Every year after Carnival, the Barcelona-Sitges Rally of vintage cars is organized. The car caravan runs along the old Costa de Garraf road, with infinite curves along 23 kms. Once in Sitges, the cars are parked on Passeig de la Ribera to be admired and photographed.

Cross processing began to be used in the 90's, mainly in fashion and advertising photography. In other types of photographs such as landscapes, the results were very bad and unreal. They were high contrast images, with saturated but highly distorted colors. Low lights became dominant blue, dark areas were very flat, blues very dark and muted. Sometimes reds turned magenta and highlights tended to yellow or sometimes slightly pink or creamy.

That's the theory of course and it can also be achieved in Photoshop with external plugins or by loading ACV files in a curves adjustment layer. But it's all very subjective because actually, cross development gives a different result depending on the photographic film you use. An Agfa CT Precisa 100 is a high-contrast reel and creates highly saturated colors, while a Fuji Sensia 100 creates softer, lower-contrast tones. But even within the same brand, each reel has its particular characteristics and therefore different cross processes. On a Fuji Velvia 100F ASA, fuchsia and deep magentas dominate and a Fuji Velvia 50 ASA produces bluish images with high contrast, while a Fuji Provia 100F has a tendency to be greenish and yellowish-blue. Each photo reel reacts differently to the cross processing and also depending on other factors such as the degree of preservation of the film, expiry date, the use of other products such as b / w whiteners, etc.

In cross processing, standard ISO films (from 50 to 100 ASA) were generally used, but for this photo I added some variants to experiment: I used an Ektachrome P800 / 1600 Professional EES slide reel (which due to its high sensitivity It was used by sports press photographers), I forced the exposure to 3200 and sub revealed to 1600. Instead of chemicals process for E-6 I used those for C-41. And I used a half-year expired slide film that had been left out of the fridge under normal ambient conditions. Processed on paper Fuji Professional Lux Chrome Metallic.

This car is an Hispano Suiza H6B Cabrio Model. The body was pearl gray metallic, but through the cross process it was greenish. The upper part was darker and more intense green because of the dominant blue of the sky and the dark brown fender was turned into red. No digital media has been used in this photograph. Just scanning: Epson Perfection V-700 Photo.

Awards:

VI Photographic Contest Marqués de Casariego. Everardo Fernández Cadenas Memorial. (Asturias)

X State Contest of Photography "Ciutat de Valls" (Tarragona)

V City of Torremolinos Photographic Contest. (Málaga)

XIII National Photography Contest, Collado Villalba (Madrid)

X Photography Contest, "Ciudad de Benavente" (Zamora)

VII Photographic Contest of Utiel (Valencia)

IV National Photography Contest "Ciudad de Baeza" (Jaen)

IX Arrigorriaga City Council Photo Contest (Euskadi)

Pasaia Herriko I Argazki Lehiaketa. (Euskadi)

Muy Tranquilo

Gramatik - Street Bangerz Vol. 3 (2010)

youtu.be/FZK9Zi26Izc

In My City

Gramatik - Coffee Shop Selection (2015)

youtu.be/Qz_RmnhvFGQ

.....

Muy Tranquilo... In My City....

Hasselblad Xpan

Fujifilm 90mm F4.0

FUJIFILM Velvia 50F [RVP]

Develop：Kodak C41 40C 3:30Mins

Blix: 8mins 39C

Wash： 3:00 mins

Stabilizer: 1min

Flo： 1 min

Scan：Epson V800

© All Rights Reserved

Cross Process

Such a pretty lil puss with a little Lightroom cross processing.

I really liked the focus on this and how the texture of the bubble was captured. It wasn't cold enough for the bubbles to freeze today, the temperature was around 28°F and breezy but the next few mornings are supposed to be ideal, so fingers crossed.

Cross-processed

HSS everyone. PP info: Original HDR image of low raking sun behind a cloud. Took exposure down and upped black levels to create the silhouettes.

Processed using Light Room's cross process pre-set to get a moody offset to the colours.

In photoshop increased canvas side stretched 20% wider and added the reflection by flipping the image then transforming it to crush it down. Tweaked the Hue level of the reflection portion then finally added a redfield filter for water ripples.

Cross-processed.

Wahey! Managed to recover my fluffed shots so I get the classic image to add to my collection after all. Took a fair bit of cloning and cleaning but got there in the end. Pity about the peeps but hey, scale.

I Google'd this and not surprisingly found hundreds of near identical images. Hey-ho. Couldn't not do it though, could I?

So.. lots of pictures taken with the X-E1, stitched in Microsoft ICE and then cleaned and tweaked in a bunch of other software. Threw in a shade of cross processing for that edgy, ain't I a cool dude look. Does it suit me?

Thanks for visiting and please come again soon.. no really..

Regards

Cluke

An amazing mystery tour awaits you on this link....

flickeflu.com

Go on, dare you :D

HBW!

Cross Processed

Lomo LC-A+, Lomography X-Pro Chrome 100 (cross-processed)

September 2017, Singapore. Wandering around the rooftop of the old Great Escape Bar at the Projector Cinema.

Cross processed Voigtlander Vchrome, Nikon F3.

Canon A1

Expired Fuji Sensia II 100

Cross-processed

www.lomography.com/magazine/107329-kodak-elitechrome-eb-i...

feel free to dig through my album collections:

オリンパス : 街拍 : 45mm f/1.8

digital tip jar: buy me a coffee

© All rights reserved. Please do not use this image on websites, blogs or any other media without my explicit written permission.

Holga 120N Kodak Ektachrome E100S (vencido en 2003) Kit Cinestill powder Epson V600

Lomo LCA (cross processing)@

camera Lomography Sprocket Rocket, film Fujiichrome Sensia 100 (expired 2009), cross-processed in CineStill 2-Bath process

here is some funky mushrooms.. from a market.

i love the lomo - no one gets too serious when you pull out such a small and old looking camera.

mind you i had some settings wrong so the cross process wasn't great.

September 2017, Singapore Grand Prix. Shot from the Padang.

Rollei CR 200, cross processed in C41. Nikon F3.

cross process(:

hehe ;D I LOVE CROSS PROCESS. <3

Analogue/Digital hybrid made from a photo taken using a Zeiss Ikon Nettar 515 medium format film camera, cross-processed and then manipulated in Snapseed.

There's something poignant about Images of people or animals facing away from the camera, it leaves more for the imagination about who they are or what they are thinking, you see them and what they see.

I've re-posted this image of mine to tell people about my new tumblr blog: facingaway.tumblr.com/

Any additions to this flickr group:

www.flickr.com/groups/facingaway/

Will be treated as submissions to the blog.

Goin on vacation! See you in two weeks :)

Cross processed FPP “retro chrome”, Olympus OM2n. DSLR scan.

Lomo 135VS

Kodak E100VS cross processed

London, July 2022

This effect is over used, it really doesn't show any talent or skill whatsoever to turn a normal image into a "decent" image with a XPro effect with photoshop. It is quite simple, there are tons of Actions out there that allow you to use this effect with a click of a button.

cross process

Arles, France

Cloitre St Trophime

www.9lives-magazine.com/65169/2020/06/26/cloitre-travail-...

mamiya 6MF + 75mm f/3.5. film: konica professional 160 @80, cross-processed C41 to E6 push +2, creating a positive transparency. lab: the icon, los angeles, ca. scan: epson v750 pro. EXIF tags: filmtagger.

Canon A1

Expired Fuji Sensia II 100

Cross-processed

Once again, proof I should always be alone. But I've never needed anyone, but I sure feel like I'm missing out on life a lot of the time.

For a few weeks me and some of my friends, who are into film photography had been planning a quick trip into South Dakota for some photography fun. I woke up this morning with four messages from some of my friends on AIM, key word, friends a term I now use loosely again. They all wished me a happy weekend and hoping I get my camera figured out.

When I got reading the third message, it stated they decided to leave me here being my camera doesn't function 100% and didn't want me becoming upset over missing good photographing spots. This only makes me more upset. I have other cameras, but they didn't think about that. I'm feeling hugely d-i-t-c-h-e-d again. Whatever!

Cross processing is a technique in photo editing that replicates the appearance of film which has been developed using alternate chemical processing.

The method involves using chemicals that were actually intended for different types of film - like using the chemicals normally used for processing positive slide film when processing negative print film - a technique which causes unusual and sometimes striking shifts in color.

In digital photography, one can achieve a comparable look, producing images with unexpected color combinations, unusual contrast, and a unique vintage or retro aesthetic.

Marine Garage, Moncton Street, Steveston, Richmond, BC. March 17, 2013.

Lomo cross process experimentation.

Explored

35mm velvia 100 in cross-process holga 120

Cross Processed.

fuji sensia 200 - cross-processed.

canon AE-1 program.

1st attempt with matchbox pinhole camera (home made)

Film: Kodak Kodacolor Plus 200 speed

Cross processed as black and white with Adonal 1:50 for 20 mins.

Exposures where indoor with room lighting. Exposure time was around 3 mins.

I'd appreciate anyone comments or tips, tricks and advice.

Cross processed Fuji Provia 100 35mm film home processed C41 not E6.

This causes the colors to shift.

Camera used was a Nikon F4 equipped with a 50mm 1.4 lens.

Developed using the C41 kit from the Film Photography Podcast site.

Devils Tower Wyoming

Prints available at www.etsy.com/shop/PolymathProclivities?ref=profile_header

Sometimes I like to test digital cross-processing tricks on my photos. And many times I like the results. In real cross-processing you use wrong chemicals (e.g. slide chemicals for film processing or vice versa) to process the negatives.

Expired provia 400. Cross-processed in c-41

shot on Provia but cross processed in photoshop

and from my 2 trips to the loire i believe all roads lead to chenonceau because every road had signposts pointing the way