something or somebody perceived as extremely beautiful or holy. It may also happen without any known reason. The particular technique that an individual uses to induce ecstasy is usually one that is associated with that individual's particular religious and cultural traditions. As a result, an ecstatic experience is usually interpreted within the particular individual religious context and cultural traditions. These interpretations often include statements about contact with supernatural or spiritual beings, about receiving new information as a revelation, also religion-related explanations of subsequent change of values, attitudes and behavior (e.g. in case of religious conversion). Achieving ecstatic trances is a shamanic activity, inducing ecstasy for such purposes as traveling to heaven or the underworld, guiding or otherwise interacting with spirits, clairvoyance, and healing. Some shamans take drugs from such plants as Ayahuasca, peyote and cannabis (drug) or certain mushrooms in their attempts to reach ecstasy, while others rely on such non-chemical means as ritual, music, dance, ascetic practices, or visual designs as aids to mental discipline. Athletes may follow rituals in preparing for contests, which are dismissed as superstition, but this sports psychology device may help them to attain advantage in an ecstasy-like state. Yoga provides techniques to attain an ecstasy state called samādhi. According to practitioners, there are various stages of ecstasy, the highest being Nirvikalpa Samadhi. Bhakti Yoga especially, places emphasis on ecstasy as being one of the fruits of its practice.

In Buddhism, especially in the Pali Canon, there are eight states of trance also called absorption. The first four states are Rupa or, materially-oriented. The next four are Arupa or non-material. These eight states are preliminary trances which lead up to final saturation. In Visuddhimagga, great effort and years of sustained meditation are practiced to reach the first absorption, and that not all individuals are able to accomplish it at all. Modern meditator experiences in the Thai Forest Tradition, as well as other Theravadin traditions, demonstrates that this effort and rarity is necessary only to become completely immersed in the absorptions and experience no other sensations. It is possible to experience the absorptions in a less intense state with much less practice. In the Dionysian Mysteries, initiates used intoxicants and other trance-inducing techniques (like dance and music) to remove inhibitions and social constraints, liberating the individual to return to a natural state. In the monotheistic tradition, ecstasy is usually associated with communion and oneness with God. However, such experiences can also be personal mystical experiences with no significance to anyone but the person experiencing them. Some charismatic Christians practice ecstatic states (such as "being slain in the Spirit") and interpret these as given by the Holy Spirit. The firewalkers of Greece dance themselves into a state of ecstasy at the annual Anastenaria, when they believe themselves under the influence of Saint Constantine. Historically, large groups of individuals have experienced religious ecstasies during periods of Christian revivals, to the point of causing controversy as to the origin and nature of these experiences. In response to claims that all emotional expressions of religious ecstasy were attacks on order and theological soundness from the Devil, Jonathan Edwards published his now-famous and influential Treatise on Religious Affections. Here, he argues, religious ecstasy could come from oneself, the Devil, or God, and it was only by observing the fruit, or changes in inner thought and behaviour, that one could determine if the religious ecstasy had come from God.

In hagiography (writings about Christian saints) many instances are recorded in which saints are granted ecstasies. According to the Catholic Encyclopedia religious ecstasy (called "supernatural ecstasy") includes two elements: one, interior and invisible, in which the mind rivets its attention on a religious subject, and another, corporeal and visible, in which the activity of the senses is suspended, reducing the effect of external sensations upon the subject and rendering him or her resistant to awakening. The witnesses of a Marian apparition often describe experiencing these elements of ecstasy. Modern Witchcraft traditions may define themselves as "ecstatic traditions," and focus on reaching ecstatic states in their rituals. The Reclaiming Tradition and the Feri Tradition are two modern ecstatic Witchcraft examples. As described by the Indian spiritual teacher Meher Baba, God-intoxicated souls known as masts experience a unique type of spiritual ecstasy: "[M]asts are desperately in love with God – or consumed by their love for God. Masts do not suffer from what may be called a disease. They are in a state of mental disorder because their minds are overcome by such intense spiritual energies that are far too much for them, forcing them to lose contact with the world, shed normal human habits and customs, and civilized society and live in a state of spiritual splendor but physical squalor. They are overcome by an agonizing love for God and are drowned in their ecstasy. Only the divine love embodied in a Perfect Master can reach them."

Total involvement with an object of interest is not an ordinary experience because of being aware of other objects, thus ecstasy is an example of an altered state of consciousness characterized by diminished awareness of other objects or the total lack of the awareness of surroundings and everything around the object. The word is also used to refer to any heightened state of consciousness or intensely pleasant experience. It is also used more specifically to denote states of awareness of non-ordinary mental spaces, which may be perceived as spiritual (the latter type of ecstasy often takes the form of religious ecstasy). From a psychological perspective, ecstasy is a loss of self-control and sometimes a temporary loss of consciousness, which is often associated with religious mysticism, sexual intercourse and the use of certain drugs.[2] For the duration of the ecstasy the ecstatic is out of touch with ordinary life and is capable neither of communication with other people nor of undertaking normal actions. The experience can be brief in physical time, or it can go on for hours. Subjective perception of time, space or self may strongly change or disappear during ecstasy. For instance, if one is concentrating on a physical task, then any intellectual thoughts may cease. On the other hand, making a spirit journey in an ecstatic trance involves the cessation of voluntary bodily movement.

Ecstasy can be deliberately induced using religious or creative activities, meditation, music, dancing, breathing exercises, physical exercise, sexual intercourse or consumption of psychotropic drugs. The particular technique that an individual uses to induce ecstasy is usually also associated with that individual's particular religious and cultural traditions. Sometimes an ecstatic experience takes place due to occasional contact with something or somebody perceived as extremely beautiful or holy, or without any known reason. "In some cases, a person might obtain an ecstatic experience 'by mistake'. Maybe the person unintentionally triggers one of the, probably many, physiological mechanisms through which such an experience can be reached. In such cases, it is not rare to find that the person later, by reading, looks for an interpretation and maybe finds it within a tradition." People interpret the experience afterward according to their culture and beliefs (as a revelation from God, a trip to the world of spirits or a psychotic episode). "When a person is using an ecstasy technique, he usually does so within a tradition. When he reaches an experience, a traditional interpretation of it already exists." The experience together with its subsequent interpretation may strongly and permanently change the value system and the worldview of the subject (e.g. to cause religious conversion). In 1925, James Leuba wrote: "Among most uncivilized populations, as among civilized peoples, certain ecstatic conditions are regarded as divine possession or as union with the Divine. These states are induced by means of drugs, by physical excitement, or by psychical means. But, however produced and at whatever level of culture they may be found, they possess certain common features which suggest even to the superficial observer some profound connection. Always described as delightful beyond expression, these awesome ecstatic experiences end commonly in mental quiescence or even in total unconsciousness." He prepares his readers "... to recognize a continuity of impulse, of purpose, of form and of result between the ecstatic intoxication of the savage and the absorption in God of the Christian mystic." "In everyday language, the word 'ecstasy' denotes an intense, euphoric experience. For obvious reasons, it is rarely used in a scientific context; it is a concept that is extremely hard to define."For over three centuries, western science – and in particular, psychiatry – has tended to pathologize ‘mystical experience’, to reduce it to a delusion or mental illness. In the Enlightenment, natural philosophers called it ‘enthusiasm’, and blamed on an over-active imagination or an over-warm brain. In the late 19th century, psychiatrists labelled it ‘hysteria’. In the 20th century, spiritual experiences were (and still are) reduced to brain disorders like schizophrenia or epilepsy. The consequence of this long pathologization of ecstasy is that there’s a taboo around such experiences. As Aldous Huxley put it: ‘If you have an experience like this, you keep your mouth shut, for fear of being told to go to a psychoanalyst’, or, in our day, a psychiatrist. And the result of that taboo is that western culture has become spiritually flat, afraid to let go, stuck in our heads and our egos, lacking a window to transcendence. In the last few years, however, a consensus has begun to emerge in psychology and psychiatry that ecstatic experiences – moments when we go beyond our ordinary ego and feel a connection to something bigger than us – are often good for us. Scientists can’t agree on what to call this sort of experience – it’s variously studied as self-transcendence; flow; mystical, religious, spiritual or anomalous experience; altered states of consciousness; or (my preferred term) ecstasy. But scientists do agree that it’s an important human experience that can be very healing. This is a big shift for western science, and western culture. Ecstasy is good for us because it gets us out of our head. Emotional disorders like depression, anxiety and addiction are perpetuated by rigid and repetitive patterns of thinking, feeling and acting. We get stuck in loops of negative rumination, endlessly thinking about ourselves and our imperfections. We can free ourselves from these rigid mental habits by using rationality to unpick our beliefs – this is what Cognitive Behavioural Therapy does. But we can also get out of these loops by shifting our consciousness. To use the terminology of the New Testament, we can have sudden epiphanies which break us out of the tomb of our egos, giving us the experience of being born again. Being reborn – suddenly reconfiguring the self – is a fundamental human capacity, not found only in followers of Jesus. There are shallower and deeper forms of ego-loss. At the lighter end of the spectrum, there are the sort of ‘flow’ states which we might find each day or week, where we lose ourselves in reading a good book, or walking in the park, or going for a run. These activities settle and absorb our consciousness, taking us out of the loop of rumination, helping us forget ourselves in the moment (here’s an interview I did with flow psychologist Mihaly Czikszentmihalyi on flow and ecstasy). We are anxiety-ridden animals. Our minds are continually active, fabricating an anxious, usually self-preoccupied, often falsifying veil which partially conceals our world…The most obvious thing in our surroundings which is an occasion for ‘unselfing’ is what is popularly called beauty…I am looking out of my window in an anxious and resentful state of mind…Then suddenly I observe a hovering kestrel. In a moment everything is altered. The brooding self with its hurt vanity has disappeared. There is nothing now but kestrel. Nature is the most reliable route to this sort of ego-dissolving wonder. When we go for a walk, run, ride or swim in nature, we might discover what Wordsworth called ‘the quiet stream of self-forgetfulness’. We get into the ‘reverie’ that Rousseau wrote about when he went walking, feel a mind-expansion at the beauty of the landscape, and this breaks the loop of rumination. Here’s a 2015 study on how a 90-minute walk in nature reduces rumination. The arts can do something similar – absorb our consciousness so that we lose ourselves in the moment, in the book, poem, play, painting, song, cathedral etc – and this shift in consciousness breaks the loop of rumination and takes us somewhere quieter, better, more spacious. A 2016 mass survey by Durham University found reading and nature were our favourite ways to rest – and switching off the restless ego-mind is an important part of that. Likewise, meditation and prayer can help us find the space between our ruminating thoughts. Many of us use sport as a way to get out of the noise of our head and into our bodies. Such moments of absorption can be very socially connecting. Suddenly, we’re taken out of our ego-loops and joined in what social psychologist Jonathan Haidt called ‘the hive mind’. That’s a great antidote to the chronic western affliction of loneliness. We might get that experience singing, dancing, marching or playing music together, which studies shows helps to synchronize people’s breathing and even heart-beat. We might get collective flow from playing or watching sport together, or participating in a concert or political rally. Or – the oldest route – we might get it by worshipping the divine in some form or other. And then there are deeper moments of self-transcendence, which the mystics call ‘ecstasy’, in which one becomes so absorbed in a moment or activity that one’s identity and conception of reality are radically altered, perhaps permanently. Such moments are rare, but they can be life-changing. At this deeper end of what I call the ‘continuum of absorption’, one finds experiences like strong psychedelic trips, moments of deep contemplation, spontaneous spiritual experiences, and near-death experiences. Take spontaneous spiritual experiences. In surveys, between 50% and 80% of people say they have experienced a moment of ecstasy, where they’ve gone beyond their normal sense of identity and felt a deep connection to something greater than them. Here’s one example: During my late 20s and early 30s I had a good deal of depression. I felt shut up in a cocoon of complete isolation and could not get in touch with anyone…things came to such a pass and I was so tired of fighting that I said one day, ‘I can do no more. Let nature, or whatever is behind the universe, look after me now.’ Within a few days I passed from a hell to a heaven. It was as if the cocoon had burst and my eyes were opened and I saw. Everything was alive and God was present in all things….Psychologically and for my own peace of mind, the effect has been of the greatest importance. In a survey I did, agnostics and atheists also reported moments where they felt a deep connection between themselves and all things – indeed, arch-rationalist Bertrand Russell had a mystical moment where he suddenly felt profoundly connected to everyone in the street. He said that experience turned him into a pacifist. We might make sense of such moments of connection differently, but they seem very common, and on the whole good for us. Psychedelics are similarly effective at giving people a sense of spiritual connection and oneness. Comedian Simon Amstell has spoken of how a psychedelic brew called ayahuasca, found in the Amazon jungle, helped him overcome depression: ‘Before I left I felt broken. After I came back, I didn’t feel broken anymore…I felt like I was part of the world, not disconnected from it.’,After 40 years in the wilderness, psychedelics are rapidly returning to the mainstream of western medicine. Just this month, the Lancet published a trial showing the effectiveness of ketamine at treating chronic depression, while BBC One’s main daytime TV show, Victoria, had a segment on the benefits of LSD microdosing in managing emotional problems. Other trials have found psychedelics effective at treating depression and addiction. One of the most powerful forms of ecstatic experience is the ‘near-death experience’. Thanks to improved resuscitation procedures, NDEs are increasingly common and there are several academic research units studying them. They seem to share common features, particularly an encounter with a white light and a sense of being profoundly loved. People typically return from NDEs less afraid of death, because they no longer think it’s the end. I had an NDE myself when I was 21 – that’s how I became interested in this topic – and it helped me recover from PTSD. After five years of feeling my ego was permanently broken, I realized there was something within me bigger than my ego, which was loved and OK.

Other forms of ecstatic experience seem to work in a similar way – they take people beyond their constructed ego and give them a sense of love-connection to some greater whole. In the trials I mentioned at the start of this article, psilocybin seemed to give the participants an NDE-type experience. Here’s the report of one participant in the NYU study:

For the first time in my life, I felt like there was a creator of the universe, a force greater than myself, and that I should be kind and loving. I experienced a profound psychic shift that made me realize all my anxieties, defences and insecurities weren’t something to worry about. Now, this poses a challenge for western science. It appears that moments of ecstasy or ‘mystical experiences’ can be very therapeutic. But are they true? Are we really connected to all beings and the universe in some kind of psychic love-connection? Is there really a loving God beyond our ego? Tucked away in the formal language of the Johns Hopkins study is the comment that one psychedelic trip increased people’s belief in the afterlife (see the passage below), and this was one of the factors in the reduction of death-anxiety.St. Theresa of Avila was a Spanish nun, mystic and writer during the Counter-Reformation. Some sources suggest that as a girl, Theresa was willful and spoiled, and chose to enter the Carmelite sisterhood instead of marrying a wealthy hidalgo based on the mistaken belief that as a nun she would be afforded more freedom. Upon entering the convent aged 19, Theresa became seriously ill (she has now become a patron saint for the infirm), possibly depressed and subjecting her body to self-mutilation. By the time she reached her forties, Theresa had settled down to her new spiritual life, when one day, while praying and singing the hymn "Veni Creator Spiritus," she experienced the first of the episodes that would accompany her for the rest of her life: a rapture. In her writings, Theresa describes how she would feel suddenly consumed by the love of God, feel the bodily presence of Christ or of angels, and be lifted to an exalted state of ecstasy. Although in her own lifetime Theresa was sometimes ridiculed for such claims, or even accused of communing with the devil, she became a prominent figure in the church. Theresa was one of only three female church doctors and was finally canonized in 1622. Bernini's famous sculpture was commissioned by Cardinal Federico Cornaro of Venice in 1647 for his burial chapel in Santa Maria della Vittoria, replacing the previous sculpture showing St. Paul in Ecstasy. The Cardinal hired an already famous but down and out Bernini (his reputation was tarnished after his bell tower for the façade of St. Peter's had to be demolished in 1646) for the fantastic amount of 12,000 scudi (roughly $120,000), a price unheard of at that time. The Ecstasy of St. Theresa is considered by many as the apogee of Bernini's oeuvre and is notable for the following qualities; Bernini's St. Theresa is often described as a gesamtkunstwerk (a German word meaning "total work of art") for the artist's incorporation of a variety of elements: sculpture, painting, and lighting effects all presented in a theatrical setting. The Ecstasy of St. Theresa is not just a sculpture, but a total environment: Bernini designed the entire chapel, creating a veritable stage set complete with sculpted audience members. Although some art historians insist that Bernini could not possibly have intended to imbue this subject with an erotic energy, as that would have been inconceivably heretical for that time, in reality the concupiscent implications of this work are unmistakable: the beautiful, bare-chested young angle gently opens Theresa's dress, preparing to penetrate her with his arrow, while the saint throws back her head with an expression of ecstasy. The sensuality of the piece is directly inspired by St. Theresa's own writings, in which she describes her mystical experiences in overtly erotic terms; "... Beside me, on the left hand, appeared an angel in bodily form... He was not tall but short, and very beautiful; and his face was so aflame that he appeared to be one of the highest rank of angels, who seem to be all on fire... In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. This he plunged into my heart several times ... and left me utterly consumed by the great love of God. The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one cannot possibly wish it to cease, nor is one's soul then content with anything but God. This is not a physical, but a spiritual pain, though the body has some share in it-even a considerable share ..." Even more so than in his previous works, in The Ecstasy of Saint Theresa Bernini takes the principles of the Baroque (drama, emotion, theatricality) to unknown heights. Note the emphasis on the dramatic qualities of light, as well as the virtuoso and utterly fantastic mass of fluttering draperies.

 

en.wikipedia.org/wiki/Ecstasy_(emotion)

Our hike in Faial Da Terra culminated at a beautiful waterfall.

The Outdoor Writers Association of California's Spring Conference culminated with a final dinner held at High Hand Nursery in Loomis. Participants enjoyed live music, local libations, regionally sourced food and the sharing of personal stories.

 

Photo: Erik Bergen, Placer County