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So I took this simple portrait because I was bored and we have had snow days every day this week so far.
"Creativity is the ability to feel the negativity. The ability ti be put into a situation that you find hard, and it's the ability to channel it, but channel it into something that can make you greater." -Rosie Hardy (TEDx Talk Creativity and Happiness)
5/52
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day:
. . / . .
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
The two girls talk about their secrets of youth. It was a gloomy day, it was very cold, but the girls did not bother.
We are in the forecourt of refuge "CITELLI" at an altitude of 1,400 meters above the sea level. When there is no haze we can see the Ionian Sea and the coast of Calabria.
With a little bit of creativity I was able to produce this. Stay tuned for more mods. Special thanks to Will Chapman (Brickarms) for the parts!
Colored sketchnote of the talk by Tina Seelig at TEDxStanford - www.youtube.com/watch?v=gyM6rx69iqg
Prepared as a part of my work in the Stanford Crash Course on Creativity - venture-lab.org/creativity
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day:
. . (...) L'évènement n'est pas ce qui arrive (l'accident), mais éternellement ce qui vient de se passer et ce qui va se passer, jamais ce qui se passe. (...)
. . (...) The event is not what happens (the accident), but eternally what just happened and what is going to happen, never what's happening. (...)
( Gilles Deleuze - 1969 - "Logique du sens" )
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. . (...) Il y a du nouveau là où se produit un évènement, là où un virtuel s'actualise. (...) Une création est un point-de-vue sur une variation. (...) C'est une création en tant qu'elle est "position", "auto-position", par laquelle le "plus subjectif" devient "le plus objectif", et l'acte de pensée, capture du devenir.
. . (...) There is some "new" where an event happens, where a "virtual" is actualizing. (...) A creation is a point-of-view on a variation. (...) It is a creation as it is a "position", an "auto-position", by which the "more subjective" becomes "the more objective", and the act of thinking, a capture of "becoming".
( Gilles Deleuze - 1991 - "Qu'est-ce que la philosophie ?" )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
Creativity makes my day complete.
Apologists are the worst! We have all read about the atrocities in Africa and the Middle East from the "Religion of Peace" followers and their overwhelming manslaughter everywhere.
The tanker arrived from Houston (Tx) at this berth at the 5th Haven dock. Here is seen at 15:09h, leaving that berth again to shift to a berth on the left bank of the river Schelde. Having to pass two locks on its way to the new berth, it took the vessel until 19:46h to reach its new berth.
Here it is perorming a 200° turn to portside in order to sail out to the Boudewijn lock.
The 1997 built tanker looks good. I am not sure that this coat of paint dates back from the dry docking at Singapore in the autumn of 2013
Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what’s inside you, to make your soul grow. -Kurt Vonnegut
One of the oldest techniques in psychology, Sentence Completion often has been used to understand creativity, imagination, and personality.
How would you fill in the blank?
When I have the time, and the inspiration, I like to sit down and have a bit of a sketch. These are new watercolours I haven't had the chance to use yet...
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
__________________________________
Study of the day:
"L'homme est une corde tendue entre l'animal et le Surhomme, une corde au-dessus d'un abîme."
"Man is a rope stretched between the animal and the superman, a rope over an abyss."
( Friedrich Nietzsche - Ainsi parlait Zarathoustra )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
#adultcolouringbook Complimentary #coloringbook and #creativity pages for adults jmcveyc.ht/1RB5UCH 🎨
Creativity will set you free.
You are free to use this photo under its Creative Commons license. For the attribution, please link back to either my online learning website DIY Genius or my tour website Spirit Quest Adventures.
This took, like, 30 minutes to do. I wasn't holding on to Rebecca's hair or anything, I used self-timer to do this. All I did was crop and auto-fix this.
Lego 10707 Red Creativity Box builds. These are the builds in the instruction book. There are also pictures of other builds you could make. I will most likely be scavenging from this for other projects. There are three other Creativity Boxes available in blue, green and orange.
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
__________________________________________________
Study of the day:
"L'éthique c'est l'ethos grec, c'est le "caractère" dans la poétique d'Aristote, c'est le "séjour" pour Heidegger, c'est la place qu'on occupe, l'espace et le temps où l'on se tient. Il est directement rattaché à l’aidôs qui vient de Hades (Aidês), le dieu de l'enfer, de la mort. L’aidôs est défini par Aristote dans l’Éthique à Nicomaque comme la crainte de subir l’ignominie, une forme d’anticipation de la honte qui serait éprouvée en cas de manquement aux valeurs d’honneur, de justice, au regard des autres, et puni de la mort par Zeus lui même, lorsqu'il confia à Hermès le soin de donner aux hommes homométhéens le sens du respect, de la mesure, de la justice, en un mot : de la dignité.
L'éthique est au-delà de la morale. La morale est une collection de règles prévues pour résoudre les problèmes connus d'un lieu et d'un temps donnés. L'éthique est la capacité d'inventer des solutions pour résoudre des problèmes nouveaux, que la morale n'avait pas prévu, mais qui n'exigent pas moins respect, justice, honneur, au regard du bien commun, passé, présent et futur, et qui dépasse l'intérêt individuel de chaque mortel, en tant qu'il sait qu'il est mortel.
La morale est une mémoire, l'éthique est une incessante création."
"The ethics comes from the greek ethos, the "character" in the poetics of Aristotle, the stay for Heidegger, this is the place we are occuping, the space and the time we are staying in. It is intimately attached to the aidos, of Hades (Aidês), the god of hell and death. The aidôs is defined by Aristotle in the Nicomachean Ethics as the fear to suffer the ignominy, as a form of anticipation of shame that would be proven if case of failure in honor, justice, respect. Ignominy punishable by the death by Zeus himself, when giving to Hermes the mission to bring to the homomethean human creatures the sense of respect, of measure, of justice, in one word : of dignity.
Ethics is beyond morality. The moral is a collection of rules for solving known problems in a given place and a given time. Ethics is the ability to invent solutions to solve new problems, that morality not planned, but who need also respect, justice, honor, considering the common goods, passed, present and future, and that goes beyond the individual interest of each mortal creature, knowing it is mortal.
Morality is a memory, ethics is an incessant creation."
( d'une scholie de Bernard Stiegler - L'éthique, parlons-en ! )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
Best viewed in large
View as a Slide Show Please
flickriver.com/photos/velurajah/popular-interesting/
Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province.Thailand Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province.
Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province., founded in 1350, was the second capital of the Siamese Kingdom. It flourished from the 14th to the 18th centuries, during which time it grew to be one of the world’s largest and most cosmopolitan urban areas and a center of global diplomacy and commerce. Ayutthaya was strategically located on an island surrounded by three rivers connecting the city to the sea. This site was chosen because it was located above the tidal bore of the Gulf of Siam as it existed at that time, thus preventing the attack of the city by the sea-going warships of other nations. The location also helped to protect the city from seasonal flooding.
The city was attacked and razed by the Burmese army in 1767 who burned the city to the ground and forced the inhabitants to abandon the city. The city was never rebuilt in the same location and remains known today as an extensive archaeological site.
At present, it is located in Phra Nakhon Si Ayutthaya District, Phra Nakhon Si Ayutthaya Province. The total area of the World Heritage property is 289 ha.
Once an important center of global diplomacy and commerce, Ayutthaya is now an archaeological ruin, characterized by the remains of tall prang (reliquary towers) and Buddhist monasteries of monumental proportions, which give an idea of the city’s past size and the splendor of its architecture.
Well-known from contemporary sources and maps, Ayutthaya was laid out according to a systematic and rigid city planning grid, consisting of roads, canals, and moats around all the principal structures. The scheme took maximum advantage of the city’s position in the midst of three rivers and had a hydraulic system for water management which was technologically extremely advanced and unique in the world.
The city was ideally situated at the head of the Gulf of Siam, equidistant between India and China and well upstream to be protected from Arab and European powers who were expanding their influence in the region even as Ayutthaya was itself consolidating and extending its own power to fill the vacuum left by the fall of Angkor. As a result, Ayutthaya became a center of economics and trade at the regional and global levels and an important connecting point between the East and the West. The Royal Court of Ayutthaya exchanged ambassadors far and wide, including with the French Court at Versailles and the Mughal Court in Delhi, as well as with imperial courts of Japan and China. Foreigners served in the employ of the government and also lived in the city as private individuals. Downstream from the Ayutthaya Royal Palace, there were enclaves of foreign traders and missionaries, each building in their own architectural style. Foreign influences were many in the city and can still be seen in the surviving art and in the architectural ruins.
The Ayutthaya school of art showcases the ingenuity and the creativity of the Ayutthaya civilization as well as its ability to assimilate a multitude of foreign influences. The large palaces and the Buddhist monasteries constructed in the capital, for example at Wat Mahathat and Wat Phra Si Sanphet, are testimony to both the economic vitality and technological prowess of their builders, as well as to the appeal of the intellectual tradition they embodied. All buildings were elegantly decorated with the highest quality of crafts and mural paintings, which consisted of an eclectic mixture of traditional styles surviving from Sukhothai, inherited from Angkor, and borrowed from the 17th and 18th-century art styles of Japan, China, India, Persia, and Europe, creating a rich and unique expression of cosmopolitan culture and laying the foundation for the fusion of styles of art and architecture popular throughout the succeeding Rattanakosin Era and onwards.
Indeed, when the capital of the restored kingdom was moved downstream and a new city built at Bangkok, there was a conscious attempt to recreate the urban template and architectural form of Ayutthaya. Many of the surviving architects and builders from Ayutthaya were brought in to work on building the new capital. This pattern of urban replication is in keeping with the urban planning concept in which cities of the world consciously try to emulate the perfection of the mythical city of Ayodhaya. In Thai, the official name for the new capital at Bangkok retains “Ayutthaya” as part of its formal title.
Criterion (iii): The Historic City of Ayutthaya bears excellent witness to the period of development of a true national Thai art.
Lego 10708 Green Creativity Box builds. These are the builds in the instruction book. There are also pictures of other builds you could make. I will most likely be scavenging from this for other projects. There are three other Creativity Boxes available in blue, red and orange.
Please, don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved
Creare è far nascere qualcosa di nascosto dentro, quello che prima non era visibile,dare una forma attraverso un'immagine o dall'immaginazione usando il digitale.....Esiste anche la musica elettronica suoni creati al computer :
Useful put-to-together for a wrist ______. Basically, I've used it for trying multiple things, but I like having the bayonet as some sort of "laser."
The U-Clip gives it a way to click on to the minifigure's hand, the spike gives it some cool "round/middle" piece, and the part that you use on top is up to you! Be creative. :)
message from eva ;)
fun is what you make out of it!
music:
www.youtube.com/watch?v=mCRIiSdwK3c
for art uni comp.:
www.flickr.com/groups/art_uni_international/discuss/72157...
background: