Cross Processed Film - C41 E6 BW ECN2
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Every year after Carnival, the Barcelona-Sitges Rally of vintage cars is organized. The car caravan runs along the old Costa de Garraf road, with infinite curves along 23 kms. Once in Sitges, the cars are parked on Passeig de la Ribera to be admired and photographed.
Cross processing began to be used in the 90's, mainly in fashion and advertising photography. In other types of photographs such as landscapes, the results were very bad and unreal. They were high contrast images, with saturated but highly distorted colors. Low lights became dominant blue, dark areas were very flat, blues very dark and muted. Sometimes reds turned magenta and highlights tended to yellow or sometimes slightly pink or creamy.
That's the theory of course and it can also be achieved in Photoshop with external plugins or by loading ACV files in a curves adjustment layer. But it's all very subjective because actually, cross development gives a different result depending on the photographic film you use. An Agfa CT Precisa 100 is a high-contrast reel and creates highly saturated colors, while a Fuji Sensia 100 creates softer, lower-contrast tones. But even within the same brand, each reel has its particular characteristics and therefore different cross processes. On a Fuji Velvia 100F ASA, fuchsia and deep magentas dominate and a Fuji Velvia 50 ASA produces bluish images with high contrast, while a Fuji Provia 100F has a tendency to be greenish and yellowish-blue. Each photo reel reacts differently to the cross processing and also depending on other factors such as the degree of preservation of the film, expiry date, the use of other products such as b / w whiteners, etc.
In cross processing, standard ISO films (from 50 to 100 ASA) were generally used, but for this photo I added some variants to experiment: I used an Ektachrome P800 / 1600 Professional EES slide reel (which due to its high sensitivity It was used by sports press photographers), I forced the exposure to 3200 and sub revealed to 1600. Instead of chemicals process for E-6 I used those for C-41. And I used a half-year expired slide film that had been left out of the fridge under normal ambient conditions. Processed on paper Fuji Professional Lux Chrome Metallic.
This car is an Hispano Suiza H6B Cabrio Model. The body was pearl gray metallic, but through the cross process it was greenish. The upper part was darker and more intense green because of the dominant blue of the sky and the dark brown fender was turned into red. No digital media has been used in this photograph. Just scanning: Epson Perfection V-700 Photo.
Awards:
VI Photographic Contest Marqués de Casariego. Everardo Fernández Cadenas Memorial. (Asturias)
X State Contest of Photography "Ciutat de Valls" (Tarragona)
V City of Torremolinos Photographic Contest. (Málaga)
XIII National Photography Contest, Collado Villalba (Madrid)
X Photography Contest, "Ciudad de Benavente" (Zamora)
VII Photographic Contest of Utiel (Valencia)
IV National Photography Contest "Ciudad de Baeza" (Jaen)
IX Arrigorriaga City Council Photo Contest (Euskadi)
Pasaia Herriko I Argazki Lehiaketa. (Euskadi)
Muy Tranquilo
Gramatik - Street Bangerz Vol. 3 (2010)
In My City
Gramatik - Coffee Shop Selection (2015)
.....
Muy Tranquilo... In My City....
Hasselblad Xpan
Fujifilm 90mm F4.0
FUJIFILM Velvia 50F [RVP]
Develop：Kodak C41 40C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
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camera Lomography Sprocket Rocket, film Fujiichrome Sensia 100 (expired 2009), cross-processed in CineStill 2-Bath process
here is some funky mushrooms.. from a market.
i love the lomo - no one gets too serious when you pull out such a small and old looking camera.
mind you i had some settings wrong so the cross process wasn't great.
September 2017, Singapore Grand Prix. Shot from the Padang.
Rollei CR 200, cross processed in C41. Nikon F3.
This effect is over used, it really doesn't show any talent or skill whatsoever to turn a normal image into a "decent" image with a XPro effect with photoshop. It is quite simple, there are tons of Actions out there that allow you to use this effect with a click of a button.
Once again, proof I should always be alone. But I've never needed anyone, but I sure feel like I'm missing out on life a lot of the time.
For a few weeks me and some of my friends, who are into film photography had been planning a quick trip into South Dakota for some photography fun. I woke up this morning with four messages from some of my friends on AIM, key word, friends a term I now use loosely again. They all wished me a happy weekend and hoping I get my camera figured out.
When I got reading the third message, it stated they decided to leave me here being my camera doesn't function 100% and didn't want me becoming upset over missing good photographing spots. This only makes me more upset. I have other cameras, but they didn't think about that. I'm feeling hugely d-i-t-c-h-e-d again. Whatever!
Number 346 of my 365 photo challenge - A cross-processed and split-toned, focus stack, macro image of a group of Conifer Tuft mushrooms huddled together on the forest floor of a local woodland in Perthshire, Scotland.
Sometimes I like to test digital cross-processing tricks on my photos. And many times I like the results. In real cross-processing you use wrong chemicals (e.g. slide chemicals for film processing or vice versa) to process the negatives.
LOomo Lc-a + Kodak Elite Chrome 400 + Cross Processed.
The beautiful Nouveau influenced entrance canopy, over the subway in Montmartre...but I wish I hadn't clipped it on the left hand side of the frame.
I've wanted to fool around with some cross-processed looks, so I dug this photo up from Seattle a few months ago. Justin Craperi everybody!
Thank you for all for the continued support. I truly appreciate your comments and feedback. You make it enjoyable to share my adventures in film.
This was my first time cross-processing Velvia in medium format. I dig! Came out trippy.
Pentax 67, Velvia 100F