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USC's wireless network makes it possible for students like Adam Shahbaz (B.A. English, creative writing '06) to use laptop computers outdoors.

theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

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theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

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The automatic writing project started out as an activity among friends and locals. I would write a line someone else would write a line and so on... Then people would overhear us and ask if they could participate and write something too (which surprised me) of course I said "yes!" At that point I realized that lots of people have something to say. I started asking strangers to add entries, then I graduated to offering people $1.00 to participate, some people do not accept the dollar and some pay me a $1.00 (paying it forward). It's becoming quite a lovely, surprising and compelling project. People from many walks of life are participating: homeless, a news reporter, academics, students, doctors, drug addicts, lawyers, tourists etc... People have written things in my journal that they'd never say out loud, not to anyone. Some of it's so sad, some intriguing, hilarious and so on... At the end of the day, every one of these people understand that their entries are being uploaded to the internet and are comforted in knowing that they will be heard. I have no idea where this is going, but it's going just fine! FYI: English is not everyone's first language here. I will be illustrating the book/journal after the text is done. I hope that everyone who reads these entries learns something about people, mostly that we never know what someone else is going through.

  

Feel free to stop by my facebook page if you like: www.facebook.com/collageandautomaticwriting/

theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

Τ: (00 30) 213 00 40 496 || Mobile: (00 30) 69.45.34.84.45

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David Sawiris practices laboratory-based techniques used in biological research in his biotechnology course. Photo by: Philip Channing

Dorothy Chan

 

The Creative Writing Program in the Department of English at ASU presented a reading and book signing by two of its stellar alumni: Dorothy Chan (MFA 2015) and Dana Diehl (MFA 2015).

 

About the Authors

Dorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, Forthcoming March 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She was a 2014 finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, and her work has appeared or is forthcoming in Academy of American Poets, The Cincinnati Review, The Common, Diode Poetry Journal, Quarterly West, and elsewhere. Chan is the Editor of The Southeast Review. Visit her website at dorothypoetry.com

 

Dana Diehl is the author of Our Dreams Might Align (Splice UK, 2018) and TV Girls (New Delta Review, 2018). Her collaborative short story collection, The Classroom, is forthcoming from Gold Wake Press in early 2019. She earned her MFA in Fiction at Arizona State University and her BA in Creative Writing at the Susquehanna University Writers Institute. She has been an artist in residence at the Sundress Academy for the Arts, Signal Fire, and the Rutgers Camden Summer Writers' Conference. She lives and works in Tucson.

 

Tuesday, Nov. 13, 2018

ASU Tempe campus

This event was open to the public and free.

This event was presented with the support of the Virginia G. Piper Center for Creative Writing.

 

Veronica Gomez (left), Overseas Studies program assistant, answers Jennifer Sue and Sapna Mistry's (right) questions at the USC Study Abroad Fair. Photo by: Philip Channing

Mike Cahill, a visiting screenwriter, meets with creative writing student David Harrison to review his script. Photo by: Philip Channing

Mike Cahill, a visiting screenwriter, meets with creative writing student David Harrison to review his script. Photo by: Philip Channing

A group of faculty and students "marched" from the steps of Old Main to the Sandburg Birthplace historical site, where the faculty shared readings as everyone gathered near Rememberance Rock on Thursday, April 27, 2023.

The Creative Writing Program in the Department of English at ASU presents a reading and book signing by two of its star alumni: Renee Simms, who earned a Master of Fine Arts in 2007, and Dustin Pearson, who earned a Master of Fine Arts in 2017.

 

About the authors

 

Renee Simms received her MFA from Arizona State University, a JD from Wayne State University Law School, and a BA from University of Michigan. She is a recipient of a National Endowment for the Arts Creative Writing Fellowship, was a John Gardner Fiction Fellow at Bread Loaf Writers Conference, and received fellowships from Ragdale and Vermont Studio Center. In addition to teaching in the Rainier Writing Workshop, Renee teaches at University of Puget Sound where she is an associate professor of African American Studies and contributing faculty to English. Renee’s debut story collection Meet Behind Mars was a Foreword Indies Finalist for Short Stories and listed by The Root as one of 28 brilliant books by black authors in 2018. Renee is currently at work on a novel and a collection of linked essays.

 

Dustin Pearson is the author of Millennial Roost (C&R Press, 2018) and A Family Is a House (C&R Press, 2019). He is a McKnight Doctoral Fellow in Creative Writing at Florida State University. The recipient of fellowships from Cave Canem, the Bread Loaf Writers' Conference, and the Virginia G. Piper Center for Creative Writing, Pearson has served as the editor of Hayden’s Ferry Review and a Director of the Clemson Literary Festival. He won the Academy of American Poets Katharine C. Turner Prize and John Mackay Graduate Award and holds an MFA from Arizona State University. His work appears in Blackbird, Vinyl Poetry, Bennington Review, TriQuarterly, [PANK], Fjords Review, and elsewhere.

 

All is not lost

All is not forgotten

 

I am lost

I am forgotten

 

Green sheep carry sleek mice to the steeple

A mean heap marries a reaped prize in front of the people

 

Ding dong Mr. Meinong, throw a bag of words out the window

Ping pong Mrs. Unicorn, hats off—they’re doing pogroms now

—to entertain a bunch of bored people indoors

 

Fashion is never fashionable at first

Fashion is always fashioned by thirst

 

I don no coat

My name is label

We are passionate about bringing a relaxed approach while creating beautiful, natural and vibrant images.

theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

Τ: (00 30) 213 00 40 496 || Mobile: (00 30) 69.45.34.84.45

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Martin Wainstein practices laboratory-based techniques in biological research in his biotechnology class. Photo by: Philip Channing

theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

Τ: (00 30) 213 00 40 496 || Mobile: (00 30) 69.45.34.84.45

Email: info@polychorosket.gr

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Leah Wang (right front) and Moni Kalwani measure samples during their molecular biology and biochemistry lab session. Photo by: Philip Channing

The Creative Writing Program in the Department of English at ASU presents a reading and book signing by two of its star alumni: Renee Simms, who earned a Master of Fine Arts in 2007, and Dustin Pearson, who earned a Master of Fine Arts in 2017.

 

About the authors

 

Renee Simms received her MFA from Arizona State University, a JD from Wayne State University Law School, and a BA from University of Michigan. She is a recipient of a National Endowment for the Arts Creative Writing Fellowship, was a John Gardner Fiction Fellow at Bread Loaf Writers Conference, and received fellowships from Ragdale and Vermont Studio Center. In addition to teaching in the Rainier Writing Workshop, Renee teaches at University of Puget Sound where she is an associate professor of African American Studies and contributing faculty to English. Renee’s debut story collection Meet Behind Mars was a Foreword Indies Finalist for Short Stories and listed by The Root as one of 28 brilliant books by black authors in 2018. Renee is currently at work on a novel and a collection of linked essays.

 

Dustin Pearson is the author of Millennial Roost (C&R Press, 2018) and A Family Is a House (C&R Press, 2019). He is a McKnight Doctoral Fellow in Creative Writing at Florida State University. The recipient of fellowships from Cave Canem, the Bread Loaf Writers' Conference, and the Virginia G. Piper Center for Creative Writing, Pearson has served as the editor of Hayden’s Ferry Review and a Director of the Clemson Literary Festival. He won the Academy of American Poets Katharine C. Turner Prize and John Mackay Graduate Award and holds an MFA from Arizona State University. His work appears in Blackbird, Vinyl Poetry, Bennington Review, TriQuarterly, [PANK], Fjords Review, and elsewhere.

 

Fourth Grade publishing party – each of the kids wrote a work of fiction.

Students practice laboratory-based techniques as part of their class in biotechnology. Photo by: Philip Channing

The Creative Writing Program in the Department of English at ASU presents a reading and book signing by two of its star alumni: Renee Simms, who earned a Master of Fine Arts in 2007, and Dustin Pearson, who earned a Master of Fine Arts in 2017.

 

About the authors

 

Renee Simms received her MFA from Arizona State University, a JD from Wayne State University Law School, and a BA from University of Michigan. She is a recipient of a National Endowment for the Arts Creative Writing Fellowship, was a John Gardner Fiction Fellow at Bread Loaf Writers Conference, and received fellowships from Ragdale and Vermont Studio Center. In addition to teaching in the Rainier Writing Workshop, Renee teaches at University of Puget Sound where she is an associate professor of African American Studies and contributing faculty to English. Renee’s debut story collection Meet Behind Mars was a Foreword Indies Finalist for Short Stories and listed by The Root as one of 28 brilliant books by black authors in 2018. Renee is currently at work on a novel and a collection of linked essays.

 

Dustin Pearson is the author of Millennial Roost (C&R Press, 2018) and A Family Is a House (C&R Press, 2019). He is a McKnight Doctoral Fellow in Creative Writing at Florida State University. The recipient of fellowships from Cave Canem, the Bread Loaf Writers' Conference, and the Virginia G. Piper Center for Creative Writing, Pearson has served as the editor of Hayden’s Ferry Review and a Director of the Clemson Literary Festival. He won the Academy of American Poets Katharine C. Turner Prize and John Mackay Graduate Award and holds an MFA from Arizona State University. His work appears in Blackbird, Vinyl Poetry, Bennington Review, TriQuarterly, [PANK], Fjords Review, and elsewhere.

 

Celeste Chong-Cerrillo, instructional laboratory manager for the Department of Biological Sciences, analyzes microorganisms growing on a specialized growth medium and checks for characteristic colony phenotypes. Photo by: Philip Channing.

Christopher Corzett, a Ph.D. candidate and research assistant in molecular and computational biology, conducts research under the direction of his mentor and professor, Steven Finkel. Photo by: Philip Channing.

We are passionate about bringing a relaxed approach while creating beautiful, natural and vibrant images.

A creepy feeling: in the online journal

Of an old suitor, the following weird lines

“My love for her (ten years ago!) is eternal

And on her birthday my wishes she declines.”

 

It’s strange to know that someone still admires you

After ten years of absence. In my mind

I didn’t care for his love, being the one who

Was running fast and leaving him behind.

 

You are the chaser and sometimes the chased

Wearing your heart not on your sleeve, but hidden

Inside a shoe, under your belt or waist:

Showing it out is thoroughly forbidden

 

I may accept his wishes: for sure he will forget

That coldly I disliked him, expressing no regret.

 

(Sonnet by SiRiChandra)

 

We are spending our lives chasing our idea of happiness.

theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

Τ: (00 30) 213 00 40 496 || Mobile: (00 30) 69.45.34.84.45

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Students practice laboratory-based techniques as part of their class in biotechnology. Photo by: Philip Channing

From left, USC data analyst Shawn Irish and USC Dornsife undergraduate researchers Matthew Orr, Eric Hotchkiss, and Travis de Ronde stand with mirrors atop the 60-foot solar tower on Mt. Wilson.

(Photo/Jie Gu)

The Creative Writing Program at ASU presents author Jess Row in a reading from his work followed by a Q&A and book signing.

 

Row is the author of White Flights: Race, Fiction, and the American Imagination, as well as the novel Your Face in Mine and the story collections The Train to Lo Wu and Nobody Ever Gets Lost. White Flights is his first book of nonfiction. One of Granta’s Best of Young American Novelists of 2007, he lives in New York and teaches at the College of New Jersey.

 

Book Summary

 

White Flights is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of the book, Jess Row ties “white flight”—the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns—to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson’s Housekeeping to the claustrophobic households in Jonathan Franzen’s The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race.

 

White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction “to approach each other again”? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism.

 

PRAISE

 

“Row has produced a thoughtful and timely meditation that serves as a call to white writers.”—Pop Matters

 

“This intelligent collection is often deeply engaged in realms of philosophy and literary theory. . . . There is something for every reader . . . in the message that fiction not only reflects but acts upon real life, and that each of us is obliged to act for justice, in reading and writing as in life.”—Shelf Awareness

 

“With these superb essays, Jess Row reveals himself to be an insightful critic of both literature and the American condition.”—Viet Thanh Nguyen

 

“Jess Row performs a much-needed analysis. . . . The landscape of the imagination, like the country itself, he argues with rich insight and brio, is neither equal nor free.”—John Keene

Dana Diehl

 

The Creative Writing Program in the Department of English at ASU presented a reading and book signing by two of its stellar alumni: Dorothy Chan (MFA 2015) and Dana Diehl (MFA 2015).

 

About the Authors

Dorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, Forthcoming March 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She was a 2014 finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, and her work has appeared or is forthcoming in Academy of American Poets, The Cincinnati Review, The Common, Diode Poetry Journal, Quarterly West, and elsewhere. Chan is the Editor of The Southeast Review. Visit her website at dorothypoetry.com

 

Dana Diehl is the author of Our Dreams Might Align (Splice UK, 2018) and TV Girls (New Delta Review, 2018). Her collaborative short story collection, The Classroom, is forthcoming from Gold Wake Press in early 2019. She earned her MFA in Fiction at Arizona State University and her BA in Creative Writing at the Susquehanna University Writers Institute. She has been an artist in residence at the Sundress Academy for the Arts, Signal Fire, and the Rutgers Camden Summer Writers' Conference. She lives and works in Tucson.

 

Tuesday, Nov. 13, 2018

ASU Tempe campus

This event was open to the public and free.

This event was presented with the support of the Virginia G. Piper Center for Creative Writing.

 

Postdoctoral research fellow Douglas Pace (Ph.D., biology '02) studies environmental physiology and adaptation of marine animals under the direction of professor Donal T. Manahan. Dr. Pace began a postdoctoral research position at the University of Georgia in fall 2007. Photo by: Philip Channing

The Creative Writing Program in the Department of English at ASU presents a reading and book signing by two of its star alumni: Renee Simms, who earned a Master of Fine Arts in 2007, and Dustin Pearson, who earned a Master of Fine Arts in 2017.

 

About the authors

 

Renee Simms received her MFA from Arizona State University, a JD from Wayne State University Law School, and a BA from University of Michigan. She is a recipient of a National Endowment for the Arts Creative Writing Fellowship, was a John Gardner Fiction Fellow at Bread Loaf Writers Conference, and received fellowships from Ragdale and Vermont Studio Center. In addition to teaching in the Rainier Writing Workshop, Renee teaches at University of Puget Sound where she is an associate professor of African American Studies and contributing faculty to English. Renee’s debut story collection Meet Behind Mars was a Foreword Indies Finalist for Short Stories and listed by The Root as one of 28 brilliant books by black authors in 2018. Renee is currently at work on a novel and a collection of linked essays.

 

Dustin Pearson is the author of Millennial Roost (C&R Press, 2018) and A Family Is a House (C&R Press, 2019). He is a McKnight Doctoral Fellow in Creative Writing at Florida State University. The recipient of fellowships from Cave Canem, the Bread Loaf Writers' Conference, and the Virginia G. Piper Center for Creative Writing, Pearson has served as the editor of Hayden’s Ferry Review and a Director of the Clemson Literary Festival. He won the Academy of American Poets Katharine C. Turner Prize and John Mackay Graduate Award and holds an MFA from Arizona State University. His work appears in Blackbird, Vinyl Poetry, Bennington Review, TriQuarterly, [PANK], Fjords Review, and elsewhere.

 

Up-and-coming writers will have the opportunity to learn from one of the UK’s leading TV dramatists in a question and answer session at the University of Salford’s MediaCityUK building on Wednesday 10 October.

    

Award-winning screenwriter Sally Wainwright, creator of BAFTA and Emmy-nominated series At Home with the Braithwaites and writer of ITV detective drama series Scott & Bailey, will be in conversation with BBC Creative Director of New Writing Kate Rowland at the ‘Face 2 Face’ event, organised by BBC writersroom as part of Manchester Literature Festival.

 

Full story at bit.ly/TbqLdO.

This is Laurie Drummond's undergraduate Intro to Creative Writing class at St. Edward's University. I spoke to them today about my novel-in-stories Evacuation Plan, and thought it would be an interesting challenge to shoot the entire group. I climbed on top of the table to get them all in. They were an attentive bunch as I went on and on with odd stories! St. Edward's is a small catholic university in Austin, Texas, and a great place to teach. (I teach graduate creative writing there but usually am only on campus in the evenings.)

 

They are collectively my thirty-fifth stranger in the Flickr challenge to shoot photos of 100 strangers: www.flickr.com/groups/100strangers/ and certainly an experience to meet.

Pauline Yu, a Ph.D. candidate in biological sciences, prepares gels for protein electrophoresis in professor Donal T. Manahan's marine biology laboratory. Photo by: Philip Channing

Current MFA student Charlee Moseley introduced Dana.

 

The Creative Writing Program in the Department of English at ASU presented a reading and book signing by two of its stellar alumni: Dorothy Chan (MFA 2015) and Dana Diehl (MFA 2015).

 

About the Authors

Dorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, Forthcoming March 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She was a 2014 finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, and her work has appeared or is forthcoming in Academy of American Poets, The Cincinnati Review, The Common, Diode Poetry Journal, Quarterly West, and elsewhere. Chan is the Editor of The Southeast Review. Visit her website at dorothypoetry.com

 

Dana Diehl is the author of Our Dreams Might Align (Splice UK, 2018) and TV Girls (New Delta Review, 2018). Her collaborative short story collection, The Classroom, is forthcoming from Gold Wake Press in early 2019. She earned her MFA in Fiction at Arizona State University and her BA in Creative Writing at the Susquehanna University Writers Institute. She has been an artist in residence at the Sundress Academy for the Arts, Signal Fire, and the Rutgers Camden Summer Writers' Conference. She lives and works in Tucson.

 

Tuesday, Nov. 13, 2018

ASU Tempe campus

This event was open to the public and free.

This event was presented with the support of the Virginia G. Piper Center for Creative Writing.

 

  

virtuefern.blogspot.com

www.society6.com/studio/virtuejofern

 

@virtuejofernart on Twitter

twitter.com/virtuejofernart

 

Virtue Jo Fern

Queensberry St Art Studios

North Melbourne

theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

Τ: (00 30) 213 00 40 496 || Mobile: (00 30) 69.45.34.84.45

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theatre / performance art / poetry / installation / readings / documentary / creative writing / music

 

Πολυχώρος Κέντρο Ελέγχου Τηλεοράσεων / TV Control Center

Κύπρου 91Α & Σικίνου 35Α, 11361, Κυψέλη, Αθήνα / 91Α Kyprou & 35Α Sikinou, 11361, Athens

 

Τ: (00 30) 213 00 40 496 || Mobile: (00 30) 69.45.34.84.45

Email: info@polychorosket.gr

Site: polychorosket.gr/

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Twitter: twitter.com/TVControlCenter

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Vimeo: vimeo.com/user16922222/videos

 

The Angel was so tall (almost 10 feet)

No halo I saw, nor wings, his legs astride

As he stood on the side of a dark street

 

Spotting the cars go by. On the concrete

His shadow reached the opposite roadside:

The Angel was so tall (almost 10 feet)

 

Entirely dressed in jeans. Despite the sleet

His hair was dry (a pale gold, oxide dyed)

As he stood on the side of a dark street.

 

His stocky build made him a good athlete

And he could jump the town in a joyride.

The Angel was so tall (almost 10 feet)

 

And then he was no more. A lightning sheet

Destroyed his form, my eyes still open wide

As he stood on the side of a dark street.

 

I stopped the car. A trick? Almost a treat

To see an Angel standing. Then he flied.

The Angel was so tall (almost 10 feet)

As he stood on the side of a dark street.

 

(Villanelle by SiRiChandra)

Students practice laboratory-based techniques used in biological research in their biotechnology course. Photo by: Philip Channing

The Creative Writing Program in the Department of English at ASU presents a reading and book signing by two of its star alumni: Renee Simms, who earned a Master of Fine Arts in 2007, and Dustin Pearson, who earned a Master of Fine Arts in 2017.

 

About the authors

 

Renee Simms received her MFA from Arizona State University, a JD from Wayne State University Law School, and a BA from University of Michigan. She is a recipient of a National Endowment for the Arts Creative Writing Fellowship, was a John Gardner Fiction Fellow at Bread Loaf Writers Conference, and received fellowships from Ragdale and Vermont Studio Center. In addition to teaching in the Rainier Writing Workshop, Renee teaches at University of Puget Sound where she is an associate professor of African American Studies and contributing faculty to English. Renee’s debut story collection Meet Behind Mars was a Foreword Indies Finalist for Short Stories and listed by The Root as one of 28 brilliant books by black authors in 2018. Renee is currently at work on a novel and a collection of linked essays.

 

Dustin Pearson is the author of Millennial Roost (C&R Press, 2018) and A Family Is a House (C&R Press, 2019). He is a McKnight Doctoral Fellow in Creative Writing at Florida State University. The recipient of fellowships from Cave Canem, the Bread Loaf Writers' Conference, and the Virginia G. Piper Center for Creative Writing, Pearson has served as the editor of Hayden’s Ferry Review and a Director of the Clemson Literary Festival. He won the Academy of American Poets Katharine C. Turner Prize and John Mackay Graduate Award and holds an MFA from Arizona State University. His work appears in Blackbird, Vinyl Poetry, Bennington Review, TriQuarterly, [PANK], Fjords Review, and elsewhere.

 

  

virtuefern.blogspot.com

www.society6.com/studio/virtuejofern

 

@virtuejofernart on Twitter

twitter.com/virtuejofernart

 

Virtue Jo Fern

Queensberry St Art Studios

North Melbourne

Celeste Chong-Cerrillo, instructional laboratory manager for the Department of Biological Sciences, analyzes microorganisms growing on a specialized growth medium and checks for characteristic colony phenotypes. Photo by: Philip Channing.

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